The Deadlines section of sf360.org is a large but selective list of festival calls for entry, upcoming seminars, artist residencies, grant and award deadlines and other opportunities for filmmakers. Are we missing an important deadline? Please write us at sgerhard[at]sffs.org.
Hot Docs – Canadian International Documentary Festival (April 26–May 6, 2012) is a competitive event seeking Canadian and international documentaries of all lengths (feature length: 60 min. or longer; mid-length: 30 to 59 min.; short: under 30 min.) and subject matter. ELIGIBILITY: Submissions must have been completed after January 1, 2011; cannot have been screened publicly prior to January 1, 2011; must be Toronto premieres; must be in English, subtitled in English; must be exhibited in one of the following screening formats: 35mm film, DigiBeta (NTSC or PAL) and HDCAM. Entry fees: $33.90 CDN for short films; $67.80 CDN (before December 2, 2011) or $118.65 CDN (before January 13, 2012) for mid and feature length films. AWARDS: Hot Docs features two juried competition programs and several noncompetitive programs. DEADLINE: December 2, 2011 (early); January 13, 2012 (late). WEBSITE: hotdocs.ca/.
International Film Festival Summit (December 4–6, 2011), held in Austin, Texas, is the largest international organization representing the film festival industry. The IFFS mission is to promote and strengthen the global film festival industry through education, networking, dissemination of information, and the cultivation of high standards. This year's featured topics include Anatomy of a Festival: South by Southwest, Programming: The Fine Art of Film Selection, Marketing Strategies: Integrating Social Media and Technology, The Festival Mission, Sponsorship Strategy, Box Office Technology Solutions, among others. Notable speakers include Richard Linklater (Before Sunrise, Before Sunset), as well as SFFS' very own Steve Jenkins, Sarah Cathers, and Linda Butler. DEADLINE: Register by September 25, 2011 to receive discounted rate. WEBSITE: filmfestivalsummit.com/iffshome.html.
San Francisco Arts Commission (SFAC) Cultural Equity Grants provide "financial support for the enrichment of San Francisco's multicultural landscape." ELIGIBILITY: Organization Project Grants provide up to $15,000 to support the presentation of high quality works of art and arts activities, including film and video screenings and arts festivals. All art forms will be considered. To be eligible, organizations must have 501(c)(3) status or use a fiscal sponsor. Grant Period: June 15, 2012 - December 31, 2013. AWARDS: Grants awards are up to 15,000 to support the enhancement of arts facilities in the city. DEADLINE: November 10, 2011. WEBSITE: sfartscommission.org/ceg/grants/index.html#opg.
"After whetting local appetites through a successful soft launch last year, 91 films are now listed in the 2011 Napa Valley Film Festival program guide. Those films—many of them short—will be played on 12 screens throughout the Napa Valley, including screenings in Calistoga, Yountville, St. Helena and the city of Napa." More at napavalleyregister.com.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Press release: The San Francisco Jewish Film Festival announced its new Executive Director: Lexi Leban, who begins working with the festival November 7, 2011. A longtime member of the Bay Area film community, Lexi has worked in all aspects of film, from production to distribution. She’s also worked with numerous film festivals, including the Mill Valley Film Festival, the San Francisco International Film Festival, and the Global Social Change Film Festival in Bali. Lexi is currently Academic Director of the Digital Filmmaking & Video Production Program at the Art Institute of California, where she built the department from its inception. Her most recent feature documentary, Girl Trouble, which follows young girls in San Francisco’s juvenile justice system, aired on PBS’s acclaimed series Independent Lens in January of 2006, and won Best Bay Area Documentary at the San Francisco International Film Festival. More at sfjff.org.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
The San Francisco Film Society joins the New York International Children’s Film Festival to present a three-day kid-ready fest of animated and non-animated shorts and features from around the world. The brief fest kicks off with a child-friendly opening night party on Friday, and for offers another chance to enjoy Alex Law's sweet Hong Kong Film Days entry, 'Echoes of the Rainbow.' More info sffs.org.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
North America's largest showcase of German-language films enters its 16th year, screening more than 20 films from Austria, Switzerland and Germany. Highlights include fest closing film 'If Not Us, Who' and thriller 'Sennentuntschi.' B&B opens Thursday with a screening of 'Almanya – Welcome to Germany' and a party to follow at the historic Castro Theatre. More info berlinbeyond.com.
Cinequest Screenwriting Competition, held in conjunction with the Cinequest Film Festival (February 28-March 11, 2012), is accepting submissions. ELIGIBILITY: The competition is open to screenplays of all genres and lengths up to 140 pages that have not been optioned, purchased, produced, or put into production. Scripts should be in English, properly formatted, and submitted in PDF format. Scripts written as adaptations of other works must have secured rights before being submitted. Entry fee $45-65. AWARDS: Finalists receive non-cash prizes, including exposure to literary agents, film studios, and producers. Top prize is $5,000. DEADLINE: September 26, 2011 (early); October 17, 2011 (late). WEBSITE: cinequest.org/sp_agent.php.
Nonfiction films offer view to revolutions. DocFest has a well-earned reputation for knocking the stuffiness out of a pretty sober word. The 10-year-old festival founded by IndieFest’s Jeff Ross has taken pride in equating “documentary” with the unconventional and idiosyncratic—fare that celebrates the offbeat, the weird, the wondrous. I’m thinking of wiener-dog races, yes, but that’s just the tip of the beast. This year’s festival (October 14–27), which opens at the Roxie with a profile of the creator of MDMA (Etienne Sauret’s Dirty Pictures) and ends with a look at a comic-book super-author (With Great Power: The Stan Lee Story), provides another...
Nonfiction films offer view to revolutions. DocFest has a well-earned reputation for knocking the stuffiness out of a pretty sober word. The 10-year-old festival founded by IndieFest’s Jeff Ross has taken pride in equating “documentary” with the unconventional and idiosyncratic—fare that celebrates the offbeat, the weird, the wondrous. I’m thinking of wiener-dog races, yes, but that’s just the tip of the beast. This year’s festival (October 14–27), which opens at the Roxie with a profile of the creator of MDMA (Etienne Sauret’s Dirty Pictures) and ends with a look at a comic-book super-author (With Great Power: The Stan Lee Story), provides another...
The Arab Film Festival, now entering its 15th year, screens more than 40 films in two weeks, beginning Thursday at SF's Castro Theatre and making stops in Berkeley and San Jose before closing in Los Angeles on the 23rd. AFF Exec Director Michel Shehadeh spoke with SF360 earlier this week. More info and ticketing at arabfilmfestival.org.
The Arab Film Festival, now entering its 15th year, screens more than 40 films in two weeks, beginning Thursday at SF's Castro Theatre and making stops in Berkeley and San Jose before closing in Los Angeles on the 23rd. AFF Exec Director Michel Shehadeh spoke with SF360 earlier this week. More info and ticketing at arabfilmfestival.org.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
The 34th Mill Valley Film Festival continues at a number of locations, with a number of notable guests, including directors Gaston Kaboré and Luc Besson. See Dennis Harvey's extended preview on SF360 for the full story. More info and film schedule at mvff.com.
The 34th Mill Valley Film Festival continues at a number of locations, with a number of notable guests, including directors Gaston Kaboré and Luc Besson. See Dennis Harvey's extended preview on SF360 for the full story. More info and film schedule at mvff.com.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
"After an eight-year tenure as the festival’s director," reports Dan Pine, "[Peter Stein] is stepping down Oct. 3 — and once again becoming a regular film festival fan." More at jweekly.com.
“Presumed Guilty was nominated for three Emmys — outstanding investigative journalism (long form), best documentary and best research — and has received some 20 festival awards," reports Cathy Cockrell. More at berkeley.edu.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
SF Film Society | New People Cinema screens new films by Johnnie To, Bennie Chan, Alex Law and others in a new program celebrating one of cinema's most prolific cities. The Film Society launches the festival's inaugural year with a party at Superfrog gallery on Friday. More info sffs.org.
SF Film Society | New People Cinema screens new films by Johnnie To, Bennie Chan, Alex Law and others in a new program celebrating one of cinema's most prolific cities. The Film Society launches the festival's inaugural year with a party at Superfrog gallery on Friday. More info sffs.org.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
Founded in 2003, The San Francisco Irish Film Festival opens this Thursday at the Roxie. Highlights include Colm Meany's turn in the charming 'Parked,' a closing night screening of 'Once' follow-up 'Swell Season,' and revival screenings of 'In the Name of The Father' and 2008 Cannes Golden Camera winner 'Hunger.' More info sfirishfilm.com.
Founded in 2003, The San Francisco Irish Film Festival opens this Thursday at the Roxie. Highlights include Colm Meany's turn in the charming 'Parked,' a closing night screening of 'Once' follow-up 'Swell Season,' and revival screenings of 'In the Name of The Father' and 2008 Cannes Golden Camera winner 'Hunger.' More info sfirishfilm.com.
Peaches Christ and Dr. Carol Queen host the Sixth Annual Good Vibrations Indie Erotic Film Festival Short Film Competition this Thursday, boasting a Barbary Coast-themed party featuring food, drinks and an array of appropriately sexed-up performers and a curated screening of sexy short films from this year. Each event costs $10, more info castrotheatre.com.
Peaches Christ and Dr. Carol Queen host the Sixth Annual Good Vibrations Indie Erotic Film Festival Short Film Competition this Thursday, boasting a Barbary Coast-themed party featuring food, drinks and an array of appropriately sexed-up performers and a curated screening of sexy short films from this year. Each event costs $10, more info castrotheatre.com.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...
Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...
North Bay world, independent showcase ready to screen wide range of films in early October.
North Bay world, independent showcase ready to screen wide range of films in early October.
North Bay world, independent showcase ready to screen wide range of films in early October.
North Bay world, independent showcase ready to screen wide range of films in early October.
North Bay world, independent showcase ready to screen wide range of films in early October.
North Bay world, independent showcase ready to screen wide range of films in early October.
The Cine+Mas 2011 San Francisco Latino Film Festival kicks off this Wednesday with a screening of 'Being: Cafe´ Tacvba' at Landmark's Embarcadero Center Cinema and screens through next week at venues throughout the Bay Area. The festival offers a number of new works by Latino directors based locally and internationally. More info and kickoff RSVP at sflatinofilmfestival.com.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Graham Leggat (b. March 12, 1960), executive director of the San Francisco Film Society, died at his San Francisco home on August 25, 2011, after an 18-month battle with cancer. He was 51.
Graham Leggat (b. March 12, 1960), executive director of the San Francisco Film Society, died at his San Francisco home on August 25, 2011, after an 18-month battle with cancer. He was 51.
Graham Leggat (b. March 12, 1960), executive director of the San Francisco Film Society, died at his San Francisco home on August 25, 2011, after an 18-month battle with cancer. He was 51.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
UK Film Council, Emerging Pictures and the Mostly British Film Festival present a selection of new British films curated by Film Society of Lincoln Center. 'From Britain with Love' continues at Smith Rafael Film Center selected dates through September 18. More info at cafilm.org.
Film buffs that missed SFJFF entry 'Between Two Worlds' at this year's festival have another opportunity to see the doc this week at the Roxie. A loose series of events beginning with the festival's own highly controversial screening of 'Rachel' in 2009, 'Between Two Worlds' is moored by a sublime ambient soundtrack by guitarist Fred Firth. For analysis, check out Ruby Rich's in-depth feature here on SF360. Filmmakers Alan Snitow and Deborah Kaufman will be present for Q&A for 7:00 pm screenings Friday, Saturday and Sunday. More info at roxie.com.
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
Filmmakers take personal approach to Jewish cultural debates.
Filmmakers take personal approach to Jewish cultural debates.
Filmmakers take personal approach to Jewish cultural debates.
The 31st San Francisco Jewish Film Festival, world's largest showcase of Jewish films, continues this week, opening at Berkeley's Roda Theatre on Saturday with a screening of historical drama 'Sarah's Key' starring Kristin Scott Thomas. The festival screens at a number of Bay Area venues. More info at sfjff.org.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
In celebration of its 20th anniversary, Independent Television Service brings out an online festival, displaying 20 ITVS-supported docs between now and September 23. Representing only the tip of the iceberg of the locally based organization's vast film library, the festival features gems like 'Daughter from Danang,' 'King Corn' and 'The English Surgeon,' and screens the 20 films for three days each, for free. More info and scheduling at itvs.org.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Filmmaker talks about Chicago, identity, music and the making of ‘Polish Bar.’
Filmmaker talks about Chicago, identity, music and the making of ‘Polish Bar.’
Filmmaker talks about Chicago, identity, music and the making of ‘Polish Bar.’
Filmmaker talks about Chicago, identity, music and the making of ‘Polish Bar.’
Filmmaker talks about Chicago, identity, music and the making of ‘Polish Bar.’
Filmmaker talks about Chicago, identity, music and the making of ‘Polish Bar.’
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
The 31st San Francisco Jewish Film Festival, the world's largest showcase of Jewish film, opens at the Castro Theatre on Thursday with Israeli drama 'Mabul' (The Flood, nominated for six of Israel's 'Oscars'), and runs through August 8 at a number of Bay Area venues. An Opening Night bash follows at the Swedish American Hall. More info sfjff.org.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
San Francisco Silent Film Festival features the work of the most important female director of the silent era, Lois Weber.
San Francisco Silent Film Festival features the work of the most important female director of the silent era, Lois Weber.
San Francisco Silent Film Festival features the work of the most important female director of the silent era, Lois Weber.
The SF institution returns to the Castro Theatre with 18 rediscovered films and live musical accompaniment. Highlights include a collection of Disney's Laugh-O-Grams, a travelogue of an expedition to the Antarctic and a film once cited as "the single greatest masterwork in the history of cinema" by stately film journal Cahiers du Cinema. More info castrotheatre.com.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
A film festival and conference offered audiences and makers opportunities to move forward.
A film festival and conference offered audiences and makers opportunities to move forward.
A film festival and conference offered audiences and makers opportunities to move forward.
