Hot Docs – Canadian International Documentary Festival (April 26–May 6, 2012) is a competitive event seeking Canadian and international documentaries of all lengths (feature length: 60 min. or longer; mid-length: 30 to 59 min.; short: under 30 min.) and subject matter. ELIGIBILITY: Submissions must have been completed after January 1, 2011; cannot have been screened publicly prior to January 1, 2011; must be Toronto premieres; must be in English, subtitled in English; must be exhibited in one of the following screening formats: 35mm film, DigiBeta (NTSC or PAL) and HDCAM. Entry fees: $33.90 CDN for short films; $67.80 CDN (before December 2, 2011) or $118.65 CDN (before January 13, 2012) for mid and feature length films. AWARDS: Hot Docs features two juried competition programs and several noncompetitive programs. DEADLINE: December 2, 2011 (early); January 13, 2012 (late). WEBSITE: hotdocs.ca/.
The California Story Fund, presented by California Council for the Humanities (CCH), supports public humanities programs that bring light to compelling stories from California's diverse communities and provide opportunities for collective reflection and public discussion. ELIGIBILITY: Applicants must have California tax-exempt organizational status or partner with a California tax-exempt organization that will serve as a fiscal sponsor, not have an open grant with CCH, and be in good standing with CCH. Projects should be based on stories gathered from community members, include a public discussion component and at least one humanities expert. Film/video projects should not exceed a total budget of $50,000. AWARDS: Applicants may request up to $10,000, which must be matched by at least an equivalent contribution of non-federal funds or in-kind services. DEADLINE: November 15, 2011. WEBSITE: calhum.org/guidelines/guidelines_csf.htm.
San Francisco Arts Commission (SFAC) Cultural Equity Grants provide "financial support for the enrichment of San Francisco's multicultural landscape." ELIGIBILITY: Organization Project Grants provide up to $15,000 to support the presentation of high quality works of art and arts activities, including film and video screenings and arts festivals. All art forms will be considered. To be eligible, organizations must have 501(c)(3) status or use a fiscal sponsor. Grant Period: June 15, 2012 - December 31, 2013. AWARDS: Grants awards are up to 15,000 to support the enhancement of arts facilities in the city. DEADLINE: November 10, 2011. WEBSITE: sfartscommission.org/ceg/grants/index.html#opg.
Catapult Film Fund provides early development funding to documentary filmmakers who have a compelling story to tell. It supports powerful stories, and moving storytelling, across a broad spectrum of issues and perspectives. ELIGIBILITY: Applicant must be 18 or older. Catapult Film Fund does not award grants for student films. Documentary projects must be 28 minutes or longer. Development funds must specifically be used to complete early writing, shooting and editing once story and characters are in place. Applicants must be independent producers. They must own the copyright of their production, and have artistic, budgetary and editorial control of their project. Applicants must have previous film or television production experience in a principal role as demonstrated by submitting previously completed work sample. Applicants must be able to demonstrate that they have successfully fund-raised for an independent documentary film, in line with its original budget. AWARDS: Catapult Film Fund development grants range from $5,000 to $20,000. DEADLINE: November 7, 2011. WEBSITE: catapultfilmfund.org/.
"Bodega, a New York-based content creation/production company, has extended its reach Westward with the opening of a San Francisco shop headed by executive producer/partner Clint Goldman." More at shootonline.com.
Susan Gerhard talks copy, critics and the 'there' we have here.
Susan Gerhard talks copy, critics and the 'there' we have here.
Susan Gerhard talks copy, critics and the 'there' we have here.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Durfee Foundation Artists' Resource for Completion Grants give individual artists money to complete work for a specific, imminent opportunity that may significantly benefit their career. AWARDS: up to $3,500. ELIGIBILITY Artists must be Los Angeles County residents, 21 years or older and have secured an invitation from an established organization to present the work. Full-time students are ineligible. Current DEADLINE: Quarterly, current November 1, 2011. WEBSITE: durfee.org/programs/arc/index.html.
Rough Cuts is a series of work-in-progress documentary screenings that are produced at a variety of locations throughout San Francisco. The next event (November 14, 2011; 7:30 p.m.) features one rough cut of a feature-length documentary and then a conversation about the film. The post-screening discussion is designed to give the filmmaker a better, more objective sense of what is working and not working with the film, with particular attention paid to improving the film's structure and narrative clarity. ELIGIBILITY: Rough Cuts is currently accepting submissions for the next event. If you are editing a documentary that is over 40 minutes long and are seeking feedback, they encourage you to submit. Principal photography should have been completed, and filmmakers tare encouraged to submit films that are in the later stages of post-production. AWARDS: Invaluable feedback and constructive criticism. DEADLINE: November 1, 2011. Submissions must arrive by 5:00 p.m. WEBSITE: sfroughcuts.com/index.html.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Love permeates SFFS's francophone film series.
Love permeates SFFS's francophone film series.
Love permeates SFFS's francophone film series.
"After their weekend-long Film Independent Forum," reports Sophia Savage, "FIND announced eleven filmmakers and nine projects for their 11th annual Producers Lab, and named Brent Hoff and Malcom Pullinger the winners of the 5th annual $25,000 Sloan Producers Grant." More at indiewire.com/thompsononhollywood.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
Cinequest Screenwriting Competition, held in conjunction with the Cinequest Film Festival (February 28-March 11, 2012), is accepting submissions. ELIGIBILITY: The competition is open to screenplays of all genres and lengths up to 140 pages that have not been optioned, purchased, produced, or put into production. Scripts should be in English, properly formatted, and submitted in PDF format. Scripts written as adaptations of other works must have secured rights before being submitted. Entry fee $45-65. AWARDS: Finalists receive non-cash prizes, including exposure to literary agents, film studios, and producers. Top prize is $5,000. DEADLINE: September 26, 2011 (early); October 17, 2011 (late). WEBSITE: cinequest.org/sp_agent.php.
Furthering CAAM's work to nurture Asian American media professionals and advance the field of Asian American media, the second annual CAAM Fellowship Program will connect young, talented individuals with leading professionals in the field. ELIGIBILITY: Participating fellows will have access to the leading Asian American talent in film, television and digital media. Each fellowship will be individually tailored to best fit the needs of the fellows and advisers. Fellowships will range from fully integrated collaborations to regular feedback on current projects to an ongoing dialogue about professional development. AWARDS: The CAAM Fellowship Program Retreat will allow the mentor-mentee pairs to spend two full days together in a quiet and peaceful environment where they can focus on the mentees' career, whether it is a script being developed or an acting career that needs some guidance. DEADLINE: October 17, 2011. WEBSITE: caamedia.org/filmmaker-resources/fellowship/caam-fellowship-program-2011/.
"Star Wars creator George Lucas is betting millions of his own dollars that moviegoers will be drawn to an action movie about African-American fighter pilots in World War II," reports Christopher John Farley. "Mr. Lucas has self-financed a new film entitled Red Tails inspired by the true story of the first organized group of African-American fighter pilots in the U.S. armed forces." More at wsj.com.
Expectations defied in Taiwan Film Days. It could be argued that Taiwanese cinema, best known through the work of three auteurs, Edward Yang, Hou Hsiao-hsien and Tsai Ming-liang, is not tied to audience-generating genres. It’s certainly been able to travel more diverse cinematic avenues than some of its neighbors. San Francisco Film Society's Taiwan Film Days running from October 14–16, however, offers evidence for any number of arguments you’d like to make about Asian cinema and Taiwan in particular. On the docket this year are ...
The TFI Documentary Fund provides grants and guidance to exceptional filmmakers developing engaging feature-length documentaries which emphasize character and that allow audiences to consider history, culture and society through the experiences of extraordinary individuals. ELIGIBILITY: Submissions must be non-fiction motion pictures with an intended length of at least 70 minutes and should creatively document unique character(s); submissions can be in the advanced stages of development, production or post-production and must not have aired on any form. Foreign language documentaries are eligible, but must be subtitled and suitable for an American audience. Applicants must be over 18-years old. $25 entry fee. AWARDS: Grants of at least $10,000 will be awarded in 2012. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/tfi_documentary/.
The TFI Latin America Media Arts Fund supports innovative film and video artists who are living or working in Mexico, Central and South America and working independently in their efforts to reach a larger audience. ELIGIBILITY: Submissions must be animation, documentary and/or hybrid feature-length films with an intended length of at least 70 minutes. Submissions must be in production or post-production and must not have aired on any form of television, been screened publicly or have been distributed in theaters or via the internet. Projects may be in any language or dialect. Applicants must be over 18 years old. Student films and stand-alone short films are not eligible for submission. $25 entry fee. AWARDS: Last year, the Fund administered $10,000 grants to four selected films. In addition to funding, each grantee will receive a U.S. based advisor and guidance from the Tribeca Film Institute. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/filmmakers/latin_fund/.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
Up-and-comer Joseph Gordon-Levitt is so good he compensates for the cancer comedy's shortcomings, even if he can't erase them.
Up-and-comer Joseph Gordon-Levitt is so good he compensates for the cancer comedy's shortcomings, even if he can't erase them.
Up-and-comer Joseph Gordon-Levitt is so good he compensates for the cancer comedy's shortcomings, even if he can't erase them.
Up-and-comer Joseph Gordon-Levitt is so good he compensates for the cancer comedy's shortcomings, even if he can't erase them.
ITVS, Global Fund for Women, Spark and Women's Funding Network present a prescreening of issues doc 'Peace Unveiled,' part of a new PBS miniseries, 'Women, War & Peace,' launching this fall. Producer Abigail Disney and guests will be present for post-screening panel discussion. More info at pbs.org.
ITVS, Global Fund for Women, Spark and Women's Funding Network present a prescreening of issues doc 'Peace Unveiled,' part of a new PBS miniseries, 'Women, War & Peace,' launching this fall. Producer Abigail Disney and guests will be present for post-screening panel discussion. More info at pbs.org.
SFFS's bi-monthly forum and industry show-and-tell makes its first appearance at Film Society Cinema this Tuesday. Panel discussion will be moderated by music rights exec Brooke Wentz and feature Kim Aubry of Zoetrope Aubry productions alongside Academy Award-winning soundmen Michael Semanick and Richard Beggs. More info at sffs.org.
SFFS's bi-monthly forum and industry show-and-tell makes its first appearance at Film Society Cinema this Tuesday. Panel discussion will be moderated by music rights exec Brooke Wentz and feature Kim Aubry of Zoetrope Aubry productions alongside Academy Award-winning soundmen Michael Semanick and Richard Beggs. More info at sffs.org.
“Presumed Guilty was nominated for three Emmys — outstanding investigative journalism (long form), best documentary and best research — and has received some 20 festival awards," reports Cathy Cockrell. More at berkeley.edu.
"The documentary, which aired last season on Independent Lens, reveals the work and wisdom of some of the most influential advertising creatives of our time." More at beyondthebox.org.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
Dziga Vertov completed the epic documentary 'A Sixth Part of the World' after his ejection from the Cold War-era Soviet documentary film unit Sovkino. The breathtaking and broad-reaching doc, praised by revered experimentalist Chris Marker, screens Wednesday as part of PFA's annual avant-garde film program Alternative Visions. More info at bampfa.berkeley.edu.
Dziga Vertov completed the epic documentary 'A Sixth Part of the World' after his ejection from the Cold War-era Soviet documentary film unit Sovkino. The breathtaking and broad-reaching doc, praised by revered experimentalist Chris Marker, screens Wednesday as part of PFA's annual avant-garde film program Alternative Visions. More info at bampfa.berkeley.edu.
Press release: The San Francisco Film Society today announced the three winners of the inaugural SFFS Documentary Film Fund grants. The Fund was created to support the postproduction of singular feature-length nonfiction film work that is distinguished by compelling stories, intriguing characters and an innovative visual approach. Each year from 2011 to 2013, a total of $100,000 will be disbursed to further new work by documentary filmmakers nationwide. Winners are: Joe Brewster and Michèle Stephenson, An American Promise, $25,000; Priya Desai and Ann Kim, Match +, $25,000; Zachary Heinzerling, Cutie & the Boxe, $50,000. For more information go to: sffs.org/filmmaker-services.
"Brad Pitt, Academy Award winner Philip Seymour Hoffman and Oscar-winning screenwriter Aaron Sorkin were among those on the red carpet at the Paramount Theater in Oakland on Monday evening as Moneyball, the movie based on A's general manager Billy Beane and the 2002 Oakland team, made its national premiere," reports Susan Slusser. More at www.sfgate.com.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
Gavin O'Connor does a remarkable job making his two-and-a-half-hour fight film gritty, involving and as credible as humanly possible.
