International Film Festival Summit (December 4–6, 2011), held in Austin, Texas, is the largest international organization representing the film festival industry. The IFFS mission is to promote and strengthen the global film festival industry through education, networking, dissemination of information, and the cultivation of high standards. This year's featured topics include Anatomy of a Festival: South by Southwest, Programming: The Fine Art of Film Selection, Marketing Strategies: Integrating Social Media and Technology, The Festival Mission, Sponsorship Strategy, Box Office Technology Solutions, among others. Notable speakers include Richard Linklater (Before Sunrise, Before Sunset), as well as SFFS' very own Steve Jenkins, Sarah Cathers, and Linda Butler. DEADLINE: Register by September 25, 2011 to receive discounted rate. WEBSITE: filmfestivalsummit.com/iffshome.html.
San Francisco Arts Commission (SFAC) Cultural Equity Grants provide "financial support for the enrichment of San Francisco's multicultural landscape." ELIGIBILITY: Organization Project Grants provide up to $15,000 to support the presentation of high quality works of art and arts activities, including film and video screenings and arts festivals. All art forms will be considered. To be eligible, organizations must have 501(c)(3) status or use a fiscal sponsor. Grant Period: June 15, 2012 - December 31, 2013. AWARDS: Grants awards are up to 15,000 to support the enhancement of arts facilities in the city. DEADLINE: November 10, 2011. WEBSITE: sfartscommission.org/ceg/grants/index.html#opg.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Press release: The San Francisco Jewish Film Festival announced its new Executive Director: Lexi Leban, who begins working with the festival November 7, 2011. A longtime member of the Bay Area film community, Lexi has worked in all aspects of film, from production to distribution. She’s also worked with numerous film festivals, including the Mill Valley Film Festival, the San Francisco International Film Festival, and the Global Social Change Film Festival in Bali. Lexi is currently Academic Director of the Digital Filmmaking & Video Production Program at the Art Institute of California, where she built the department from its inception. Her most recent feature documentary, Girl Trouble, which follows young girls in San Francisco’s juvenile justice system, aired on PBS’s acclaimed series Independent Lens in January of 2006, and won Best Bay Area Documentary at the San Francisco International Film Festival. More at sfjff.org.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
The 34th Mill Valley Film Festival continues at a number of locations, with a number of notable guests, including directors Gaston Kaboré and Luc Besson. See Dennis Harvey's extended preview on SF360 for the full story. More info and film schedule at mvff.com.
The 34th Mill Valley Film Festival continues at a number of locations, with a number of notable guests, including directors Gaston Kaboré and Luc Besson. See Dennis Harvey's extended preview on SF360 for the full story. More info and film schedule at mvff.com.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Filmmakers take personal approach to Jewish cultural debates.
Filmmakers take personal approach to Jewish cultural debates.
Filmmakers take personal approach to Jewish cultural debates.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
Press release: The Ninth Street Independent Film Center announced today five new participants for the Center's Media Arts Incubator Program for 2011-2012. "This is a great group of participants," says Skye Christensen, Executive Director of the Ninth Street Independent Film Center. "Each brings a very dynamic project to the Program, and we're really looking forward to what they'll accomplish during their time here." Ninth Street’s Media Arts Incubator Program is designed to nurture socially relevant independent media projects at Ninth Street Independent Film Center. The Incubator Program supports independent filmmakers, start-up film festivals and small media nonprofits through access to workspace and shared resources, such as cross-promotional opportunities, co-productions, affordable meeting or exhibition space and community connections with established media arts partners (Center for Asian American Media, Frameline, San Francisco Jewish Film Festival, and others). Participants are: Rachel Caplan (CEO) and Daniela Rible (Deputy Director) of the annual SF Green Film Festival; Jennifer Tipton and Cary McQueen Morrow, the directors of Art with Impact, which is a platform for the creation of new media on critical social issues; David Evan Harris, Executive Director of the Global Lives Project, a media arts nonprofit that seeks to collaboratively build a video library of human life experience; Scarlett Shepard is Executive Director of the SF Women’s Film Festival; and J.R. Flemming, director and producer of Guarding Dogs, which is a documentary film with a crowd-sourcing model currently in production that makes the case for adopting a dog instead breeding/buying.
A film festival and conference offered audiences and makers opportunities to move forward.
A film festival and conference offered audiences and makers opportunities to move forward.
A film festival and conference offered audiences and makers opportunities to move forward.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
Press release: The San Francisco International Film Festival (April 21 - May 5) announced that the Festival has been invited to join Festival Scope, a new Internet platform that allows programming of selected film festivals to be viewed online by film professionals around the world. More at sffs.org.
New technology and futuristic themes featured prominently at South by Southwest this year.
New technology and futuristic themes featured prominently at South by Southwest this year.
