SF360.org represents a nearly six-year experiment in philanthropically funded film journalism, covering films and filmmaking in the Bay Area and beyond. Published by the San Francisco Film Society, the website debuted February 27, 2006 and was created in a unique collaboration between SFFS and Indiewire, with Susan Gerhard as editor. While SF360.org is no longer publishing feature stories, the SF360 Archive remains the most comprehensive collection of articles about the Bay Area film community, with more than 1,000 feature stories and reviews as well as Indie Toolkit's informative columns about the basics of creating a film and delivering it to audiences. Articles by some of the Bay Area’s most notable voices will remain at your fingertips for the foreseeable future.
SF360.org represents a nearly six-year experiment in philanthropically funded film journalism, covering films and filmmaking in the Bay Area and beyond. Published by the San Francisco Film Society, the website debuted February 27, 2006 and was created in a unique collaboration between SFFS and Indiewire, with Susan Gerhard as editor. While SF360.org is no longer publishing feature stories, the SF360 Archive remains the most comprehensive collection of articles about the Bay Area film community, with more than 1,000 feature stories and reviews as well as Indie Toolkit's informative columns about the basics of creating a film and delivering it to audiences. Articles by some of the Bay Area’s most notable voices will remain at your fingertips for the foreseeable future.
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
Expectations defied in Taiwan Film Days. It could be argued that Taiwanese cinema, best known through the work of three auteurs, Edward Yang, Hou Hsiao-hsien and Tsai Ming-liang, is not tied to audience-generating genres. It’s certainly been able to travel more diverse cinematic avenues than some of its neighbors. San Francisco Film Society's Taiwan Film Days running from October 14–16, however, offers evidence for any number of arguments you’d like to make about Asian cinema and Taiwan in particular. On the docket this year are ...
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
The TFI Documentary Fund provides grants and guidance to exceptional filmmakers developing engaging feature-length documentaries which emphasize character and that allow audiences to consider history, culture and society through the experiences of extraordinary individuals. ELIGIBILITY: Submissions must be non-fiction motion pictures with an intended length of at least 70 minutes and should creatively document unique character(s); submissions can be in the advanced stages of development, production or post-production and must not have aired on any form. Foreign language documentaries are eligible, but must be subtitled and suitable for an American audience. Applicants must be over 18-years old. $25 entry fee. AWARDS: Grants of at least $10,000 will be awarded in 2012. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/tfi_documentary/.
The TFI Latin America Media Arts Fund supports innovative film and video artists who are living or working in Mexico, Central and South America and working independently in their efforts to reach a larger audience. ELIGIBILITY: Submissions must be animation, documentary and/or hybrid feature-length films with an intended length of at least 70 minutes. Submissions must be in production or post-production and must not have aired on any form of television, been screened publicly or have been distributed in theaters or via the internet. Projects may be in any language or dialect. Applicants must be over 18 years old. Student films and stand-alone short films are not eligible for submission. $25 entry fee. AWARDS: Last year, the Fund administered $10,000 grants to four selected films. In addition to funding, each grantee will receive a U.S. based advisor and guidance from the Tribeca Film Institute. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/filmmakers/latin_fund/.
After delighting audiences at this year's Frameline festival with its sexy, stylish update on the classic Hollywood screwball formula, 'Run Lola Run' director Tom Tykwer's '3' gets a full run at Sundance Kabuki and other venues around the Bay starting this Friday. More info sundancecinemas.com.
After delighting audiences at this year's Frameline festival with its sexy, stylish update on the classic Hollywood screwball formula, 'Run Lola Run' director Tom Tykwer's '3' gets a full run at Sundance Kabuki and other venues around the Bay starting this Friday. More info sundancecinemas.com.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Thrill ride 'Point Blank' loses nothing in translation—it's a prime example of cinematic globalization.
Thrill ride 'Point Blank' loses nothing in translation—it's a prime example of cinematic globalization.
Thrill ride 'Point Blank' loses nothing in translation—it's a prime example of cinematic globalization.
