International Film Festival Summit (December 4–6, 2011), held in Austin, Texas, is the largest international organization representing the film festival industry. The IFFS mission is to promote and strengthen the global film festival industry through education, networking, dissemination of information, and the cultivation of high standards. This year's featured topics include Anatomy of a Festival: South by Southwest, Programming: The Fine Art of Film Selection, Marketing Strategies: Integrating Social Media and Technology, The Festival Mission, Sponsorship Strategy, Box Office Technology Solutions, among others. Notable speakers include Richard Linklater (Before Sunrise, Before Sunset), as well as SFFS' very own Steve Jenkins, Sarah Cathers, and Linda Butler. DEADLINE: Register by September 25, 2011 to receive discounted rate. WEBSITE: filmfestivalsummit.com/iffshome.html.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
"Filmmakers and coders hunkered down for two days of creative collaboration here during a first-of-its-kind hackathon that explored the future of web video — specifically Popcorn.js, Mozilla’s HTML5 media toolkit designed to amp up interactivity" reports Angela Watercutter. More at wired.com.
Furthering CAAM's work to nurture Asian American media professionals and advance the field of Asian American media, the second annual CAAM Fellowship Program will connect young, talented individuals with leading professionals in the field. ELIGIBILITY: Participating fellows will have access to the leading Asian American talent in film, television and digital media. Each fellowship will be individually tailored to best fit the needs of the fellows and advisers. Fellowships will range from fully integrated collaborations to regular feedback on current projects to an ongoing dialogue about professional development. AWARDS: The CAAM Fellowship Program Retreat will allow the mentor-mentee pairs to spend two full days together in a quiet and peaceful environment where they can focus on the mentees' career, whether it is a script being developed or an acting career that needs some guidance. DEADLINE: October 17, 2011. WEBSITE: caamedia.org/filmmaker-resources/fellowship/caam-fellowship-program-2011/.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
The TFI Latin America Media Arts Fund supports innovative film and video artists who are living or working in Mexico, Central and South America and working independently in their efforts to reach a larger audience. ELIGIBILITY: Submissions must be animation, documentary and/or hybrid feature-length films with an intended length of at least 70 minutes. Submissions must be in production or post-production and must not have aired on any form of television, been screened publicly or have been distributed in theaters or via the internet. Projects may be in any language or dialect. Applicants must be over 18 years old. Student films and stand-alone short films are not eligible for submission. $25 entry fee. AWARDS: Last year, the Fund administered $10,000 grants to four selected films. In addition to funding, each grantee will receive a U.S. based advisor and guidance from the Tribeca Film Institute. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/filmmakers/latin_fund/.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
"San Francisco-based visual effects and post house SPY, a FotoKem company, recently contributed hundreds of visual effects shots, the digital intermediate and 3D conversion services for Francis Ford Coppola’s latest feature film, Twixt," reports Below the Line. More at btlnews.com.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Priya Giri Desai documents matchmaking efforts for HIV-positives in India.
Priya Giri Desai documents matchmaking efforts for HIV-positives in India.
Priya Giri Desai documents matchmaking efforts for HIV-positives in India.
Center for Asian American Media and the Roxie team up to present Sion Sono's madcap masterpiece 'Love Exposure' for a limited run starting Friday. This nearly four-hour long absurdist experiment in maximalism trumps even the director's previous effort 'Suicide Club.' It's succeeded in Sono's bizarre oeuvre by 'Cold Fish,' which opens mid-month. More info at roxie.com.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
SFFS presents the work of pioneering software artist Marius Watz, who uses digital processes and authored algorithms to “automatically” produce numerous types of media including video, still imagery and sculpture through semi-autonomous software systems, as part of its KinoTek series. Look for sci-fi writer/theorist Bruce Sterling's essay on Watz in Thursday's SF360.org. Events: An exhibition in Super Frog Gallery at New People opens July 22; Artist Talk, July 26; Master Class, July 27. More at sffs.org.