Gavin O'Connor does a remarkable job making his two-and-a-half-hour fight film gritty, involving and as credible as humanly possible.
Gavin O'Connor does a remarkable job making his two-and-a-half-hour fight film gritty, involving and as credible as humanly possible.
Gavin O'Connor does a remarkable job making his two-and-a-half-hour fight film gritty, involving and as credible as humanly possible.
Mona Achache's first feature relies heavily on an 11-year-old narrator, but it's 60- and 65-year-old actors who steal the show.
Mona Achache's first feature relies heavily on an 11-year-old narrator, but it's 60- and 65-year-old actors who steal the show.
Mona Achache's first feature relies heavily on an 11-year-old narrator, but it's 60- and 65-year-old actors who steal the show.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Castro Theatre sets a whole week aside to celebrate the slick charms of the screen legend. Beginning on Wednesday, the institution will screen 14 of the star's films, from suspenseful actioneers 'North By Northwest' and 'Suspicion' to slap-happy comedies 'His Girl Friday' and 'I Was a Male War Bride'. The centerpiece of the retro is a new print of the beloved 'Bringing Up Baby,' also starring Katherine Hepburn. More info at castrotheatre.com.
The Roy W. Dean Film and Writing Grants fund shorts, documentaries and low budget independent features. ELIGIBILITY: New film and video projects (including works-in-progress) that are unique and benefit the society. Student filmmakers, independent producers or independent production companies are all welcome. AWARDS: Winner gets a variety of awards including scholarships and cash prizes for different production fields. DEADLINE: August 30, 2011. WEBSITE: fromtheheartproductions.com/grant-lavideo.shtml.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
Viz Cinema, slated to begin programming as Film Society Cinema next month, continues its Classic Summer Weekends series with 35mm screenings of Akira Kurosawa's postwar lamentations 'Ikiru' and 'I Live In Fear,' playing on Friday and Saturday respectively. More info newpeopleworld.com.
The San Francisco Film Society and the Kenneth Rainin Foundation today announced the five winners and two honorable mentions of the fifth round of SFFS/KRF Filmmaking Grants. The grants are awarded twice annually to filmmakers for narrative feature films with social justice themes that will have significant economic or professional impact on the Bay Area filmmaking community. Between 2009 and 2013 the SFFS/KRF Filmmaking Grants will award nearly $2.5 million, including a total of $788,000 already awarded in the first five grant rounds.
Carlton Evans and Matthew Lessner (Ross), $50,000 for screenwriting; Aurora Guerrero (Mosquita y Mari), $88,000 for postproduction; Adam Keker (National Park), $35,000 for screenwriting; Timothy Kelly (The Cherokee Word for Water), $75,000 for production; Benh Zeitlin (Beasts of a Southern Wild), $55,000 for postproduction. Honorable Mentions went to: John Dilly (Rubbish), development and Ian Olds (The Western Habit), screenwriting. More at sffs.org.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
Film fans willing to make the trek to El Cerrito's Rialto Cinemas will be rewarded with a screening of Terrence Malick classic (and 'Badlands' companion-piece) 'Days of Heaven.' Concerning the desperate lives of a farm laborer and his lady love, Malick's bleak gem screens only once on Thursday, on the original celluloid. More info rialtocinemas.com.
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
San Francisco International Film Festival audience-award winner and Sundance standout 'Crime After Crime' opens Friday at the Roxie. This week in SF360, Judy Stone profiles Yoav Potash, the director of the doc, which covers five years of the life and trials of Deborah Peagler, a woman serving 25-years-to-life for her involvement in the murder of her abuser. Potash will appear with guests for Q&A following some screenings. More info at roxie.com.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
Recently rescued from obscurity via a new digital master, Fassbinder's high concept/high reward 1973 science-fiction epic 'World On A Wire' made a big impression on critics and viewers when it screened at SFIFF this past year. Roxie screens this wildly prescient, highly satisfying three-and-a-half-hour masterpiece beginning Friday. More info at roxie.com.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
SFFS presents the work of pioneering software artist Marius Watz, who uses digital processes and authored algorithms to “automatically” produce numerous types of media including video, still imagery and sculpture through semi-autonomous software systems, as part of its KinoTek series. Look for sci-fi writer/theorist Bruce Sterling's essay on Watz in Thursday's SF360.org. Events: An exhibition in Super Frog Gallery at New People opens July 22; Artist Talk, July 26; Master Class, July 27. More at sffs.org.
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
SF Museum of Modern Art's Opera on Film series screens Jean-Jacques Beineix's under-appreciated 'Diva' on Thursday. The Caesar Award-winning romance/thriller hybrid deftly handles a complex, opera-centric plot littered with brilliant pop-art inspired chase scenes and features a number of standout performances, including those by Jeunet regular Dominique Pinon and real-life opera singer Wilhelmenia Wiggins Fernandez. More info sfmoma.org.
Counterpulse's Rough Cuts series continues with an in-progress screening of 'Bitter Seeds,' the latest globalization doc by Micha Peled ('Store Wars'). Emmy winners Dan Geller and Dayna Goldfine will moderate a post-film discussion. More info and RSVP at sfroughcuts.com.
The 31st San Francisco Jewish Film Festival, the world's largest showcase of Jewish film, opens at the Castro Theatre on Thursday with Israeli drama 'Mabul' (The Flood, nominated for six of Israel's 'Oscars'), and runs through August 8 at a number of Bay Area venues. An Opening Night bash follows at the Swedish American Hall. More info sfjff.org.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Pacific Film Archive’s ‘Hands Up! Essential Skolimowski’ surveys the Polish director’s confounding oeuvre.
Pacific Film Archive’s ‘Hands Up! Essential Skolimowski’ surveys the Polish director’s confounding oeuvre.
Pacific Film Archive’s ‘Hands Up! Essential Skolimowski’ surveys the Polish director’s confounding oeuvre.
Chusy Jardine has set out to tell the Andres Torres ADHD-to-World Series glory story in a feature-length documentary.
Chusy Jardine has set out to tell the Andres Torres ADHD-to-World Series glory story in a feature-length documentary.
Chusy Jardine has set out to tell the Andres Torres ADHD-to-World Series glory story in a feature-length documentary.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
Press release: The Ninth Street Independent Film Center announced today five new participants for the Center's Media Arts Incubator Program for 2011-2012. "This is a great group of participants," says Skye Christensen, Executive Director of the Ninth Street Independent Film Center. "Each brings a very dynamic project to the Program, and we're really looking forward to what they'll accomplish during their time here." Ninth Street’s Media Arts Incubator Program is designed to nurture socially relevant independent media projects at Ninth Street Independent Film Center. The Incubator Program supports independent filmmakers, start-up film festivals and small media nonprofits through access to workspace and shared resources, such as cross-promotional opportunities, co-productions, affordable meeting or exhibition space and community connections with established media arts partners (Center for Asian American Media, Frameline, San Francisco Jewish Film Festival, and others). Participants are: Rachel Caplan (CEO) and Daniela Rible (Deputy Director) of the annual SF Green Film Festival; Jennifer Tipton and Cary McQueen Morrow, the directors of Art with Impact, which is a platform for the creation of new media on critical social issues; David Evan Harris, Executive Director of the Global Lives Project, a media arts nonprofit that seeks to collaboratively build a video library of human life experience; Scarlett Shepard is Executive Director of the SF Women’s Film Festival; and J.R. Flemming, director and producer of Guarding Dogs, which is a documentary film with a crowd-sourcing model currently in production that makes the case for adopting a dog instead breeding/buying.
Award-winning 2010 doc 'Cultures of Resistance' captures the ways artists, musicians and other cultural producers create political change through art, from Iran to China to other points worldwide. The event features a live interview with director Iara Lee via Skype after screening; ticket sales benefit clean water efforts for children in Gaza. Plays at Berkeley City College. More at mecaforpeace.org.
YBCA screens a North Korean drama about a young soccer player and the lengths he'll go to for team and country. Considered a classic in its homeland and helmed by famed director Pak Chong-song, infrequently seen 'Centre Forward' shows Thursday. More at ybca.org.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Louie Psihoyos' and Roc O'Barry's immersive, award-winning eco-doc 'The Cove' screens with a live performance by Bob Weir of the Grateful Dead and post-film discussion with both directors at the Smith Rafael. Ticket sales benefit the Earth Island Institute and Save Japan Dolphins. More at cafilm.org.
One film was not enough to quench Frans Weisz’s fascination with Nazi-era artist Charlotte Salomon.
One film was not enough to quench Frans Weisz’s fascination with Nazi-era artist Charlotte Salomon.
One film was not enough to quench Frans Weisz’s fascination with Nazi-era artist Charlotte Salomon.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
Red Vic Movie House offers up Kaneto Shindo’s 1968 Japanese horror masterpiece ‘Kuroneko.’ More at redvicmoviehouse.com.
Red Vic Movie House offers up Kaneto Shindo’s 1968 Japanese horror masterpiece ‘Kuroneko.’ More at redvicmoviehouse.com.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
'Zoo' director Robinson Devor uncovers the strange history behind the Gerald Ford assassination attempt in ’70s San Francisco.
'Zoo' director Robinson Devor uncovers the strange history behind the Gerald Ford assassination attempt in ’70s San Francisco.
'Zoo' director Robinson Devor uncovers the strange history behind the Gerald Ford assassination attempt in ’70s San Francisco.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Cash prizes, recognition showered on the winning filmmakers of 2011 San Francisco International. The San Francisco International Film Festival presented its 2011 Golden Gate Awards to filmmakers Wednesday night at Temple Nightclub/Prana Restaurant. Kelly Duane de la Vega and Katie Galloway's Better This World won both Documentary Feature and Bay Area Documentary awards. Yoav Potash's Crime After Crime received the Investigative Documentary prize. Park Jung-bum's The Journals of Musan won the New Directors award. A complete list...
Cash prizes, recognition showered on the winning filmmakers of 2011 San Francisco International. The San Francisco International Film Festival presented its 2011 Golden Gate Awards to filmmakers Wednesday night at Temple Nightclub/Prana Restaurant. Kelly Duane de la Vega and Katie Galloway's Better This World won both Documentary Feature and Bay Area Documentary awards. Yoav Potash's Crime After Crime received the Investigative Documentary prize. Park Jung-bum's The Journals of Musan won the New Directors award. A complete list...
Cash prizes, recognition showered on the winning filmmakers of 2011 San Francisco International. The San Francisco International Film Festival presented its 2011 Golden Gate Awards to filmmakers Wednesday night at Temple Nightclub/Prana Restaurant. Kelly Duane de la Vega and Katie Galloway's Better This World won both Documentary Feature and Bay Area Documentary awards. Yoav Potash's Crime After Crime received the Investigative Documentary prize. Park Jung-bum's The Journals of Musan won the New Directors award. A complete list...
Cash prizes, recognition showered on the winning filmmakers of 2011 San Francisco International. The San Francisco International Film Festival presented its 2011 Golden Gate Awards to filmmakers Wednesday night at Temple Nightclub/Prana Restaurant. Kelly Duane de la Vega and Katie Galloway's Better This World won both Documentary Feature and Bay Area Documentary awards. Yoav Potash's Crime After Crime received the Investigative Documentary prize. Park Jung-bum's The Journals of Musan won the New Directors award. A complete list...
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
The Sundance Film Festival Audience Award winner, ‘Circumstance,’ which tells the story of two Iranian women who fall in love, plays at Sundance Kabuki Cinemas on May 1 and May 3. Director Maryam Keshavarz attends each screening of her debut feature. More at fest11.sffs.org.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
The San Francisco International's Midnight Awards at the W hotel honor Zoe Saldana and Clifton Collins, Jr., with a spirited talk-show style discussion featuring the inimitable Beth Lisick, actress, author and Porchlight Storytelling Series co-host. More at fest.sffs.org.
Press release: The San Francisco Film Society announced today that Terence Stamp will be the recipient of the Peter J. Owens Award at the 54th San Francisco International Film Festival (April 21–May 5). The Owens Award, named for the longtime San Francisco benefactor of arts and charitable organizations and Film Society board member, honors an actor whose work exemplifies brilliance, independence and integrity. The award will be presented to Stamp at Film Society Awards Night, Thursday, April 28 at Bimbo’s 365 Club. More at fest11.sffs.org.
