The Deadlines section of sf360.org is a large but selective list of festival calls for entry, upcoming seminars, artist residencies, grant and award deadlines and other opportunities for filmmakers. Are we missing an important deadline? Please write us at sgerhard[at]sffs.org.
SF360.org represents a nearly six-year experiment in philanthropically funded film journalism, covering films and filmmaking in the Bay Area and beyond. Published by the San Francisco Film Society, the website debuted February 27, 2006 and was created in a unique collaboration between SFFS and Indiewire, with Susan Gerhard as editor. While SF360.org is no longer publishing feature stories, the SF360 Archive remains the most comprehensive collection of articles about the Bay Area film community, with more than 1,000 feature stories and reviews as well as Indie Toolkit's informative columns about the basics of creating a film and delivering it to audiences. Articles by some of the Bay Area’s most notable voices will remain at your fingertips for the foreseeable future.
SF360.org represents a nearly six-year experiment in philanthropically funded film journalism, covering films and filmmaking in the Bay Area and beyond. Published by the San Francisco Film Society, the website debuted February 27, 2006 and was created in a unique collaboration between SFFS and Indiewire, with Susan Gerhard as editor. While SF360.org is no longer publishing feature stories, the SF360 Archive remains the most comprehensive collection of articles about the Bay Area film community, with more than 1,000 feature stories and reviews as well as Indie Toolkit's informative columns about the basics of creating a film and delivering it to audiences. Articles by some of the Bay Area’s most notable voices will remain at your fingertips for the foreseeable future.
Essential SF shines a light on the Bay Area’s legendary, idiosyncratic and multifaceted contributions to the filmmaking world at SF Film Society | New People Cinema, 7:00 pm. An outgrowth of SF360.org’s Essential SF column, the event this year also pays tribute to the half-decade-plus SF360.org project.
Essential SF shines a light on the Bay Area’s legendary, idiosyncratic and multifaceted contributions to the filmmaking world at SF Film Society | New People Cinema, 7:00 pm. An outgrowth of SF360.org’s Essential SF column, the event this year also pays tribute to the half-decade-plus SF360.org project.
Essential SF shines a light on the Bay Area’s legendary, idiosyncratic and multifaceted contributions to the filmmaking world at SF Film Society | New People Cinema, 7:00 pm. An outgrowth of SF360.org’s Essential SF column, the event this year also pays tribute to the half-decade-plus SF360.org project.
"The launch of SF360.org, an online publication devoted to covering the entire Bay Area film community, was one of San Francisco Film Society Executive Director Graham Leggat's first initiatives when he took over the organization," writes Pam Grady. "...in November, a victim of financial realities and organizational changes in the wake of Leggat's recent death, SF360.org will cease publication." More at SFGate.
The Arab Film Festival, now entering its 15th year, screens more than 40 films in two weeks, beginning Thursday at SF's Castro Theatre and making stops in Berkeley and San Jose before closing in Los Angeles on the 23rd. AFF Exec Director Michel Shehadeh spoke with SF360 earlier this week. More info and ticketing at arabfilmfestival.org.
The Arab Film Festival, now entering its 15th year, screens more than 40 films in two weeks, beginning Thursday at SF's Castro Theatre and making stops in Berkeley and San Jose before closing in Los Angeles on the 23rd. AFF Exec Director Michel Shehadeh spoke with SF360 earlier this week. More info and ticketing at arabfilmfestival.org.
The 34th Mill Valley Film Festival continues at a number of locations, with a number of notable guests, including directors Gaston Kaboré and Luc Besson. See Dennis Harvey's extended preview on SF360 for the full story. More info and film schedule at mvff.com.
The 34th Mill Valley Film Festival continues at a number of locations, with a number of notable guests, including directors Gaston Kaboré and Luc Besson. See Dennis Harvey's extended preview on SF360 for the full story. More info and film schedule at mvff.com.