San Francisco International Film Festival audience-award winner and Sundance standout 'Crime After Crime' opens Friday at the Roxie. This week in SF360, Judy Stone profiles Yoav Potash, the director of the doc, which covers five years of the life and trials of Deborah Peagler, a woman serving 25-years-to-life for her involvement in the murder of her abuser. Potash will appear with guests for Q&A following some screenings. More info at roxie.com.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
The Red Vic collective announced today that after 31 years of continuous operation as a cooperatively-run, single screen neighborhood theater, the theater will be closing its doors July 25.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Herzog "best fiend" Klaus Kinski battles hecklers and personal ghosts in this newly restored print of his 1971 one-man show, one of scant few opportunities for English audiences to bear witness to his truly unhinged, but deeply compelling public persona. Plays at YBCA; more info YBCA.org.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
The Sundance Film Festival Audience Award winner, ‘Circumstance,’ which tells the story of two Iranian women who fall in love, plays at Sundance Kabuki Cinemas on May 1 and May 3. Director Maryam Keshavarz attends each screening of her debut feature. More at fest11.sffs.org.
Press release: New People Entertainment, a film division of New People, Inc. that focuses on the licensing and distribution of Japanese films and media, has announced the beta launch of its own exclusive web channel where audiences will be able to stream a variety of the company’s films and content. More at newpeoplechannel.com.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
Press release: The 54th San Francisco International Film Festival (April 21 - May 5) today announced its documentaries in competition for the Golden Gate Awards and films in competition for the New Directors Prize. The International will award close to $100,000 in total prizes this year. Sixty thousand dollars will be awarded to winners in three categories: investigative documentary feature ($25,000), documentary feature ($20,000) and Bay Area documentary feature ($15,000). The New Directors Prize of $15,000 is given to a narrative first feature that exhibits a unique artistic sensibility and deserves to be seen by as wide an audience as possible. Seventeen countries contributed to the production of the 11 films in this year's competition. Click through for titles or visit sffs.org.
Los Angeles Times: "The documentary “Presumed Guilty” (“Presunto Culpable”) has received accolades far and wide, from human rights groups, audiences and Mexican legislators. It is a damning look at the Mexican judicial system that hastens to put a man in prison on the flimsiest of evidence," writes Tracey Wilkinson. More at latimes.com.
Build an action picture with a poor script? At your own risk.
Build an action picture with a poor script? At your own risk.
Build an action picture with a poor script? At your own risk.
Press Release: The Audience Award winners for the 13th San Francisco Independent Film Festival include ‘Kaboom,’ named as Best Narrative Feature, ‘Bathing and the Single Girl’ for Best Narrative Short, ‘Free Radicals’ for Best Documentary, ‘Burning Wigs of Sedition’ for Best Music Video and ‘Mars’ for Best Animated Film. More at sfindie.com.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
The Red Lantern Meetup group brings Asian film fans together.
The Red Lantern Meetup group brings Asian film fans together.
The Red Lantern Meetup group brings Asian film fans together.
Press release: "...The new initiative, called JustFilms, will invest $10 million a year over the next five years to support and expand the community of filmmakers and mediamakers around the world focused on creating documentaries with passion and purpose, but who often lack funding to realize their visions or reach audiences." More at fordfoundation.org.
An Asian cinema talk-radio show broadcasts from San Mateo to the world.
An Asian cinema talk-radio show broadcasts from San Mateo to the world.
An Asian cinema talk-radio show broadcasts from San Mateo to the world.
Rough-cut screenings can help you identify problems areas of your film—if you know how to listen.
Rough-cut screenings can help you identify problems areas of your film—if you know how to listen.
Rough-cut screenings can help you identify problems areas of your film—if you know how to listen.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
The Ivory-Billed Woodpecker may have disappeared for good, but a film about its possible rebirth persists against all odds.
The Ivory-Billed Woodpecker may have disappeared for good, but a film about its possible rebirth persists against all odds.
The Ivory-Billed Woodpecker may have disappeared for good, but a film about its possible rebirth persists against all odds.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
At SFFS Film Arts Forum, experts offered live advice on how to pitch a film.
At SFFS Film Arts Forum, experts offered live advice on how to pitch a film.
At SFFS Film Arts Forum, experts offered live advice on how to pitch a film.