Press release: The Ninth Street Independent Film Center announced today five new participants for the Center's Media Arts Incubator Program for 2011-2012. "This is a great group of participants," says Skye Christensen, Executive Director of the Ninth Street Independent Film Center. "Each brings a very dynamic project to the Program, and we're really looking forward to what they'll accomplish during their time here." Ninth Street’s Media Arts Incubator Program is designed to nurture socially relevant independent media projects at Ninth Street Independent Film Center. The Incubator Program supports independent filmmakers, start-up film festivals and small media nonprofits through access to workspace and shared resources, such as cross-promotional opportunities, co-productions, affordable meeting or exhibition space and community connections with established media arts partners (Center for Asian American Media, Frameline, San Francisco Jewish Film Festival, and others). Participants are: Rachel Caplan (CEO) and Daniela Rible (Deputy Director) of the annual SF Green Film Festival; Jennifer Tipton and Cary McQueen Morrow, the directors of Art with Impact, which is a platform for the creation of new media on critical social issues; David Evan Harris, Executive Director of the Global Lives Project, a media arts nonprofit that seeks to collaboratively build a video library of human life experience; Scarlett Shepard is Executive Director of the SF Women’s Film Festival; and J.R. Flemming, director and producer of Guarding Dogs, which is a documentary film with a crowd-sourcing model currently in production that makes the case for adopting a dog instead breeding/buying.
A film festival and conference offered audiences and makers opportunities to move forward.
A film festival and conference offered audiences and makers opportunities to move forward.
A film festival and conference offered audiences and makers opportunities to move forward.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
In its 35th anniversary year, Frameline brings a vastly diverse selection of films to the world's largest LGBT showcase. It continues through June 26. More at Frameline.org.
In its 35th anniversary year, Frameline brings a vastly diverse selection of films to the world's largest LGBT showcase. It continues through June 26. More at Frameline.org.
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
SF IndieFest's annual Another Hole in the Head Film Festival, which features 16 entertaining, inexplicable days of contemporary, comedic, sci-fi and dark fantasy horror films, continues for another week. The event is hosted by Roxie Theater. More at sfindie.com.
SF IndieFest's annual Another Hole in the Head Film Festival, which features 16 entertaining, inexplicable days of contemporary, comedic, sci-fi and dark fantasy horror films, continues for another week. The event is hosted by Roxie Theater. More at sfindie.com.
SF IndieFest's annual Another Hole in the Head Film Festival, which features 16 entertaining, inexplicable days of contemporary, comedic, sci-fi and dark fantasy horror films, continues for another week. The event is hosted by Roxie Theater. More at sfindie.com.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
One film was not enough to quench Frans Weisz’s fascination with Nazi-era artist Charlotte Salomon.
One film was not enough to quench Frans Weisz’s fascination with Nazi-era artist Charlotte Salomon.
One film was not enough to quench Frans Weisz’s fascination with Nazi-era artist Charlotte Salomon.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
The Historic Bal Theatre brings us a screening of Bay Area filmmaker Vincent Cortez’s latest feature, ‘The Hush,’ a 2011 Oakland International Film Festival selection and LA Festival honorable mention. The film is a locally shot supernatural film noir piece that has a hitman looking for redemption. More at mitchellstreetpictures.com.
The Historic Bal Theatre brings us a screening of Bay Area filmmaker Vincent Cortez’s latest feature, ‘The Hush,’ a 2011 Oakland International Film Festival selection and LA Festival honorable mention. The film is a locally shot supernatural film noir piece that has a hitman looking for redemption. More at mitchellstreetpictures.com.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The Castro's Elizabeth Taylor retrospective brings the actress back to her most devoted fans. The first and last time I attended the now-defunct Taos Film Festival, it gave a tribute to Elizabeth Taylor (who lived in the area), allowing me to spend an hour sitting about ten feet from one of the most famous movie stars ever. Arriving by wheelchair with a little dog on her lap, she was petite and attractive, though infirmity had taken its own toll on her figure. She was also funny, candid, unpretentious, occasionally ribald, passionately serious about her causes (especially AIDS research and education), and a little dotty—occasionally she'd drift off on some strange...
The Castro's Elizabeth Taylor retrospective brings the actress back to her most devoted fans. The first and last time I attended the now-defunct Taos Film Festival, it gave a tribute to Elizabeth Taylor (who lived in the area), allowing me to spend an hour sitting about ten feet from one of the most famous movie stars ever. Arriving by wheelchair with a little dog on her lap, she was petite and attractive, though infirmity had taken its own toll on her figure. She was also funny, candid, unpretentious, occasionally ribald, passionately serious about her causes (especially AIDS research and education), and a little dotty—occasionally she'd drift off on some strange...
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Smith Rafael Film Center hosts Shorts in Brief: A Family Festival, featuring short films from Asia, Africa, Europe, South and North America. More at cafilm.org.
City College of San Francisco offers a best-of program in the one day, student-run City Shorts Film Festival. The festival is free to the public. More at cityshorts.tumblr.com.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
Viz Cinema at New People hosts the Legacy Film Festival on Aging, offering three days of shorts and features from around the world that deal with the difficulties and appreciation of growing older. The program begins with ‘Ruth Awasa: Roots of an Artist,’ a documentary about the famous artist, with director Bob Toy and Ruth’s children in attendance for a Q&A following the screening. More at newpeopleworld.com.
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Cash prizes, recognition showered on the winning filmmakers of 2011 San Francisco International. The San Francisco International Film Festival presented its 2011 Golden Gate Awards to filmmakers Wednesday night at Temple Nightclub/Prana Restaurant. Kelly Duane de la Vega and Katie Galloway's Better This World won both Documentary Feature and Bay Area Documentary awards. Yoav Potash's Crime After Crime received the Investigative Documentary prize. Park Jung-bum's The Journals of Musan won the New Directors award. A complete list...
Cash prizes, recognition showered on the winning filmmakers of 2011 San Francisco International. The San Francisco International Film Festival presented its 2011 Golden Gate Awards to filmmakers Wednesday night at Temple Nightclub/Prana Restaurant. Kelly Duane de la Vega and Katie Galloway's Better This World won both Documentary Feature and Bay Area Documentary awards. Yoav Potash's Crime After Crime received the Investigative Documentary prize. Park Jung-bum's The Journals of Musan won the New Directors award. A complete list...
Cash prizes, recognition showered on the winning filmmakers of 2011 San Francisco International. The San Francisco International Film Festival presented its 2011 Golden Gate Awards to filmmakers Wednesday night at Temple Nightclub/Prana Restaurant. Kelly Duane de la Vega and Katie Galloway's Better This World won both Documentary Feature and Bay Area Documentary awards. Yoav Potash's Crime After Crime received the Investigative Documentary prize. Park Jung-bum's The Journals of Musan won the New Directors award. A complete list...
Cash prizes, recognition showered on the winning filmmakers of 2011 San Francisco International. The San Francisco International Film Festival presented its 2011 Golden Gate Awards to filmmakers Wednesday night at Temple Nightclub/Prana Restaurant. Kelly Duane de la Vega and Katie Galloway's Better This World won both Documentary Feature and Bay Area Documentary awards. Yoav Potash's Crime After Crime received the Investigative Documentary prize. Park Jung-bum's The Journals of Musan won the New Directors award. A complete list...
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
SFFS's Schools at the Festival toasts its 20 years with clips, stories, tributes, food and drink (5:00 pm), followed by a special Teacher Appreciation Night screening of ‘American Teacher’ (6:30 pm), a documentary exploring the frustrating realities facing public school teachers, with special guests in attendance. More at fest11.sffs.org.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
The Sundance Film Festival Audience Award winner, ‘Circumstance,’ which tells the story of two Iranian women who fall in love, plays at Sundance Kabuki Cinemas on May 1 and May 3. Director Maryam Keshavarz attends each screening of her debut feature. More at fest11.sffs.org.
Writers for the Festival’s daily ‘Scoop’ capture live director-audience interactions.
Writers for the Festival’s daily ‘Scoop’ capture live director-audience interactions.
Writers for the Festival’s daily ‘Scoop’ capture live director-audience interactions.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
San Francisco International Film Festival’s 2011 Centerpiece selection, ‘Terri,’ featuring John C. Reilly as a vice principle who befriends an insecure junior high student, plays at Sundance Kabuki Cinemas with director Azazel Jacobs and actor Jacob Wysocki in attendance. The evening’s after party is at Clift's Velvet Room. More at fest11.sffs.org.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
Press release: The San Francisco International Film Festival (April 21 - May 5) announced that the Festival has been invited to join Festival Scope, a new Internet platform that allows programming of selected film festivals to be viewed online by film professionals around the world. More at sffs.org.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Lynn Hershman Leeson's decades-in-the-making documentary about women artists taking on the establishment debuts at the festival Saturday, April 23, with a San Francisco Museum of Modern Art screening, and plays again Monday, April 25, at the Pacific Film Archive. More at fest11.sffs.org.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Press release: The San Francisco Film Society announced today that Terence Stamp will be the recipient of the Peter J. Owens Award at the 54th San Francisco International Film Festival (April 21–May 5). The Owens Award, named for the longtime San Francisco benefactor of arts and charitable organizations and Film Society board member, honors an actor whose work exemplifies brilliance, independence and integrity. The award will be presented to Stamp at Film Society Awards Night, Thursday, April 28 at Bimbo’s 365 Club. More at fest11.sffs.org.
As the San Francisco International Film Festival opens, key films consider the value of place.
As the San Francisco International Film Festival opens, key films consider the value of place.
As the San Francisco International Film Festival opens, key films consider the value of place.
The 54th San Francisco International Film Festival opens with a film about fresh starts, in the form of a 75-year-old living life romantically, possibly for the first time, in Mike Mills' 'Beginners.' One can't go wrong with a cast featuring Ewan McGregor, Christopher Plummer and Melanie Laurent. Better: Mills and McGregor are present. A party follows at Terra Gallery. More at fest.sffs.org.
As the San Francisco International Film Festival opens, key films consider the value of place.
As the San Francisco International Film Festival opens, key films consider the value of place.
As the San Francisco International Film Festival opens, key films consider the value of place.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
In celebration of the upcoming Turner Classic Movies Film Festival in Hollywood, Castro Theatre participates in the one-night nationwide Road to Hollywood Tour with a free screening of ‘Elmer Gantry.’ Turner Classic Movies host Ben Mankiewicz and Academy Award winner Shirley Jones are present. Tickets are acquired through tcm.com/roadtohollywood. More at castrotheatre.com.
Roxie Theater hosts Playback: ATA Film & Video Festival 2006-2010, a one-day event that showcases a selection of short films from the experimental media arts gallery. More at roxie.com.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
Pacific Film Archive's Patricio Guzmán series continues with ‘The Pinochet Case’ and ‘Chile, Obstinate Memory.’ Later this month, Guzman's latest, a poignant and provocative reflection called 'Nostalgia for the Light,' closes the collection and screens as part of the San Francisco International Film Festival, April 26 and 28. More at bampfa.berkeley.edu and fest11.sffs.org.
The 54th San Francisco International Film Festival (April 21 - May 5) announced that Clifton Collins Jr. will be honored at the fourth Midnight Awards, 10:30 pm, Saturday, April 23 at the W San Francisco. The Midnight Awards takes the form of a late night talk show, hosted by Beth Lisick, New York Times best-selling author and coorganizer of the Porchlight Storytelling Series, with live musical accompaniment by the Darren Johnston Trio. Lisick will interview Collins and his previously announced Midnight Award corecipient Zoe Saldana. Clips of their work will be shown prior to the presentation of the awards. More at fest11.sffs.org.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Keanu Reeves, James Caan and Vera Farmiga star in Malcolm Venvile’s ‘Henry’s Crime,’ which opens at Landmark’s Embarcadero Center Cinema in San Francisco, Landmark’s Shattuck Cinemas in Berkeley and other Bay Area theaters. The film was an official selection of the Toronto International Film Festival. More at landmarktheatres.com.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
The 10th Annual Tiburon International Film Festival begins with Tomas Barina’s ‘Novel for Men,’ which will be making its International Premiere at the Tiburon Playhouse Theater. Over 140 films from 55 countries play over 11 days. More at tiburonfilmfestival.com.
Press release: The San Francisco Film Society announced today that Oliver Stone will be the recipient of the Founder’s Directing Award at the 54th San Francisco International Film Festival (April 21–May 5). The FDA will be presented to Stone at Film Society Awards Night, Thursday, April 28 at Bimbo’s 365 Club. The Film Society’s Youth Education program will be the beneficiary of the fundraiser honoring Stone. The soon-to-be-announced recipient of the Peter J. Owens Award for excellence in acting and Frank Pierson, recipient of the Kanbar Award for excellence in screenwriting will also be honored. More at sffs.org.
The 7th Annual San Francisco Women’s Film Festival opens with ‘Grace, Milly, Lucy… Child Soldiers’ and runs five days, with shows and events at the Roxie Theater, Ninth Street Independent Film Center and Mission Workshop. More at roxie.com and womensfilminstitute.com.
IndieWIRE reports: "With the sheer number of arts-related events in San Francisco, one might mistake the city as one of America’s largest metropolises, but in fact it’s California’s fourth largest city. San Francisco has however had a long tradition of embracing arts on the cusp, reflecting its vibrant and diverse citizens." More at indieWIRE.com.
Ozon's Deneuve vehicle, filled with comedy and politics, travels well.
Ozon's Deneuve vehicle, filled with comedy and politics, travels well.
Ozon's Deneuve vehicle, filled with comedy and politics, travels well.
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
Created in 2007 by Eric Slatkin and Carlton Evans to celebrate possibilities of media we might consider "throwaway" (devices like cell phones and pocket cameras), the Disposable Film Festival has grown into a popular one-day event and year-round traveling showcase. This year, it debuts at the Castro Theatre. More at castrotheatre.com.
New technology and futuristic themes featured prominently at South by Southwest this year.
New technology and futuristic themes featured prominently at South by Southwest this year.
New technology and futuristic themes featured prominently at South by Southwest this year.
Xavier Dolan’s ‘Heartbeats,’ the 2010 Winner of Un Certain Regard Youth Prize at Cannes International Film Festival, opens at Landmark Theatres in San Francisco and Landmark’s Shattuck Cinemas. The film follows two best friends and their attempt to attain the affection of a charming man they’ve just met. More at landmarktheatres.com.