San Francisco Film Society | New People Cinema sets sail with Jean-Luc Godard's 2010 provocation, 'Film Socialisme.' As Robert Avila writes in SF360.org later this week, the "playful, somber meditation on where history has brought us is brimming with ideas and aesthetic pleasures." Screenings begin September 2. More info on the new SFFS venue at Post Street (between Webster and Buchanan) in sffs.org.
Graham Leggat (b. March 12, 1960), executive director of the San Francisco Film Society, died at his San Francisco home on August 25, 2011, after an 18-month battle with cancer. He was 51.
Graham Leggat (b. March 12, 1960), executive director of the San Francisco Film Society, died at his San Francisco home on August 25, 2011, after an 18-month battle with cancer. He was 51.
Graham Leggat (b. March 12, 1960), executive director of the San Francisco Film Society, died at his San Francisco home on August 25, 2011, after an 18-month battle with cancer. He was 51.
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Film buffs that missed SFJFF entry 'Between Two Worlds' at this year's festival have another opportunity to see the doc this week at the Roxie. A loose series of events beginning with the festival's own highly controversial screening of 'Rachel' in 2009, 'Between Two Worlds' is moored by a sublime ambient soundtrack by guitarist Fred Firth. For analysis, check out Ruby Rich's in-depth feature here on SF360. Filmmakers Alan Snitow and Deborah Kaufman will be present for Q&A for 7:00 pm screenings Friday, Saturday and Sunday. More info at roxie.com.
San Francisco International Film Festival audience-award winner and Sundance standout 'Crime After Crime' opens Friday at the Roxie. This week in SF360, Judy Stone profiles Yoav Potash, the director of the doc, which covers five years of the life and trials of Deborah Peagler, a woman serving 25-years-to-life for her involvement in the murder of her abuser. Potash will appear with guests for Q&A following some screenings. More info at roxie.com.
SFFS presents the work of pioneering software artist Marius Watz, who uses digital processes and authored algorithms to “automatically” produce numerous types of media including video, still imagery and sculpture through semi-autonomous software systems, as part of its KinoTek series. Look for sci-fi writer/theorist Bruce Sterling's essay on Watz in Thursday's SF360.org. Events: An exhibition in Super Frog Gallery at New People opens July 22; Artist Talk, July 26; Master Class, July 27. More at sffs.org.
PFA opens Hands Up! with a double-bill of Polish New Wave legend Jerzy Skolimowski's early European works, 'Deep End' and 'The Shout,' both featuring bleak comedy, dynamic camera work and soundtrack contributions by then-avant touchstones (Can and Genesis, respectively). The series runs through August 25, see Dennis Harvey's in-depth coverage here. More info bampfa.berkeley.edu.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
LA Times Blogs: "Inside Job” won the Oscar for documentary feature at the 83rd Academy Awards on Sunday night. “Inside Job” is an exploration of the causes and corollaries of the 2008 financial crisis. The award goes to Charles Ferguson and Audrey Marrs." More at latimesblogs.latimes.com. And from SF360.org: Bay Area-based Ferguson's speech began with a statement of fact, "After financial fraud not a single financial executive has gone to jail," before thanking his colleagues.
A festival whose curation was called "stupefyingly good" by Dennis Harvey in SF360.org last week, the Noise Pop Film Series complements the live music it's meant to accompany as the likes of Feist, Devendra Banhart and Tom Ze cross the screen. More at 2011.noisepop.com/film.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
From 'Tongues Untied' to 'Black Is.....Black Ain't,' Marlon Riggs' art was a series of radical acts that were both overdue and ahead of their time. Two decades ago, in post-Reagan America, the arts were under fire—one lit by a very particular religious right match. Feeling the heat was the National Endowment for the Arts, a then 25-year-old institution already pretty pitifully funded by comparison with most other developed nations’ governmental arts support. But the small portion of NEA grants that helped avant-garde or otherwise edgy art—as opposed to, say, the local Gilbert & Sullivan society or annual craft fair—provided plenty of opportunities...