Playing at Roxie, new Katrina doc 'The Big Uneasy,' questions the levees' failure in New Orleans and uncovers impending dangers in the city's future. Director and comedian Harry Shearer is scheduled to appear at both evening screenings on July 10. More at roxie.com.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
Press release: The Ninth Street Independent Film Center announced today five new participants for the Center's Media Arts Incubator Program for 2011-2012. "This is a great group of participants," says Skye Christensen, Executive Director of the Ninth Street Independent Film Center. "Each brings a very dynamic project to the Program, and we're really looking forward to what they'll accomplish during their time here." Ninth Street’s Media Arts Incubator Program is designed to nurture socially relevant independent media projects at Ninth Street Independent Film Center. The Incubator Program supports independent filmmakers, start-up film festivals and small media nonprofits through access to workspace and shared resources, such as cross-promotional opportunities, co-productions, affordable meeting or exhibition space and community connections with established media arts partners (Center for Asian American Media, Frameline, San Francisco Jewish Film Festival, and others). Participants are: Rachel Caplan (CEO) and Daniela Rible (Deputy Director) of the annual SF Green Film Festival; Jennifer Tipton and Cary McQueen Morrow, the directors of Art with Impact, which is a platform for the creation of new media on critical social issues; David Evan Harris, Executive Director of the Global Lives Project, a media arts nonprofit that seeks to collaboratively build a video library of human life experience; Scarlett Shepard is Executive Director of the SF Women’s Film Festival; and J.R. Flemming, director and producer of Guarding Dogs, which is a documentary film with a crowd-sourcing model currently in production that makes the case for adopting a dog instead breeding/buying.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
PFA's retrospective of experimental touchstones George and Mike Kuchar continues with a screening of rare 8mm shorts and both brothers in conversation with pioneering media theorist Gene Youngblood at 7:00 pm. Program runs through June 26. More at bampfa.berkeley.edu.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
The Castro's Elizabeth Taylor retrospective brings the actress back to her most devoted fans. The first and last time I attended the now-defunct Taos Film Festival, it gave a tribute to Elizabeth Taylor (who lived in the area), allowing me to spend an hour sitting about ten feet from one of the most famous movie stars ever. Arriving by wheelchair with a little dog on her lap, she was petite and attractive, though infirmity had taken its own toll on her figure. She was also funny, candid, unpretentious, occasionally ribald, passionately serious about her causes (especially AIDS research and education), and a little dotty—occasionally she'd drift off on some strange...
The Castro's Elizabeth Taylor retrospective brings the actress back to her most devoted fans. The first and last time I attended the now-defunct Taos Film Festival, it gave a tribute to Elizabeth Taylor (who lived in the area), allowing me to spend an hour sitting about ten feet from one of the most famous movie stars ever. Arriving by wheelchair with a little dog on her lap, she was petite and attractive, though infirmity had taken its own toll on her figure. She was also funny, candid, unpretentious, occasionally ribald, passionately serious about her causes (especially AIDS research and education), and a little dotty—occasionally she'd drift off on some strange...
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Press release: New People Entertainment, a film division of New People, Inc. that focuses on the licensing and distribution of Japanese films and media, has announced the beta launch of its own exclusive web channel where audiences will be able to stream a variety of the company’s films and content. More at newpeoplechannel.com.
‘Miss Representation,’ former San Francisco Mayoral First Lady Jennifer Siebel Newsom's documentary examining the impact of media on the self-image of female teenagers, screens Friday, with the filmmaker herself in town. More at fest11.sffs.org.
Roxie Theater hosts Playback: ATA Film & Video Festival 2006-2010, a one-day event that showcases a selection of short films from the experimental media arts gallery. More at roxie.com.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
Created in 2007 by Eric Slatkin and Carlton Evans to celebrate possibilities of media we might consider "throwaway" (devices like cell phones and pocket cameras), the Disposable Film Festival has grown into a popular one-day event and year-round traveling showcase. This year, it debuts at the Castro Theatre. More at castrotheatre.com.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
San Francisco International Asian American Film Festival begins March 10 and runs for 11 days, celebrating Opening Night at the Castro Theatre with Andy De Emmony’s 2009 ‘West Is West,’ the sequel to the successful 1999 ‘East Is East.’ About 120 films will play at a variety of venues around San Francisco, Berkeley and San Jose. More at festival.asianamericanmedia.org.