In celebration of the upcoming Turner Classic Movies Film Festival in Hollywood, Castro Theatre participates in the one-night nationwide Road to Hollywood Tour with a free screening of ‘Elmer Gantry.’ Turner Classic Movies host Ben Mankiewicz and Academy Award winner Shirley Jones are present. Tickets are acquired through tcm.com/roadtohollywood. More at castrotheatre.com.
Reports Peter Knegt: "Academy Award-nominated documentary filmmaker Tim Hetherington has been killed in Libya, it is being reported by Vanity Fair (where Hetherington worked as a contributing photographer)." More at indieWIRE.com.
The 54th San Francisco International Film Festival (April 21 - May 5) announced that Clifton Collins Jr. will be honored at the fourth Midnight Awards, 10:30 pm, Saturday, April 23 at the W San Francisco. The Midnight Awards takes the form of a late night talk show, hosted by Beth Lisick, New York Times best-selling author and coorganizer of the Porchlight Storytelling Series, with live musical accompaniment by the Darren Johnston Trio. Lisick will interview Collins and his previously announced Midnight Award corecipient Zoe Saldana. Clips of their work will be shown prior to the presentation of the awards. More at fest11.sffs.org.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Filmmaker Mimi Chakarova is at Sutardja Hall Auditorium, UC Berkeley, to present her documentary, ‘The Price of Sex,’ which is an award-winning investigation into sex trafficking throughout Europe and the Middle East. More at priceofsex.org.
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
Award-winning Bay Area director Les Blank introduces his 1969 short film, ‘The Blues Accordin’ to Lightnin’ Hopkins,’ and his 1979 project, ‘Always for Pleasure,’ which play at Red Vic Movie House. Viewers receive rice and beans made with Les’ special recipe. More at redvicmoviehouse.com.
Press release: The San Francisco Film Society announced today that Oliver Stone will be the recipient of the Founder’s Directing Award at the 54th San Francisco International Film Festival (April 21–May 5). The FDA will be presented to Stone at Film Society Awards Night, Thursday, April 28 at Bimbo’s 365 Club. The Film Society’s Youth Education program will be the beneficiary of the fundraiser honoring Stone. The soon-to-be-announced recipient of the Peter J. Owens Award for excellence in acting and Frank Pierson, recipient of the Kanbar Award for excellence in screenwriting will also be honored. More at sffs.org.
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Screenwriter Oscar Torres appears in person at Mission Cultural Center to talk following his award winning film ‘Voces Inocentes,’ based on Torres’ real-life tale of growing up and avoiding mandatory army recruitment in San Salvador. More at missionculturalcenter.org.
New technology and futuristic themes featured prominently at South by Southwest this year.
New technology and futuristic themes featured prominently at South by Southwest this year.
New technology and futuristic themes featured prominently at South by Southwest this year.
Ry Russo-Young’s 2009 Gotham Independent Film Award winner and Sundance Film Festival Selection, ‘You Won’t Miss Me,’ plays for one week at Roxie Theater. The film features Stella Schnabel, who plays a 23 year-old just released from a psychiatric hospital. More at roxie.com.
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Mariana Chenillo’s comedy ‘Nora’s Will' (Cinco Dias Sin Nora), winner of seven Mexican Ariel Awards, including best picture, actor, supporting actress and screenplay opens at the Smith Rafael as well as Landmark's Bridge and Shattuck. More at cafilm.org and landmarktheatres.com.
Mariana Chenillo’s comedy ‘Nora’s Will' (Cinco Dias Sin Nora), winner of seven Mexican Ariel Awards, including best picture, actor, supporting actress and screenplay opens at the Smith Rafael as well as Landmark's Bridge and Shattuck. More at cafilm.org and landmarktheatres.com.
San Francisco Museum of Modern Art and Castro Theatre present ‘Exposed on Film,’ a three-day series featuring films that explore the themes presented in the concurrent San Francisco Museum of Modern Art’s exhibit, Exposed: Voyeurism, Surveillance and the Camera Since 1870, including Warhol's 'The Nude Restaurant,' Antonioni's 'Blow Up' and David Lynch's 'Lost Highway.' More at castrotheatre.com and sfmoma.org.
Press release: The 54th San Francisco International Film Festival (April 21 - May 5) today announced its documentaries in competition for the Golden Gate Awards and films in competition for the New Directors Prize. The International will award close to $100,000 in total prizes this year. Sixty thousand dollars will be awarded to winners in three categories: investigative documentary feature ($25,000), documentary feature ($20,000) and Bay Area documentary feature ($15,000). The New Directors Prize of $15,000 is given to a narrative first feature that exhibits a unique artistic sensibility and deserves to be seen by as wide an audience as possible. Seventeen countries contributed to the production of the 11 films in this year's competition. Click through for titles or visit sffs.org.
After her own Assange story broke big, a Bay Area filmmaker followed another lead...to Iceland.
After her own Assange story broke big, a Bay Area filmmaker followed another lead...to Iceland.
After her own Assange story broke big, a Bay Area filmmaker followed another lead...to Iceland.
LA Times Blogs: "Inside Job” won the Oscar for documentary feature at the 83rd Academy Awards on Sunday night. “Inside Job” is an exploration of the causes and corollaries of the 2008 financial crisis. The award goes to Charles Ferguson and Audrey Marrs." More at latimesblogs.latimes.com. And from SF360.org: Bay Area-based Ferguson's speech began with a statement of fact, "After financial fraud not a single financial executive has gone to jail," before thanking his colleagues.
Director Robinson Devor and actor Patrick Warburton are in person at Roxie Theater to show their 1999 noir film, ‘The Woman Chaser,’ which tells the story of a used care salesman who strives to write and direct his own film in an attempt to find fame and fortune. More at roxie.com.
Press Release: The Audience Award winners for the 13th San Francisco Independent Film Festival include ‘Kaboom,’ named as Best Narrative Feature, ‘Bathing and the Single Girl’ for Best Narrative Short, ‘Free Radicals’ for Best Documentary, ‘Burning Wigs of Sedition’ for Best Music Video and ‘Mars’ for Best Animated Film. More at sfindie.com.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Producer and teacher Mitchell Block talks about the making of great films, including the Oscar-nominated 'Poster Girl.'
Producer and teacher Mitchell Block talks about the making of great films, including the Oscar-nominated 'Poster Girl.'
Producer and teacher Mitchell Block talks about the making of great films, including the Oscar-nominated 'Poster Girl.'
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
Filmmaker Nicole Karsin shares the latest cut of her documentary ‘We Women Warriors,’ which showcases three Colombian women’s nonviolent efforts to protect their liberties while caught in the crosshairs of a rebellious war. The film plays at The Women’s Building. More at wewomenwarriors.com.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Press release: The San Francisco Film Society will present Fever Dreams: Laurel Nakadate, a multiplatform presentation of the work of American multimedia artist Laurel Nakadate, February 23–March 2. Fever Dreams kicks off KinoTek 2011–12, an eclectic series of programs dedicated to cross-platform and emergent media, supported by a two-year, $80,000 grant from the Andy Warhol Foundation for the Visual Arts. More at sffs.org.
Pacific Film Archive Theater offers the World Cinema Foundation: Safeguarding Cinematic Treasures series, highlighting WCF's preservation efforts. It opens with Edward Yang's 1991 ‘A Brighter Summer Day’. More at bampfa.berkeley.edu.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
Sword, sandals and a sinister real-life epilogue: 'Deathstalker' earns top billing in a Midnite for Maniacs evening at the Castro. As one of 1982's bigger box-office hits, Conan the Barbarian accomplished two things. First, it finally made a movie star out of thick-bodied, thicker-accented Arnold Schwarzenegger after several failed attempts. Second, it spawned a legion of cheaper imitations cashing in on the early 1980s' seemingly bottomless need for films to fill cable airtime and video rental shelves. (Remember, until that time there the only commercial outlets for movies were theatrical release and network TV—so these were entirely...
Sword, sandals and a sinister real-life epilogue: 'Deathstalker' earns top billing in a Midnite for Maniacs evening at the Castro. As one of 1982's bigger box-office hits, Conan the Barbarian accomplished two things. First, it finally made a movie star out of thick-bodied, thicker-accented Arnold Schwarzenegger after several failed attempts. Second, it spawned a legion of cheaper imitations cashing in on the early 1980s' seemingly bottomless need for films to fill cable airtime and video rental shelves. (Remember, until that time there the only commercial outlets for movies were theatrical release and network TV—so these were entirely...
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
'The Sound of Music' stretches its music empire into a new century with popular sing-alongs and a new home-entertainment release. When we look back at the 1960s, the phenomenon that was—and still somewhat is—The Sound of Music seems like an anomaly. But at the time it was more like the solid rock of reassuring constancy that masses clung to as waters of bewildering change rose all around them, a three-hour oasis of clean living and cheerful melody that wouldn't go away—no matter how many antiwar protesting, unisex...
'The Sound of Music' stretches its music empire into a new century with popular sing-alongs and a new home-entertainment release. When we look back at the 1960s, the phenomenon that was—and still somewhat is—The Sound of Music seems like an anomaly. But at the time it was more like the solid rock of reassuring constancy that masses clung to as waters of bewildering change rose all around them, a three-hour oasis of clean living and cheerful melody that wouldn't go away—no matter how many antiwar protesting, unisex...
Veiko Õunpuu's dream-like study of a middle-aged man’s morality struggle has drawn comparisons to the work of cinema’s most notorious surrealists. ‘The Temptation of St. Tony’ is Estonia’s submission for Best Foreign Language Film at the 83rd Academy Awards. Plays at the Roxie. More at roxie.com.
A local drug war, an unjust court case and an ignorant police state are the antagonists to three resilient native Colombians in Nicole Karsin’s documentary-in-progress, ‘We Women Warriors.’ More at thelab.org.
Bay Area filmmaker Charles Ferguson's 'Inside Job' was among the 15 documentaries on the Academy Awards shortlist. Joshua Brunsting at Criterioncast offers the full roundup with trailers. More at criterioncast.com.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
'Client 9' makes the case that Wall Street, not women, brought Eliot Spitzer down. This month commenced with the most stellar edition yet of what's become America's favorite political pasttime, a game we call Out with the (Sorta) Old, In with the (Kinda) New. Payback was especially directed at the current administration's failure to get the economy back to booming. Yet as one of the year's biggest documentaries, Charles Ferguson's Inside Job, noted, conservative politicos and their allies were very much in on the policies that got our collective piggy bank broken and looted in the first place. Though it can certainly stand on its own merits, Client 9 (which opens at local theaters this...
'Client 9' makes the case that Wall Street, not women, brought Eliot Spitzer down. This month commenced with the most stellar edition yet of what's become America's favorite political pasttime, a game we call Out with the (Sorta) Old, In with the (Kinda) New. Payback was especially directed at the current administration's failure to get the economy back to booming. Yet as one of the year's biggest documentaries, Charles Ferguson's Inside Job, noted, conservative politicos and their allies were very much in on the policies that got our collective piggy bank broken and looted in the first place. Though it can certainly stand on its own merits, Client 9 (which opens at local theaters this...
Writer-director Todd Solondz revisits familiar themes and characters in his latest offering, a sequel to 1998’s critically acclaimed ‘Happiness.’ In ‘Life During Wartime’ Solondz proves he is one dark comedy’s most serious players as he further dissects the struggles of the Jordan family. Plays at the Red Vic on $7 night. More at redvicmoviehouse.com.
Akira Kurosawa was well into his 70s when he began shooting ‘Ran,’ the war epic that took over a year to film and was then Japan’s most expensive movie in history. The Castro Theater celebrates the 25th anniversary of Kurosawa’s 'King Lear' adaptation, which the iconic director considered his best film. More at castrotheatre.com.
Press release: The San Francisco Film Society announced today the finalists and honorable mention for the second SFFS/Hearst Screenwriting Grant. The grant of $15,000 will be awarded to a mid-career screenwriter who has been a practicing writer for at least five years and who has previously written a minimum of one feature screenplay. Finalists are Topaz Adizes, Eric Escobar, Brent Hoff, Roja Gashtili, Maryam Keshavarz, Beverly Kopf and Bobbi Birleffi, Paul Lobo Portuges, David Munro, Jennifer Phang and Dominac Mah. Honorable mention went to Richard Strasser. More at sffs.org.