Ry Russo-Young’s 2009 Gotham Independent Film Award winner and Sundance Film Festival Selection, ‘You Won’t Miss Me,’ plays for one week at Roxie Theater. The film features Stella Schnabel, who plays a 23 year-old just released from a psychiatric hospital. More at roxie.com.
Long story short: A filmmaker finds the right length for his South American health doc.
Long story short: A filmmaker finds the right length for his South American health doc.
Long story short: A filmmaker finds the right length for his South American health doc.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
San Francisco International Asian American Film Festival begins March 10 and runs for 11 days, celebrating Opening Night at the Castro Theatre with Andy De Emmony’s 2009 ‘West Is West,’ the sequel to the successful 1999 ‘East Is East.’ About 120 films will play at a variety of venues around San Francisco, Berkeley and San Jose. More at festival.asianamericanmedia.org.
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
Breaking down the common licensing terms.
Breaking down the common licensing terms.
Breaking down the common licensing terms.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Press release: The 54th San Francisco International Film Festival (April 21 - May 5) today announced its documentaries in competition for the Golden Gate Awards and films in competition for the New Directors Prize. The International will award close to $100,000 in total prizes this year. Sixty thousand dollars will be awarded to winners in three categories: investigative documentary feature ($25,000), documentary feature ($20,000) and Bay Area documentary feature ($15,000). The New Directors Prize of $15,000 is given to a narrative first feature that exhibits a unique artistic sensibility and deserves to be seen by as wide an audience as possible. Seventeen countries contributed to the production of the 11 films in this year's competition. Click through for titles or visit sffs.org.
An environmental film festival with exceptional flair enters the San Francisco scene.
An environmental film festival with exceptional flair enters the San Francisco scene.
An environmental film festival with exceptional flair enters the San Francisco scene.
San Francisco's first ever Green Film Festival takes off with a collection that includes Werner Herzog's 'Happy,' Patrick Rouxel's 'Green' and Fredrik Gertten’s 'Bananas!*' More at sfgreenfilmfest.org.
Press Release: The Audience Award winners for the 13th San Francisco Independent Film Festival include ‘Kaboom,’ named as Best Narrative Feature, ‘Bathing and the Single Girl’ for Best Narrative Short, ‘Free Radicals’ for Best Documentary, ‘Burning Wigs of Sedition’ for Best Music Video and ‘Mars’ for Best Animated Film. More at sfindie.com.
A festival whose curation was called "stupefyingly good" by Dennis Harvey in SF360.org last week, the Noise Pop Film Series complements the live music it's meant to accompany as the likes of Feist, Devendra Banhart and Tom Ze cross the screen. More at 2011.noisepop.com/film.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Variety: "Marking another acquisition partnership coming out of the Sundance Film Festival, Roadside Attractions will team with Participant Media," handling U.S. theatrical distribution rights of writer and director Maryam Keshavarz's Iranian drama 'Circumstance.' More at variety.com.
Short and feature films completed over the previous year by the Scary Cow’s co-op members play at Castro Theater. Attendees vote on which filmmakers should receive funding for future projects. More at scarycow.com.
The San Francisco Silent Film Festival's Winter Event, a one-day affair to showcase silent films, returns to the Castro. Features include Charlie Chaplin shorts, Marcel L’Herbier’s 1928 ‘L’Argent’ and King Vidor’s 1926 ‘La Boheme,' each accompanied with live music. More at silentfilm.org and castrotheatre.com.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
SFFS Screen returns to the Sundance Kabuki with a new one from Elia Suleiman, a story about the the lives and hardships of Palestinians who were branded "Israeli Arabs." It's a film that the Toronto International Film Festival calls a "fusion of the political and personal, the historical and hysterical." More at sffs.org.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
The eight-day Mostly British Film Festival opens with Andy DeEmmony’s ‘West is West,’ the sequel to 1999s ‘East is East.’ Films from the United Kingdom, Australia, South Africa and Ireland play for eight days at the Vogue Theatre and the Smith Rafael Film Center. More at mostlybritish.org.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
An expert offers advice on solving the issues rough-cut screenings raise.
An expert offers advice on solving the issues rough-cut screenings raise.
An expert offers advice on solving the issues rough-cut screenings raise.
Reports indieWIRE: "Oprah Winfrey Network has added another member to its Documentary Film Club with Yoav Potash’s “Crime After Crime,” which premiered at the Sundance Film Festival in the U.S. Documentary Competition." More at indiewire.com.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Pacific Film Archive Theater hosts the African Film Festival 2011, presenting popular documentary and narrative films from eight African countries. The festival begins with Remi Vaughan-Richards’ 2010 ‘One Small Step.’
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Sean Uyehara: "If you wanted, you could say that Calvin Lee Reeder channels the love child of Dario Argento and Maya Deren..."
Sean Uyehara: "If you wanted, you could say that Calvin Lee Reeder channels the love child of Dario Argento and Maya Deren..."
Sean Uyehara: "If you wanted, you could say that Calvin Lee Reeder channels the love child of Dario Argento and Maya Deren..."
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Eddie Muller and Anita Monga bring 10 days of finely curated noir to the Castro Theatre, where it's promised "you'll find all kinds of crazy" in 24 films. We never doubted. The festival opens with 1947's ‘High Wall’ and 1940's ‘Stranger on the Third Floor.' More at castrotheatre.com and noircity.com.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Castro Theatre hosts the German Gems Film Festival, a three day event showcasing recent German features, shorts and documentaries. It begins on Friday with ‘Mahler On The Couch,' a feature directed by father and son team Percy and Felix Adlon, with an Opening Night after party following. More at castrotheatre.com.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
The Ivory-Billed Woodpecker may have disappeared for good, but a film about its possible rebirth persists against all odds.
The Ivory-Billed Woodpecker may have disappeared for good, but a film about its possible rebirth persists against all odds.
The Ivory-Billed Woodpecker may have disappeared for good, but a film about its possible rebirth persists against all odds.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
Horror legend George Romero offers fundraising advice to first-timers: "Just make the movie. Don’t worry about the money."
Horror legend George Romero offers fundraising advice to first-timers: "Just make the movie. Don’t worry about the money."
Horror legend George Romero offers fundraising advice to first-timers: "Just make the movie. Don’t worry about the money."
A longtime friendship grows into a film.
A longtime friendship grows into a film.
A longtime friendship grows into a film.
San Francisco Film Society celebrates Italy’s freshest film offerings in the New Italian Cinema series at Landmark’s Embarcadero Center Cinema. Films new and old from director Ferzan Ozpetek begin the weeklong festival, which focuses on a diverse group of work from some of Italy’s most gifted filmmakers, many appearing in person. Opening Night is Ozpetek’s most recent, ‘Loose Cannons,’ which precedes a party at Cigar Bar & Grill, 850 Montgomery Street. More at sffs.org.
"Following its world premiere at this year’s Toronto International Film Festival (TIFF) in September, Lynn Hershman Leeson’s '!Women Art Revolution' has been acquired by Zeitgeist Films for North American distribution," reports Nigel M. Smith. More at indiewire.com.
SFIAF's Online Screening Room gives the festival's animation another dimension.
SFIAF's Online Screening Room gives the festival's animation another dimension.
SFIAF's Online Screening Room gives the festival's animation another dimension.
SFIAF's Online Screening Room gives the festival's animation another dimension.
SFIAF's Online Screening Room gives the festival's animation another dimension.
SFIAF's Online Screening Room gives the festival's animation another dimension.
San Francisco International Animation Festival: Semiconductor's Ruth Jarman and Joseph Gerhardt talk about their work in music, movies and animation. What do you call a duo that considers itself a trio? Or videomakers who call themselves sculptors? Semiconductor has been making video and installation work for over ten years. They consist of Joseph Gerhardt, Ruth Jarman and a computer. They create animations and present live music and visual shows. Everything they do is slightly inside out. The computer is more or less an antagonist in their midst. They haven’t quite broken up the band yet, because the....
San Francisco International Animation Festival: Semiconductor's Ruth Jarman and Joseph Gerhardt talk about their work in music, movies and animation. What do you call a duo that considers itself a trio? Or videomakers who call themselves sculptors? Semiconductor has been making video and installation work for over ten years. They consist of Joseph Gerhardt, Ruth Jarman and a computer. They create animations and present live music and visual shows. Everything they do is slightly inside out. The computer is more or less an antagonist in their midst. They haven’t quite broken up the band yet, because the....
Animated stories from around the world gather at Landmark’s Embarcadero Center Cinema for the fifth SFIAF. Six wide-ranging shorts programs as well as features like Brent Green’s ‘Gravity Was Everywhere Back Then’ and Sunao Katabuchi’s ‘Mai Mai Miracle’ take the screen. Four diverse animators interpret folk rock band The Decemberists’ 2009 concept album in ‘Here Come the Waves: The Hazards of Love Visualized,’ which opens the festival. Opening Night party follows the screening at La Mar Cebichería Peruana at Pier One and One-Half on the Embarcadero. More at sffs.org.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
SF360.org profiles the 2011 roster of Essential SF, an ongoing compendium of the film community’s vital figures and institutions.
The 35th Annual AIFF kicks off at Landmark’s Embarcadero Cinema. Armand Garnet Ruffo interweaves two stories inspired by Ojibway spiritualism in the opening night film, ‘A Windigo Tale.’ The festival also includes animation and shorts programs, as well a toy drive. More at aifisf.com.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
The latest cinema from India, Bangladesh, Pakistan, Sri Lanka, Tibet, U.K. and USA comprise the 8th annual 3rd I San Francisco International South Asian Film Festival: Bollywood and Beyond. Opening night plays at VIZ Cinema before festival moves to the Brava Theater, and concludes at the Castro. Browse the films at thirdi.org.
The SFFS fall festival of French cinema continues at Landmark’s Embarcadero Center Cinema. Abbas Kiarostami’s ‘Certified Copy,’ starring Juliet Binoche (in a role that won her a best actress prize at Cannes) closes the festival. More at sffs.org.
The latest finds from France's national cinema play in an SFFS showcase.
The latest finds from France's national cinema play in an SFFS showcase.
The latest finds from France's national cinema play in an SFFS showcase.
SFFS’s annual showcase of modern French filmmaking includes some of the country’s most important work from the past year, from Éléonore Faucher's 'Sisters' to Katell Quillévéré's 'Love Like Poison.' Mark Fitoussi's ‘Copacabana,’ starring Isabelle Huppert, opens the festival; it's followed by a reception at the Bubble Lounge, 714 Montgomery Street. All films play at Landmark’s Embarcadero Center Cinema. More at sffs.org.
Population, migration and globalization are the themes of the 13th annual United Nations Association Film Festival. The Palo Alto-based festival's features include 'Bhutto,' 'Gasland' and 'The Last Elephants in Thailand' this year. The festival runs until October 31. More at unaff.org.
Population, migration and globalization are the themes of the 13th annual United Nations Association Film Festival. The Palo Alto-based festival's features include 'Bhutto,' 'Gasland' and 'The Last Elephants in Thailand' this year. The festival runs until October 31. More at unaff.org.
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
A pair of expert heist films top Berlin & Beyond.
A pair of expert heist films top Berlin & Beyond.
A pair of expert heist films top Berlin & Beyond.
The San Francisco Film Society presents a three-day showcase of contemporary Taiwanese films at VIZ Cinema at New People. Niu Doze's crime saga 'Monga' opens the festival and is Taiwan's entry to for Best Foreign Language Film at the 83rd Academy Awards. More at sffs.org; look for a feature later this week on sf360.org.
The Berlin & Beyond Film Festival returns to the Castro with its collection of contemporary cinema from Germany, Austria and Switzerland. ‘Die Fremde’ is the centerpiece film (and Germany’s entry for Best Foreign Language Film at the 83rd Academy Awards) about a young woman living in Istanbul who, along with her son, decides to leave her abusive husband and reunite with her family in Berlin. More at berlinbeyond.com.
SF Docfest continues through October 28 with its reliable blend of eccentricity and outrage. Films screening during week two include 'Trampoline' and 'Vanishing of the Bees.' More at sfindie.com.
SF Docfest continues through October 28 with its reliable blend of eccentricity and outrage. Films screening during week two include 'Trampoline' and 'Vanishing of the Bees.' More at sfindie.com.
The Arab Film Festival wraps up this weekend in Berkeley at Shattuck Cinemas. Closing Night films include ‘Every Day is a Holiday,' the story of three women in Lebanon and their very different intentions for boarding the same bus to a men’s penitentiary, and ‘Cinecitta,' about a struggling filmmaker who decides to rob a bank to fund his latest project. More at arabfilmfestival.org.
Yerba Buena Center for the Arts and the San Francisco Jewish Film Festival offer plenty to chew on in the series Tough Guys: Images of Jewish Gangsters in Film. Mervyn LeRoys’ ‘Little Caesar’ has Edward G. Robinson as an Italian gangster in a breakout performance. The series plays through the month of October. More at ybca.org.
A critic offers not-to-be-missed entries in the ninth annual SF Docfest.
A critic offers not-to-be-missed entries in the ninth annual SF Docfest.
A critic offers not-to-be-missed entries in the ninth annual SF Docfest.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Lyes Salem’s dark comedy ‘Masquerades’ opens the Arab Film Festival at the Castro; it tells the story of Mounir, a young Algerian misfit who informs the whole town his narcoleptic sister Nim is engaged to a handsome, wealthy foreigner. The festival runs October 14–24. More at arabfilmfestival.org.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
A film about the legendary band Fishbone brings California's past 25 years into close relief.
A film about the legendary band Fishbone brings California's past 25 years into close relief.
A film about the legendary band Fishbone brings California's past 25 years into close relief.
"The annual Mill Valley Film Festival never forgets its target audience: well-educated filmgoers partial to mainstream art house crowd pleasers, American indies, topical documentaries, a sampling of tasty world cinema (especially from the African continent) and the latest crop of docs and features by homegrown Bay Area talent," writes Sura Wood in sf360.org this week. The festival kicks off October 7 with 'The King's Speech' and 'Conviction' and continues through October 17. (Photo: Taggart Siegel's 'Queen of the Sun')
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Litquake lights up the Embarcadero Center Cinema all day Sunday and features not only 'Dante's Inferno' and 'Ghost World,' but also SF360.org-moderated discussions for 'Red Poet' (director Matthew Furey and poet Jack Hirschman, left, with Michael Fox) and 'The Practice of the Wild' (producer Will Hearst and Jack Shoemaker with Robert Avila).