From 'Tongues Untied' to 'Black Is.....Black Ain't,' Marlon Riggs' art was a series of radical acts that were both overdue and ahead of their time. Two decades ago, in post-Reagan America, the arts were under fire—one lit by a very particular religious right match. Feeling the heat was the National Endowment for the Arts, a then 25-year-old institution already pretty pitifully funded by comparison with most other developed nations’ governmental arts support. But the small portion of NEA grants that helped avant-garde or otherwise edgy art—as opposed to, say, the local Gilbert & Sullivan society or annual craft fair—provided plenty of opportunities...
This event marks the debut of an exciting new filmmaker-in-person series presented by BAM/PFA. Regarded as one of the most significant voices in contemporary American indie cinema, director Kelly Reichardt presents and discusses her work with professor, author (and SF360.org contributor) B. Ruby Rich at the Pacific Film Archive. Feature films include ‘Ode,’ ‘Old Joy,’ ‘River of Grass’ and ‘Wendy and Lucy,’ as well as two shorts, ‘Then a Year,’ and ‘Travis.’ More at bampfa.berkeley.edu.
SF360.org profiles the 2011 roster of Essential SF, an ongoing compendium of the film community’s vital figures and institutions.
Now in its second year, SFFS's Cinema by the Bay brings Bay Area films and filmmakers to Mission venues the Roxie Theater, the Lab and Southern Exposure. As part of the festivities, SF360 Presents Essential SF November 8, featuring a hard-core handful of the Bay Area's vital filmmakers and institutions. Look for more on the shows at sffs.org.
The CinemaLit Film Series, curated by film critic and SF360.org contributor Michael Fox, presents Leo McCarey's 'Love Affair' at the Mechanics' Institute.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
By any measure, the long-awaited release of Have You Heard from Johannesburg? shapes up to be one of the major documentary events of 2010.
Bay Area-made and Mission-inspired, Peter Bratt's La Mission joins Jennifer Kroot's wild and woolly It Came from Kuchar in Bay Area theaters this week.
Muayad Alayan, a 24-year-old filmmaker from the only remaining Arab neighborhood in West Jerusalem, was not even aware there was such a thing as Palestinian cinema until, as a teenager, he came to the Bay Area to visit his brother and sister.
Films with Bay Area connections featured prominently in the 82nd Academy Award nominations announced yesterday.
The release of Avatar puts a fitting capstone on a frenzied campaign by studios to reintroduce stereoscopic 3-D to audiences in 2009.
Michael Fox shows independent filmmakers who are thriving in the Bay Area.
Newly-retired Pacific Film Archive publicist Shelley Diekman discusses her cinephile tastes, her past and her future.
SF360.org interviews film critics about the changing landscape of film criticism. A panel discussion and screening of For the Love of Movies: The Story of American Film Criticism will take place on Sunday, May 3, at 6 p.m.
Fans, Friends & Followers, focuses on strategies artists can use to support their careers in the digital age.
First-Person: Larry Daressa provides helpful hints on distribution strategy.
A title like this is its own disclaimer, hinting there will be nothing "normal," or very loving, about this story.
SF360.org joined in on a conversation about Cinematheque's past and present when Steven Jenkins lunched with Jonathan Marlow at Caffe Centro.
Oscar-nominated cinematographer César Charlone recently codirected his first theatrical feature film, a darkly comic farce about Pope John Paul II.
Bay Area filmmakers, critics and industry pros list their favorite unreleased films of 2008.
Freelance curator and film fanatic Jack Stevenson brings grainy reels documenting live, nude girls to the Yerba Buena Center for the Arts.
SF360.org asked Bay Area filmmaker Elizabeth Farnsworth about her film, which follows Judge Juan Guzmán as he investigates General Pinochet's crimes.
The Sixth Screen: The first installment of a new, monthly column by filmmaker and journalist Hannah Eaves looks at just how "fair use" is being utilized.