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Pacific Film Archive and UC Berkeley’s Department of Film and Media present Cinema Across Media: The 1920s, a conference to investigate silent film’s embodiment of new artistic fields like design, architecture, painting, vaudeville and music that occurred in the ’20s. More on screenings, which begin February 19, and the conference February 24–26 at bampfa.berkeley.edu/silentconference.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Variety: "Marking another acquisition partnership coming out of the Sundance Film Festival, Roadside Attractions will team with Participant Media," handling U.S. theatrical distribution rights of writer and director Maryam Keshavarz's Iranian drama 'Circumstance.' More at variety.com.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
The Red Lantern Meetup group brings Asian film fans together.
The Red Lantern Meetup group brings Asian film fans together.
The Red Lantern Meetup group brings Asian film fans together.
Pacific Film Archive Theater and UC Berkeley’s Department of Film and Media present Jean Cocteau’s 1946 ‘Beauty and the Beast.’ A lecture by Professor Russell Merritt follows. More at bampfa.berkeley.edu.
SF Chronicle: "It was creative projects like 'The Revolutionary Optimists'," writes Benny Evangelista, "that helped the nonprofit San Francisco organization, which advocates social change through the integration fo storytelling with the latest media technologies, win a $1 million grant from the John D. and Catherine T. MacArthur Foundation." More at sfgate.com.
Press release: "...The new initiative, called JustFilms, will invest $10 million a year over the next five years to support and expand the community of filmmakers and mediamakers around the world focused on creating documentaries with passion and purpose, but who often lack funding to realize their visions or reach audiences." More at fordfoundation.org.
Press release: The San Francisco Film Society will present Fever Dreams: Laurel Nakadate, a multiplatform presentation of the work of American multimedia artist Laurel Nakadate, February 23–March 2. Fever Dreams kicks off KinoTek 2011–12, an eclectic series of programs dedicated to cross-platform and emergent media, supported by a two-year, $80,000 grant from the Andy Warhol Foundation for the Visual Arts. More at sffs.org.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Charles Ferguson offers intel on the world financial crisis with 'Inside Job.'
Charles Ferguson offers intel on the world financial crisis with 'Inside Job.'
Charles Ferguson offers intel on the world financial crisis with 'Inside Job.'
A look at Phil Spector brings back memories, if not that loving feeling.
A look at Phil Spector brings back memories, if not that loving feeling.
Local digital media artist Tim Roseborough presents a feature-length video in homage to Shirley Clarke's 1967 documentary, 'Portrait of Jason,' one last time at Scenius Gallery on 18th Street.
Who's to say if it's a story problem or an audience problem?
Who's to say if it's a story problem or an audience problem?
Who's to say if it's a story problem or an audience problem?
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
Three Bay Area documentaries correct the historical record.
Three Bay Area documentaries correct the historical record.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
Screens are getting smaller. From the cineplex to TV to the computer or iPhone screen, surfaces have shrunk but creativity and resourcefulness have expanded.
Bruce Conner, the sculptor, painter, photographer and filmmaker who loomed large in the Bay Area's shifting avant-garde currents for 50 years, resurfaces with Three Screen Ray.
The documentary Simonal: No One Knows How Tough it Was explores the polemic surrounding a man considered by many to be the greatest singer in Brazilian history.
Along with selfless sacrifices and random luck, low-budget independent films often depend on the timely intervention of an angel.
San Francisco itself took a lead role at Film Society Awards Night, the dinner and awards program benefiting the Film Society s year-round Youth Education initiative.
ViewChange.org, a digital-media hub on global development, offers news about microeconomics and innovative web technology that enables users to contribute to the causes they re learning about.
Director of Programming Rachel Rosen and programmers Rod Armstrong, Audrey Chang and Sean Uyehara shared thoughts on 177 films from 46 countries.
A theme that emerged in this year s SFIAFF was the importance of archives in the film world.
Muayad Alayan, a 24-year-old filmmaker from the only remaining Arab neighborhood in West Jerusalem, was not even aware there was such a thing as Palestinian cinema until, as a teenager, he came to the Bay Area to visit his brother and sister.
The Center for Asian American Media, formerly known as NAATA and founded to nurture Asian American filmmakers as well as counter ethnic stereotypes, has accomplished that and more.
S. Leo Chiang knew what it was like to be an outsider in the U.S., so the rebellion of Vietnamese residents in New Orleans was an ideal subject.
Injured in a crash on the Golden Gate Bridge, Dr. Grace Dammann spent 45 days in a coma and 13 months in the hospital.
YBCA has sustained a major place in S.F.'s cultural landscape without receiving the due it would have had its mission been narrower and more easily defined.