Taking the legendary director of 'Rosemary's Baby,' 'Chinatown' and 'The Pianist' out of headlines and back to his filmmaking and geographic roots, this program pairs a live performance by Warsaw electro-acoustic duo Sza/Za with early Polanski shorts at Letterman Digital Arts Center’s Premier Theater. More at sffs.org.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Olivier Assayas's 'Carlos' chases after a notorious phantom. Since premiering out of competition at Cannes, nearly all the write-ups of Olivier Assayas’s Carlos have located the film amidst the post–War on Terror flurry of dramatizations of the self-styled revolutionaries of the 1960s and ’70s (e.g. Che, United Red Army, The Baader Meinhof Complex and locally produced documentary The Weather Underground). This is as it should be: it’s often noted that Assayas wrote for Cahiers du Cinéma before he became a filmmaker, but more than his other movies Carlos works as criticism. In particular, it’s clear that Assayas is having....
Olivier Assayas's 'Carlos' chases after a notorious phantom. Since premiering out of competition at Cannes, nearly all the write-ups of Olivier Assayas’s Carlos have located the film amidst the post–War on Terror flurry of dramatizations of the self-styled revolutionaries of the 1960s and ’70s (e.g. Che, United Red Army, The Baader Meinhof Complex and locally produced documentary The Weather Underground). This is as it should be: it’s often noted that Assayas wrote for Cahiers du Cinéma before he became a filmmaker, but more than his other movies Carlos works as criticism. In particular, it’s clear that Assayas is having....
Rick Prelinger’s efforts at preserving ephemeral films have made him indispensable to the cinema of San Francisco—and the world.
Rick Prelinger’s efforts at preserving ephemeral films have made him indispensable to the cinema of San Francisco—and the world.
David L. Brown explores traumatic brain injuries with 'Going the Distance.' When ABC’s Bob Woodruff and his cameraman were badly injured by an IED in Iraq in January of 2006, it was the top story for days. We may not know any of the estimated 320,000 soldiers who’ve returned home with traumatic brain injuries (TBI), but we do remember the co-anchor of World News Tonight. To his credit, he and his family created the Bob Woodruff Foundation to advocate for and raise money for veterans with head injuries, and to educate the public. Longtime Brisbane documentary maker David L. Brown was at one of those benefits, a 22-mile traverse....
David L. Brown explores traumatic brain injuries with 'Going the Distance.' When ABC’s Bob Woodruff and his cameraman were badly injured by an IED in Iraq in January of 2006, it was the top story for days. We may not know any of the estimated 320,000 soldiers who’ve returned home with traumatic brain injuries (TBI), but we do remember the co-anchor of World News Tonight. To his credit, he and his family created the Bob Woodruff Foundation to advocate for and raise money for veterans with head injuries, and to educate the public. Longtime Brisbane documentary maker David L. Brown was at one of those benefits, a 22-mile traverse....
"Ten Bay Area filmmakers got good news this month when the San Francisco Film Society and the Kenneth Rainin Foundation announced that they had narrowed their choices to a short list of contenders competing for $225,000 in cash," writes Hugh Hart. "The awards will go toward funding projects that explore civil rights, discrimination, gender and sexual identity. Winners will be named in November." More at SFGate.
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
The San Francisco Film Society presents a three-day showcase of contemporary Taiwanese films at VIZ Cinema at New People. Niu Doze's crime saga 'Monga' opens the festival and is Taiwan's entry to for Best Foreign Language Film at the 83rd Academy Awards. More at sffs.org; look for a feature later this week on sf360.org.
The Berlin & Beyond Film Festival returns to the Castro with its collection of contemporary cinema from Germany, Austria and Switzerland. ‘Die Fremde’ is the centerpiece film (and Germany’s entry for Best Foreign Language Film at the 83rd Academy Awards) about a young woman living in Istanbul who, along with her son, decides to leave her abusive husband and reunite with her family in Berlin. More at berlinbeyond.com.
Charles Ferguson offers intel on the world financial crisis with 'Inside Job.'
Charles Ferguson offers intel on the world financial crisis with 'Inside Job.'
Charles Ferguson offers intel on the world financial crisis with 'Inside Job.'
Yerba Buena Center for the Arts and the San Francisco Jewish Film Festival offer plenty to chew on in the series Tough Guys: Images of Jewish Gangsters in Film. Mervyn LeRoys’ ‘Little Caesar’ has Edward G. Robinson as an Italian gangster in a breakout performance. The series plays through the month of October. More at ybca.org.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
The latest Deborah Scranton film takes another look at the Rwandan genocide.
The latest Deborah Scranton film takes another look at the Rwandan genocide.
The latest Deborah Scranton film takes another look at the Rwandan genocide.
The latest Deborah Scranton film takes another look at the Rwandan genocide.
The latest Deborah Scranton film takes another look at the Rwandan genocide.
The latest Deborah Scranton film takes another look at the Rwandan genocide.
The San Francisco Irish Film Festival offers Roxie audiences three days of contemporary Irish cinema, including features, documentaries and short films paired with free pints of Irish cider. Closing night film 'His & Hers' won the Cinematography Award at Sundance 2010.
Judy Irving goes from parrots to pelicans with her new documentary.
Judy Irving goes from parrots to pelicans with her new documentary.
The creator of award-winning documentary 'Last Train Home' speaks about the new China.
The creator of award-winning documentary 'Last Train Home' speaks about the new China.
The creator of award-winning documentary 'Last Train Home' speaks about the new China.
The San Francisco Latino Film Festival, which runs through September 26, kicks off this week with a screening of director Javier Fuentes-Léon's 'Contracorriente' at the Roxie.
Edward Yang died too soon, but his work remains: An uncut and newly restored version of Yang's intense and epic portrait of life in '60s Taiwan plays at the Yerba Buena Center for the Arts.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
A look at Phil Spector brings back memories, if not that loving feeling.
A look at Phil Spector brings back memories, if not that loving feeling.
A filmmaker shows environmentalists who are changing the way we as Americans relate to nature.
A filmmaker shows environmentalists who are changing the way we as Americans relate to nature.
A filmmaker shows environmentalists who are changing the way we as Americans relate to nature.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
A Greek film incriminates the viewer.
A Greek film incriminates the viewer.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Amir Bar-Lev follows a family's continuing fight in 'The Tillman Story.'
Amir Bar-Lev follows a family's continuing fight in 'The Tillman Story.'
Amir Bar-Lev follows a family's continuing fight in 'The Tillman Story.'
Jimmy Stewart becomes ensnared in a Moroccan-set assassination plot in 'The Man Who Knew Too Much.' One of Hitchcock's most suspenseful films, it screens at Oakland's gilded movie palace, the Paramount Theatre.
Drawing from reality, and yoga practice, an independent production team catalogues childhood's end.
Drawing from reality, and yoga practice, an independent production team catalogues childhood's end.
'Live with Honor, Die with Dignity' and 'Toyo's Camera,' two films by Bay Area filmmaker Junichi Suzuki that look at the war at home and abroad for Japanese Americans during WWII, play three final days August 17-19 at Viz Cinema.
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
Run, walk, bike, or bus to Sausalito for a festival filled with environmental (and other) surprises. The Sausalito Film Festival at Cavallo Point offers an impressive natural/urban backdrop to complement the worlds on view inside its theaters. Situated in the less-crowded film festival calendar space of August, it offers residents of the Bay Area ample room for their eyes to roam, with gorgeous vistas to greet those coming and going from its two restored theaters, the Mission Blue and Callippe. (Cavallo Point, a backdrop for the 22nd century in Star Trek: Enterprise, also provides a view of the San Francisco that will never get old.)
Run, walk, bike, or bus to Sausalito for a festival filled with environmental (and other) surprises. The Sausalito Film Festival at Cavallo Point offers an impressive natural/urban backdrop to complement the worlds on view inside its theaters. Situated in the less-crowded film festival calendar space of August, it offers residents of the Bay Area ample room for their eyes to roam, with gorgeous vistas to greet those coming and going from its two restored theaters, the Mission Blue and Callippe. (Cavallo Point, a backdrop for the 22nd century in Star Trek: Enterprise, also provides a view of the San Francisco that will never get old.)
Think summer's almost over? In the Bay Area, think again: Outdoor screenings are just getting started.
Think summer's almost over? In the Bay Area, think again: Outdoor screenings are just getting started.
Think summer's almost over? In the Bay Area, think again: Outdoor screenings are just getting started.
"The nominees for the 31st Annual News and Documentary Emmy Awards were announced today and ITVS programs received an impressive six nominations," reports Beyond the Box.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Tom Shepard and Andy Abrahams Wilson are redefining activist filmmaking with educational films, such as their documentary on the National AIDS Memorial Grove in Golden Gate Park.
Tom Shepard and Andy Abrahams Wilson are redefining activist filmmaking with educational films, such as their documentary on the National AIDS Memorial Grove in Golden Gate Park.
Tom Shepard and Andy Abrahams Wilson are redefining activist filmmaking with educational films, such as their documentary on the National AIDS Memorial Grove in Golden Gate Park.
Deborah Koons Garcia's latest film explores the mystery and complexities of one of the earth's most valuable resources.
Deborah Koons Garcia's latest film explores the mystery and complexities of one of the earth's most valuable resources.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Frameline34 brought together a wide array of programs following the retrospective impulse.
Frameline34 takes a fresh look at Andy Warhol's world while offering a view to the world of international LGBT cinema 2010.
Screens are getting smaller. From the cineplex to TV to the computer or iPhone screen, surfaces have shrunk but creativity and resourcefulness have expanded.
With a new book, gallery exhibition, appearances on local radio and stages, John Waters is quickly becoming a Bay Area fixture, a welcome addition to the film and cultural landscape.
San Francisco-based video production company recognized for work for Adobe Systems and Izze Sparkling Juice.
For many, the mother of all brain-scrambling cinematic boondoggles is Troll 2; a documentary takes stock of the phenomenal success of this epic failure.
Laura Poitras speaks during SFIFF53 about the process of creating The Oath from the stories of Osama Bin Laden's former bodyguard and driver.
Today s fun fact: San Francisco has more nail salons per capita than any city in the country.
Bruce Conner, the sculptor, painter, photographer and filmmaker who loomed large in the Bay Area's shifting avant-garde currents for 50 years, resurfaces with Three Screen Ray.
Documentary film footage is caught in the middle of a court battle between Chevron and Ecuadorian plaintiffs over pollution of the Amazon rain forest.
Almost $300,000 was given out Wednesday night for awards and grants honoring documentary winners.
Cash prizes totaling nearly $300,000 for filmmakers highlighted the San Francisco International Film Festival s Golden Gate Awards Wednesday night.
Cash prizes totaling nearly $300,000 for filmmakers highlighted the San Francisco International Film Festival s Golden Gate Awards Wednesday night.
Films about our species enduring capacity to be inhumane toward its own are perennials at festivals, and will be so as long as wars are waged.
Few would argue that a good movie often starts with a good story. Yet it has been the screenwriter s lot to be underappreciated.
San Francisco itself took a lead role at Film Society Awards Night, the dinner and awards program benefiting the Film Society s year-round Youth Education initiative.
Through most of its history, the Festival has featured revivals of restored classics and little-known gems. This year s selections run an unusually wide gamut.
Live & Onstage thought globally and drafted locally with Sam Green and musician Dave Cerf s live Utopia in Four Movements, which never takes the exact same form.
If there's a sure-fire crowd-pleaser in this year's San Francisco International Film Festival, it s Roberto Hernandez and Geoffrey Smith's Presumed Guilty.
Bay Area-made and Mission-inspired, Peter Bratt's La Mission joins Jennifer Kroot's wild and woolly It Came from Kuchar in Bay Area theaters this week.
From Michael Powell to Carlos Saura to Sally Potter, a stratum of directors has progressively reimagined the relationship between dance and film.
When television first became a dire threat, Hollywood fought the small screen by making the big one really big with vast spectacles worth leaving home for.
Beware of Save the Day My Way Syndrome. Now, learn from your mistakes.
Beware of Save the Day My Way Syndrome. Now, learn from your mistakes.
Pedestrians have always propelled cinema narratives, but the bicycle has rarely had a starring role.
One of the oldest points of contention in documentary is whether the camera s presence alters the subject s behavior.
Director of Programming Rachel Rosen and programmers Rod Armstrong, Audrey Chang and Sean Uyehara shared thoughts on 177 films from 46 countries.