Photographer Christopher Felver's documentary on the San Francisco poet and publisher played at the 2009 San Francisco International Film Festival and gets another date to capture the current 'Howl' fever. It plays at the Smith Rafael Film Center.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
San Francisco Film Society and the New York International Children's Film Festival offer three days of films for kids, teens and their families, from 'Turtle—the Incredible Journey' (pictured) to Santosh Sivan's Kashmir story, 'Tahaan,' to shorts and animated films, kicking off Friday, September 24, with a kid-friendly opening night party at the Punch Line Comedy Club.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
The San Francisco Irish Film Festival offers Roxie audiences three days of contemporary Irish cinema, including features, documentaries and short films paired with free pints of Irish cider. Closing night film 'His & Hers' won the Cinematography Award at Sundance 2010.
The creator of award-winning documentary 'Last Train Home' speaks about the new China.
The creator of award-winning documentary 'Last Train Home' speaks about the new China.
The creator of award-winning documentary 'Last Train Home' speaks about the new China.
The San Francisco Latino Film Festival, which runs through September 26, kicks off this week with a screening of director Javier Fuentes-Léon's 'Contracorriente' at the Roxie.
San Francisco Art Institute hosts the third annual Iranian Film Festival with more than two dozen films and a special tribute to Fakhri Khorvash, who appears in person along with a screening of 1974 film 'Prince Ehtejab.'
A festival transforms itself and transports audiences with a visionary new theater.
A festival transforms itself and transports audiences with a visionary new theater.
A festival transforms itself and transports audiences with a visionary new theater.
A festival transforms itself and transports audiences with a visionary new theater.
A festival transforms itself and transports audiences with a visionary new theater.
A festival transforms itself and transports audiences with a visionary new theater.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
SF Chronicle: "Masashi Niwano, who most recently was executive director of the Austin Asian American Film Festival in Austin, Texas, has been named festival and exhibitions director for the San Francisco International Asian American Festival." More at SFGate.
VIZ screens a collection of documentaries that offer a variety of views on the events of September 11, 2001. 'Press For Truth' on opening night will be followed by a Q&A with director Ray Nowosielski.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
The neighborhood park-strolling, local filmmaker-featuring, free seventh annual Bernal Heights Outdoor Cinema festival is finally here, with new and improved features: a Friday-night Film Crawl through the neighborhood and more live music. Details at /http://www.bhoutdoorcine.org/.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
Jean-Pierre Jeunet's San Francisco International Film Festival opening night film, an arms-trade satire, plays at the Red Vic this week. It's a visually intoxicating story of a man who finds acceptance with a group of creative, scrap-heap dwelling misfits.
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
Johnnie To delivers on his trademark themes with 'Vengeance.'
Johnnie To delivers on his trademark themes with 'Vengeance.'
Johnnie To delivers on his trademark themes with 'Vengeance.'
This year's Sausalito Film Festival, held at the foot of the Golden Gate Bridge at Cavallo Point, carries an international collection of films that examine everything from Brazilian catadores and rural American farmers with problems of conscience to the first woman to head Pakistan's government.
Johnnie To delivers on his trademark themes with 'Vengeance.'
Johnnie To delivers on his trademark themes with 'Vengeance.'
Johnnie To delivers on his trademark themes with 'Vengeance.'
Run, walk, bike, or bus to Sausalito for a festival filled with environmental (and other) surprises. The Sausalito Film Festival at Cavallo Point offers an impressive natural/urban backdrop to complement the worlds on view inside its theaters. Situated in the less-crowded film festival calendar space of August, it offers residents of the Bay Area ample room for their eyes to roam, with gorgeous vistas to greet those coming and going from its two restored theaters, the Mission Blue and Callippe. (Cavallo Point, a backdrop for the 22nd century in Star Trek: Enterprise, also provides a view of the San Francisco that will never get old.)
Run, walk, bike, or bus to Sausalito for a festival filled with environmental (and other) surprises. The Sausalito Film Festival at Cavallo Point offers an impressive natural/urban backdrop to complement the worlds on view inside its theaters. Situated in the less-crowded film festival calendar space of August, it offers residents of the Bay Area ample room for their eyes to roam, with gorgeous vistas to greet those coming and going from its two restored theaters, the Mission Blue and Callippe. (Cavallo Point, a backdrop for the 22nd century in Star Trek: Enterprise, also provides a view of the San Francisco that will never get old.)
Filmmakers working with Duvall, Murray and Spacek talk about humor, perseverance, and process.
Filmmakers working with Duvall, Murray and Spacek talk about humor, perseverance, and process.
Filmmakers working with Duvall, Murray and Spacek talk about humor, perseverance, and process.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
The San Francisco Jewish Film Festival finds fans beyond its identity-based target audience with a wide array of international films and topics.
The San Francisco Jewish Film Festival finds fans beyond its identity-based target audience with a wide array of international films and topics.
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
Deborah Koons Garcia's latest film explores the mystery and complexities of one of the earth's most valuable resources.
Deborah Koons Garcia's latest film explores the mystery and complexities of one of the earth's most valuable resources.
No matter what kind of film you’re making, eventually all filmmakers encounter the common legal problem of filming in a crowd.
No matter what kind of film you’re making, eventually all filmmakers encounter the common legal problem of filming in a crowd.
SF Indiefest unveils its 7th annual showcase of the wildest and weirdest in independently produced sci-fi, horror and fantasy.
SF Indiefest unveils its 7th annual showcase of the wildest and weirdest in independently produced sci-fi, horror and fantasy.
SF Indiefest unveils its 7th annual showcase of the wildest and weirdest in independently produced sci-fi, horror and fantasy.
SF Indiefest unveils its 7th annual showcase of the wildest and weirdest in independently produced sci-fi, horror and fantasy.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Critical consensus on Frameline34 marks it a good year. The audience wanted something different, and the festival has largely obliged.
Critical consensus on Frameline34 marks it a good year. The audience wanted something different, and the festival has largely obliged.
Frameline34 takes a fresh look at Andy Warhol's world while offering a view to the world of international LGBT cinema 2010.
The makers of Joan Rivers: A Piece of Work speak about their latest, as well as the state of documentary filmmaking.
Frameliine 34 presents a Beat movement mini-theme and 10 gay-themed films from South America.
Bay Area filmmakers report back from film festivals far (Cannes) and wide (Marfa).
Bay Area filmmakers report back from film festivals far (Cannes) and wide (Marfa).
A letter from Iranian filmmaker Abbas Kiarostami speaks out against Ministry of Guidance and Islamic Cutlure and in solidarity with detained director Jafar Panahi.
Laura Poitras speaks during SFIFF53 about the process of creating The Oath from the stories of Osama Bin Laden's former bodyguard and driver.
Laura Poitras speaks during SFIFF53 about the process of creating The Oath from the stories of Osama Bin Laden's former bodyguard and driver.
I sat down for a chat with Festival Director and cofounder Carlton Evans, Art Director Rebecca Bortman, and Jessica Meek, project coordinator for a fest sponsor.
If you re making a short narrative, foundations give you no respect. Financiers turn a cold shoulder. Government grantors snort. And festivals slot your film Sunday at midnight.
Almost $300,000 was given out Wednesday night for awards and grants honoring documentary winners.
We caught up with several Bay Area makers, fresh off their high-energy screenings at SFIFF53 and primed to keep the momentum rolling.
We caught up with several Bay Area makers, fresh off their high-energy screenings at SFIFF53 and primed to keep the momentum rolling.
Cash prizes totaling nearly $300,000 for filmmakers highlighted the San Francisco International Film Festival s Golden Gate Awards Wednesday night.
Cash prizes totaling nearly $300,000 for filmmakers highlighted the San Francisco International Film Festival s Golden Gate Awards Wednesday night.
Films about our species enduring capacity to be inhumane toward its own are perennials at festivals, and will be so as long as wars are waged.
Films about our species enduring capacity to be inhumane toward its own are perennials at festivals, and will be so as long as wars are waged.
Judging from Saturday night s festivities, half the capacity Castro Theatre audience had worked on or otherwise invested in Joshua Grannell a.k.a. Peaches Christ s debut feature.
Few would argue that a good movie often starts with a good story. Yet it has been the screenwriter s lot to be underappreciated.
The documentary Simonal: No One Knows How Tough it Was explores the polemic surrounding a man considered by many to be the greatest singer in Brazilian history.
The documentary Simonal: No One Knows How Tough it Was explores the polemic surrounding a man considered by many to be the greatest singer in Brazilian history.
Poet, essayist, environmentalist, Buddhist, public intellectual and teacher Gary Snyder speaks on life and the making of 'The Practice of the Wild.'
Poet, essayist, environmentalist, Buddhist, public intellectual and teacher Gary Snyder speaks on life and the making of 'The Practice of the Wild.'
Poet, essayist, environmentalist, Buddhist, public intellectual and teacher Gary Snyder speaks on life and the making of 'The Practice of the Wild.'
Poet, essayist, environmentalist, Buddhist, public intellectual and teacher Gary Snyder speaks on life and the making of 'The Practice of the Wild.'
Along with selfless sacrifices and random luck, low-budget independent films often depend on the timely intervention of an angel.
Don t let Hollywood crow about The Hurt Locker and the year of the woman until more filmmakers of the sort featured at this year s festival benefit.
Don t let Hollywood crow about The Hurt Locker and the year of the woman until more filmmakers of the sort featured at this year s festival benefit.
San Francisco itself took a lead role at Film Society Awards Night, the dinner and awards program benefiting the Film Society s year-round Youth Education initiative.
San Francisco itself took a lead role at Film Society Awards Night, the dinner and awards program benefiting the Film Society s year-round Youth Education initiative.
You know someone is well liked when they re used as the standard by which you fall short.
Through most of its history, the Festival has featured revivals of restored classics and little-known gems. This year s selections run an unusually wide gamut.
Through most of its history, the Festival has featured revivals of restored classics and little-known gems. This year s selections run an unusually wide gamut.
Leland Orser saw his first movie at the Alexandria, and Joshua Grannell initially established himself as a S.F. character via his alter ego Peaches Christ.
Leland Orser saw his first movie at the Alexandria, and Joshua Grannell initially established himself as a S.F. character via his alter ego Peaches Christ.
Live & Onstage thought globally and drafted locally with Sam Green and musician Dave Cerf s live Utopia in Four Movements, which never takes the exact same form.
If there's a sure-fire crowd-pleaser in this year's San Francisco International Film Festival, it s Roberto Hernandez and Geoffrey Smith's Presumed Guilty.
If there's a sure-fire crowd-pleaser in this year's San Francisco International Film Festival, it s Roberto Hernandez and Geoffrey Smith's Presumed Guilty.
Ch‚ Sandoval of Chile, Kaspar Astrup Schroder of Denmark, Pedro Gonzal‚z-Rubio of Mexico, John Herschend and Claudia Gonson don t have much in common except stories to tell.
Ch‚ Sandoval of Chile, Kaspar Astrup Schroder of Denmark, Pedro Gonzal‚z-Rubio of Mexico, John Herschend and Claudia Gonson don t have much in common except stories to tell.
To be from the Bay Area and called The Butcher Brothers might mean you get mixed up with purveyors of grass fed meats.
Writer Jim Harrison offers thoughts about his relationship to Gary Snyder and his contributions to 'The Practice of the Wild.'
Writer Jim Harrison offers thoughts about his relationship to Gary Snyder and his contributions to 'The Practice of the Wild.'
Writer Jim Harrison offers thoughts about his relationship to Gary Snyder and his contributions to 'The Practice of the Wild.'
Writer Jim Harrison offers thoughts about his relationship to Gary Snyder and his contributions to 'The Practice of the Wild.'
How many foreign stars do U.S. moviegoers know? Not many, alas. My favorite living French actor, André Dussollier, appears prominently in two high-profile festival films.
How many foreign stars do U.S. moviegoers know? Not many, alas. My favorite living French actor, André Dussollier, appears prominently in two high-profile festival films.
I found Sam Green deep in preparation, but he found time to walk me through the greatest dreams and worst nightmares of the 20th century.
Bay Area-made and Mission-inspired, Peter Bratt's La Mission joins Jennifer Kroot's wild and woolly It Came from Kuchar in Bay Area theaters this week.
If you imagine the S.F. International Film Festival as an circus tent, with Opening and Closing nights the main supports, the other tent poles are interactive live experiences.
If you imagine the S.F. International Film Festival as an circus tent, with Opening and Closing nights the main supports, the other tent poles are interactive live experiences.
The Victoria Theater is shut up tight, with no sign of life. After a few raps on the door, a woman peeks out and leads me inside.
First-time filmmaker Christina Yao is soft-spoken and exceedingly polite, but it s apparent that very little intimidates her.
First-time filmmaker Christina Yao is soft-spoken and exceedingly polite, but it s apparent that very little intimidates her.
Inuit peoples—the indigenous cultures rooted in Arctic regions from Alaska to Greenland—have an honored place in film history, dating to Flaherty's Nanook of the North.
With opening night approaching, Rachel Rosen talked about her L.A. Rolodex, the function of festivals in a broadband world and her favorites in the festival.
With opening night approaching, Rachel Rosen talked about her L.A. Rolodex, the function of festivals in a broadband world and her favorites in the festival.
One of the oldest points of contention in documentary is whether the camera s presence alters the subject s behavior.
Director of Programming Rachel Rosen and programmers Rod Armstrong, Audrey Chang and Sean Uyehara shared thoughts on 177 films from 46 countries.
Tens of thousands of artists, aficionados and businesspeople flock to Austin for a festival that is part online conference, part film festival, and more than part music.
Think of U.S. public television and science fiction or any type of fiction doesn't spring to mind. ITVS aims to change that perception with a series of mini-features.
A theme that emerged in this year s SFIAFF was the importance of archives in the film world.
A theme that emerged in this year s SFIAFF was the importance of archives in the film world.