The Oscar nomination for The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers is a validation of the doc's right-now relevance.
In the YouTube-Facebook-viral video era, it's hard to remember the time when youth-made media was rare.
Stephen Talbot left PBS s Frontline World to create and develop original media properties, including a globe-trotting TV series about world music.
You could make a case for Tati as the last great silent comedian even if he didn't begin making features until two decades into the sound era.
The silver lining to a decade that saw traditional critics in conventional media dwindle? The explosion of socially networked citizen critics.
Kristine Enea's documentary shows The EcoCenter, a San Francisco environmental educational facility that treats and recycles wastewater and generates its own solar power.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
Anne McGuire finds the beauty in the strange, and the strangeness in the beautiful. That's not perversity, people; that's poetry.
The Edit Room: Learning how to organize saves you time and money in the editing process; a walk-through just how to do it.
The Toronto International Film Festival has always allowed a generosity of pursuits to co-exist, rewarding the adventurous and satiating the lazy, all without judgment.
The rapid adoption of e-newsletters by documentary filmmakers is the latest example of resourcefulness and efficiency among contemporary independents.
With in-process Volunteer Nation: Stories of Service, veteran producer-directors Ben Hess and Dan Janos are mobilizing the millennials.
Seiji Horibuchi, founder and chairman of VIZ Media, speaks about VIZ Cinema, a built-from-scratch venue located in the New People building in Japantown.
Sjogren threads her vexations with feminist film theory into a study of sound and voice in "women's film" touchstones like Letter from an Unknown Woman.
Douglas Fairbanks in The Gaucho is one of the many highlights on screen during the three-day San Francisco Silent Film Festival.
A Wake for Analog honors analog experimental films like Patrolling the Ether, Bassline Baseline and Zuse Strip.
The 2009 SFIFF has been a launching pad for the numerous Bay Area filmmaker
On May Day Eve, Travis Wilkerson performed Proving Ground, probably the first multimedia Leninist rant to have ever graced the Sundance Kabuki.
City of Borders, the debut film by Bay Area filmmaker Yun Suh, follows several Palestinian characters seeking refuge at a gay bar. The film testifies to the intolerance that members of the LGBTQ community face in addition to all of the other walls, physical and social, separating people in the region.
Where would cinema be without good, old-fashioned youthfulness? Hence: Youth Bring the Truth, a showcase for promising pre-adult media-makers including several local teenagers from this year's San Francisco International Film Festival.
Bringing Rainer's work to a larger audience: Feelings Are Facts: The Life of Yvonne Rainer, a feature-length documentary about the choreographer and experimental filmmaker.
The films of William Kentridge make up a significant and absorbing part of the San Francisco Museum of Modern Art enthralling survey of recent work by the acclaimed South African artist
This year, the festival feels like it has truly arrived as an internationally recognized platform for cross-Pacific cinematic exchange, in this disparate cross-section of films from home, abroad and places in between.
This year, the festival feels like it has truly arrived as an internationally recognized platform for cross-Pacific cinematic exchange, in this disparate cross-section of films from home, abroad and places in between.
Co-directors Senain Kheshgi and Geeta V. Patel, two American friends with family ties to opposite sides of the conflict, went to Kashmir together to see what they could learn–and what the rest of us could.
The retrospective offers fascinating, if not always exemplary, viewing of what could be called a cinema of disaster: characters face the worst, or are living in its aftermath, and like the audience, they are provided with no easy answers.
H.P. Mendoza talks about being a filmmaker in the Bay Area and the opening of his last musical, where he is both director and composer of the film 19 original songs.
Like the strictest kind of verite doc, Gomorrah simply presents activity, without "introducing" characters or spelling out their circumstances or motivations.
13 Most BeautifulÉSongs for Andy Warhol's Screen Tests offers a cherry-picking of the famous Warhol reels accompanied by live original-soundtracking.
Susie Gerhard gives an overview of a festival moving back to the basics of art-making.
Levy offers thoughts on the program she's presenting at Sundance and what's being called the "New Documentary Movement."
Oakland's Pamela Harris and Grantmakers in Film + Electronic Media are connecting media makers with financial resources.
Dennis Harvey reviews some of 2008's year-end sobering dramas.
Frameline's new executive director discusses his non-profit background and graduate school pipe dream of being a novelist.