New technology and futuristic themes featured prominently at South by Southwest this year.
Long story short: A filmmaker finds the right length for his South American health doc.
Long story short: A filmmaker finds the right length for his South American health doc.
Long story short: A filmmaker finds the right length for his South American health doc.
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
Sean Uyehara: "If you wanted, you could say that Calvin Lee Reeder channels the love child of Dario Argento and Maya Deren..."
Sean Uyehara: "If you wanted, you could say that Calvin Lee Reeder channels the love child of Dario Argento and Maya Deren..."
Sean Uyehara: "If you wanted, you could say that Calvin Lee Reeder channels the love child of Dario Argento and Maya Deren..."
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
The Ivory-Billed Woodpecker may have disappeared for good, but a film about its possible rebirth persists against all odds.
The Ivory-Billed Woodpecker may have disappeared for good, but a film about its possible rebirth persists against all odds.
The Ivory-Billed Woodpecker may have disappeared for good, but a film about its possible rebirth persists against all odds.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
The latest finds from France's national cinema play in an SFFS showcase.
The latest finds from France's national cinema play in an SFFS showcase.
The latest finds from France's national cinema play in an SFFS showcase.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
A festival transforms itself and transports audiences with a visionary new theater.
A festival transforms itself and transports audiences with a visionary new theater.
A festival transforms itself and transports audiences with a visionary new theater.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
The San Francisco Jewish Film Festival finds fans beyond its identity-based target audience with a wide array of international films and topics.
The San Francisco Jewish Film Festival finds fans beyond its identity-based target audience with a wide array of international films and topics.
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
No matter what kind of film you’re making, eventually all filmmakers encounter the common legal problem of filming in a crowd.
No matter what kind of film you’re making, eventually all filmmakers encounter the common legal problem of filming in a crowd.
SF Indiefest unveils its 7th annual showcase of the wildest and weirdest in independently produced sci-fi, horror and fantasy.
SF Indiefest unveils its 7th annual showcase of the wildest and weirdest in independently produced sci-fi, horror and fantasy.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Bay Area filmmakers report back from film festivals far (Cannes) and wide (Marfa).
Bay Area filmmakers report back from film festivals far (Cannes) and wide (Marfa).
If you re making a short narrative, foundations give you no respect. Financiers turn a cold shoulder. Government grantors snort. And festivals slot your film Sunday at midnight.
Cash prizes totaling nearly $300,000 for filmmakers highlighted the San Francisco International Film Festival s Golden Gate Awards Wednesday night.
Films about our species enduring capacity to be inhumane toward its own are perennials at festivals, and will be so as long as wars are waged.
If you imagine the S.F. International Film Festival as an circus tent, with Opening and Closing nights the main supports, the other tent poles are interactive live experiences.
One of the oldest points of contention in documentary is whether the camera s presence alters the subject s behavior.
When Laos revised its visa structure to allow visitors to stay for more than one week, Westerners with digital cameras surged over the border.
Wasn't it just yesterday that Cinequest was the scrappy upstart amongst Bay Area festivals? Apparently not: San Jose's annual cinematic blowout is entering its third decade.
Tragically underrepresented in the Bay Area's densely packed world of globally oriented film festivals is the land(s) of our erstwhile colonial rulers!
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
In late January, many tune their radar to the snowy, showy glare of Sundance. With Noir City here, the stay-at-homes are the luckier ones.
The late, great Jack Smith was all about the strange sway classic Hollywood movies, particularly obscure stars and low-budget yet opulent art direction, have had on us.
Jennifer Phang has experienced more than enough culture shocks in her life to empathize with the identity challenges of the characters in her debut feature.
The silver lining to a decade that saw traditional critics in conventional media dwindle? The explosion of socially networked citizen critics.
The silver lining to a decade that saw traditional critics in conventional media dwindle? The explosion of socially networked citizen critics.
Highlights from the 2009 San Francisco Silent Film Festival winter event.
Susan Gerhard caught up with the director of an Oakland-shot domestic drama whose first-time feature was chosen for Sundance.
Boston Phoenix film critic Gerald Peary's film tours the rise, fall and reorientation of film criticism in the United States.
George Rush skips legal concerns and instead speaks to a larger issue: the lack of quality independent filmmaking today.
George Rush skips legal concerns and instead speaks to a larger issue: the lack of quality independent filmmaking today.
Francois Truffaut’s The 400 Blows is being revived as part of San Francisco Film Society’s second annual French Cinema Now festival, which runs the week of October 29 through November 4 at the city’s Clay Theatre.
From the steep slope of 22nd Street down to La Taqueria, from the Attic to Boogaloos, this droll feature showcases the Mission to glowing advantage.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
Anne McGuire finds the beauty in the strange, and the strangeness in the beautiful. That's not perversity, people; that's poetry.