The first of SF360.org's In Production columns looks at two works-in-progress: Laura Lukitsch's film about beards and Lise Swenson's Salton Sea pic.
Thomas Michael remembers well the birth of Hank and Mike, the titular blue-collar Easter bunnies in director Matthiew Klinck's absurdist workplace comedy.
SF360.org sits down with director Alex Gibney, whose film, Gonzo: The Life and Work of Dr. Hunter S. Thompson played at the 51st SFIFF.
Dennis Harvey covers the first week of low-budget geeks, weirdos and gore on display at the Another Hole in the Head Festival.
Strand Releasing President Marcus Hu speaks with Frameline Artistic Director Lumpkin about Frameline, queer cinema and the future of this niche festival.]
The SF Film Society is optimistic that its year-round screen at the Sundance Kabuki will contribute to the spectrum of films in Bay Area theaters.
Looking for something meaningful to do Sunday at 2 a.m.? Try the all-night Dawn festival.
When The English Surgeon had its U.S. premiere at the SFIFF this month, Geoffrey Smith and Henry Marsh received a standing ovation.
Joan Didion famously said, "We tell ourselves stories in order to live." We've internalized the American narrative of Abu Ghraib and accepted its implications.
"There are no movies without music," Kevin Kelly asserted last Saturday in his State of Cinema address.
Food scents and film sensibilities mingled in a pungent party atmosphere at the California Culinary Academy.
The second installment of Alex Gibney's interview about Gonzo: The Life and Work of Dr. Hunter S. Thompson, which closes the San Francisco International Film Festival.
You know a festival is working its way into your brain when, in a landscape of intersecting ideas, you begin to witness the collisions.
Glass: A Portrait of Philip in Twelve Parts is a very close-quartered and loving documentary, a year in the life of the composer.
Medicine for Melancholy is a graceful and poignant film about fleeting urban connections, black identity and invisibility, cultural adventures and this gentrified city's lost soul.
A self-described "cultural archeologist," the noir expert's debut short, The Grand Inquisitor, pays homage to the Dashiell Hammett-style detective story.
Dawn Logsdon and Lolis Eric Elie dig through the rubble of Hurricane Katrina to tell the story of Faubourg TremŽ, which was home to African Americans and fertile ground for political activism, music and literary life.
The SFIFF announced its 2008 program and the June 13 launch of its year-round programming on one screen at the Sundance Kabuki
First-time writer/director Jeff Nichols discusses the inspiration behind Shotgun Stories, the initial hurdles in making the film, and the noble nature of his characters.
Outgoing SFIAAFF's Associate Director reflects on what made him happy during his last year of work.
Longtime San Francisco Chronicle film critic Judy Stone offers her top ten picks from the 2008 San Francisco International Asian American Film Festival.
“Passion & Power, the Technology of Orgasm” gives Rachel Maines’ entertaining academic book on the subject a new life onscreen.
The Romanian film takes place over 24 hours in a provincial town in 1987 before Ceaucescu was deposed.
A reprinting of an interview with Amanda Micheli because her film, now playing Sundance, has just made the final cut for an Academy Award.
Galison, whose film is competing at Sundance '08, answers questions about the world of hidden national security policy.
Mitchell Lichtenstein's directorial debut has made Jess Weixler the newest "it girl" on the indie scene.
As filmmakers, fans, and skiers get zipped up to head off to Parka City for the annual Sundance Festival this week, SF360.org checked in with Gail Silva.
If they don't get the chance to beguile the world in theaters, maybe, at the very least, they'll find their way to audiences via digital download.
Ivan Jaigirdar's joint offers a screen filled with Bollywood eye candy, plates filled with South Asian food, and drinks to warm both.
The Sundance feature follows a 70-year-old novelist trying to complete the book he's been working on for the last 10 years.
Yu's latest doc centers on four rather damaged individuals, applying the dramatic structure of Greek playwright Euripedes to contemporary life.
"I suddenly found myself surrounded by a group of 15 little [Cambodian] girls aggressively soliciting me for prostitution," Guy Jacobson told a MVFF audience.