VIZ Cinema celebrates World Food Day with a screening of Yuri Yomura’s ‘Eatrip,’ a Japanese documentary exploring the detailed splendors of food preparation and, of course, consumption. A live broadcast connects Tokyo and San Francisco audiences as they say “Itadakimasu” ("I humbly receive") in unison to kick off the event. Audience members also receive an onigiri rice ball and complementary drink.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
The Pacific Film Archive's Criminal Minds series offers a liberating mix of asocial outlaws and sordid stories based on the ripped-from-the-headlines exploits of real-life gangsters and killers.
The Pacific Film Archive's Criminal Minds series offers a liberating mix of asocial outlaws and sordid stories based on the ripped-from-the-headlines exploits of real-life gangsters and killers.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
The San Francisco Jewish Film Festival finds fans beyond its identity-based target audience with a wide array of international films and topics.
The San Francisco Jewish Film Festival finds fans beyond its identity-based target audience with a wide array of international films and topics.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Critical consensus on Frameline34 marks it a good year. The audience wanted something different, and the festival has largely obliged.
Frameline34 takes a fresh look at Andy Warhol's world while offering a view to the world of international LGBT cinema 2010.
I sat down for a chat with Festival Director and cofounder Carlton Evans, Art Director Rebecca Bortman, and Jessica Meek, project coordinator for a fest sponsor.
Judging from Saturday night s festivities, half the capacity Castro Theatre audience had worked on or otherwise invested in Joshua Grannell a.k.a. Peaches Christ s debut feature.
Few would argue that a good movie often starts with a good story. Yet it has been the screenwriter s lot to be underappreciated.
Few would argue that a good movie often starts with a good story. Yet it has been the screenwriter s lot to be underappreciated.
Leland Orser saw his first movie at the Alexandria, and Joshua Grannell initially established himself as a S.F. character via his alter ego Peaches Christ.
Live & Onstage thought globally and drafted locally with Sam Green and musician Dave Cerf s live Utopia in Four Movements, which never takes the exact same form.
To be from the Bay Area and called The Butcher Brothers might mean you get mixed up with purveyors of grass fed meats.
I found Sam Green deep in preparation, but he found time to walk me through the greatest dreams and worst nightmares of the 20th century.
If you imagine the S.F. International Film Festival as an circus tent, with Opening and Closing nights the main supports, the other tent poles are interactive live experiences.
If you imagine the S.F. International Film Festival as an circus tent, with Opening and Closing nights the main supports, the other tent poles are interactive live experiences.
When television first became a dire threat, Hollywood fought the small screen by making the big one really big with vast spectacles worth leaving home for.
Beware of Save the Day My Way Syndrome. Now, learn from your mistakes.
With opening night approaching, Rachel Rosen talked about her L.A. Rolodex, the function of festivals in a broadband world and her favorites in the festival.
Pedestrians have always propelled cinema narratives, but the bicycle has rarely had a starring role.
Director of Programming Rachel Rosen and programmers Rod Armstrong, Audrey Chang and Sean Uyehara shared thoughts on 177 films from 46 countries.
A theme that emerged in this year s SFIAFF was the importance of archives in the film world.
The Center for Asian American Media, formerly known as NAATA and founded to nurture Asian American filmmakers as well as counter ethnic stereotypes, has accomplished that and more.
Wasn't it just yesterday that Cinequest was the scrappy upstart amongst Bay Area festivals? Apparently not: San Jose's annual cinematic blowout is entering its third decade.
Last month's nominations announcement was anticipated with unusual interest, largely because the Academy reverted to ten Best Picture nominees, a practice abandoned in 1943.
The spring edition of the Cinematheque calendar is making the rounds, and my copy is dog-eared with wishful thinking. Grab your datebook for a rundown.
Olga Samaroff, the path-breaking 20th-century concert pianist, critic and teacher, was born Lucy Hickenlooper in San Antonio, Texas. That's right, she reinvented herself.
How long should your documentary be? If your audience begins to glaze over or feel restless, you've lost the opportunity to leave them wanting more.
As soon as the silent era hit sound circa 1927, musicals became a leading genre worldwide. How could their appeal possibly die out?
The harsh glare of the spotlight that brought Howl mixed reviews from critics on opening night of Sundance had melted into a warm glow by Saturday.
You could make a case for Tati as the last great silent comedian even if he didn't begin making features until two decades into the sound era.
Jennifer Phang has experienced more than enough culture shocks in her life to empathize with the identity challenges of the characters in her debut feature.