The program offers a surprisingly potent mainstream industry presence, with tributes to A-list types more frequently seen at the multiplex than at the art house.
The Toronto International Film Festival has always allowed a generosity of pursuits to co-exist, rewarding the adventurous and satiating the lazy, all without judgment.
Fear-Free Fundraising: Notes on assembling the basic ingredients for a great foundation funding proposal.
High-concept cabaret-act favorite in the Bay Area who sidelines as a filmmaker, Cory McAbee (The American Astronaut) speaks about his latest, Stingray Sam.
The rapid adoption of e-newsletters by documentary filmmakers is the latest example of resourcefulness and efficiency among contemporary independents.
With in-process Volunteer Nation: Stories of Service, veteran producer-directors Ben Hess and Dan Janos are mobilizing the millennials.
Avoiding Disaster: Festivals are a good way to have your film discovered by distributors, to build buzz and to build an audience—if you're well prepared.
Avoiding Disaster: Festivals are a good way to have your film discovered by distributors, to build buzz and to build an audience—if you're well prepared.
Veteran filmmakers Pablo Trapero and Jia Zhang-ke complicate their genres with Lion's Den and 24 City.
Veteran filmmakers Pablo Trapero and Jia Zhang-ke complicate their genres with Lion's Den and 24 City.
During her tenure at the venerable Castro Theatre, film programmer Anita Monga made her mark shepherding the venue to international prominence.
Douglas Fairbanks in The Gaucho is one of the many highlights on screen during the three-day San Francisco Silent Film Festival.
David Weissman speaks on his new project, Heartbreak and Heroism, revisiting the early years of the AIDS outbreak in San Francisco.
Adam Goldstein and Eric Kutner discuss their debut, The Snake, an unapologetically impertinent, made-in-S.F, comedy that marks its creators as resourceful wiseguys.
New Zealand transplant Richard Levien, a longstanding fixture of the San Francisco indie film community, breaks out of the editing room with Immersion.
A case could be made that Cary Cronenwett's Maggots and Men isn't just the most unique work in Frameline33, but of any festival all year.
A dose of self-affirmation arrives with Frameline33 (or, if you prefer, the multiple-breath-intake-requiring San Francisco International Lesbian Gay Bisexual Transgender Film Festival.)
Bruce Goldstein recalls his adventures in film land as he prepares to host the Con Film Festival at the Film Forum in New York.
SFIFF handed out approximately $100,000 and announced the winner San Francisco Film Society/Kenneth Rainin Foundation Filmmaking Grant during its Golden Gate Awards.
The 2009 SFIFF has been a launching pad for the numerous Bay Area filmmaker
Robert Redford braves the public and accepts the San Francisco International Film Festival's Peter J. Owens Award.
The San Francisco-based and internationally acclaimed documentarian Lourdes Portillo speaks about her work; she wins the 52nd San Francisco International Film Festival Persistence of Vision Award.
Peter Bratt's La Mission focuses on conflict within a family and a neighborhood, exploring what happens when a single father named Che learns a secret about his son that tests his love for his family and his community's love for him.
If it grows darker than one might expect, Observe still hesitates at becoming a true black comedy; it's more medium-gray, earning stripes for breaking from current comedy norms on a moment-to-moment basis without quite arriving at an original, fully-developed whole. But Hill has a good eye, ear (the soundtrack choices are notably sharp), sense of off-kilter pacing, and, most importantly, a firm grasp on character.
The two weeks of programs offers 151 films from 55 countries, awards and prices, and a wide array of San Francisco talent, from legendary names to the fledgling artists.
Barry Jenkins talks abut his background, making movies in San Francisco and the issues of black identity, assimilation and gentrification, which are at the heart of his film.
About as far from the ever-increasing corporatization of popular music as you can get is the annual dose from the Noise Pop Festival.
This "dramatized documentary" was a labor of love–if also a graphic portrayal of the vast LA detached from Hollywood's success-bubble glamour.
With a roster that sprawls from horror to softcore to verite-style drama and documentary, the only constant is that you won't be bored.
On January 24 the San Francisco film and arts community lost Ave Montague, who was well known for her hard work, creativity and passion for the arts.
Oscar-nominated cinematographer César Charlone recently codirected his first theatrical feature film, a darkly comic farce about Pope John Paul II.
Susan Gerhard blogs on what is strange and new about watching movies in these particular mountains.
Susan Gerhard reports on film and physique highlights at Sundance 2009.
SF360.org spoke with Eddie Muller, who launched Noir City, an annual noir festival that has attracted an avid following in the Bay Area and beyond.
Hilary Hart blogs her 14th year at Sundance, back on the midnight shift at the Egyptian Theatre.
Bay Area filmmakers, critics and industry pros list their favorite unreleased films of 2008.