Muayad Alayan, a 24-year-old filmmaker from the only remaining Arab neighborhood in West Jerusalem, was not even aware there was such a thing as Palestinian cinema until, as a teenager, he came to the Bay Area to visit his brother and sister.
Deann Borshay Liem's 1999 doc First Person Plural recounted her experience as an orphaned Korean adoptee raised in an East Bay suburb.
Deann Borshay Liem's 1999 doc First Person Plural recounted her experience as an orphaned Korean adoptee raised in an East Bay suburb.
The Center for Asian American Media, formerly known as NAATA and founded to nurture Asian American filmmakers as well as counter ethnic stereotypes, has accomplished that and more.
The Center for Asian American Media, formerly known as NAATA and founded to nurture Asian American filmmakers as well as counter ethnic stereotypes, has accomplished that and more.
S. Leo Chiang knew what it was like to be an outsider in the U.S., so the rebellion of Vietnamese residents in New Orleans was an ideal subject.
If Kimberly Reed took a not particularly unique path into filmmaking, she certainly took an interesting road out of it.
When Laos revised its visa structure to allow visitors to stay for more than one week, Westerners with digital cameras surged over the border.
The moving arrow anoints a new hot spot of contemporary cinema every few years, and then moves on. Yet Germany never makes the cool list.
Wasn't it just yesterday that Cinequest was the scrappy upstart amongst Bay Area festivals? Apparently not: San Jose's annual cinematic blowout is entering its third decade.
Tragically underrepresented in the Bay Area's densely packed world of globally oriented film festivals is the land(s) of our erstwhile colonial rulers!
It s a strange time for independent film, with scaled-back specialty divisions and online self-distribution, but SF Indiefest remains a champion of the unsung and un-buzzable.
In the YouTube-Facebook-viral video era, it's hard to remember the time when youth-made media was rare.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
The harsh glare of the spotlight that brought Howl mixed reviews from critics on opening night of Sundance had melted into a warm glow by Saturday.
The harsh glare of the spotlight that brought Howl mixed reviews from critics on opening night of Sundance had melted into a warm glow by Saturday.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
The Butcher Brothers The Violent Kind is a nightmare-with-bikers-in-the-woods fantasy shot in Petaluma and Cotati, and it fits their collaborative moniker.
In late January, many tune their radar to the snowy, showy glare of Sundance. With Noir City here, the stay-at-homes are the luckier ones.
In late January, many tune their radar to the snowy, showy glare of Sundance. With Noir City here, the stay-at-homes are the luckier ones.
The late, great Jack Smith was all about the strange sway classic Hollywood movies, particularly obscure stars and low-budget yet opulent art direction, have had on us.
Jennifer Phang has experienced more than enough culture shocks in her life to empathize with the identity challenges of the characters in her debut feature.
Jennifer Phang has experienced more than enough culture shocks in her life to empathize with the identity challenges of the characters in her debut feature.
With more than 25 documentaries to his credit, many on mathematicians and scientists, George Csicsery is arguably the most prolific filmmaker in the Bay Area.
The silver lining to a decade that saw traditional critics in conventional media dwindle? The explosion of socially networked citizen critics.
The silver lining to a decade that saw traditional critics in conventional media dwindle? The explosion of socially networked citizen critics.
It was a big year for 3D, but Bay Area critics and film-industry folk found many other dimensions in the cinema of 2009.
Michael Fox shows independent filmmakers who are thriving in the Bay Area.
Highlights from the 2009 San Francisco Silent Film Festival winter event.
Highlights from the 2009 San Francisco Silent Film Festival winter event.
Susan Gerhard caught up with the director of an Oakland-shot domestic drama whose first-time feature was chosen for Sundance.
Susan Gerhard caught up with the director of an Oakland-shot domestic drama whose first-time feature was chosen for Sundance.
Writer/director Carmen Madden's writing reflects just how intimately she comes to see and know a screenplay's world and the characters that inhabit it.
Boston Phoenix film critic Gerald Peary's film tours the rise, fall and reorientation of film criticism in the United States.
The 13th New Italian Cinema festival finds the political and personal mixing more frequently than you'd find in any assortment of U.S. narrative films.
A conversation on Walt Disney's Alice Comedies with a lively raconteur and Professor of Film Studies at UC Berkeley.
For three days, the SFFS offers a chance to see contemporary Taiwanese cinema beyond the work of the usual Taiwanese film masters.
George Rush skips legal concerns and instead speaks to a larger issue: the lack of quality independent filmmaking today.
George Rush skips legal concerns and instead speaks to a larger issue: the lack of quality independent filmmaking today.
Bay Area locals Jonathan Parker and Catherine di Napoli discuss (Untitled), a hilarious romp through the world of conceptual art and atonal music.
Francois Truffaut’s The 400 Blows is being revived as part of San Francisco Film Society’s second annual French Cinema Now festival, which runs the week of October 29 through November 4 at the city’s Clay Theatre.
Francois Truffaut’s The 400 Blows is being revived as part of San Francisco Film Society’s second annual French Cinema Now festival, which runs the week of October 29 through November 4 at the city’s Clay Theatre.
After ripping it up at various genre fests, the Bay Area indie horror flick settles in for a theatrical run at the Red Vic.
From the steep slope of 22nd Street down to La Taqueria, from the Attic to Boogaloos, this droll feature showcases the Mission to glowing advantage.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
Anne McGuire finds the beauty in the strange, and the strangeness in the beautiful. That's not perversity, people; that's poetry.
Anne McGuire finds the beauty in the strange, and the strangeness in the beautiful. That's not perversity, people; that's poetry.
At their respective festival tributes, the actors gave entertaining and revealing onstage interviews.
At their respective festival tributes, the actors gave entertaining and revealing onstage interviews.
The program offers a surprisingly potent mainstream industry presence, with tributes to A-list types more frequently seen at the multiplex than at the art house.
The program offers a surprisingly potent mainstream industry presence, with tributes to A-list types more frequently seen at the multiplex than at the art house.
First Person: How can people respond in diametric and, at times, vitriolic opposition to the same film? Mine.
With the Netherlands-based filmmaker's latest portrait in resilience, Oblivion, opening Friday, it's a good time to celebrate one of documentary's most engaging storytellers.
With the Netherlands-based filmmaker's latest portrait in resilience, Oblivion, opening Friday, it's a good time to celebrate one of documentary's most engaging storytellers.
East Bay filmmaker Miles Montalbano is in preproduction on dark coming-of-age story The Recondite Heart, his followup to his lauded debut, Revolution Summer.
Franny Armstrong talks about the moral imperative of her films, the importance of Hopenhagen, and the unexpected magnitude of her success.
Franny Armstrong talks about the moral imperative of her films, the importance of Hopenhagen, and the unexpected magnitude of her success.
The Toronto International Film Festival has always allowed a generosity of pursuits to co-exist, rewarding the adventurous and satiating the lazy, all without judgment.
The Toronto International Film Festival has always allowed a generosity of pursuits to co-exist, rewarding the adventurous and satiating the lazy, all without judgment.
Fear-Free Fundraising: Notes on assembling the basic ingredients for a great foundation funding proposal.
High-concept cabaret-act favorite in the Bay Area who sidelines as a filmmaker, Cory McAbee (The American Astronaut) speaks about his latest, Stingray Sam.
Chilean director Pablo Larraín offers insight into his sophomore feature, Tony Manero, on a man obsessed with the idea of impersonating John Travolta.
The rapid adoption of e-newsletters by documentary filmmakers is the latest example of resourcefulness and efficiency among contemporary independents.
A mini-retrospective of the work of Kim Longinotto plays during the Women Make Movies Film Festival at the Roxie.
The release of Woodstock provides an opportunity to look back on Ang Lee and Schamus's very impressive, diverse screen resume.
With in-process Volunteer Nation: Stories of Service, veteran producer-directors Ben Hess and Dan Janos are mobilizing the millennials.
Avoiding Disaster: Festivals are a good way to have your film discovered by distributors, to build buzz and to build an audience—if you're well prepared.
Avoiding Disaster: Festivals are a good way to have your film discovered by distributors, to build buzz and to build an audience—if you're well prepared.
Oakland attorney Richard Lee speaks on the legal case surrounding the Swedish filmmakers of the hot-button documentary Bananas!.
Veteran filmmakers Pablo Trapero and Jia Zhang-ke complicate their genres with Lion's Den and 24 City.
Veteran filmmakers Pablo Trapero and Jia Zhang-ke complicate their genres with Lion's Den and 24 City.
The San Francisco Jewish Film Festival arrives with an expansive program spotlighting the Jewish tradition of social justice and human rights.
During her tenure at the venerable Castro Theatre, film programmer Anita Monga made her mark shepherding the venue to international prominence.
Douglas Fairbanks in The Gaucho is one of the many highlights on screen during the three-day San Francisco Silent Film Festival.
Douglas Fairbanks in The Gaucho is one of the many highlights on screen during the three-day San Francisco Silent Film Festival.
David Weissman speaks on his new project, Heartbreak and Heroism, revisiting the early years of the AIDS outbreak in San Francisco.
Adam Goldstein and Eric Kutner discuss their debut, The Snake, an unapologetically impertinent, made-in-S.F, comedy that marks its creators as resourceful wiseguys.
New Zealand transplant Richard Levien, a longstanding fixture of the San Francisco indie film community, breaks out of the editing room with Immersion.
New Zealand transplant Richard Levien, a longstanding fixture of the San Francisco indie film community, breaks out of the editing room with Immersion.
A festival full of drama finds no more emotional screening than the homophobia-in-sports double bill of Training Rules and Claiming the Title: Gay Olympics on Trial.
In this year's Frameline Fest, as so often in life, it's all about the one(s) that got away.
In this year's Frameline Fest, as so often in life, it's all about the one(s) that got away.
A case could be made that Cary Cronenwett's Maggots and Men isn't just the most unique work in Frameline33, but of any festival all year.
A case could be made that Cary Cronenwett's Maggots and Men isn't just the most unique work in Frameline33, but of any festival all year.
A dose of self-affirmation arrives with Frameline33 (or, if you prefer, the multiple-breath-intake-requiring San Francisco International Lesbian Gay Bisexual Transgender Film Festival.)
Blood-soaked, darkly comic All About Evil has writer-director Joshua Grannell and editor Rick LeCompte on an express-train schedule rare for an independent feature.
Blood-soaked, darkly comic All About Evil has writer-director Joshua Grannell and editor Rick LeCompte on an express-train schedule rare for an independent feature.
Blood-soaked, darkly comic All About Evil has writer-director Joshua Grannell and editor Rick LeCompte on an express-train schedule rare for an independent feature.
Blood-soaked, darkly comic All About Evil has writer-director Joshua Grannell and editor Rick LeCompte on an express-train schedule rare for an independent feature.
At a film festival called Another Hole in the Head, dedicated to sci-fi, horror and fantasy, catastrophic carnage meets comedy more often than not.
The Miller brothers take their memoir-release to the local ballpark.
The Miller brothers take their memoir-release to the local ballpark.
Bruce Goldstein recalls his adventures in film land as he prepares to host the Con Film Festival at the Film Forum in New York.
Bruce Goldstein recalls his adventures in film land as he prepares to host the Con Film Festival at the Film Forum in New York.
Marc Capelle's ode to Westerns and Buddy films as well as noteworthy festival scores.
SFIFF handed out approximately $100,000 and announced the winner San Francisco Film Society/Kenneth Rainin Foundation Filmmaking Grant during its Golden Gate Awards.
SFIFF handed out approximately $100,000 and announced the winner San Francisco Film Society/Kenneth Rainin Foundation Filmmaking Grant during its Golden Gate Awards.
The Lost World, the 1925 silent fantasy
Franny Armstrong's The Age of Stupid is a documentary encased like a time capsule inside a fictive but science-based, frighteningly possible future
Franny Armstrong's The Age of Stupid is a documentary encased like a time capsule inside a fictive but science-based, frighteningly possible future
The Edit Room: How do you keep your audience engaged rather than putting them to sleep?
The 2009 SFIFF has been a launching pad for the numerous Bay Area filmmaker
The Edit Room: How do you keep your audience engaged rather than putting them to sleep?
The 2009 SFIFF has been a launching pad for the numerous Bay Area filmmaker
California Company Town, blends the sights and sounds of the state's economically depressed towns, industrial wastelands and failed utopian communities.
An Evening with Francis Ford Coppola & Friends honored Coppola with the Founder Directing Award and included a moderated discussion with editing/sound design genius Walter Murch, director Carroll Ballard, scenarist-turned-director Matthew Robbins, and George Lucas.
On May Day Eve, Travis Wilkerson performed Proving Ground, probably the first multimedia Leninist rant to have ever graced the Sundance Kabuki.
On May Day Eve, Travis Wilkerson performed Proving Ground, probably the first multimedia Leninist rant to have ever graced the Sundance Kabuki.
The San Francisco Film Society awarded Francis Ford Coppola the Founder & Directing Award this week. Justin Juul offers us five reasons why San Francisco loves Coppola.
The San Francisco Film Society honored Francis Ford Coppola, Carroll Ballard, Robert Redford and James Toback. Coppola surprised the audience by turning over the Founder's Directing Award he received to longtime colleague Carroll Ballard.
Once Upon a Time in the West is grand, cynical, lavish and above all huge, Sergio Leone's penchant for the iconically gargantuan (perhaps at the willing expense of relatable human detail) expressed in ultimate form.
Once Upon a Time in the West is grand, cynical, lavish and above all huge, Sergio Leone's penchant for the iconically gargantuan (perhaps at the willing expense of relatable human detail) expressed in ultimate form.
Robert Redford braves the public and accepts the San Francisco International Film Festival's Peter J. Owens Award.
Lourdes Portillo's partly autobiographical documentary Al Más Allá draws a laugh from the San Francisco International Film Festival crowd.
Robert Redford braves the public and accepts the San Francisco International Film Festival's Peter J. Owens Award.
Lourdes Portillo's partly autobiographical documentary Al Más Allá draws a laugh from the San Francisco International Film Festival crowd.
The Professionals an ambitious array of panels, case studies and discussions, makes its debut as a forum for encouraging Bay Area moviemakers to engage with guests and colleagues.