Geralyn Pezanoski s doc about the separation and occasional reunion of pets and owners in post-Katrina New Orleans beat the shelf-life odds.
Not surprisingly, Bay Area critics, fans, exhibitors and filmmakers did not arrive at a consensus on the best films of the decade.
It was a big year for 3D, but Bay Area critics and film-industry folk found many other dimensions in the cinema of 2009.
The release of Avatar puts a fitting capstone on a frenzied campaign by studios to reintroduce stereoscopic 3-D to audiences in 2009.
On Sept. 13, 2001, I stood in a Toronto park and spoke to Canadian television: Movies wouldn't be the same. I was wrong.
Reminiscent of Marcel Ophuls' fearless provocations in Hotel Terminus (1988), Yoav Shamir breaks every rule of polite documentary filmmaking in Defamation.
The 13th New Italian Cinema festival finds the political and personal mixing more frequently than you'd find in any assortment of U.S. narrative films.
George Rush skips legal concerns and instead speaks to a larger issue: the lack of quality independent filmmaking today.
The documentary chronicles several large-scale pranks devised in the hopes of fooling corporate/government event attendees and/or the media.
It’s hard to imagine a venue where the new documentary Holding On to Jah will sound better than it did at Mezzanine last Wednesday night.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
At their respective festival tributes, the actors gave entertaining and revealing onstage interviews.
Though often made for private reasons, home movies are treasure troves of culture ephemera and social history.
The program offers a surprisingly potent mainstream industry presence, with tributes to A-list types more frequently seen at the multiplex than at the art house.
First Person: How can people respond in diametric and, at times, vitriolic opposition to the same film? Mine.
Chris Simon and Maureen Gosling's documentary-in-progress, tentatively titled No Mouse Music! The Story of Chris Strachwitz and Arhoolie Records, pays tribute to an underappreciated artist.
Franny Armstrong talks about the moral imperative of her films, the importance of Hopenhagen, and the unexpected magnitude of her success.
The Toronto International Film Festival has always allowed a generosity of pursuits to co-exist, rewarding the adventurous and satiating the lazy, all without judgment.
Fear-Free Fundraising: Notes on assembling the basic ingredients for a great foundation funding proposal.
The rapid adoption of e-newsletters by documentary filmmakers is the latest example of resourcefulness and efficiency among contemporary independents.
Behind any narrative for the screen is the story that came before it—the life that shaped the central character, who arrives fully formed as your story opens
Bay Area favorite Bob Goldthwait, whose pop culture moment seemed to expire in the mid '80s, returns with comedic vengeance via World's Greatest Dad.
Avoiding Disaster: Festivals are a good way to have your film discovered by distributors, to build buzz and to build an audience—if you're well prepared.
Vampires are still the It Ghoul of our cultural moment and South Korean film Thirst is as precisely crafted as it is gleefully over-the-top in content both carnal and carnivorous.
Sjogren threads her vexations with feminist film theory into a study of sound and voice in "women's film" touchstones like Letter from an Unknown Woman.
During her tenure at the venerable Castro Theatre, film programmer Anita Monga made her mark shepherding the venue to international prominence.
A festival full of drama finds no more emotional screening than the homophobia-in-sports double bill of Training Rules and Claiming the Title: Gay Olympics on Trial.
A festival full of drama finds no more emotional screening than the homophobia-in-sports double bill of Training Rules and Claiming the Title: Gay Olympics on Trial.
When Rick Tejada-Flores decided to explore his family's checkered Bolivian past, he accepted that he had to be a character.
Berkeley-based filmmaking team Gary Weimberg and Catherine Ryan speak about social justice as a career and their film Soldiers of Conscience.
Michael Fox interviews Igor Sinyak, founder of Subtitles & Subtleties, about his dinner and a movie discussion forum.
Michael Fox interviews Igor Sinyak, founder of Subtitles & Subtleties, about his dinner and a movie discussion forum.
Beyond Words: Linda Rosenberg explores the transformation of the contemporary film hero in Doubt and In Bruges.
Franny Armstrong's The Age of Stupid is a documentary encased like a time capsule inside a fictive but science-based, frighteningly possible future
The 2009 SFIFF has been a launching pad for the numerous Bay Area filmmaker
The San Francisco Film Society honored Francis Ford Coppola, Carroll Ballard, Robert Redford and James Toback. Coppola surprised the audience by turning over the Founder's Directing Award he received to longtime colleague Carroll Ballard.