There's so much about this product called milk that we think we know everything about, declares Jed Riffe with his usual blend of enthusiasm and amazement.
Think of U.S. public television and science fiction or any type of fiction doesn't spring to mind. ITVS aims to change that perception with a series of mini-features.
A theme that emerged in this year s SFIAFF was the importance of archives in the film world.
The culture war is over, and the reactionaries have won. In this climate, Jerome Hiler and Owsley Brown III s Music Makes a City is a revelation,
Muayad Alayan, a 24-year-old filmmaker from the only remaining Arab neighborhood in West Jerusalem, was not even aware there was such a thing as Palestinian cinema until, as a teenager, he came to the Bay Area to visit his brother and sister.
Cementing its status as the preeminent animation company of the 00s, Pixar won the Oscar for Best Animated Feature for the third time in seven years.
Cementing its status as the preeminent animation company of the 00s, Pixar won the Oscar for Best Animated Feature for the third time in seven years.
William Hurt didn't fulfill the promise of major stardom in the 80s, but it's become clearer that he probably didn't want that.
From his modest start as a staff writer at 20th Century Fox, Sid Ganis has built an uncommonly long and successful career in Hollywood.
With its comfortable suburban setting, flashback structure and mystery-suspense framework, My Son, My Son is, by Herzogian standards, almost mainstream-conventional. I said almost.
Last month's nominations announcement was anticipated with unusual interest, largely because the Academy reverted to ten Best Picture nominees, a practice abandoned in 1943.
The Oscar nomination for The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers is a validation of the doc's right-now relevance.
The Oscar nomination for The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers is a validation of the doc's right-now relevance.
How long should your documentary be? If your audience begins to glaze over or feel restless, you've lost the opportunity to leave them wanting more.
Films with Bay Area connections featured prominently in the 82nd Academy Award nominations announced yesterday.
Films with Bay Area connections featured prominently in the 82nd Academy Award nominations announced yesterday.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Writer-director Andrea Arnold created a stir with her first feature Red Road, but her new film is arguably an even stronger work.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
The harsh glare of the spotlight that brought Howl mixed reviews from critics on opening night of Sundance had melted into a warm glow by Saturday.
The harsh glare of the spotlight that brought Howl mixed reviews from critics on opening night of Sundance had melted into a warm glow by Saturday.
In late January, many tune their radar to the snowy, showy glare of Sundance. With Noir City here, the stay-at-homes are the luckier ones.
The late, great Jack Smith was all about the strange sway classic Hollywood movies, particularly obscure stars and low-budget yet opulent art direction, have had on us.
In Michael Haneke's masterful film, everyone lives in fear and suspicion.
Seems like every filmmaker I know is ready to party! Everyone s throwing fundraising events for their films. So many babes in the party-planning woods.
Jennifer Phang has experienced more than enough culture shocks in her life to empathize with the identity challenges of the characters in her debut feature.
Geralyn Pezanoski s doc about the separation and occasional reunion of pets and owners in post-Katrina New Orleans beat the shelf-life odds.
Geralyn Pezanoski s doc about the separation and occasional reunion of pets and owners in post-Katrina New Orleans beat the shelf-life odds.
With more than 25 documentaries to his credit, many on mathematicians and scientists, George Csicsery is arguably the most prolific filmmaker in the Bay Area.
For handy access to your most valuable footage, here s a method of organizing sequences.
Not surprisingly, Bay Area critics, fans, exhibitors and filmmakers did not arrive at a consensus on the best films of the decade.
It was a big year for 3D, but Bay Area critics and film-industry folk found many other dimensions in the cinema of 2009.
Dennis Harvey weighs in on the upcoming films of the holiday season.
Highlights from the 2009 San Francisco Silent Film Festival winter event.
Kristine Enea's documentary shows The EcoCenter, a San Francisco environmental educational facility that treats and recycles wastewater and generates its own solar power.
Catherine Galasso talks about her performance piece Lightning Never Strikes the Same Place Twice, which features dance, theater and projected video.
The Edit Room: Karen Everett shares tips on how to track multiple versions of Final Cut Pro projects and sequences.
Dennis Harvey weighs in on the upcoming films of the holiday season.
Dennis Harvey weighs in on the upcoming films of the holiday season.
The scoop on the projects of the inaugural class for the SFFS/Kenneth Rainin Foundation Filmmaking Grants, which support lively, intelligent social-issue narrative films.
Reminiscent of Marcel Ophuls' fearless provocations in Hotel Terminus (1988), Yoav Shamir breaks every rule of polite documentary filmmaking in Defamation.
Writer/director Carmen Madden's writing reflects just how intimately she comes to see and know a screenplay's world and the characters that inhabit it.
Here are a few ways to both entice and reward your donors, as well as some tips for thanking them when all's said and done.
For three days, the SFFS offers a chance to see contemporary Taiwanese cinema beyond the work of the usual Taiwanese film masters.
George Rush skips legal concerns and instead speaks to a larger issue: the lack of quality independent filmmaking today.
At their respective festival tributes, the actors gave entertaining and revealing onstage interviews.
At their respective festival tributes, the actors gave entertaining and revealing onstage interviews.
Though often made for private reasons, home movies are treasure troves of culture ephemera and social history.
With the Netherlands-based filmmaker's latest portrait in resilience, Oblivion, opening Friday, it's a good time to celebrate one of documentary's most engaging storytellers.
East Bay filmmaker Miles Montalbano is in preproduction on dark coming-of-age story The Recondite Heart, his followup to his lauded debut, Revolution Summer.
Chris Simon and Maureen Gosling's documentary-in-progress, tentatively titled No Mouse Music! The Story of Chris Strachwitz and Arhoolie Records, pays tribute to an underappreciated artist.
The Edit Room: Learning how to organize saves you time and money in the editing process; a walk-through just how to do it.
The Toronto International Film Festival has always allowed a generosity of pursuits to co-exist, rewarding the adventurous and satiating the lazy, all without judgment.
The Roxie's Best of Columbia Noir seroes features great films capitalizing on a simple formula: a girl, a guy and a gun.
Ray Telles's ambitious two-hour film, The Storm that Swept Mexico, with a budget north of $1.2 million, reaches out to the world.
Five years ago, Common Sky director Kathy Carlson committed herself to the task of bridging the gulf between those who've fought in battle and the rest of us.
The rapid adoption of e-newsletters by documentary filmmakers is the latest example of resourcefulness and efficiency among contemporary independents.
With in-process Volunteer Nation: Stories of Service, veteran producer-directors Ben Hess and Dan Janos are mobilizing the millennials.
This fanboy-anticipated New Zealand-produced film set in South Africa, with gang activity, theft, riots, and ever-mounting interspecies hostility, is a summer breakout.
Vampires are still the It Ghoul of our cultural moment and South Korean film Thirst is as precisely crafted as it is gleefully over-the-top in content both carnal and carnivorous.
The Edit Room: I knew the right thing to do was to turn the project over to an editor. The problem was that I didn't have the $45,000 a good editor would require.
Academy Award-winning documentary filmmakers Rob Epstein and Jeffrey Friedman combine live-action period drama and animation in retelling of Ginsburg's Howl
Academy Award-winning documentary filmmakers Rob Epstein and Jeffrey Friedman combine live-action period drama and animation in retelling of Ginsburg's Howl
Newly-retired Pacific Film Archive publicist Shelley Diekman discusses her cinephile tastes, her past and her future.
What's the key to writing comedy that sticks with us, despite perhaps an overblown story line or how lost and low-down the characters seem at the time?
Adam Goldstein and Eric Kutner discuss their debut, The Snake, an unapologetically impertinent, made-in-S.F, comedy that marks its creators as resourceful wiseguys.
New Zealand transplant Richard Levien, a longstanding fixture of the San Francisco indie film community, breaks out of the editing room with Immersion.
Turkey may be lonely, but it is indeed beautiful in Nuri Bilge Ceylan's Three Monkeys.
In this year's Frameline Fest, as so often in life, it's all about the one(s) that got away.
Avoiding Disaster: Clearing music is one of those horrible, arduous, frustrating tasks that needs to be done in order to show or sell a film.
Berkeley-based filmmaking team Gary Weimberg and Catherine Ryan speak about social justice as a career and their film Soldiers of Conscience.
Fados, about a Portuguese musical genre, reveals Carlos Saura as an effortless master at weaving together disparate performances.
Iranian filmmaker Cyrus Omoomian documents post-Pinochet Chile in work-in-progress Pushing Towards Democracy.
Michael Fox interviews Igor Sinyak, founder of Subtitles & Subtleties, about his dinner and a movie discussion forum.
Michael Fox reviews Brant Smith's In-World War, a dark sci-fi comedy about a beta tester trapped in a futuristic war on terror.
Beyond Words: Linda Rosenberg explores the transformation of the contemporary film hero in Doubt and In Bruges.
Bruce Goldstein recalls his adventures in film land as he prepares to host the Con Film Festival at the Film Forum in New York.
Philippe Garrel sticks to his highly-personal aesthetic in Frontier of Dawn.
SFIFF handed out approximately $100,000 and announced the winner San Francisco Film Society/Kenneth Rainin Foundation Filmmaking Grant during its Golden Gate Awards.
SFIFF handed out approximately $100,000 and announced the winner San Francisco Film Society/Kenneth Rainin Foundation Filmmaking Grant during its Golden Gate Awards.
An Evening with Francis Ford Coppola & Friends honored Coppola with the Founder Directing Award and included a moderated discussion with editing/sound design genius Walter Murch, director Carroll Ballard, scenarist-turned-director Matthew Robbins, and George Lucas.
An Evening with Francis Ford Coppola & Friends honored Coppola with the Founder Directing Award and included a moderated discussion with editing/sound design genius Walter Murch, director Carroll Ballard, scenarist-turned-director Matthew Robbins, and George Lucas.
On May Day Eve, Travis Wilkerson performed Proving Ground, probably the first multimedia Leninist rant to have ever graced the Sundance Kabuki.
The San Francisco Film Society awarded Francis Ford Coppola the Founder & Directing Award this week. Justin Juul offers us five reasons why San Francisco loves Coppola.
The San Francisco Film Society awarded Francis Ford Coppola the Founder & Directing Award this week. Justin Juul offers us five reasons why San Francisco loves Coppola.
The San Francisco Film Society honored Francis Ford Coppola, Carroll Ballard, Robert Redford and James Toback. Coppola surprised the audience by turning over the Founder's Directing Award he received to longtime colleague Carroll Ballard.
The San Francisco Film Society honored Francis Ford Coppola, Carroll Ballard, Robert Redford and James Toback. Coppola surprised the audience by turning over the Founder's Directing Award he received to longtime colleague Carroll Ballard.
Robert Redford braves the public and accepts the San Francisco International Film Festival's Peter J. Owens Award.
Lourdes Portillo's partly autobiographical documentary Al Más Allá draws a laugh from the San Francisco International Film Festival crowd.
Marc Capelle meets and greets with actress Gena Rowlands, composer Bo Harwood and other film mavens and mavericks at a post-screening party for Cassavette's A Woman Under the Influence and the Mission Awards
The San Francisco-based and internationally acclaimed documentarian Lourdes Portillo speaks about her work; she wins the 52nd San Francisco International Film Festival Persistence of Vision Award.
The San Francisco-based and internationally acclaimed documentarian Lourdes Portillo speaks about her work; she wins the 52nd San Francisco International Film Festival Persistence of Vision Award.
Chris Felver traces the life of antiauthoritarian Lawrence Ferlinghetti, owner of City Lights Books, from his days as a Navy serviceman in World War II through the landmark First Amendment trial in Ferlinghetti.
Chris Felver traces the life of antiauthoritarian Lawrence Ferlinghetti, owner of City Lights Books, from his days as a Navy serviceman in World War II through the landmark First Amendment trial in Ferlinghetti.
Local filmmaker Jim Granato, whose movie D tour follows the band Rogue Wave and its ailing drummer Pat Spurgeon, on tour and on dialysis, is competing for the San Francisco International Film Festival's Golden Gate Award in Documentary.
Local filmmakers Allie Light and Irving Saraf's latest film Empress Hotel delves into the lives of the residents at the titular building, a Tenderloin housing facility for the recently homeless. The film makes visible an area many city dwellers may only experience in the fringe of their consciousness and provides insight into the lives of the residents within.