The Professionals an ambitious array of panels, case studies and discussions, makes its debut as a forum for encouraging Bay Area moviemakers to engage with guests and colleagues.
Marc Capelle meets and greets with actress Gena Rowlands, composer Bo Harwood and other film mavens and mavericks at a post-screening party for Cassavette's A Woman Under the Influence and the Mission Awards
The San Francisco-based and internationally acclaimed documentarian Lourdes Portillo speaks about her work; she wins the 52nd San Francisco International Film Festival Persistence of Vision Award.
The San Francisco-based and internationally acclaimed documentarian Lourdes Portillo speaks about her work; she wins the 52nd San Francisco International Film Festival Persistence of Vision Award.
Chris Felver traces the life of antiauthoritarian Lawrence Ferlinghetti, owner of City Lights Books, from his days as a Navy serviceman in World War II through the landmark First Amendment trial in Ferlinghetti.
City of Borders, the debut film by Bay Area filmmaker Yun Suh, follows several Palestinian characters seeking refuge at a gay bar. The film testifies to the intolerance that members of the LGBTQ community face in addition to all of the other walls, physical and social, separating people in the region.
City of Borders, the debut film by Bay Area filmmaker Yun Suh, follows several Palestinian characters seeking refuge at a gay bar. The film testifies to the intolerance that members of the LGBTQ community face in addition to all of the other walls, physical and social, separating people in the region.
Jarmel and Schneider's Speaking in Tongues follows the stories of four public school children studying Mandarin, Cantonese and Spanish along with their English.
Jarmel and Schneider's Speaking in Tongues follows the stories of four public school children studying Mandarin, Cantonese and Spanish along with their English.
The eight films in the San Francisco International Film Festival's Lightness of Being spotlight are Laila's Birthday, Small Crime, Mid-August Lunch, Every Little Step, (Untitled), In the Loop, Our Beloved Month of August and Still Walking.
The eight films in the San Francisco International Film Festival's Lightness of Being spotlight are Laila's Birthday, Small Crime, Mid-August Lunch, Every Little Step, (Untitled), In the Loop, Our Beloved Month of August and Still Walking.
Peter Bratt's La Mission focuses on conflict within a family and a neighborhood, exploring what happens when a single father named Che learns a secret about his son that tests his love for his family and his community's love for him.
Four independent narratives - La Mission, My Suicide, Everything Strange and New and (Untitled) - are adding to the Bay Area's repertoire, historically regarded as a breeding ground for documentary filmmakers.
Four independent narratives - La Mission, My Suicide, Everything Strange and New and (Untitled) - are adding to the Bay Area's repertoire, historically regarded as a breeding ground for documentary filmmakers.
Local filmmaker Jim Granato, whose movie D tour follows the band Rogue Wave and its ailing drummer Pat Spurgeon, on tour and on dialysis, is competing for the San Francisco International Film Festival's Golden Gate Award in Documentary.
Local filmmaker Jim Granato, whose movie D tour follows the band Rogue Wave and its ailing drummer Pat Spurgeon, on tour and on dialysis, is competing for the San Francisco International Film Festival's Golden Gate Award in Documentary.
Where would cinema be without good, old-fashioned youthfulness? Hence: Youth Bring the Truth, a showcase for promising pre-adult media-makers including several local teenagers from this year's San Francisco International Film Festival.
Where would cinema be without good, old-fashioned youthfulness? Hence: Youth Bring the Truth, a showcase for promising pre-adult media-makers including several local teenagers from this year's San Francisco International Film Festival.
Zac Holtzman scores The Lost World with Dengue Fever, creating a sound that has been described as a psychedelic version of vintage Cambodian rock'n'roll, fueled by Cambodian singer Chhom Nimol's vocal stylings and Ethan Holtzman's organ and accordion shadings.
Local filmmakers Allie Light and Irving Saraf's latest film Empress Hotel delves into the lives of the residents at the titular building, a Tenderloin housing facility for the recently homeless. The film makes visible an area many city dwellers may only experience in the fringe of their consciousness and provides insight into the lives of the residents within.
If it grows darker than one might expect, Observe still hesitates at becoming a true black comedy; it's more medium-gray, earning stripes for breaking from current comedy norms on a moment-to-moment basis without quite arriving at an original, fully-developed whole. But Hill has a good eye, ear (the soundtrack choices are notably sharp), sense of off-kilter pacing, and, most importantly, a firm grasp on character.
Jennifer Maytorena Taylor's documentary, New Muslim Cool, focuses on Hamza Perez, a Catholic hip hop artist, who converted to Islam; whose life is now a crucible of disparate urban influences.
Jennifer Maytorena Taylor's documentary, New Muslim Cool, focuses on Hamza Perez, a Catholic hip hop artist, who converted to Islam; whose life is now a crucible of disparate urban influences.
The two weeks of programs offers 151 films from 55 countries, awards and prices, and a wide array of San Francisco talent, from legendary names to the fledgling artists.
The two weeks of programs offers 151 films from 55 countries, awards and prices, and a wide array of San Francisco talent, from legendary names to the fledgling artists.
Michael Jacobs talks about his documentary, which follows Pentecostal Pastor Richard Gazowsky engaged in the creation of an ambitious, multi-million dollar sci-fi-feature on God.
This year, the festival feels like it has truly arrived as an internationally recognized platform for cross-Pacific cinematic exchange, in this disparate cross-section of films from home, abroad and places in between.
This year, the festival feels like it has truly arrived as an internationally recognized platform for cross-Pacific cinematic exchange, in this disparate cross-section of films from home, abroad and places in between.
Co-directors Senain Kheshgi and Geeta V. Patel, two American friends with family ties to opposite sides of the conflict, went to Kashmir together to see what they could learn–and what the rest of us could.
Holly Million reviews some of the documentaries shown at this year's festival: It Came >From Kuchar, MIne and Motherland.
The retrospective offers fascinating, if not always exemplary, viewing of what could be called a cinema of disaster: characters face the worst, or are living in its aftermath, and like the audience, they are provided with no easy answers.
H.P. Mendoza talks about being a filmmaker in the Bay Area and the opening of his last musical, where he is both director and composer of the film 19 original songs.
Barry Jenkins talks abut his background, making movies in San Francisco and the issues of black identity, assimilation and gentrification, which are at the heart of his film.
Barry Jenkins talks abut his background, making movies in San Francisco and the issues of black identity, assimilation and gentrification, which are at the heart of his film.
For many narrative filmmakers, hiring a lawyer is either an afterthought or not a financial reality, but moving forward with a film without considering legal is a huge mistake.
What you'll get at Cinequest's three downtown San Jose venues is a mix of tributes, seminars, parties and, of course, a whole lot of movies, including no fewer than 18 world premiere features.
About as far from the ever-increasing corporatization of popular music as you can get is the annual dose from the Noise Pop Festival.
About as far from the ever-increasing corporatization of popular music as you can get is the annual dose from the Noise Pop Festival.
This "dramatized documentary" was a labor of love–if also a graphic portrayal of the vast LA detached from Hollywood's success-bubble glamour.
The S.F. Silent Film Festival's Winter Event allows you to spend hours in the dark with the madcap movie entertainments of 80-plus years ago.
Davies' latest film recalls his earlier autobiographical narratives, but is also unlike anything he has done before, being nonfiction.
With a roster that sprawls from horror to softcore to verite-style drama and documentary, the only constant is that you won't be bored.
On January 24 the San Francisco film and arts community lost Ave Montague, who was well known for her hard work, creativity and passion for the arts.
On January 24 the San Francisco film and arts community lost Ave Montague, who was well known for her hard work, creativity and passion for the arts.
Oscar-nominated cinematographer César Charlone recently codirected his first theatrical feature film, a darkly comic farce about Pope John Paul II.
Oscar-nominated cinematographer César Charlone recently codirected his first theatrical feature film, a darkly comic farce about Pope John Paul II.
Susie Gerhard gives an overview of a festival moving back to the basics of art-making.
Susie Gerhard gives an overview of a festival moving back to the basics of art-making.
Michael Fox looks behind the scenes of a film on the maverick Seattle composer-performer-inventor Trimpin.
Susan Gerhard blogs on what is strange and new about watching movies in these particular mountains.
Susan Gerhard blogs on what is strange and new about watching movies in these particular mountains.
Susan Gerhard reports on film and physique highlights at Sundance 2009.
SF360.org spoke with Eddie Muller, who launched Noir City, an annual noir festival that has attracted an avid following in the Bay Area and beyond.
Hilary Hart blogs her 14th year at Sundance, back on the midnight shift at the Egyptian Theatre.
SF360.org spoke with Eddie Muller, who launched Noir City, an annual noir festival that has attracted an avid following in the Bay Area and beyond.
Hilary Hart blogs her 14th year at Sundance, back on the midnight shift at the Egyptian Theatre.
Wenders, one of the stellar directors of "New German Cinema," is this year's honoree at the 14th annual Berlin & Beyond festival.
Levy offers thoughts on the program she's presenting at Sundance and what's being called the "New Documentary Movement."
Certain questions in 2008 endlessly plagued the film world, leading to outlandish predictions, flame-war mayhem and an outbreak of opinionated public speaking.
Waltz with Bashir is another animated feature that embraces a more grown-up story and audience than anything in the long history of "cartoons."
Bay Area filmmakers, critics and industry pros list their favorite unreleased films of 2008.
Tom E. Brown talks about producing and funding Pushing Dead, a film about an HIV-positive writer forced to give up his daily drug regimen.
Bay Area filmmakers represented at Sundance.
Bay Area filmmakers represented at Sundance.
Québec's thriving regional cinema is showcased in San Francisco Film Society's latest mini-festival addition to the annual Bay Area movie calendar.
Québec's thriving regional cinema is showcased in San Francisco Film Society's latest mini-festival addition to the annual Bay Area movie calendar.
Frameline's new executive director discusses his non-profit background and graduate school pipe dream of being a novelist.
Frameline's new executive director discusses his non-profit background and graduate school pipe dream of being a novelist.
Michael Fox chats with Gus Van Sant and screenwriter Dustin Lance Black on the eve of Milk's much-anticipated theatrical release.
If, in the ol' days, they were called "'toons," these days, some heavy-duty words are required to express the strength and breadth of contemporary animation.
A director who lives in both Switzerland and New York leads a Swiss-German coproduction about two women from former Yugoslavian territories who meet in Zurich.
In its 12th season, the country's first and largest independent exhibitor of Arab cinema has gotten to be one of the bigger small fests in the Bay Area.
In its 12th season, the country's first and largest independent exhibitor of Arab cinema has gotten to be one of the bigger small fests in the Bay Area.
Hammer discusses his debut feature premiered at Sundance to resounding critical fanfare, winning prizes for best director and cinematography.
The extreme, the strange, the silly and surreal all have big seats at the SF DocFest table.
Epstein and Friedman bring a poem to the screen, while a South Bay director goes Russian.
We sat down with Michel Shehadeh, who joined the festival earlier this year, for a wide-ranging interview on Arab film.
We sat down with Michel Shehadeh, who joined the festival earlier this year, for a wide-ranging interview on Arab film.
Andy Abrahams Wilson talks about Under Our Skin, his elegantly crafted film on the underreported epidemic of Lyme disease.
Avoiding Disaster: George Rush offers tips on bridging the worlds of creativity and business.
Marilyn Mulford collaborated with Quique Cruz on the pensive, humanistic, and inspiring Archaeology of Memory: Villa Grimaldi.
The SFFS has added a Gallic counterpart to its long-running New Italian Cinema series.
Those inclined toward healthy doses of sleaze, gore, and retro-shlock can rejoice that it's time for the second annual edition of Dead Channels.
Religulous is a desperately awaited and already vehemently decried film by Bill Maher and director Larry Charles.
Religulous is a desperately awaited and already vehemently decried film by Bill Maher and director Larry Charles.
The Sixth Screen: Here are some browser-based legal zones for free online feature film viewing pleasure. No installation required.
The seventh San Francisco International Documentary Film Festival has the potential to be every bit as raucous as the other festivals under the organization's umbrella.
Whether you dig jazz or not, O'Day's charisma and story make this movie riveting.
"Horror films can hold a lot of crazy ideas and political ideas and no one blinks," says Pig Hunt writer and producer Robert Mailer Anderson, "and that serves our purposes."
"Horror films can hold a lot of crazy ideas and political ideas and no one blinks," says Pig Hunt writer and producer Robert Mailer Anderson, "and that serves our purposes."
What do women want to watch? With Diane English’s recent unfunny and product placement-filled re-make of The Women hitting theaters last week, Hollywood’s answer, predictably, is more of the same.
What do women want to watch? With Diane English’s recent unfunny and product placement-filled re-make of The Women hitting theaters last week, Hollywood’s answer, predictably, is more of the same.
Every year, people grumble. Every year, someone points out how much worse it is than before. And every year, there are films that pull everyone out of the doldrums and guarantee it all continues. Welcome to this season’s Toronto International Film Festival.
Every year, people grumble. Every year, someone points out how much worse it is than before. And every year, there are films that pull everyone out of the doldrums and guarantee it all continues. Welcome to this season’s Toronto International Film Festival.
This year's Mill Valley Film Festival shows healthy signs of life for the independent film business.
This year's Mill Valley Film Festival shows healthy signs of life for the independent film business.
When Wind Man appeared on the SFFS Screen at the Sundance Kabuki Cinemas' schedule, moral crisis ensued.
Scott Crocker's documentary brings the truth behind the "Lord God" bird phenomenon out of the bushes.
Scott Crocker's documentary brings the truth behind the "Lord God" bird phenomenon out of the bushes.
I confess that for a long while I had the misperception, based on almost no exposure to his work, that French essayist Chris Marker made dense, dry films steeped in political theory and inaccessible to anyone but a narrow strata of irrelevant European intellectuals.
A Telluride veteran gives a festival overview, and explains why film lovers and filmmakers travel to a remote corner of Colorado on blind faith.
A Telluride veteran gives a festival overview, and explains why film lovers and filmmakers travel to a remote corner of Colorado on blind faith.
SF360.org asked this veteran indie auteur for his thoughts, which he gamely and intelligently offers here.