Ramin Bahrani's Goodbye Solo prompted Roger Ebert to pronounce him "the new great American directorâ" a couple weeks ago. The film is definitely the writer-helmer's most accessible work to date, one that might very well provide him with an arthouse breakthrough.
Fans, Friends & Followers, focuses on strategies artists can use to support their careers in the digital age.
Chop Shop, and Frozen River, present challenges in the building of character: attention to details of behavior and shifts in the character's world signal a hero's journey both profound and deeply internal.
Michael Jacobs talks about his documentary, which follows Pentecostal Pastor Richard Gazowsky engaged in the creation of an ambitious, multi-million dollar sci-fi-feature on God.
This year, the festival feels like it has truly arrived as an internationally recognized platform for cross-Pacific cinematic exchange, in this disparate cross-section of films from home, abroad and places in between.
Co-directors Senain Kheshgi and Geeta V. Patel, two American friends with family ties to opposite sides of the conflict, went to Kashmir together to see what they could learn–and what the rest of us could.
First-Person: Larry Daressa provides helpful hints on distribution strategy.
SF360.org joined in on a conversation about Cinematheque's past and present when Steven Jenkins lunched with Jonathan Marlow at Caffe Centro.
First-Person: A program officer at the San Francisco Foundation has a sobering experience making a documentary.
Levy offers thoughts on the program she's presenting at Sundance and what's being called the "New Documentary Movement."
Steven Soderbergh's fascinating portrait of legendary revolutionary Ernesto "Che" Guevara is willfully disinterested in the conventions of mainstream movies.
Waltz with Bashir is another animated feature that embraces a more grown-up story and audience than anything in the long history of "cartoons."
Dennis Harvey reviews The Curious Case of Benjamin Button.
Ask the Documentary Doctor: Fernanda Rossi discusses pros and cons of having to sit through a screening of one's own film.
A husband and wife filmmaking pair are in the midst of a documentary on mysterious disappearances in the Galapagos.
The extreme, the strange, the silly and surreal all have big seats at the SF DocFest table.
Epstein and Friedman bring a poem to the screen, while a South Bay director goes Russian.
The Doc Doctor prescribes cures for common pitfalls of demo reels.
Those inclined toward healthy doses of sleaze, gore, and retro-shlock can rejoice that it's time for the second annual edition of Dead Channels.
What do women want to watch? With Diane English’s recent unfunny and product placement-filled re-make of The Women hitting theaters last week, Hollywood’s answer, predictably, is more of the same.
Every year, people grumble. Every year, someone points out how much worse it is than before. And every year, there are films that pull everyone out of the doldrums and guarantee it all continues. Welcome to this season’s Toronto International Film Festival.
The Pacific Film Archive screens a survey of Goodis-related works from both the big and small screen, spanning nearly five decades.
SF360.org looks at the making of a documentary about the controversial leak of the Pentagon papers.
SF360.org looks at the making of a documentary about the controversial leak of the Pentagon papers.
Dyspeptic rather than tragic, Jacques Nolot's Before I Forget may be the best gay feel-bad movie ever.
On curating the Robert Flaherty Film Seminar, a social Petri dish that annually brings together a different programmer, a captive and engaged audience, and filmmakers.
Those attracted to the new film CSNY: Deja Vu simply expecting an opportunity to recall the old days might be in for a surprise.
French author and director Catherine Breillat speaks about the fierce passion play of her latest, The Last Mistress.
Having just spent three invigorating days in Niles watching crowds cheering to films from the years between 1903 and 1917, I can report that silent films are alive and well.
Critic Dennis Harvey reviews select films screened at the 32nd San Francisco International LGBT Film Festival.
Dennis Harvey covers the first week of low-budget geeks, weirdos and gore on display at the Another Hole in the Head Festival.
When The English Surgeon had its U.S. premiere at the SFIFF this month, Geoffrey Smith and Henry Marsh received a standing ovation.
Joan Didion famously said, "We tell ourselves stories in order to live." We've internalized the American narrative of Abu Ghraib and accepted its implications.
"There are no movies without music," Kevin Kelly asserted last Saturday in his State of Cinema address.