If, in the ol' days, they were called "'toons," these days, some heavy-duty words are required to express the strength and breadth of contemporary animation.
Whether you dig jazz or not, O'Day's charisma and story make this movie riveting.
There is little question that so-called educational films with specific social-welfare goals don’t get much respect as examples of craft or art.
SF360.org talks to the senior director of original programming at Link TV, which provides an antidote to the standard television news mix.
Muayad Alayan, a 24-year-old filmmaker from the only remaining Arab neighborhood in West Jerusalem, speaks about the making of Lesh Sabreen?.
The Sixth Screen: The first installment of a new, monthly column by filmmaker and journalist Hannah Eaves looks at just how "fair use" is being utilized.
Critic Dennis Harvey reviews select films screened at the 32nd San Francisco International LGBT Film Festival.
SF360 caught up with Ruby Yang during a recent Bay Area visit to discuss her "latest and most lyrical film yet," A Double Life.
For all his lasting wholesome appeal, Stewart was an oddity: Gangly, stammering, Pennsylvania-drawling and not particularly attractive by 1930s studio standards.
Gregg Araki's "irresponsible" movie was the first to respond to the AIDS crisis with ACT UP-style radical rage rather than lamentation or case-pleading.
"There are no movies without music," Kevin Kelly asserted last Saturday in his State of Cinema address.
Think of it as The Sound of Music meets Quest for Fire, or Jesus Christ Superstar rocks Land of the Lost.
The Mission filmmaker has slaved in the underground for some three decades, a guide and shaman for other artists working on the fringes.
Two top winners at the SFIAAFF focused on breakadancing, an art form taken up with vengeance by Asians, with Koran teams a particularly dominant force.
Outgoing SFIAAFF's Associate Director reflects on what made him happy during his last year of work.
SFIAAFF has grown from a niche event to a major international festival - with more than enough voices to justify its unwieldy moniker.
SFIAAFF has grown from a niche event to a major international festival - with more than enough voices to justify its unwieldy moniker.
Filipino Director Brillante Mendoza discusses his aesthetic: a basic approach that resists facade and pretense and desires to depict to things as they really are.
San Francisco Irish Film Festival begins this Wednesday at the Roxie with a slate of narratives and documentaries imbued with Ireland's particularly unique sense of time and place
In addition to practically every extant band you’d want to see, an art exhibit, and comedy shows, there are movies at Noise Pop.
Mitchell Lichtenstein's directorial debut has made Jess Weixler the newest "it girl" on the indie scene.
The live-action film division of Viz Media has just marked its second year of bringing a broader range of Japanese film to the growing audience for Japanese pop culture.
Meet Phil Chambliss, a 54-year-old, recently retired gravel pit nightwatchman who makes what might be termed cinematic folk art.
This festival is home to an array of talent that promotes Indians in roles other than that of Indians, in movies other than westerns.
Mill Valley retains its genuinely alterna-vibe and local (rather than professional outta-towner) audience after 30 years.
The Mill Valley Film Festival turns 30 years young this year, sporting none of the girth and wobbly ankles suffered by other way-out-west fests that began life in 1978.
Slow your rhythms down to this film's idiosyncratic tempo, and you'll get a striking, authentic-feeling epic that's often rivetingly tense.
The co-programmers discuss their newest endeavor, though those already from the Bay Area will be familiar with their work at S.F. Cinematheque.
The story of literary sensation and media darling J.T. Leroy, a persona created by Laura Albert, took another dramatic turn Friday in New York.
For some movies, Sprite and popcorn aren't enough. You need gin and vodka and a room of unruly bodies shouting when they're not supposed to,
Brand is no short supply of Guy Maddin's usual firecrackers: apostrophe, hyperbole, and of course, catastrophe.
Walking in to interview John Carney and actors/musicians Glen Hansard and Marketa Irglova, the frenetic edge to their on-the-road exhaustion is apparent.
SFMOMA offers plenty of chances to appreciate Astaire's feather-light charm this month in Also Dances: The Films of Fred Astaire.
A masterful stroke by writer-director Abderrahmane Sissako; Luc Besson returns to American theaters after a nearly decade-long absence.
Not even widely released yet in the States, Philippe Parreno and Douglas Gordon's "ZidaneÉ" has already been considered a portrait of the century.