Film Arts Foundation, a nonprofit organization formed by 15 independent filmmakers in 1976, joins forces with SFFS.
Film Arts Foundation, a nonprofit organization formed by 15 independent filmmakers in 1976, joins forces with SFFS.
SF360.org talks to the senior director of original programming at Link TV, which provides an antidote to the standard television news mix.
Sharma might never have made his film had he not felt guilty about causing unhappiness to his dying mother by telling her he was homosexual.
SF360.org asked Bay Area filmmaker Elizabeth Farnsworth about her film, which follows Judge Juan Guzmán as he investigates General Pinochet's crimes.
SF360.org asked Bay Area filmmaker Elizabeth Farnsworth about her film, which follows Judge Juan Guzmán as he investigates General Pinochet's crimes.
A film from 1961, The Exiles is a long-in-making unvarnished look at 12 hours in the lives of a group of American Indians who have come to Los Angeles.
Andrea Kreuzhage speaks about her documentary, 1000 Journals, which raises a host of fascinating questions about creativity, collaboration, community, and communication.
The 60th birthday of Israel is recognized in the festival via a slew of films examining the country from various perspectives, films that fight over how to tell the story.
Programmers for the San Francisco Jewish Film Festival, Peter Stein and Nancy Fishman, speak about never taking the path of least resistance.
Programmers for the San Francisco Jewish Film Festival, Peter Stein and Nancy Fishman, speak about never taking the path of least resistance.
On curating the Robert Flaherty Film Seminar, a social Petri dish that annually brings together a different programmer, a captive and engaged audience, and filmmakers.
A Listener's Tale is a lovely if unclassifiable mixture of ethnography and poetic reverie which screened at last winter's Rotterdam Film Festival.
French author and director Catherine Breillat speaks about the fierce passion play of her latest, The Last Mistress.
French author and director Catherine Breillat speaks about the fierce passion play of her latest, The Last Mistress.
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
Critic's notebook: Marriage changes everything at the San Francisco International LGBT Film Festival.
Critic's notebook: Marriage changes everything at the San Francisco International LGBT Film Festival.
SF360.org sits down with director Alex Gibney, whose film, Gonzo: The Life and Work of Dr. Hunter S. Thompson played at the 51st SFIFF.
A documentary tribute to Derek Jarman, Isaac Julien's Derek does not seek to enlarge or complicate the filmmaker's legacy so much as succor its loss.
Critic Dennis Harvey reviews select films screened at the 32nd San Francisco International LGBT Film Festival.
Critic Dennis Harvey reviews select films screened at the 32nd San Francisco International LGBT Film Festival.
SF360 caught up with Ruby Yang during a recent Bay Area visit to discuss her "latest and most lyrical film yet," A Double Life.
A look at the films in the 32nd San Francisco International LGBT FIlm Festival indicates the rise of Argentina's new wave.
Dennis Harvey covers the first week of low-budget geeks, weirdos and gore on display at the Another Hole in the Head Festival.
Strand Releasing President Marcus Hu speaks with Frameline Artistic Director Lumpkin about Frameline, queer cinema and the future of this niche festival.]
Strand Releasing President Marcus Hu speaks with Frameline Artistic Director Lumpkin about Frameline, queer cinema and the future of this niche festival.]
Michael Lumpkin's mini-retrospective of features that highlight some personal favorites that made waves at the Frameline Festival (and sometimes in the larger cinematic world).
Michael Lumpkin's mini-retrospective of features that highlight some personal favorites that made waves at the Frameline Festival (and sometimes in the larger cinematic world).
The SF Film Society is optimistic that its year-round screen at the Sundance Kabuki will contribute to the spectrum of films in Bay Area theaters.
Filmmaker Yung Chang talks about 'Up the Yangtze,' his superb documentary that examines the surreal changes in China around the controversial Three Gorges Dam.
The Hole Head Festival takes audiences back to terrifying locales and dangerous situations that should be pleasantly familiar to horror aficionados.
In 2008 the San Francisco Black Film Festival marks its 10th anniversary with the most expansive program yet, flagging the theme "10 Years, 10 Days, 100 Films."
In 2008 the San Francisco Black Film Festival marks its 10th anniversary with the most expansive program yet, flagging the theme "10 Years, 10 Days, 100 Films."
Katznelson, a co-founder of the Dawn festival at the Contemporary Jewish Museum, sat down to talk about Judaism, culture, film and the festival.
Katznelson, a co-founder of the Dawn festival at the Contemporary Jewish Museum, sat down to talk about Judaism, culture, film and the festival.
Looking for something meaningful to do Sunday at 2 a.m.? Try the all-night Dawn festival.
Composer Erling Wold's solo chamber opera enjoys a thrillingly intimate world premiere this week under the banner of the San Francisco International Arts Festival.
In addition to bringing a host of worldwide performers to the Bay Area for the first time, the San Francisco International Arts Festival (May 2-June 8), now in its fifth year, has become an indispensable showcase for collaborative work by leading Bay Area artists and their peers across all manner of geographical, cultural and disciplinary borders. The more than 40 performances in this year’s lineup, taking place at 14 separate venues across the city and in Berkeley, span the worlds of dance, music, opera, theater, visual arts and multidisciplinary work. The following four highlights are all hybrid productions with strong film and/or video components.
The historic Castro Theatre, its marquee recently revamped for the Milk biopic shoot, hosted Frameline's announcement of its 2008 festival.
The historic Castro Theatre, its marquee recently revamped for the Milk biopic shoot, hosted Frameline's announcement of its 2008 festival.
When The English Surgeon had its U.S. premiere at the SFIFF this month, Geoffrey Smith and Henry Marsh received a standing ovation.
Rivera's debut centers on a young man grappling with a technological future in which neural implants, telerobotics and ubiquitous computing serve a global economy.
Rivera's debut centers on a young man grappling with a technological future in which neural implants, telerobotics and ubiquitous computing serve a global economy.
Joan Didion famously said, "We tell ourselves stories in order to live." We've internalized the American narrative of Abu Ghraib and accepted its implications.
As an Asian film fan, it's a miracle I keep my day job at this time of year.
As an Asian film fan, it's a miracle I keep my day job at this time of year.
"There are no movies without music," Kevin Kelly asserted last Saturday in his State of Cinema address.
Food scents and film sensibilities mingled in a pungent party atmosphere at the California Culinary Academy.
The final installment in the San Francisco composer and musician's blog from the 2008 SFIFF.
Back to music.
I have some friends that were in a Sub Pop band that pre-dated Nirvana. They were known as the Dwarves. Their music is and was a snotty suburban unholy mixture of the Sonics, the Orlons, the Stooges and a vat of amphetamines. Their record covers usually featured midgets and half-naked woman covered in either blood or some sort of Nestle syrup of some sort. Here is one of their lines.
[Editor’s note: For the San Francisco Internationals 51st edition, SF360.org has asked Bay Area musician/composer/cineaste Marc Capelle to blog his thoughts on movies, music, and the films showing in the Festival. This is the third of three installments.]
The second installment of Alex Gibney's interview about Gonzo: The Life and Work of Dr. Hunter S. Thompson, which closes the San Francisco International Film Festival.
The second installment of Alex Gibney's interview about Gonzo: The Life and Work of Dr. Hunter S. Thompson, which closes the San Francisco International Film Festival.
The Jules Feiffer quote at the bottom of festival superfan Sue Jean Halvorsen's email reads, "Movies are better than real life."
The Jules Feiffer quote at the bottom of festival superfan Sue Jean Halvorsen's email reads, "Movies are better than real life."
Warren Beatty on the sexual and political message of Shampoo and a new film in the works about romantic revolutionary journalist John Reed.
You know a festival is working its way into your brain when, in a landscape of intersecting ideas, you begin to witness the collisions.
You know a festival is working its way into your brain when, in a landscape of intersecting ideas, you begin to witness the collisions.
Errol Morris has a giant brain. Anybody who wants to argue against that thesis does not have a giant brain. So let's move on.
Joan Didion famously said, "We tell ourselves stories in order to live." We have internalized the narrative of Abu Ghraib and accepted its implications.
Glass: A Portrait of Philip in Twelve Parts is a very close-quartered and loving documentary, a year in the life of the composer.
Glass: A Portrait of Philip in Twelve Parts is a very close-quartered and loving documentary, a year in the life of the composer.
SF Film Society’s Founder’s Directing Award winner Mike Leigh's work has created a distinctive insider’s portrait of working-to-middle class English life.
The longtime Bay Area resident, who recently relocated to Brooklyn, screens Woodward's Gardens in the shorts program "In A Lonely Place: New Experimental Cinema."
The longtime Bay Area resident, who recently relocated to Brooklyn, screens Woodward's Gardens in the shorts program "In A Lonely Place: New Experimental Cinema."
Medicine for Melancholy is a graceful and poignant film about fleeting urban connections, black identity and invisibility, cultural adventures and this gentrified city's lost soul.
Medicine for Melancholy is a graceful and poignant film about fleeting urban connections, black identity and invisibility, cultural adventures and this gentrified city's lost soul.
A self-described "cultural archeologist," the noir expert's debut short, The Grand Inquisitor, pays homage to the Dashiell Hammett-style detective story.
A self-described "cultural archeologist," the noir expert's debut short, The Grand Inquisitor, pays homage to the Dashiell Hammett-style detective story.
The star of My Name Is Earl is (alongside Grindhouse superstarlet Rose McGowan) the recipient of this year's SFIFF Midnight Award.
Motherhood has supposedly had a slowing-down effect on Asia Argento, though at present evidence points rather wildly to the contrary. Not only does she star in this week’s San Francisco International Film Festival official opener, Catherine Breillat’s costume intrigue The Last Mistress, she also figures heavily in two other SFIFF features. Both are programmed in the culty "Late Show" section: Go Go Tales, Abel Ferrara’s most acclaimed film in years, and The Mother of Tears, a latest horror opus directed by her own fan-idolized gorehound dad Dario Argento. A couple weeks ago yet another vehicle opened commercially, Olivier Assayas’ Boarding Gate, which is entirely dominated by her feverish and highly physical performance.
Conventional logic might suggest all this visibility means it’s "breakthrough" time for Asia Argento, that moment when an actor goes from being a familiar face to a marquee name that can singlehandedly draw folks into the multiplex, or at least the arthouse. (In Europe she’s already quite well-known.) But as her project choices among other things bear out, Argento probably isn’t very interested in becoming a "star" in the conventional sense. In fact, she seems the girl most likely to run from any such fate.
Motherhood has supposedly had a slowing-down effect on Asia Argento, though at present evidence points rather wildly to the contrary. Not only does she star in this week’s San Francisco International Film Festival official opener, Catherine Breillat’s costume intrigue The Last Mistress, she also figures heavily in two other SFIFF features. Both are programmed in the culty "Late Show" section: Go Go Tales, Abel Ferrara’s most acclaimed film in years, and The Mother of Tears, a latest horror opus directed by her own fan-idolized gorehound dad Dario Argento. A couple weeks ago yet another vehicle opened commercially, Olivier Assayas’ Boarding Gate, which is entirely dominated by her feverish and highly physical performance.
Conventional logic might suggest all this visibility means it’s "breakthrough" time for Asia Argento, that moment when an actor goes from being a familiar face to a marquee name that can singlehandedly draw folks into the multiplex, or at least the arthouse. (In Europe she’s already quite well-known.) But as her project choices among other things bear out, Argento probably isn’t very interested in becoming a "star" in the conventional sense. In fact, she seems the girl most likely to run from any such fate.
Think of it as The Sound of Music meets Quest for Fire, or Jesus Christ Superstar rocks Land of the Lost.
The Mission filmmaker has slaved in the underground for some three decades, a guide and shaman for other artists working on the fringes.
Touching Home by Bay Area-raised identical twins Logan and Noah Miller is a largely autobiographical coming-of-age film that radiates sincerity.
Touching Home by Bay Area-raised identical twins Logan and Noah Miller is a largely autobiographical coming-of-age film that radiates sincerity.
Dawn Logsdon and Lolis Eric Elie dig through the rubble of Hurricane Katrina to tell the story of Faubourg TremŽ, which was home to African Americans and fertile ground for political activism, music and literary life.
Dawn Logsdon and Lolis Eric Elie dig through the rubble of Hurricane Katrina to tell the story of Faubourg TremŽ, which was home to African Americans and fertile ground for political activism, music and literary life.
If making a movie about one’s family could be equated with a fire-walk in August, then making a documentary about one’s partner’s family might be akin to a midsummer sauna. Yet veteran L.A. filmmaker Renee Tajima-Pe–a (Who Killed Vincent Chin?) signed on to a road trip with her husband from L.A. to Washington state to Texas in search of "la verdad" about the father that abandoned Armando’s mother Rosa and his six brothers several decades ago. An intimate and elegantly crafted work of cinema verita, Calavera Highway encompasses universal familial tensions, Mexican-American identity, the responsibilities of fathers (and sons) and the psychic malleability of map-drawn borders.
Tajima-Pe–a, who’s an associate professor at UC Santa Cruz, will receive the Golden Gate Award for long-form television documentary at the S.F. International Film Festival, where Calavera Highway screens three times in early May. Via email, she talked about searching for "Calaveras" hidden in closets and elsewhere.
If making a movie about one’s family could be equated with a fire-walk in August, then making a documentary about one’s partner’s family might be akin to a midsummer sauna. Yet veteran L.A. filmmaker Renee Tajima-Pe–a (Who Killed Vincent Chin?) signed on to a road trip with her husband from L.A. to Washington state to Texas in search of "la verdad" about the father that abandoned Armando’s mother Rosa and his six brothers several decades ago. An intimate and elegantly crafted work of cinema verita, Calavera Highway encompasses universal familial tensions, Mexican-American identity, the responsibilities of fathers (and sons) and the psychic malleability of map-drawn borders.
Tajima-Pe–a, who’s an associate professor at UC Santa Cruz, will receive the Golden Gate Award for long-form television documentary at the S.F. International Film Festival, where Calavera Highway screens three times in early May. Via email, she talked about searching for "Calaveras" hidden in closets and elsewhere.