Québec's thriving regional cinema is showcased in San Francisco Film Society's latest mini-festival addition to the annual Bay Area movie calendar.
Michael Fox chats with Gus Van Sant and screenwriter Dustin Lance Black on the eve of Milk's much-anticipated theatrical release.
In its 12th season, the country's first and largest independent exhibitor of Arab cinema has gotten to be one of the bigger small fests in the Bay Area.
Epstein and Friedman bring a poem to the screen, while a South Bay director goes Russian.
We sat down with Michel Shehadeh, who joined the festival earlier this year, for a wide-ranging interview on Arab film.
Andy Abrahams Wilson talks about Under Our Skin, his elegantly crafted film on the underreported epidemic of Lyme disease.
The SFFS has added a Gallic counterpart to its long-running New Italian Cinema series.
Those inclined toward healthy doses of sleaze, gore, and retro-shlock can rejoice that it's time for the second annual edition of Dead Channels.
The seventh San Francisco International Documentary Film Festival has the potential to be every bit as raucous as the other festivals under the organization's umbrella.
Whether you dig jazz or not, O'Day's charisma and story make this movie riveting.
"Horror films can hold a lot of crazy ideas and political ideas and no one blinks," says Pig Hunt writer and producer Robert Mailer Anderson, "and that serves our purposes."
What do women want to watch? With Diane English’s recent unfunny and product placement-filled re-make of The Women hitting theaters last week, Hollywood’s answer, predictably, is more of the same.
Every year, people grumble. Every year, someone points out how much worse it is than before. And every year, there are films that pull everyone out of the doldrums and guarantee it all continues. Welcome to this season’s Toronto International Film Festival.
Every year, people grumble. Every year, someone points out how much worse it is than before. And every year, there are films that pull everyone out of the doldrums and guarantee it all continues. Welcome to this season’s Toronto International Film Festival.
This year's Mill Valley Film Festival shows healthy signs of life for the independent film business.
Scott Crocker's documentary brings the truth behind the "Lord God" bird phenomenon out of the bushes.
SF360.org asked this veteran indie auteur for his thoughts, which he gamely and intelligently offers here.
Film Arts Foundation, a nonprofit organization formed by 15 independent filmmakers in 1976, joins forces with SFFS.
A film from 1961, The Exiles is a long-in-making unvarnished look at 12 hours in the lives of a group of American Indians who have come to Los Angeles.
Programmers for the San Francisco Jewish Film Festival, Peter Stein and Nancy Fishman, speak about never taking the path of least resistance.
On curating the Robert Flaherty Film Seminar, a social Petri dish that annually brings together a different programmer, a captive and engaged audience, and filmmakers.
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
Critic's notebook: Marriage changes everything at the San Francisco International LGBT Film Festival.
A documentary tribute to Derek Jarman, Isaac Julien's Derek does not seek to enlarge or complicate the filmmaker's legacy so much as succor its loss.
Critic Dennis Harvey reviews select films screened at the 32nd San Francisco International LGBT Film Festival.
A look at the films in the 32nd San Francisco International LGBT FIlm Festival indicates the rise of Argentina's new wave.
Dennis Harvey covers the first week of low-budget geeks, weirdos and gore on display at the Another Hole in the Head Festival.
Strand Releasing President Marcus Hu speaks with Frameline Artistic Director Lumpkin about Frameline, queer cinema and the future of this niche festival.]
Michael Lumpkin's mini-retrospective of features that highlight some personal favorites that made waves at the Frameline Festival (and sometimes in the larger cinematic world).
The SF Film Society is optimistic that its year-round screen at the Sundance Kabuki will contribute to the spectrum of films in Bay Area theaters.
In 2008 the San Francisco Black Film Festival marks its 10th anniversary with the most expansive program yet, flagging the theme "10 Years, 10 Days, 100 Films."
Katznelson, a co-founder of the Dawn festival at the Contemporary Jewish Museum, sat down to talk about Judaism, culture, film and the festival.
The historic Castro Theatre, its marquee recently revamped for the Milk biopic shoot, hosted Frameline's announcement of its 2008 festival.
As an Asian film fan, it's a miracle I keep my day job at this time of year.
"There are no movies without music," Kevin Kelly asserted last Saturday in his State of Cinema address.
The final installment in the San Francisco composer and musician's blog from the 2008 SFIFF.
The Jules Feiffer quote at the bottom of festival superfan Sue Jean Halvorsen's email reads, "Movies are better than real life."
The Sonoma Valley Film Festival has gone to great lengths to enfold the event in its culinary surroundings. Complimentary food tastings will be offered before every single screening.
The fifth annual EarthDance Short-Attention-Span Environmental Film Festival screens a juried compilation of 20 short films in two 90-minute installments.