Food scents and film sensibilities mingled in a pungent party atmosphere at the California Culinary Academy.
Joan Didion famously said, "We tell ourselves stories in order to live." We have internalized the narrative of Abu Ghraib and accepted its implications.
Founded in 1968, San Francisco-based Newsreel is the oldest nonprofit, social-issue documentary film center in the U.S.
The Mission filmmaker has slaved in the underground for some three decades, a guide and shaman for other artists working on the fringes.
Bodies of work have emerged from the intersections of performance, film and electronic art. Cinematograph 7ÑLive Cinema: A Contemporary Reader, edited by Thomas Beard's provides thoughtful writing on the subject.
Longtime San Francisco Chronicle film critic Judy Stone offers her top ten picks from the 2008 San Francisco International Asian American Film Festival.
A "discovery" festival from Day OneÑmeaning they premiere a lot of films, including many other fests might pass overÑSan Jose's Cinequest actually adopted "Discover" as motto for its 16th year.
Warts & All: The Films of Danny Plotnick: 10 short comic narratives are exemplars of an unpolished, unpretentious school of moviemaking that aims at every moment to be audience-friendly.
Girls Rock watches a few select 8-18 -year-olds overcome the obstacles to claim their rightful place on Earth and wail away.
“Passion & Power, the Technology of Orgasm” gives Rachel Maines’ entertaining academic book on the subject a new life onscreen.
The unassuming young director and producer spent five years on their optimistic yet unsentimental doc spotlighting four teenagers from the S.F.-based Youth Speaks project.
The live-action film division of Viz Media has just marked its second year of bringing a broader range of Japanese film to the growing audience for Japanese pop culture.
As this retrospective makes clear, de Antonio's documentaries are a different species entirely from the kind of celebrity-driven, headline chasing theatricals now in favor.
"I suddenly found myself surrounded by a group of 15 little [Cambodian] girls aggressively soliciting me for prostitution," Guy Jacobson told a MVFF audience.
U.S.-Cambodian co-production Holly might easily have gone straight to DVD, which would be a pity because it's well worth rushing to the theatre for.
SF360.org sits down with a criminally little-known director of stage and screen who is arguably the most imaginative, talented multi-hyphenate of his generation.
Todd Haynes' I'm Not There both replicates and examines the hazy landscape of fact, fiction, art and myth comprising Dylanology.
Meet Phil Chambliss, a 54-year-old, recently retired gravel pit nightwatchman who makes what might be termed cinematic folk art.
Sometimes even presumably good intentions can warp into artistic misdeeds most foul.
Herzog's remarks challenged the audience to reconsider its views on non-fiction film at AFI Fest.
The filmmaker talks about her recent projects, including Salud!, which looks at Cuba's world-class health system.
Woolf shares insights drawn from his disparate experiences as a filmmaker in Peru, a fisherman in Alaska, and a restauranteur in New York.
Mill Valley retains its genuinely alterna-vibe and local (rather than professional outta-towner) audience after 30 years.
SF360.org spoke with Robert Ogden Barnum on guiding four future pop stars onto the big screen in Antonia and his new distribution company.
A conversation with Joshua Grannel, a.k.a. Peaches Christ, founder and host of camp/cult-fest extravaganza Midnight Mass.
SF360.org speaks with Edward Millington Stout, III, who is undoubtedly the world's foremost theatrical organ restorationist.
Few people not employed as directors, producers, cinematographers, costume or production designers have had as much impact on the "look" of movies.
The List: San Francisco Jewish Film Festival is showing five great films that showcase the moxie and smart fighting style of Jewish boxers, both old and new.
Savvy moviegoers outside the target demographic have learned to scout the niche fests' programs for films that premiered to raves at Berlin or Cannes.
Sunshine tells the story of the eight astronauts aboard the ominously named "Icarus II," a vessel bound to kick-start the sun, Earth's last hope for survival.
"People in this town are coming to realize that Los Angeles needs a world-class film festival," proclaimed Rich Raddon, who's led LAFF since 1999.
Sicko's story of the mismanagement of U.S. healthcare takes Michael Moore from the U.S. to Canada to Europe, and most notably, to Cuba.