Jennifer Maytorena Taylor's documentary, New Muslim Cool, focuses on Hamza Perez, a Catholic hip hop artist, who converted to Islam; whose life is now a crucible of disparate urban influences.
Mark Kitchell current project is an ambitious summation of the environmental movement, from the protests of the 1960s, the '70s focus on pollution, the Greenpeace campaigns and the global climate change.
When a challenge turns into opportunity: the Bay Area professional tribute artist talks about how he managed to leverage his striking similarity to Arnold Schwarzenegger into a successful acting career.
Sam Green talks about his latest project, an experimental documentary where the stories tease out, in more of an emotional way, ideas about hope and imagination of the future
Sam Green talks about his latest project, an experimental documentary where the stories tease out, in more of an emotional way, ideas about hope and imagination of the future
Sam Green talks about his latest project, an experimental documentary where the stories tease out, in more of an emotional way, ideas about hope and imagination of the future
Sam Green talks about his latest project, an experimental documentary where the stories tease out, in more of an emotional way, ideas about hope and imagination of the future
Troell keeps everything emotionally intimate in this lovely film full of grace moments, that chronicles the early 20th-century travails of the Larsson family.
The retrospective offers fascinating, if not always exemplary, viewing of what could be called a cinema of disaster: characters face the worst, or are living in its aftermath, and like the audience, they are provided with no easy answers.
For many narrative filmmakers, hiring a lawyer is either an afterthought or not a financial reality, but moving forward with a film without considering legal is a huge mistake.
Like the strictest kind of verite doc, Gomorrah simply presents activity, without "introducing" characters or spelling out their circumstances or motivations.
Twenty years after its founding, Strand Releasing remains an active, irreplaceable and distinctive presence on the U.S. distribution scene.
Beyond Words: To pull off an adaptation, you must translate the unwieldy bulk of the original story into a breathing and transformative tale on screen.
Beyond Words: To pull off an adaptation, you must translate the unwieldy bulk of the original story into a breathing and transformative tale on screen.
With films that focus a patient eye on common human conditions, Belgian-born auteur Chantal Akerman is a formalist with heart–and global interests.
In this fable-like movie, an indomitable young orphan finds friendship with a lonely flight attendant and a teen-age caretaker of elephants.
Ask the Documentary Doctor: If my doc doesn't follow a fiction three-act model, will it fail in the market?
Ask the Documentary Doctor: If my doc doesn't follow a fiction three-act model, will it fail in the market?
13 Most BeautifulÉSongs for Andy Warhol's Screen Tests offers a cherry-picking of the famous Warhol reels accompanied by live original-soundtracking.
Grants totaling $3 million for narrative feature films made in the Bay Area will be distributed by the SFFS and the Kenneth Rainin Foundation.
Oscar-nominated cinematographer César Charlone recently codirected his first theatrical feature film, a darkly comic farce about Pope John Paul II.
Susie Gerhard gives an overview of a festival moving back to the basics of art-making.
First-Person: A program officer at the San Francisco Foundation has a sobering experience making a documentary.
Hilary Hart blogs her 14th year at Sundance, back on the midnight shift at the Egyptian Theatre.
A look at Otto; or, Up with Dead People, from a late arrival in the New Queer Cinema wave.
Certain questions in 2008 endlessly plagued the film world, leading to outlandish predictions, flame-war mayhem and an outbreak of opinionated public speaking.
Steven Soderbergh's fascinating portrait of legendary revolutionary Ernesto "Che" Guevara is willfully disinterested in the conventions of mainstream movies.
Waltz with Bashir is another animated feature that embraces a more grown-up story and audience than anything in the long history of "cartoons."
Instead of breaking it down strictly category-by-category, Dennis Harvey meanders through some principal heat-seeking prestige films and their various chances.
Instead of breaking it down strictly category-by-category, Dennis Harvey meanders through some principal heat-seeking prestige films and their various chances.
Matt Sussman draws conclusions about women and Hollywood from three big women-oriented films of 2008.
Dennis Harvey reviews some of 2008's year-end sobering dramas.
Bay Area filmmakers represented at Sundance.
Gini Reiticker's fine documentary Pray the Devil Back to Hell, opens at SF's Red Vic Movie House and Berkeley's Shattuck Cinemas.
Fear-Free Fundraising: Holly Million advises filmmakers on where to get funding when the going gets tough.
Former San Francisco Examiner film critic Michael Sragow talks about his newly released book Victor Fleming: An American Movie Master.
Global Film Initiative's Global Lens series offers a regular spot in your home theater for edgy world-cinema narratives don't often get a place at local multiplexes.
Michael Tully's 51-minute documentary Silver Jew proves semi-revealing as it records the Jews' tour dates in the Holy Land itself.
Film historian and essayist David Thomson talks to SF360 about his new book, Have You Seen . . . ? A Personal Introduction to 1,000 Films.
Wayne Coyne's Flaming Lips movie extends a long, lately rising number of narrative features made by musicians.
The PFA senior curator talks about her cinematic influences, curating in Canada and the U.S., and recent additions to the world of film.
Robb Moss and Peter Galison's deliberative, atmospheric and engrossing documentary, Secrecy, puts democratic transparency to the test.
In its 12th season, the country's first and largest independent exhibitor of Arab cinema has gotten to be one of the bigger small fests in the Bay Area.
Hammer discusses his debut feature premiered at Sundance to resounding critical fanfare, winning prizes for best director and cinematography.
Tony Gerber and Jesse Moss's film candidly explores 'the ground truth' of Iraq without setting foot in the country.
Epstein and Friedman bring a poem to the screen, while a South Bay director goes Russian.
We sat down with Michel Shehadeh, who joined the festival earlier this year, for a wide-ranging interview on Arab film.
Those inclined toward healthy doses of sleaze, gore, and retro-shlock can rejoice that it's time for the second annual edition of Dead Channels.
The title story of her Hemingway/Pen Award-winning collection of short stories, A Thousand Years of Good Prayers, has been adapted by Wayne Wang.
Whether you dig jazz or not, O'Day's charisma and story make this movie riveting.
Yun Suh's film City of Borders documents group dynamics and conflict through the doors of a Jerusalem's only gay bar: a locale where anyone can, "come, be themselves, and be accepted."
Economic troubles reveal the true depths of a couple's long-taken-for-granted bond in a film by Italian director Silvio Soldini.
Film Arts Foundation, a nonprofit organization formed by 15 independent filmmakers in 1976, joins forces with SFFS.
First Person: Jonathan Marlow rehashes commentary on film that has caused a kerfuffle of late.
Woody Allen's latest is a superb travel guide in addition to being an amusing, intelligent if not exactly profound meditation on fate, chance, and romance.
The Legend of the Holy Net Potato, the first feature by Kerala-based filmmaker Vipin Vijay, concerns a cyborg, black magic, and a hacker.
SF360.org looks at the making of a documentary about the controversial leak of the Pentagon papers.
SF360.org looks at the making of a documentary about the controversial leak of the Pentagon papers.
Dyspeptic rather than tragic, Jacques Nolot's Before I Forget may be the best gay feel-bad movie ever.
A film from 1961, The Exiles is a long-in-making unvarnished look at 12 hours in the lives of a group of American Indians who have come to Los Angeles.
Muayad Alayan, a 24-year-old filmmaker from the only remaining Arab neighborhood in West Jerusalem, speaks about the making of Lesh Sabreen?.
SF360.org sits down with director Alex Gibney, whose film, Gonzo: The Life and Work of Dr. Hunter S. Thompson played at the 51st SFIFF.
A documentary tribute to Derek Jarman, Isaac Julien's Derek does not seek to enlarge or complicate the filmmaker's legacy so much as succor its loss.
Dennis Harvey reviews Sergei Bodrov's Mongol, a distinctive look at the early life of the conqueror.
A look at the films in the 32nd San Francisco International LGBT FIlm Festival indicates the rise of Argentina's new wave.
Woman on the Beach is a wonderful introduction to South Korean director Hong Sang Soo's films, in large part due to its subtle comedy.
Michael Lumpkin's mini-retrospective of features that highlight some personal favorites that made waves at the Frameline Festival (and sometimes in the larger cinematic world).
The Hole Head Festival takes audiences back to terrifying locales and dangerous situations that should be pleasantly familiar to horror aficionados.
Composer Erling Wold's solo chamber opera enjoys a thrillingly intimate world premiere this week under the banner of the San Francisco International Arts Festival.
In addition to bringing a host of worldwide performers to the Bay Area for the first time, the San Francisco International Arts Festival (May 2-June 8), now in its fifth year, has become an indispensable showcase for collaborative work by leading Bay Area artists and their peers across all manner of geographical, cultural and disciplinary borders. The more than 40 performances in this year’s lineup, taking place at 14 separate venues across the city and in Berkeley, span the worlds of dance, music, opera, theater, visual arts and multidisciplinary work. The following four highlights are all hybrid productions with strong film and/or video components.
For all his lasting wholesome appeal, Stewart was an oddity: Gangly, stammering, Pennsylvania-drawling and not particularly attractive by 1930s studio standards.
Part Luis Bunuel parable, Artforum spread, Jonestown ballet and Warhol camp, Harmony Korine's latest is a prime, insomniac two hours of midnight-movie drifting.
Rivera's debut centers on a young man grappling with a technological future in which neural implants, telerobotics and ubiquitous computing serve a global economy.
Unlike most experimental filmmakers, Sonbert's collected works have had the benefit of full retrospectives at major museums (SFMOMA, NYMOMA, Guggenheim) and a strong preservation effort.
Gregg Araki's "irresponsible" movie was the first to respond to the AIDS crisis with ACT UP-style radical rage rather than lamentation or case-pleading.
Joan Didion famously said, "We tell ourselves stories in order to live." We've internalized the American narrative of Abu Ghraib and accepted its implications.
Food scents and film sensibilities mingled in a pungent party atmosphere at the California Culinary Academy.
The final installment in the San Francisco composer and musician's blog from the 2008 SFIFF.
Food scents and film sensibilities mingled in a pungent party atmosphere at the California Culinary Academy.
The final installment in the San Francisco composer and musician's blog from the 2008 SFIFF.
Back to music.
I have some friends that were in a Sub Pop band that pre-dated Nirvana. They were known as the Dwarves. Their music is and was a snotty suburban unholy mixture of the Sonics, the Orlons, the Stooges and a vat of amphetamines. Their record covers usually featured midgets and half-naked woman covered in either blood or some sort of Nestle syrup of some sort. Here is one of their lines.
[Editor’s note: For the San Francisco Internationals 51st edition, SF360.org has asked Bay Area musician/composer/cineaste Marc Capelle to blog his thoughts on movies, music, and the films showing in the Festival. This is the third of three installments.]
Back to music.
I have some friends that were in a Sub Pop band that pre-dated Nirvana. They were known as the Dwarves. Their music is and was a snotty suburban unholy mixture of the Sonics, the Orlons, the Stooges and a vat of amphetamines. Their record covers usually featured midgets and half-naked woman covered in either blood or some sort of Nestle syrup of some sort. Here is one of their lines.
[Editor’s note: For the San Francisco Internationals 51st edition, SF360.org has asked Bay Area musician/composer/cineaste Marc Capelle to blog his thoughts on movies, music, and the films showing in the Festival. This is the third of three installments.]
The second installment of Alex Gibney's interview about Gonzo: The Life and Work of Dr. Hunter S. Thompson, which closes the San Francisco International Film Festival.
Warren Beatty on the sexual and political message of Shampoo and a new film in the works about romantic revolutionary journalist John Reed.
You know a festival is working its way into your brain when, in a landscape of intersecting ideas, you begin to witness the collisions.
Joan Didion famously said, "We tell ourselves stories in order to live." We have internalized the narrative of Abu Ghraib and accepted its implications.
SF Film Society’s Founder’s Directing Award winner Mike Leigh's work has created a distinctive insider’s portrait of working-to-middle class English life.
SF Film Society’s Founder’s Directing Award winner Mike Leigh's work has created a distinctive insider’s portrait of working-to-middle class English life.
The longtime Bay Area resident, who recently relocated to Brooklyn, screens Woodward's Gardens in the shorts program "In A Lonely Place: New Experimental Cinema."
Medicine for Melancholy is a graceful and poignant film about fleeting urban connections, black identity and invisibility, cultural adventures and this gentrified city's lost soul.
The star of My Name Is Earl is (alongside Grindhouse superstarlet Rose McGowan) the recipient of this year's SFIFF Midnight Award.