First-time writer/director Jeff Nichols discusses the inspiration behind Shotgun Stories, the initial hurdles in making the film, and the noble nature of his characters.
Writer/director Jonah Markowitz's Shelter is a romantic gay surfer that more than earns its spurs in terms of real-world credibility and psychology.
Outgoing SFIAAFF's Associate Director reflects on what made him happy during his last year of work.
Filipino Director Brillante Mendoza discusses his aesthetic: a basic approach that resists facade and pretense and desires to depict to things as they really are.
Longtime San Francisco Chronicle film critic Judy Stone offers her top ten picks from the 2008 San Francisco International Asian American Film Festival.
The 26th annual SFIAAFF plays in San Francisco, Berkeley and San Jose, and kicks off with Wayne Wang's A Thousand Years of Good Prayers.
A "discovery" festival from Day OneÑmeaning they premiere a lot of films, including many other fests might pass overÑSan Jose's Cinequest actually adopted "Discover" as motto for its 16th year.
Despite the blanket of financial and technical doom constantly smothering Independent Filmdom, Indiefest serves as a satisfying reminder that great indie film isn't going anywhere.
Underneath The Band's Visit's poignant humor, the film subtly reflects the director's attempt to comprehend Israel's pull between the Middle East and the West.
Way back in 1998, Jeff Ross founded the San Francisco Independent Film Festival to showcase iconoclastic, grassroots moviemakers locked out of the standard channels of distribution. As the 10th SF Indiefest kicks off tonight, Ross and his rotating cast of programmers remain as idealistic as ever, but the indie landscape has largely changed for the worse.
The first-time filmmaker managed to build, for under half a million dollars, a relatable story and characters with substance rarely seen in mainstream film.
The first-time filmmaker managed to build, for under half a million dollars, a relatable story and characters with substance rarely seen in mainstream film.
Alan K. Rode, a cofounder of the Film Noir Foundation, sang the praises of San Francisco movie audiences on the horn from L.A., then got down to brass tacks.
At Sundance 2008, a swath of features, docs, installations, and projected art shared similar socio-political concerns, which they grappled with via well-honed aesthetic filters.
Noir City 6 offers a spread of special guests, rare titles, and newly struck prints across ten nights of double-features.
Galison, whose film is competing at Sundance '08, answers questions about the world of hidden national security policy.
As filmmakers, fans, and skiers get zipped up to head off to Parka City for the annual Sundance Festival this week, SF360.org checked in with Gail Silva.
The Goethe-Institut's festival offers a pointed reminder that Germany, Austria and Switzerland aren't just in the center of Europe, but in the middle of international cinema.
Somewhere between iPhone and YouTube there’s a wee festival known as miniPAH. A more slender version of PAH-FEST, the touring weeklong digital film festival founded a year and a half ago by filmmaker Christopher Coppola, “miniPAH: San Francisco” happens this weekend at Coppola’s alma mater, San Francisco Art Institute, ahead of a full-fledged Bay Area PAH sometime next year.
"I suddenly found myself surrounded by a group of 15 little [Cambodian] girls aggressively soliciting me for prostitution," Guy Jacobson told a MVFF audience.
Midnites for Maniacs unearths populist yet esoteric genre and exploitation flicks that have mostly disappeared into the netherworld of discarded VHS rental tapes.
The List: A commentary-filled list of the lineup at the silent film festival, which consists of three separate programs and an evening mixer with live music.
U.S.-Cambodian co-production Holly might easily have gone straight to DVD, which would be a pity because it's well worth rushing to the theatre for.
The S.F. International Animation Festival experienced a major bounce, with a number of sold-out shows in its venue at the Embarcadero Center Cinema.
In the wake of Mexican cinema's triumphant showing at the 2007 Oscars, these films serve to confirm how some of the biggest surprises can come from the shortest of distances.
SFFS programmer Sean Uyehara gives some perspective on the shifting dimensions of animated filmmaking.
This festival is home to an array of talent that promotes Indians in roles other than that of Indians, in movies other than westerns.
This festival is home to an array of talent that promotes Indians in roles other than that of Indians, in movies other than westerns.
The Arab Film Festival, now in its 11th year, is featuring not just 80 movies from 13 countries, but is also including screenings in LA, a first for a Bay Area-based fest.
Mill Valley retains its genuinely alterna-vibe and local (rather than professional outta-towner) audience after 30 years.
Mill Valley retains its genuinely alterna-vibe and local (rather than professional outta-towner) audience after 30 years.
SF360.org caught up with the filmmaker, who has been extraordinarily prolific since abandoning celluloid for the lighter, cheaper, more flexible digital realm.
The Mill Valley Film Festival turns 30 years young this year, sporting none of the girth and wobbly ankles suffered by other way-out-west fests that began life in 1978.