"Not eating your friends after they have died is a relatively new invention."
The new western isn't really about violence, it's about Myth, in a symbolic, sort of Old Testament-meets-Sergio Leone way.
A documentary provides an in-depth description of Robert Wilson's life and art. Melville's spy story on a Resistance cell in Nazi-occupied French challenges our idea of heroism.
The product of a true cinematic innovator and gloriously individual poet, Broughton's film work remains much too idiosyncratic to be deconstructed,
Collector and archivist Rick Prelinger puts on a show at the Other Cinema to celebrate his new book, A Field Guide to Sponsored Films.
The Redwood City-based startup InDplay is like an online dating service for the film industry.
The resounding refrain at Digimart 2006 was that the traditional model of independent film and video distribution was dying.
With the midterm elections less than two weeks away, a crop of documentaries are collectively trying to get a message across that has largely been passed over by the mainstream media.
A panel discussion yields insights into the presentÑand futureÑof indie distribution.
The annual series of films from countries with less developed or out-of-favor national cinemas has several winners.
Filmmaker Georgia Lee discusses her narrative feature with family member Frances Chang.
Distributors of independent films reveal their strategies and assessment of the market heading into the all-important fall season.
Through Asphodel Records and RML, Humon pursues his fascination with sound's spatial properties.
The Association for Computing Machinery Ôs 2006 conference and exhibition offered animation, new media art exhibits and the latest techniques in interactivity.
The San Francisco Media Archive director talks about the weirdness and normality revealed on Home Movie Day.
Belic helped a group of youths learn about documentary filmmaking in a program designed to offer media skills to under-served Bay Area high schoolers.
The beloved cult classic will screen in conjunction with a live cast reunion at Peaches Christ's Midnight Mass series.
Matthew Barney: Drawing Restraint opens at the San Francisco Museum of Modern Art. Barney talks to SF360 about his film and gallery project.
Carrie Lozano talks about her inspiration to make Reporter Zero, a documentary on Chronicle reporter Randy Shilts, who documented the early years of the AIDS epidemic.
Al Gore's documentary keeps the viewer thoroughly engaged while offering what may be the most comprehensive explanation of global warming for the layperson that exists.
The third annual Icelandic Film Festival offers just two features and one short, but it's all very, very good.
Memorize these words that supposedly can bring you under government scrutiny when said over the phone, or written in a text message or email.
This English comedy, the second feature made by the guys behind that genius horror spoof, 'Shaun of the Dead,' satirizes fake cinematic testosterone.
George Bush Senior's thousand points of light may never have materialized, but Adam Werbach believes that millions of pixels can truly accomplish something.
Audio and visual collide when Noise Pop hits the silver screen at the Noise Pop Film Festival.
The documentary Persian Garden chronicles the grandest art exhibition in Iran since the 1979 Revolution.
Chuck Stephens shares his thoughts, existential and otherwise, on the Bangkok set of Citizen Dog.
Vietnamese American filmmaker Ham Tran rights an historical wrong in his debut feature film on the Vietnam War.
A conversation with the filmmakers and one star of "Sentenced Home," about three Cambodian Americans in the process of being exiled.
The List: Taro Goto posits who will go on to superstardom from the 2006 San Francisco International Asian American Film Festival.
Transnational tales stand out at the 2006 San Francisco International Asian American Film Festival.
Six degrees of James Shigeta: an actor ahead of his time sustains a presence in American and Asian American cinema.
Asian America everywhere: A talk with San Francisco International Asian American Film Festival directors Chi-hui Yang and Taro Goto.
Asian America everywhere: A talk with San Francisco International Asian American Film Festival directors Chi-hui Yang and Taro Goto.
Jeff Adachi, San Francisco public defender, adds filmmaker to the resume.
The Oppenheimer Cine Rental New Filmmaker Equipment Grant Program supports new filmmakers in producing their first serious film project. The grant awards the use of Grant Program Arriflex 16SR2 camera package to senior and graduate thesis students and to independent filmmakers for a scheduled period of time. ELIGIBILITY: Students, media arts center members and unaffiliated independents are encouraged to apply. Proposed projects may be of any noncommercial nature: dramatic, narrative, documentary, experimental, etc. (Commercial projects, music videos and PSAs will not be considered.) DEADLINE: Ongoing. WEBSITE: oppenheimercinerental.com/grant.html.