Roadside Pictures signed Colma: The Musical for national release. A sort of anti-"High School Musical," "Colma" follows three friends in their new post-high school freedom.
Frameline directors Michael Lumpkin and Jennifer Morris speak about the programming, controversy and the landscape of LGBT films.
Nine years' vintage makes the SFBFF a newcomer by Bay Area standards. In terms of programmatic diversity and premieres, it's got old-soul depth.
Despite the best efforts of method actors, methodical directors, and talented costume designers, biopics can usually be relied upon to disappoint.
Walking in to interview John Carney and actors/musicians Glen Hansard and Marketa Irglova, the frenetic edge to their on-the-road exhaustion is apparent.
San Franciscans have a poignant symbiotic relationship with William Kaufman's freshman feature, The Prodigy, which returns to the city this week.
A week before the 27th festival, SF360.org spoke with the executive director on what Superfest gets about disability that the rest of the filmmaking world doesn't.
Five recommendations chosen from among the gore, ghouls, ghosts, gags, and animation at Indiefest's Holehead festival.
Not even widely released yet in the States, Philippe Parreno and Douglas Gordon's "ZidaneÉ" has already been considered a portrait of the century.
As Bruno Dumont's Flanders navigates festival waters, it's been leaving behind a noticeable wake.
When then-unknown Spike Lee premiered She's Gotta Have It at the SF International in 1986, there was an instance of filmus interruptus.
Taste a bit of the vintage grindhouse experience at the last of Dead Channels' Month of Sleazy Sundays triple bill of under-the-radar movies.
This year's 125 films follow the fest's growth from 13 films in 1982 in the wake of Wayne Wang's Chan is Missing.
Inteview with the artist and filmmaker on her work and her latest movie, presented at Sundance.
A delightfully funny movie on boy-men redeeming themselves from New Zealand, and Mark Becker's absorbing documentary on a musician in the Mission.
The 1959 reworking of the Greek myth of Orpheus and Eurydice is a bossa nova adventure through Brazilian Carnival, with actor Breno Mello as the black Orpheus.
San Francisco artist James T. Hong is currently working on a documentary, tentatively titled New History Zero, which explores his interest in revisionist World War II history.
Ramin Bahrani's debut feature follows a solitary, quiet immigrant struggling to make a go of it in New York City.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
Filmmaker Georgia Lee discusses her narrative feature with family member Frances Chang.
Distributors of independent films reveal their strategies and assessment of the market heading into the all-important fall season.
The List:10 local filmmakers describe what they love about shooting on the streets of San Francisco.
Al Gore's fledgling S.F.--based cable and satellite channel, Current TV, generates cutting-edge content democratically, with a third of the programming created by viewers.
Through Asphodel Records and RML, Humon pursues his fascination with sound's spatial properties.
Ryan Fleck talks about his new film Half Nelson, his filmmaking career, and his creative inspirations and tastes.
Belic helped a group of youths learn about documentary filmmaking in a program designed to offer media skills to under-served Bay Area high schoolers.
A California Film Institute-procured class of 13somethings needed no help deciding their top ten list of surprise movie endings.
SF360 talked to the director of Who Killed the Electric Car?, which opened last week, after his recent stop through the City.
SF360 spoke to the director of Rise Above: The Tribe 8 Documentary, showing at the Red Vic Movie House and an imminent DVD release.
We checked in with Gary Meyer to find out what films have rocked the 1926 foundations of the Balboa in the past six years.
Conference discusses the difficulties for lesbian features to get made and do well at the box office.
Mat Whitecross talks about his documentary The Road to Guantanamo, which takes a look at the inhumanity of U.S. "detainment" camps in Cuba.
An address delivered by Tilda Swinton to an audience at the Kabuki Theatre on April 29, 2006, during the San Francisco International Film Festival.
An intimate group caught Addictive TV's VJ-style show of ÔEye of the Pilot' at the Kabuki, and stayed late for an enthusiastic Q&A.
The Kabuki turned into a mosh pit at the Sunday screening of All About Love as Andy Lau's fans rushed the stage to greet him.
Until the 1960s, Hollywood cast S.F. as a city where everyone was too busy brawling, floozing,and plotting intrigue to exclaim,"Look at that view!"
The List: Taro Goto posits who will go on to superstardom from the 2006 San Francisco International Asian American Film Festival.