Reality, generally considered over-rated by the moving-going public, is the unapologetic core of SF DocFest.
As the Madcat Women's International Film Festival heads into its final stretch this coming week in San Francisco, SF360.org felt it was important to catch up with its chief curator, Ariella Ben-Dov.
An intimate four-day buffet of tributes, premieres, restorations, and revivals laid out in the Colorado mountains, Telluride is an oasis for film lovers.
A conversation with Joshua Grannel, a.k.a. Peaches Christ, founder and host of camp/cult-fest extravaganza Midnight Mass.
Fletcher explains what will hopefully be an annual event that encompasses all kinds of worldwide cult-skewing fun.
SF360.org talks to Marc Huestis, who exhibits a playful flair to his showmanship, putting the "imp" back in impresario.
Elegant screen sartorial highs and garishly campy lows alike will be well-represented in an eight-day series on fashion at the Castro.
Savvy moviegoers outside the target demographic have learned to scout the niche fests' programs for films that premiered to raves at Berlin or Cannes.
Savvy moviegoers outside the target demographic have learned to scout the niche fests' programs for films that premiered to raves at Berlin or Cannes.
The List: Frozen Film Festival is a small festival that hopes to capitalize on the fact that San Franciscans like to stay indoors in the summer.
George Ratliff talks about his first feature narrative Joshua, described by Sundance as a "horror story disguised as a sophisticated family drama."
Stacey Wisnia has been a vibrant fixture in the San Francisco film scene for years and has became the Executive Director of the San Francisco Silent Film Festival,
"People in this town are coming to realize that Los Angeles needs a world-class film festival," proclaimed Rich Raddon, who's led LAFF since 1999.
Now past its third-decade anniversary, SFILGBTFF — the producing organization keeps trying to change its public-recognition name to something more manageable, which this annum would be Frameline31 — now has filmmakers and distributors banging on its door.
Now past its third-decade anniversary, SFILGBTFF — the producing organization keeps trying to change its public-recognition name to something more manageable, which this annum would be Frameline31 — now has filmmakers and distributors banging on its door.
Strangely enough, perhaps the most compelling reason to attend the Jackson Hole fest is precisely the reason not to see a film: Jackson Hole itself.
Frameline directors Michael Lumpkin and Jennifer Morris speak about the programming, controversy and the landscape of LGBT films.
Nine years' vintage makes the SFBFF a newcomer by Bay Area standards. In terms of programmatic diversity and premieres, it's got old-soul depth.
Nine years' vintage makes the SFBFF a newcomer by Bay Area standards. In terms of programmatic diversity and premieres, it's got old-soul depth.
"SF Indiefest: Gets Animated," piggybacking on the 4th Annual Another Hole in the Head Film Festival, co-presents an animation program with the popular archivist.
San Franciscans have a poignant symbiotic relationship with William Kaufman's freshman feature, The Prodigy, which returns to the city this week.
A week before the 27th festival, SF360.org spoke with the executive director on what Superfest gets about disability that the rest of the filmmaking world doesn't.
Five recommendations chosen from among the gore, ghouls, ghosts, gags, and animation at Indiefest's Holehead festival.
The four-day festival offered over 100 films, with an emphasis on documentaries, and attracted some 60 filmmakers, including Albert Maysles.
The San Francisco International LGBT Film Festival lineup includes several world premieres and international features from Korea, Argentina, and Cuba.
The 50th annual SF International Film Festival is as good a time to put forth an argument. Here’s one: The most compelling movie stars of the current era are athletes, and the most dynamic 21st-century cinema is sports cinema.
If the Bay Area oozed self-regard last night, it couldn't exactly be blamed.
Movies are shifting at mach speed from the theater to the home. The future is at hand.
Movies are shifting at mach speed from the theater to the home. The future is at hand.
A shot in Wonders Are Many makes visual reference to Guernica as shorthand for art's charge to speak for the voiceless.
A shot in Wonders Are Many makes visual reference to Guernica as shorthand for art's charge to speak for the voiceless.
Daniel Wu and fictitious boy band Alive from his directorial debut The Heavenly Kings on Cantpop, the Bay Area, and Hong Kong film.
How did Kink.com make it to the Mission? How did Straight Outta Hunters Point get out of Hunters Point? How'd the Roxie get saved?
A decade might be long enough in dog years, but in film festival terms it takes a bit more time to impress.
Is there anyone who doesn't know that the San Francisco International Film Festival is turning 50 this month?
Is there anyone who doesn't know that the San Francisco International Film Festival is turning 50 this month?
Wonders Are Many: The Making of Doctor Atomic blends World War II history with composer John Adams and director Peter Sellars’ staging of a new opera on the subject.
Thinking about the upcoming SFIFF, music may not be the first thing that pops into your head. It may not even be the second.