Herzog's remarks challenged the audience to reconsider its views on non-fiction film at AFI Fest.
The List: SF360.org has compiled a short list of environmental filmmakers we hope will one day find a Peace Prize coming their way, too.
SF360.org spoke with Robert Ogden Barnum on guiding four future pop stars onto the big screen in Antonia and his new distribution company.
As the Madcat Women's International Film Festival heads into its final stretch this coming week in San Francisco, SF360.org felt it was important to catch up with its chief curator, Ariella Ben-Dov.
Lucy Gray reports from the 35th Telluride Film Festival.
Tirard takes an ingenious tack in conjuring the creative evolution of France's master of satiric comedy.
SF360.org talks to Marc Huestis, who exhibits a playful flair to his showmanship, putting the "imp" back in impresario.
The '05 feature imagines a 21-year-old Indian American returning to India to visit her family and discover where she was born.
The List: Frozen Film Festival is a small festival that hopes to capitalize on the fact that San Franciscans like to stay indoors in the summer.
Stacey Wisnia has been a vibrant fixture in the San Francisco film scene for years and has became the Executive Director of the San Francisco Silent Film Festival,
List: Most of us talk to our pets, but very few of us talk our Camrys or toasters. That's where animation fills our need to fantasize about our interactions with animals.
"People in this town are coming to realize that Los Angeles needs a world-class film festival," proclaimed Rich Raddon, who's led LAFF since 1999.
The story of literary sensation and media darling J.T. Leroy, a persona created by Laura Albert, took another dramatic turn Friday in New York.
The prolific British director, known for a large and eclectic body of work, has done something very unusual in the past half decade.
"SF Indiefest: Gets Animated," piggybacking on the 4th Annual Another Hole in the Head Film Festival, co-presents an animation program with the popular archivist.
Despite the best efforts of method actors, methodical directors, and talented costume designers, biopics can usually be relied upon to disappoint.
A week before the 27th festival, SF360.org spoke with the executive director on what Superfest gets about disability that the rest of the filmmaking world doesn't.
No sooner does the Festival de Cannes open than attendees start buzzing about the potential award-winners.
Mexican director Francisco Vargas Quevedo’s "The Violin" (El violin) won the San Francisco International Film Festival’s Skyy Prize, while Israeli duo Shahar Cohen and Halil Efrat’s "Souvenirs" took best documentary feature (West Coast premiere), capping the Golden Gate Awards ceremony Wednesday evening for the festival’s landmark 50th edition.
The Unbelievable Truth helped jumpstart the independent film movement in the U.S. in 1989, followed by eight more Hartley features in the next decade.
The List: An Amerindie helmer well before the term was invented, Nilsson names 10 films which deeply affected him.
Is there anyone who doesn't know that the San Francisco International Film Festival is turning 50 this month?
Wonders Are Many: The Making of Doctor Atomic blends World War II history with composer John Adams and director Peter Sellars’ staging of a new opera on the subject.
Thinking about the upcoming SFIFF, music may not be the first thing that pops into your head. It may not even be the second.
The editor and actor, known for his frequent work with Todd Haynes, died in New York. His friends share their thoughts.
Just a week out of the SFIFF50 press conference at the Westin St. Francis, and the buzz has already had a chance to build. SF360.org checked in with a few friends in the San Francisco filmmaking scene to see what they’re looking forward to in the 50th edition of the SF International Film Festival. Big winners: Guy Maddin’s “Brand Upon the Brain!” and, of course, the live and in-person tribute to Spike Lee, who — as Strand Releasing’s Marcus Hu reminds us — returns to the Bay Area to receive his Film Society Directing Award in spite of the fact the projector broke during the premiere of “She’s Gotta Have It” at the SFIFF more than 20 years ago.