Touching Home by Bay Area-raised identical twins Logan and Noah Miller is a largely autobiographical coming-of-age film that radiates sincerity.
Dawn Logsdon and Lolis Eric Elie dig through the rubble of Hurricane Katrina to tell the story of Faubourg TremŽ, which was home to African Americans and fertile ground for political activism, music and literary life.
If making a movie about one’s family could be equated with a fire-walk in August, then making a documentary about one’s partner’s family might be akin to a midsummer sauna. Yet veteran L.A. filmmaker Renee Tajima-Pe–a (Who Killed Vincent Chin?) signed on to a road trip with her husband from L.A. to Washington state to Texas in search of "la verdad" about the father that abandoned Armando’s mother Rosa and his six brothers several decades ago. An intimate and elegantly crafted work of cinema verita, Calavera Highway encompasses universal familial tensions, Mexican-American identity, the responsibilities of fathers (and sons) and the psychic malleability of map-drawn borders.
Tajima-Pe–a, who’s an associate professor at UC Santa Cruz, will receive the Golden Gate Award for long-form television documentary at the S.F. International Film Festival, where Calavera Highway screens three times in early May. Via email, she talked about searching for "Calaveras" hidden in closets and elsewhere.
The Sonoma Valley Film Festival has gone to great lengths to enfold the event in its culinary surroundings. Complimentary food tastings will be offered before every single screening.
The fifth annual EarthDance Short-Attention-Span Environmental Film Festival screens a juried compilation of 20 short films in two 90-minute installments.
First-time writer/director Jeff Nichols discusses the inspiration behind Shotgun Stories, the initial hurdles in making the film, and the noble nature of his characters.
Two top winners at the SFIAAFF focused on breakadancing, an art form taken up with vengeance by Asians, with Koran teams a particularly dominant force.
Two top winners at the SFIAAFF focused on breakadancing, an art form taken up with vengeance by Asians, with Koran teams a particularly dominant force.
A "discovery" festival from Day OneÑmeaning they premiere a lot of films, including many other fests might pass overÑSan Jose's Cinequest actually adopted "Discover" as motto for its 16th year.
"A Genuine Tribute to Peter Bogdanovich" is a major coup for Jesse Hawthorne Ficks, after all these years later, he's ready for a retrospective of his own.
Warts & All: The Films of Danny Plotnick: 10 short comic narratives are exemplars of an unpolished, unpretentious school of moviemaking that aims at every moment to be audience-friendly.
Fresh insight into the Iranian director is offered in a remarkable DVD featuring Five, an experimental, meditative film set on the shores of the Caspian.
The list of talking dog movies is long and storied, but one stands head and forelocks above the others: A Boy and His Dog.
Even as the country has become a typically affluent Western society, its cinema has retained its status as a crucial component of the national dialogue.
Every morning I wake up with Bollywood movie tunes going through my head. Every. Single. Morning.
Underneath The Band's Visit's poignant humor, the film subtly reflects the director's attempt to comprehend Israel's pull between the Middle East and the West.
The first-time filmmaker managed to build, for under half a million dollars, a relatable story and characters with substance rarely seen in mainstream film.
The Romanian film takes place over 24 hours in a provincial town in 1987 before Ceaucescu was deposed.
At Sundance 2008, a swath of features, docs, installations, and projected art shared similar socio-political concerns, which they grappled with via well-honed aesthetic filters.
Noir City 6 offers a spread of special guests, rare titles, and newly struck prints across ten nights of double-features.
A reprinting of an interview with Amanda Micheli because her film, now playing Sundance, has just made the final cut for an Academy Award.
A reprinting of an interview with Amanda Micheli because her film, now playing Sundance, has just made the final cut for an Academy Award.
Heath Ledger's death was sad not just because any young death is sad, but because we'd only just begun to know Heath Ledger as a real artist.
Mitchell Lichtenstein's directorial debut has made Jess Weixler the newest "it girl" on the indie scene.
Francisco Vargas' first feature has won a pile of international awards to date, and might have garnered more had it arrived on the scene earlier.
If they don't get the chance to beguile the world in theaters, maybe, at the very least, they'll find their way to audiences via digital download.
Ivan Jaigirdar's joint offers a screen filled with Bollywood eye candy, plates filled with South Asian food, and drinks to warm both.
Judd Apatow has come to so dominate American comedy that I often find myself thinking, "If only this movie had been written by Apatow..."
Yu's latest doc centers on four rather damaged individuals, applying the dramatic structure of Greek playwright Euripedes to contemporary life.
The documentary What Would Jesus Buy? makes bad news go down easy, thanks largely to its "star," Reverend Billy of the Church of Stop Shopping.
Sometimes even presumably good intentions can warp into artistic misdeeds most foul.
In the wake of Mexican cinema's triumphant showing at the 2007 Oscars, these films serve to confirm how some of the biggest surprises can come from the shortest of distances.
SFFS programmer Sean Uyehara gives some perspective on the shifting dimensions of animated filmmaking.
The filmmaker talks about her recent projects, including Salud!, which looks at Cuba's world-class health system.
The List: While Rob Stewart's film is winning awards around the world, he offered his thoughts on the five films that have done the most damage to sharks' reputation.
This festival is home to an array of talent that promotes Indians in roles other than that of Indians, in movies other than westerns.
We spoke with the filmmaker about his own intersections with his award-winning film on a young man with Mowat-Wilson syndrome.
The Arab Film Festival, now in its 11th year, is featuring not just 80 movies from 13 countries, but is also including screenings in LA, a first for a Bay Area-based fest.
The List: SF360.org has compiled a short list of environmental filmmakers we hope will one day find a Peace Prize coming their way, too.
The List: SF360.org has compiled a short list of environmental filmmakers we hope will one day find a Peace Prize coming their way, too.
Slow your rhythms down to this film's idiosyncratic tempo, and you'll get a striking, authentic-feeling epic that's often rivetingly tense.
As the Madcat Women's International Film Festival heads into its final stretch this coming week in San Francisco, SF360.org felt it was important to catch up with its chief curator, Ariella Ben-Dov.
Lynn Hershman Leeson discusses her new project, ÔStrange Culture'.
Lucy Gray reports from the 35th Telluride Film Festival.
SF360.org spoke with director Finn Taylor about ÔThe Darwin Awards' and all the films he's directed in a Bay Area that's offered him years of inspiration.
Max Goldberg on Jonathan Rosenbaum's critical survey of director Orson Welles.
Max Goldberg on Jonathan Rosenbaum's critical survey of director Orson Welles.
SF360.org caught up with the Oakland director, who was one of seven finalists on the Fox reality show On the Lot.
The Pacific Film Archive offers a three-week sampling of Russian sci-fi films stretching from the silent era to the end of Communism.
One film takes us from the American South to the Korean North, another to Frank Oz's last gasp.
In this film, those creatures of the polar region, who've long been ready for their closeup, carry the global warming message on their so very cute backs.
A conversation with the Oscar-nominated Jeffrey Blitz (Spellbound) on his new feature, which screened at the S.F. International Film Festival.
Tirard takes an ingenious tack in conjuring the creative evolution of France's master of satiric comedy.
SF360.org speaks with Edward Millington Stout, III, who is undoubtedly the world's foremost theatrical organ restorationist.
Few people not employed as directors, producers, cinematographers, costume or production designers have had as much impact on the "look" of movies.
The '05 feature imagines a 21-year-old Indian American returning to India to visit her family and discover where she was born.
Sunshine tells the story of the eight astronauts aboard the ominously named "Icarus II," a vessel bound to kick-start the sun, Earth's last hope for survival.
Manufactured Landscapes, the film, extends photographer Edward Burtynsky's vision into a new medium, the documentary, and engages a dialog about global capitalism's impact on Earth.
The List: Frozen Film Festival is a small festival that hopes to capitalize on the fact that San Franciscans like to stay indoors in the summer.
George Ratliff talks about his first feature narrative Joshua, described by Sundance as a "horror story disguised as a sophisticated family drama."
List: Most of us talk to our pets, but very few of us talk our Camrys or toasters. That's where animation fills our need to fantasize about our interactions with animals.
Roadside Pictures signed Colma: The Musical for national release. A sort of anti-"High School Musical," "Colma" follows three friends in their new post-high school freedom.
The prolific British director, known for a large and eclectic body of work, has done something very unusual in the past half decade.
Frameline directors Michael Lumpkin and Jennifer Morris speak about the programming, controversy and the landscape of LGBT films.
Strand Releasing can always be relied upon for some of the best art films and queer indies, and it has a strong festival presence,
"SF Indiefest: Gets Animated," piggybacking on the 4th Annual Another Hole in the Head Film Festival, co-presents an animation program with the popular archivist.
Five recommendations chosen from among the gore, ghouls, ghosts, gags, and animation at Indiefest's Holehead festival.
No sooner does the Festival de Cannes open than attendees start buzzing about the potential award-winners.
No sooner does the Festival de Cannes open than attendees start buzzing about the potential award-winners.
Not even widely released yet in the States, Philippe Parreno and Douglas Gordon's "ZidaneÉ" has already been considered a portrait of the century.
Mexican director Francisco Vargas Quevedo’s "The Violin" (El violin) won the San Francisco International Film Festival’s Skyy Prize, while Israeli duo Shahar Cohen and Halil Efrat’s "Souvenirs" took best documentary feature (West Coast premiere), capping the Golden Gate Awards ceremony Wednesday evening for the festival’s landmark 50th edition.
Mexican director Francisco Vargas Quevedo’s "The Violin" (El violin) won the San Francisco International Film Festival’s Skyy Prize, while Israeli duo Shahar Cohen and Halil Efrat’s "Souvenirs" took best documentary feature (West Coast premiere), capping the Golden Gate Awards ceremony Wednesday evening for the festival’s landmark 50th edition.
If the Bay Area oozed self-regard last night, it couldn't exactly be blamed.
If the Bay Area oozed self-regard last night, it couldn't exactly be blamed.
When then-unknown Spike Lee premiered She's Gotta Have It at the SF International in 1986, there was an instance of filmus interruptus.
When then-unknown Spike Lee premiered She's Gotta Have It at the SF International in 1986, there was an instance of filmus interruptus.
A shot in Wonders Are Many makes visual reference to Guernica as shorthand for art's charge to speak for the voiceless.
The artist's filmsÑsensual, intricate, tactileÑare a magical combination of optical artistry, snippets of forgotten films, and bits of lace, tape, and glitter.
The editor and actor, known for his frequent work with Todd Haynes, died in New York. His friends share their thoughts.
White's heroes and heroines are content with their mundane lives until some uninvited intruder or unforeseen event exposes their frustration and complacency.
Verhoeven's career can be divided between the character-driven movies he made in Holland and the slick genre films he directed in Hollywood after 1985.
Just a week out of the SFIFF50 press conference at the Westin St. Francis, and the buzz has already had a chance to build. SF360.org checked in with a few friends in the San Francisco filmmaking scene to see what they’re looking forward to in the 50th edition of the SF International Film Festival. Big winners: Guy Maddin’s “Brand Upon the Brain!” and, of course, the live and in-person tribute to Spike Lee, who — as Strand Releasing’s Marcus Hu reminds us — returns to the Bay Area to receive his Film Society Directing Award in spite of the fact the projector broke during the premiere of “She’s Gotta Have It” at the SFIFF more than 20 years ago.
I’m eager to see Camila Guzman Urzula’s documentary “The Sugar Curtain” for perspectives on life in Cuba from those in their twenties and thirties. I’m curious about how a savvy film critic like Wesley Morris will interview Spike Lee. It will be a welcome occurrence to see two Black men talking on a US festival stage about film.
Cornelius Moore
California Newsreel
“Audience of One:” I know this year the festival is honoring Lucas and Coppola and those guys as local heroes, but really. Hollywood North? What happened? Now here is a group of makers, Pentacostals no less, working on a gargantuan bible epic right down on Ocean Avenue in the old El Rey Theatre. Now that’s hot!
Christian Bruno
Strand, A Natural History of Cinema
Although I’ve already seen it, I look forward to attending the one-off screening of Guy Maddin’s “Brand Upon the Brain!” since each live performance, by design, differs somewhat from the last. No self-respecting (or, for that matter, self-deprecating) cineaste should miss it. Beyond that, I’m particularly interested in Alain Resnais’ latest, “Coeurs” (i.e., “Private Fears in Public Places,” which, due to timing conflicts, I missed in Toronto), reuniting the director with the exceptional playwright Alan Ayckbourn. I remain quite fond of his recent films even if most folks in this country seem to disregard his work after “Mon oncle d’Amerique,” released over a quarter-century ago.