Taste a bit of the vintage grindhouse experience at the last of Dead Channels' Month of Sleazy Sundays triple bill of under-the-radar movies.
At many larger fests, daily life is less a stroll in the park than a pentathalon. The SVFF is all about the good life.
At many larger fests, daily life is less a stroll in the park than a pentathalon. The SVFF is all about the good life.
Just a week out of the SFIFF50 press conference at the Westin St. Francis, and the buzz has already had a chance to build. SF360.org checked in with a few friends in the San Francisco filmmaking scene to see what they’re looking forward to in the 50th edition of the SF International Film Festival. Big winners: Guy Maddin’s “Brand Upon the Brain!” and, of course, the live and in-person tribute to Spike Lee, who — as Strand Releasing’s Marcus Hu reminds us — returns to the Bay Area to receive his Film Society Directing Award in spite of the fact the projector broke during the premiere of “She’s Gotta Have It” at the SFIFF more than 20 years ago.
I’m eager to see Camila Guzman Urzula’s documentary “The Sugar Curtain” for perspectives on life in Cuba from those in their twenties and thirties. I’m curious about how a savvy film critic like Wesley Morris will interview Spike Lee. It will be a welcome occurrence to see two Black men talking on a US festival stage about film.
Cornelius Moore
California Newsreel
“Audience of One:” I know this year the festival is honoring Lucas and Coppola and those guys as local heroes, but really. Hollywood North? What happened? Now here is a group of makers, Pentacostals no less, working on a gargantuan bible epic right down on Ocean Avenue in the old El Rey Theatre. Now that’s hot!
Christian Bruno
Strand, A Natural History of Cinema
Although I’ve already seen it, I look forward to attending the one-off screening of Guy Maddin’s “Brand Upon the Brain!” since each live performance, by design, differs somewhat from the last. No self-respecting (or, for that matter, self-deprecating) cineaste should miss it. Beyond that, I’m particularly interested in Alain Resnais’ latest, “Coeurs” (i.e., “Private Fears in Public Places,” which, due to timing conflicts, I missed in Toronto), reuniting the director with the exceptional playwright Alan Ayckbourn. I remain quite fond of his recent films even if most folks in this country seem to disregard his work after “Mon oncle d’Amerique,” released over a quarter-century ago.
Jonathan Marlow
GreenCine
I love that SFIFF is honoring Spike Lee, I saw “She’s Gotta Have It” when it had its world premiere at SFIFF and remembered what an amazing experience that was when the projector broke!
Marcus Hu
Strand Releasing
I first started attending SFIFF in 1964 while still in high school. I saw the independent “The Luck of Ginger Coffey,” directed by Irvin Kershner and starring Robert Shaw, a fascinating documentary look at a country
The festival kicks off with Emanuele Crialese's Golden Door and closes with Olivier Dahan's Edith Piaf biopic, La vie en rose.
Director Grace Lee talks about the personal horror movie genre in American Zombie and the ethical dilemmas documentary filmmakers face.
Spencer Nakasako gets the credit for starting the still-cresting wave of first-person camcorder documentaries back in 1995, but he claims it was largely an accident.
It's a big week for Peter Morgan, partly because the SFFS announced he'll receive the Kanbar Award for excellence in screenwriting at the 50th SFIFF.
Boasting dozens upon dozens of homegrown events anchored by the country's most visible festivals, San Francisco has evolved into the quintessential festival town.
Boasting dozens upon dozens of homegrown events anchored by the country's most visible festivals, San Francisco has evolved into the quintessential festival town.
This year's 125 films follow the fest's growth from 13 films in 1982 in the wake of Wayne Wang's Chan is Missing.
This year's 125 films follow the fest's growth from 13 films in 1982 in the wake of Wayne Wang's Chan is Missing.
The alarm has been sounding for some time now that "indie" doesn't mean what it used to. Jeff Ross simply ignores the cranky clamor.
Tears of the Black Tiger is Thai eye candy, an exercise pastiche where color just about leaps off the screen, and a star-crossed love story.
Wrapping up Sundance Ô07, with the NFL's big game as the best metaphor to describe the annual festival.
A preview of the festival's rich program with festival's organizer Eddie Muller
Rock&Roll, romantic comedy, fantasy and adventure, among the themes of this year's festival.
At least three Bay Area-based filmmakers will be making the trek to Park City this year, Jon Else, Steven Okazaki, and Jay Rosenblatt.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
Three days, nine films, eight shorts, and endless bliss courtesy of last weekend's fourth annual 3rd I South Asian Film Festival.
The relationship between intellectualism and passion, a distinctly Italian concern, propels the 2006 edition of New Italian Cinema.
The List: Ten to catch at the 9th annual United Nations Association Film Festival October 25 through 29 at Stanford University in Palo Alto.