I’m eager to see Camila Guzman Urzula’s documentary “The Sugar Curtain” for perspectives on life in Cuba from those in their twenties and thirties. I’m curious about how a savvy film critic like Wesley Morris will interview Spike Lee. It will be a welcome occurrence to see two Black men talking on a US festival stage about film.
Cornelius Moore
California Newsreel
“Audience of One:” I know this year the festival is honoring Lucas and Coppola and those guys as local heroes, but really. Hollywood North? What happened? Now here is a group of makers, Pentacostals no less, working on a gargantuan bible epic right down on Ocean Avenue in the old El Rey Theatre. Now that’s hot!
Christian Bruno
Strand, A Natural History of Cinema
Although I’ve already seen it, I look forward to attending the one-off screening of Guy Maddin’s “Brand Upon the Brain!” since each live performance, by design, differs somewhat from the last. No self-respecting (or, for that matter, self-deprecating) cineaste should miss it. Beyond that, I’m particularly interested in Alain Resnais’ latest, “Coeurs” (i.e., “Private Fears in Public Places,” which, due to timing conflicts, I missed in Toronto), reuniting the director with the exceptional playwright Alan Ayckbourn. I remain quite fond of his recent films even if most folks in this country seem to disregard his work after “Mon oncle d’Amerique,” released over a quarter-century ago.
Jonathan Marlow
GreenCine
I love that SFIFF is honoring Spike Lee, I saw “She’s Gotta Have It” when it had its world premiere at SFIFF and remembered what an amazing experience that was when the projector broke!
Marcus Hu
Strand Releasing
I first started attending SFIFF in 1964 while still in high school. I saw the independent “The Luck of Ginger Coffey,” directed by Irvin Kershner and starring Robert Shaw, a fascinating documentary look at a country
When Bay Area filmmaker Amanda Micheli approaches, you can see that she is an athlete. She's sure of herself.
SF360.org checked in with actors and filmmakers roaming this year's festival to give props to their favorite Asian American artist, past or present.
As this week's blanket coverage of David Fincher's Zodiac shows, it's axiomatic that nothing intrigues San Franciscans more than San Francisco. And why not?
"Not eating your friends after they have died is a relatively new invention."
The latest launch under the SF Film Society's SF360 banner premieres this week on ComcastSF, Channel 11.
Wrapping up Sundance Ô07, with the NFL's big game as the best metaphor to describe the annual festival.
Highlights of the upcoming festival were presented by the San Francisco Film Society Executive Director.
Inteview with the artist and filmmaker on her work and her latest movie, presented at Sundance.
A delightfully funny movie on boy-men redeeming themselves from New Zealand, and Mark Becker's absorbing documentary on a musician in the Mission.
Miljenko Skoknic's list of favorites in Chilean Cinema.
A documentary provides an in-depth description of Robert Wilson's life and art. Melville's spy story on a Resistance cell in Nazi-occupied French challenges our idea of heroism.
SF360.org ended the year the way we started it--asking enormous favors from some of our favorite filmmakers: Caveh Zahedi, Sam Green, and Danny Plotnick.
You can't imagine a critic like Cheryl Eddy,with her dazzlingly caustic skepticism, ever believed in Santa Claus.
Filmmaker Georgia Lee discusses her narrative feature with family member Frances Chang.
The Academy of Motion Picture Arts and Sciences' Academy Foundation bestowed a surprise grant of $150,000 over three years.
Benjamin Weil took time out from preparations for the upcoming Barney show to answer questions about the artist's "Drawing Restraint" series.
SF360 spoke with Clark about Impaled, in which his exploration of adolescent mores reaches in discomfiting, yet fascinating new directions.
The S.F. International Film Festival opened the gates this year to an accredited citizen press corps of bloggers and vloggers.
"I got a call out of the blue," Graham Leggat says, explaining how he left the Film Society of Lincoln Center for the left coast.
The List: Taro Goto posits who will go on to superstardom from the 2006 San Francisco International Asian American Film Festival.
The List: In the aftermath of the Roxie resurrection, the five top-grossing films that screened there over the past two decades.