Jonathan Marlow
GreenCine
I love that SFIFF is honoring Spike Lee, I saw “She’s Gotta Have It” when it had its world premiere at SFIFF and remembered what an amazing experience that was when the projector broke!
Marcus Hu
Strand Releasing
I first started attending SFIFF in 1964 while still in high school. I saw the independent “The Luck of Ginger Coffey,” directed by Irvin Kershner and starring Robert Shaw, a fascinating documentary look at a country
“I Don’t Want to Sleep Alone” puts its melodrama and comedy within a Malaysian mattress. 1962’s “Mafioso” may be the mob-chronicle genre’s ground zero.
The festival kicks off with Emanuele Crialese's Golden Door and closes with Olivier Dahan's Edith Piaf biopic, La vie en rose.
It's taken over two years for Police Beat to go from one of the most praised films at Sundance to a theatre near you.
When Bay Area filmmaker Amanda Micheli approaches, you can see that she is an athlete. She's sure of herself.
Robert Avila reviews A Zen Life: D.T. Suzuki and The Situation.
The SFIFF GreenWorld Contest brings the vision of filmmakers to the forefront of environmental discourse through fiction, documentary, experimental, and essayistic films.
Spencer Nakasako gets the credit for starting the still-cresting wave of first-person camcorder documentaries back in 1995, but he claims it was largely an accident.
Spencer Nakasako gets the credit for starting the still-cresting wave of first-person camcorder documentaries back in 1995, but he claims it was largely an accident.
When all was said and done in Los Angeles tonight, The Departed was the big winner at the 79th Academy Awards.
When all was said and done in Los Angeles tonight, The Departed was the big winner at the 79th Academy Awards.
The Oscar-nominated screenwriter of Little Miss Sunshine made a Cody's San Francisco bookstore appearance promoting the publication of the shooting script.
It's a big week for Peter Morgan, partly because the SFFS announced he'll receive the Kanbar Award for excellence in screenwriting at the 50th SFIFF.
It's a big week for Peter Morgan, partly because the SFFS announced he'll receive the Kanbar Award for excellence in screenwriting at the 50th SFIFF.
Daniel Burman's smartest play was casting Daniel Hendler as his onscreen alter ego. Michael Apted's worthy Grace, reminds that period pieces make effective message movies.
James Longley's Fragments stands out amongst the crowded field of Iraqumentaries, while Others pulls back the Iron Curtain to powerful effect.
Von Donnersmarck talks about his Lola-winning and Oscar-nominated debut during a visit to San Francisco.
Von Donnersmarck talks about his Lola-winning and Oscar-nominated debut during a visit to San Francisco.
Tears of the Black Tiger is Thai eye candy, an exercise pastiche where color just about leaps off the screen, and a star-crossed love story.
The List: A collection of individuals who caught my eye in an intense week of YouTube scouring. Most have gotten upwards of one million views.
Wrapping up Sundance Ô07, with the NFL's big game as the best metaphor to describe the annual festival.
Highlights of the upcoming festival were presented by the San Francisco Film Society Executive Director.
Highlights of the upcoming festival were presented by the San Francisco Film Society Executive Director.
Hollywood is the Santa that bestows gifts every Yuletide,; but you have to pick which ones you want, then pay for them.
San Francisco artist James T. Hong is currently working on a documentary, tentatively titled New History Zero, which explores his interest in revisionist World War II history.
The language of film may be universal, as the Landmark trailer reminds us, but the critics in major U.S. cities speak their own dialects.
It would not seem to bode well for the stewardship of studio classics that Preston Sturges's indomitable comedies have been so slow to DVD.
The group chose ;Little Children as its Best Picture of 2006 and Guillermo del Toro's Pan's Labyrinth the Best Foreign Language Film.
At least three Bay Area-based filmmakers will be making the trek to Park City this year, Jon Else, Steven Okazaki, and Jay Rosenblatt.
This series of cinematic responses to war, curated by Lebanese video artist Akram Zaatari, opens up possibilities for re-imagining the dehumanized landscape of violence.
Ramin Bahrani's debut feature follows a solitary, quiet immigrant struggling to make a go of it in New York City.
Collector and archivist Rick Prelinger puts on a show at the Other Cinema to celebrate his new book, A Field Guide to Sponsored Films.
The filmmaker talks about tagging along with three renegade activists on their self-funded humanitarian excursions to war zones and disaster sites.
One month ago today, the maverick filmmaker was at the Hamptons International Film Festival reflecting upon his career at a tribute in his honor.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
The weekly series is a platform for independent filmmakers in California, showcasing short and full-length documentaries about the state.
The resounding refrain at Digimart 2006 was that the traditional model of independent film and video distribution was dying.
A visit to the 50th anniversary portion of San Francisco Film Society’s web site nets not just the real Truman Capote candidly essaying on life and the movies in a 1974 visit to the SF International Film Festival.
Make a bid on Schwarzenegger's low-budget 1970 travesty, Hercules in New York.
With the midterm elections less than two weeks away, a crop of documentaries are collectively trying to get a message across that has largely been passed over by the mainstream media.
Segueing from network television news to documentary features, Amy Berg makes her debut with a shocking, powerful film about pedophile priest Oliver Grady.
Though it won the Silver Bear at the Berlin Film Festival in 1975, Overlord is one of those movies that mostly slipped through the cracks.
The expat archivist and writer makes his near-annual pilgrimage to San Francisco with a flurry of shows teeming with goodies from his personal collection.
Why do updates of Jerry Lewis flicks get more slack from critics than Zailian's "All the King's Men" and Demme's "The Manchurian Candidate?"
The annual series of films from countries with less developed or out-of-favor national cinemas has several winners.
Filmmaker Georgia Lee discusses her narrative feature with family member Frances Chang.
Distributors of independent films reveal their strategies and assessment of the market heading into the all-important fall season.
The renowned local critic and historian talks about his book about the iconic Hollywood beauty.
Al Gore's fledgling S.F.--based cable and satellite channel, Current TV, generates cutting-edge content democratically, with a third of the programming created by viewers.
Director Laura Poitras’ traveled to Iraq for her latest film, “My Country, My Country.”
SF360 checks in with a few Bay Area festival insiders to see what they're excited about at upcoming festivals.
The Academy of Motion Picture Arts and Sciences' Academy Foundation bestowed a surprise grant of $150,000 over three years.
Ryan Fleck talks about his new film Half Nelson, his filmmaking career, and his creative inspirations and tastes.
An appreciation of the great actress of cult and mainstream films, before her appearance at a Midnight Mass screening of Death Race 2000.
Ozon's Time to Leave demonstrates how central he's become to European cinema, and reminds us that he's among gay world cinema's most accomplished writer/directors.
The veteran Israeli filmmaker, in town for the Jewish Film Festival, talks about radical art and Free Zone.
Belic helped a group of youths learn about documentary filmmaking in a program designed to offer media skills to under-served Bay Area high schoolers.
A conversation with Pamela Yates, director of State of Fear, on Peru's 20-year war on terror, which bears an unsettling resemblance to U.S. current events.
Arriaga, who authored Amores Perros, 21 Grams, and The Three Burials of Melquiades Estrada, discusses working in collaboration and across mediums.
The sudden climate change in the Middle East has had a tone-altering effect on the San Francisco Jewish Film Festival, where the war will be Topic A.
California Film Institute's Executive Director, Mark Fishkin, comments on the Sundance Institute's "Art House Project."
Danielle Beverly, director of Learning to Swallow, offers some backstory on her filmmaking relationship with artist Patsy Desmond.
In The War Tapes, Deborah Scranton exposes war as an industry - for those who fight it and for those who don't.
Mat Whitecross talks about his documentary The Road to Guantanamo, which takes a look at the inhumanity of U.S. "detainment" camps in Cuba.
Benjamin Morgan talks about his San Francisco-made drama, Quality of Life, and his favorite graffiti sites on the web.
Highlights from San Francisco International LGBT Film Festival's 30th annual edition.
Highlights of San Francisco Black Film Festival's eighth annual edition.
Al Gore's documentary keeps the viewer thoroughly engaged while offering what may be the most comprehensive explanation of global warming for the layperson that exists.
Newly appointed S.F. Cinematheque executive director Caroline Savage discusses the state of experimental film.
Christian Bruno, Julie Lindow and R.A. McBride discuss their love of San Francisco and its theaters over beers at the Uptown.
The 2006 recipient of the Film Society Directing Award was full of raised-finger pronouncements, self-effacing demurrals, and unsolicited rebuttals at a Q&A preceding his film.
A complete list of the winners of the Golden Gate Awards show, which was all about celebrating the city, with filmmakers of all genres saying a kind word or two about it.
A complete list of the winners of the Golden Gate Awards show, which was all about celebrating the city, with filmmakers of all genres saying a kind word or two about it.
An intimate group caught Addictive TV's VJ-style show of ÔEye of the Pilot' at the Kabuki, and stayed late for an enthusiastic Q&A.
The second week of the 49th SFIFF was packed with tributes and special events, luring diverse crowds with honorees like Werner Herzog and Ed Harris.
The revolution will not be televised, but it may be digitized, run through Final Cut Pro, and projected on the screen near you.
Heroic firefighters, eerie simian costumes, a Baywatch star-as-activist, fierce flamenco dancers, and a rushing tide of watermelon juice.
"I got a call out of the blue," Graham Leggat says, explaining how he left the Film Society of Lincoln Center for the left coast.
This English comedy, the second feature made by the guys behind that genius horror spoof, 'Shaun of the Dead,' satirizes fake cinematic testosterone.
You can sunbathe topless at Cannes and ski at Sundance, and drink your fill of fine wine at the Sonoma Valley Film Festival.
The List: B. Ruby Rich picks her favorites for the 2006 San Francisco International Film Festival.
San Francisco International Film Festival announces lineup for the 49th annual festival.
San Francisco International Film Festival announces lineup for the 49th annual festival.
Sundance Cinemas buys the Kabuki 8 and announces plans to reopen as the Sundance Kabuki in early fall 2006.
Vietnamese American filmmaker Ham Tran rights an historical wrong in his debut feature film on the Vietnam War.
A conversation with the filmmakers and one star of "Sentenced Home," about three Cambodian Americans in the process of being exiled.
The List: Taro Goto posits who will go on to superstardom from the 2006 San Francisco International Asian American Film Festival.
A tribute to the life and work of the late documentary maker Garrett Scott.
Direct cinema pioneers Richard Leacock and D.A. Pennebaker discuss seeing and believing.
HRW's series of films chosen for aesthetic value and human rights content continues to grow as it stays true to its roots.
Paolo Sorrentino takes on the notorious Italian Prime Minister, Giulio Andreotti, in Il Divo.
Academy of Motion Picture Arts and Sciences (AMPAS) Foundation Film Scholars Program is stimulating and supporting new and significant works of film scholarship. ELIGIBILITY: Applicants must be established scholars, writers, historians or researchers possessing either a significant record of achievement, or exceptional promise and demonstrated accomplishments in their field. Applicants must have written and published at least one book or a comparable collection of articles or monographs. AWARDS: Two grants of $25,000 will be made to qualified and worthy applicants, as reviewed and selected by the Academy's Grants Committee and staff. The Academy will distribute the grant money in two parts: at the commencement and upon completion of the proposed project. The Academy will also cover travel, lodging and per diem expenses, if necessary, for the recipients to attend the Film Scholars awards luncheon and to make their lecture presentation. DEADLINE: Application materials must be received by October 3, 2011. WEBSITE: oscars.org/education-outreach/grants/filmscholars/apply.html.
The Oppenheimer Cine Rental New Filmmaker Equipment Grant Program supports new filmmakers in producing their first serious film project. The grant awards the use of Grant Program Arriflex 16SR2 camera package to senior and graduate thesis students and to independent filmmakers for a scheduled period of time. ELIGIBILITY: Students, media arts center members and unaffiliated independents are encouraged to apply. Proposed projects may be of any noncommercial nature: dramatic, narrative, documentary, experimental, etc. (Commercial projects, music videos and PSAs will not be considered.) DEADLINE: Ongoing. WEBSITE: oppenheimercinerental.com/grant.html.