Mark Andrews and Andrew Jimenez co-wrote and co-directed the unexpected, surprisingly funny short about two musicians vying for a young girl's lone coin.
San Francisco Film Society programming associate Sean Uyehara has pulled off a feat with the opening program for the first San Francisco International Animation Showcase.
Crossdressers, canines, and Cruellas de Vil occupied the Castro theater last weekend as part of the first Canine Film Festival.
By the youth-rhetoric standards of another era, this is the last year we can trust the Mill Valley Film Festival. Next year, it turns 30.
By the youth-rhetoric standards of another era, this is the last year we can trust the Mill Valley Film Festival. Next year, it turns 30.
People-powered transportation propels the movies in the 2006 Bicycle Film Fest.
The annual series of films from countries with less developed or out-of-favor national cinemas has several winners.
The annual series of films from countries with less developed or out-of-favor national cinemas has several winners.
Tributes to Helen Mirren and Tim Robbins highlight the 29th annual edition .
Tributes to Helen Mirren and Tim Robbins highlight the 29th annual edition .
The founder of the Madcat International Film Festival talks about the 2006 lineup.
Executive director Bashir Anastas discusses this year's lineup.
A longtime seasonal staffer recounts her experience and highlights at the '06 fest.
Austin's Alamo Drafthouse Cinema touring program brings classics to the locations they made famous, with a mobile outdoor projection unit and inflatable screen.
SF360 checks in with a few Bay Area festival insiders to see what they're excited about at upcoming festivals.
The Academy of Motion Picture Arts and Sciences' Academy Foundation bestowed a surprise grant of $150,000 over three years.
SF Shorts and the SF Underground Short Film Festival provide a big-screen showcase for oft-overlooked short subjects.
SF Shorts and the SF Underground Short Film Festival provide a big-screen showcase for oft-overlooked short subjects.
The List: ZeroOne San Jose Global Festival of Art on the Edge presents an array of = augmented realities, artificial intelligences, and interactive pieces.
The veteran Israeli filmmaker, in town for the Jewish Film Festival, talks about radical art and Free Zone.
The sudden climate change in the Middle East has had a tone-altering effect on the San Francisco Jewish Film Festival, where the war will be Topic A.
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
We checked in with Gary Meyer to find out what films have rocked the 1926 foundations of the Balboa in the past six years.
S.F. International LGBT Film Festival celebrates its 30th anniversary as a forum for the LGBT community to celebrate its own hard-won survival and progress.
Highlights from San Francisco International LGBT Film Festival's 30th annual edition.
Highlights of San Francisco Black Film Festival's eighth annual edition.
Highlights from the 4th year ofAnother Hole in the Head, the S.F. Indiefest-produced celebration of horror, sci-fi, fantasy and just plain sick cinema.
A conversation with John Peterson on his unusual farming practices, and the documentary that captures them.
The 2006 program for the San Francisco International LGBT Film Festival features an eclectic mix of genres and narrative types.
The 2006 program for the San Francisco International LGBT Film Festival features an eclectic mix of genres and narrative types.
The third annual Icelandic Film Festival offers just two features and one short, but it's all very, very good.
Four stories from familiar performers who once found themselves in the "formerly employed by" category, taken from Fired!, which plays Docfest 2006.
Docfest founder Jeff Ross explains the S.F. Indie empire's definition of reality filmmaking.
The 2006 recipient of the Film Society Directing Award was full of raised-finger pronouncements, self-effacing demurrals, and unsolicited rebuttals at a Q&A preceding his film.
A complete list of the winners of the Golden Gate Awards show, which was all about celebrating the city, with filmmakers of all genres saying a kind word or two about it.
An intimate group caught Addictive TV's VJ-style show of ÔEye of the Pilot' at the Kabuki, and stayed late for an enthusiastic Q&A.
The second week of the 49th SFIFF was packed with tributes and special events, luring diverse crowds with honorees like Werner Herzog and Ed Harris.
A conversation with director Michael Glawogger on his film, Workingman's Death, which screens at the 2006 SFIFF.
The producer talks about the barriers filmmakers have faced in bringing Philip K. Dick's novel to the screen.
You can sunbathe topless at Cannes and ski at Sundance, and drink your fill of fine wine at the Sonoma Valley Film Festival.
The List: B. Ruby Rich picks her favorites for the 2006 San Francisco International Film Festival.
The List: B. Ruby Rich picks her favorites for the 2006 San Francisco International Film Festival.
The documentary Persian Garden chronicles the grandest art exhibition in Iran since the 1979 Revolution.
The newest film festival on the dock, Tiburon International, turns a tourist town around.
HRW's series of films chosen for aesthetic value and human rights content continues to grow as it stays true to its roots.