East Bay filmmaker Johnny Symons' documentary "Ask Not" moves beyond stereotypes to examine what experience is really like for gays and lesbians in the military.
Cachao: Uno Mas documents acclaimed bassist and cuban music innovator Israel "Cachao" Lopez's work and San Francisco concert at Bimbo's
Cachao: Uno Mas documents acclaimed bassist and cuban music innovator Israel "Cachao" Lopez's work and San Francisco concert at Bimbo's
The Sonoma Valley Film Festival has gone to great lengths to enfold the event in its culinary surroundings. Complimentary food tastings will be offered before every single screening.
The Sonoma Valley Film Festival has gone to great lengths to enfold the event in its culinary surroundings. Complimentary food tastings will be offered before every single screening.
The fifth annual EarthDance Short-Attention-Span Environmental Film Festival screens a juried compilation of 20 short films in two 90-minute installments.
The fifth annual EarthDance Short-Attention-Span Environmental Film Festival screens a juried compilation of 20 short films in two 90-minute installments.
The SFIFF announced its 2008 program and the June 13 launch of its year-round programming on one screen at the Sundance Kabuki
The SFIFF announced its 2008 program and the June 13 launch of its year-round programming on one screen at the Sundance Kabuki
First-time writer/director Jeff Nichols discusses the inspiration behind Shotgun Stories, the initial hurdles in making the film, and the noble nature of his characters.
Writer/director Jonah Markowitz's Shelter is a romantic gay surfer that more than earns its spurs in terms of real-world credibility and psychology.
Two top winners at the SFIAAFF focused on breakadancing, an art form taken up with vengeance by Asians, with Koran teams a particularly dominant force.
Outgoing SFIAAFF's Associate Director reflects on what made him happy during his last year of work.
Outgoing SFIAAFF's Associate Director reflects on what made him happy during his last year of work.
SFIAAFF has grown from a niche event to a major international festival - with more than enough voices to justify its unwieldy moniker.
Filipino Director Brillante Mendoza discusses his aesthetic: a basic approach that resists facade and pretense and desires to depict to things as they really are.
Filipino Director Brillante Mendoza discusses his aesthetic: a basic approach that resists facade and pretense and desires to depict to things as they really are.
Longtime San Francisco Chronicle film critic Judy Stone offers her top ten picks from the 2008 San Francisco International Asian American Film Festival.
The 26th annual SFIAAFF plays in San Francisco, Berkeley and San Jose, and kicks off with Wayne Wang's A Thousand Years of Good Prayers.
The 26th annual SFIAAFF plays in San Francisco, Berkeley and San Jose, and kicks off with Wayne Wang's A Thousand Years of Good Prayers.
A "discovery" festival from Day OneÑmeaning they premiere a lot of films, including many other fests might pass overÑSan Jose's Cinequest actually adopted "Discover" as motto for its 16th year.
A "discovery" festival from Day OneÑmeaning they premiere a lot of films, including many other fests might pass overÑSan Jose's Cinequest actually adopted "Discover" as motto for its 16th year.
San Francisco Irish Film Festival begins this Wednesday at the Roxie with a slate of narratives and documentaries imbued with Ireland's particularly unique sense of time and place
San Francisco Irish Film Festival begins this Wednesday at the Roxie with a slate of narratives and documentaries imbued with Ireland's particularly unique sense of time and place
In addition to practically every extant band you’d want to see, an art exhibit, and comedy shows, there are movies at Noise Pop.
Despite the blanket of financial and technical doom constantly smothering Independent Filmdom, Indiefest serves as a satisfying reminder that great indie film isn't going anywhere.
Despite the blanket of financial and technical doom constantly smothering Independent Filmdom, Indiefest serves as a satisfying reminder that great indie film isn't going anywhere.
Underneath The Band's Visit's poignant humor, the film subtly reflects the director's attempt to comprehend Israel's pull between the Middle East and the West.
Way back in 1998, Jeff Ross founded the San Francisco Independent Film Festival to showcase iconoclastic, grassroots moviemakers locked out of the standard channels of distribution. As the 10th SF Indiefest kicks off tonight, Ross and his rotating cast of programmers remain as idealistic as ever, but the indie landscape has largely changed for the worse.
Way back in 1998, Jeff Ross founded the San Francisco Independent Film Festival to showcase iconoclastic, grassroots moviemakers locked out of the standard channels of distribution. As the 10th SF Indiefest kicks off tonight, Ross and his rotating cast of programmers remain as idealistic as ever, but the indie landscape has largely changed for the worse.
The first-time filmmaker managed to build, for under half a million dollars, a relatable story and characters with substance rarely seen in mainstream film.
The first-time filmmaker managed to build, for under half a million dollars, a relatable story and characters with substance rarely seen in mainstream film.
Susan Gerhard reflects on Sundance's program with particular attention to sense of place.
Alan K. Rode, a cofounder of the Film Noir Foundation, sang the praises of San Francisco movie audiences on the horn from L.A., then got down to brass tacks.
Alan K. Rode, a cofounder of the Film Noir Foundation, sang the praises of San Francisco movie audiences on the horn from L.A., then got down to brass tacks.
At Sundance 2008, a swath of features, docs, installations, and projected art shared similar socio-political concerns, which they grappled with via well-honed aesthetic filters.
At Sundance 2008, a swath of features, docs, installations, and projected art shared similar socio-political concerns, which they grappled with via well-honed aesthetic filters.
Noir City 6 offers a spread of special guests, rare titles, and newly struck prints across ten nights of double-features.
A reprinting of an interview with Amanda Micheli because her film, now playing Sundance, has just made the final cut for an Academy Award.
Galison, whose film is competing at Sundance '08, answers questions about the world of hidden national security policy.
Galison, whose film is competing at Sundance '08, answers questions about the world of hidden national security policy.
Mitchell Lichtenstein's directorial debut has made Jess Weixler the newest "it girl" on the indie scene.
As filmmakers, fans, and skiers get zipped up to head off to Parka City for the annual Sundance Festival this week, SF360.org checked in with Gail Silva.
As filmmakers, fans, and skiers get zipped up to head off to Parka City for the annual Sundance Festival this week, SF360.org checked in with Gail Silva.
The Goethe-Institut's festival offers a pointed reminder that Germany, Austria and Switzerland aren't just in the center of Europe, but in the middle of international cinema.
The Sundance feature follows a 70-year-old novelist trying to complete the book he's been working on for the last 10 years.
The Sundance feature follows a 70-year-old novelist trying to complete the book he's been working on for the last 10 years.
Somewhere between iPhone and YouTube there’s a wee festival known as miniPAH. A more slender version of PAH-FEST, the touring weeklong digital film festival founded a year and a half ago by filmmaker Christopher Coppola, “miniPAH: San Francisco” happens this weekend at Coppola’s alma mater, San Francisco Art Institute, ahead of a full-fledged Bay Area PAH sometime next year.
Somewhere between iPhone and YouTube there’s a wee festival known as miniPAH. A more slender version of PAH-FEST, the touring weeklong digital film festival founded a year and a half ago by filmmaker Christopher Coppola, “miniPAH: San Francisco” happens this weekend at Coppola’s alma mater, San Francisco Art Institute, ahead of a full-fledged Bay Area PAH sometime next year.
"I suddenly found myself surrounded by a group of 15 little [Cambodian] girls aggressively soliciting me for prostitution," Guy Jacobson told a MVFF audience.
"I suddenly found myself surrounded by a group of 15 little [Cambodian] girls aggressively soliciting me for prostitution," Guy Jacobson told a MVFF audience.
Midnites for Maniacs unearths populist yet esoteric genre and exploitation flicks that have mostly disappeared into the netherworld of discarded VHS rental tapes.
The List: A commentary-filled list of the lineup at the silent film festival, which consists of three separate programs and an evening mixer with live music.
The List: A commentary-filled list of the lineup at the silent film festival, which consists of three separate programs and an evening mixer with live music.
The entire Bay Area is invited to watch a film simultaneously in the comfort of home, and the selection is a delicate and heartfelt depiction of the director's autistic sister.
U.S.-Cambodian co-production Holly might easily have gone straight to DVD, which would be a pity because it's well worth rushing to the theatre for.
The S.F. International Animation Festival experienced a major bounce, with a number of sold-out shows in its venue at the Embarcadero Center Cinema.
The S.F. International Animation Festival experienced a major bounce, with a number of sold-out shows in its venue at the Embarcadero Center Cinema.
In the wake of Mexican cinema's triumphant showing at the 2007 Oscars, these films serve to confirm how some of the biggest surprises can come from the shortest of distances.
In the wake of Mexican cinema's triumphant showing at the 2007 Oscars, these films serve to confirm how some of the biggest surprises can come from the shortest of distances.
SFFS programmer Sean Uyehara gives some perspective on the shifting dimensions of animated filmmaking.
SFFS programmer Sean Uyehara gives some perspective on the shifting dimensions of animated filmmaking.
This festival is home to an array of talent that promotes Indians in roles other than that of Indians, in movies other than westerns.
This festival is home to an array of talent that promotes Indians in roles other than that of Indians, in movies other than westerns.
The Arab Film Festival, now in its 11th year, is featuring not just 80 movies from 13 countries, but is also including screenings in LA, a first for a Bay Area-based fest.
The Arab Film Festival, now in its 11th year, is featuring not just 80 movies from 13 countries, but is also including screenings in LA, a first for a Bay Area-based fest.
Mill Valley retains its genuinely alterna-vibe and local (rather than professional outta-towner) audience after 30 years.
Mill Valley retains its genuinely alterna-vibe and local (rather than professional outta-towner) audience after 30 years.
SF360.org caught up with the filmmaker, who has been extraordinarily prolific since abandoning celluloid for the lighter, cheaper, more flexible digital realm.
SF360.org caught up with the filmmaker, who has been extraordinarily prolific since abandoning celluloid for the lighter, cheaper, more flexible digital realm.
The Mill Valley Film Festival turns 30 years young this year, sporting none of the girth and wobbly ankles suffered by other way-out-west fests that began life in 1978.
The Mill Valley Film Festival turns 30 years young this year, sporting none of the girth and wobbly ankles suffered by other way-out-west fests that began life in 1978.
SF360.org spoke with Robert Ogden Barnum on guiding four future pop stars onto the big screen in Antonia and his new distribution company.
Reality, generally considered over-rated by the moving-going public, is the unapologetic core of SF DocFest.
As the Madcat Women's International Film Festival heads into its final stretch this coming week in San Francisco, SF360.org felt it was important to catch up with its chief curator, Ariella Ben-Dov.
As the Madcat Women's International Film Festival heads into its final stretch this coming week in San Francisco, SF360.org felt it was important to catch up with its chief curator, Ariella Ben-Dov.
Does Tomo Uchida, whose retrospective is currently at the PFA, merit the same sort of reverent revival treatment that has been given many times over to other Japanese filmmakers of his generation?
Here are a few quick takes on programs that look particularly worthwhile at Madcat.
Michael Fox interviews director and Mission District icon George Kuchar
Michael Fox interviews director and Mission District icon George Kuchar
Lucy Gray reports from the 35th Telluride Film Festival.
Lucy Gray reports from the 35th Telluride Film Festival.
An intimate four-day buffet of tributes, premieres, restorations, and revivals laid out in the Colorado mountains, Telluride is an oasis for film lovers.
An intimate four-day buffet of tributes, premieres, restorations, and revivals laid out in the Colorado mountains, Telluride is an oasis for film lovers.
A conversation with Joshua Grannel, a.k.a. Peaches Christ, founder and host of camp/cult-fest extravaganza Midnight Mass.
A conversation with Joshua Grannel, a.k.a. Peaches Christ, founder and host of camp/cult-fest extravaganza Midnight Mass.
A conversation with the Oscar-nominated Jeffrey Blitz (Spellbound) on his new feature, which screened at the S.F. International Film Festival.
Fletcher explains what will hopefully be an annual event that encompasses all kinds of worldwide cult-skewing fun.
Fletcher explains what will hopefully be an annual event that encompasses all kinds of worldwide cult-skewing fun.
SF360.org talks to Marc Huestis, who exhibits a playful flair to his showmanship, putting the "imp" back in impresario.
SF360.org talks to Marc Huestis, who exhibits a playful flair to his showmanship, putting the "imp" back in impresario.
Elegant screen sartorial highs and garishly campy lows alike will be well-represented in an eight-day series on fashion at the Castro.
The '05 feature imagines a 21-year-old Indian American returning to India to visit her family and discover where she was born.
The List: San Francisco Jewish Film Festival is showing five great films that showcase the moxie and smart fighting style of Jewish boxers, both old and new.
Savvy moviegoers outside the target demographic have learned to scout the niche fests' programs for films that premiered to raves at Berlin or Cannes.
Savvy moviegoers outside the target demographic have learned to scout the niche fests' programs for films that premiered to raves at Berlin or Cannes.
The List: Frozen Film Festival is a small festival that hopes to capitalize on the fact that San Franciscans like to stay indoors in the summer.
The List: Frozen Film Festival is a small festival that hopes to capitalize on the fact that San Franciscans like to stay indoors in the summer.
George Ratliff talks about his first feature narrative Joshua, described by Sundance as a "horror story disguised as a sophisticated family drama."
George Ratliff talks about his first feature narrative Joshua, described by Sundance as a "horror story disguised as a sophisticated family drama."
Stacey Wisnia has been a vibrant fixture in the San Francisco film scene for years and has became the Executive Director of the San Francisco Silent Film Festival,
Stacey Wisnia has been a vibrant fixture in the San Francisco film scene for years and has became the Executive Director of the San Francisco Silent Film Festival,
"People in this town are coming to realize that Los Angeles needs a world-class film festival," proclaimed Rich Raddon, who's led LAFF since 1999.
"People in this town are coming to realize that Los Angeles needs a world-class film festival," proclaimed Rich Raddon, who's led LAFF since 1999.
Review: startling portraits Claude Cahun, her half-sister and lover Marcel Moore took of themselves and each other dressed in a variety of personas, costumes and genders in Lover Other.
Sperling's Itty Bitty Titty Committee closes the SF International LGBT Film Festival, at which Sperling—17 films strong—receives the Frameline Award.
Roadside Pictures signed Colma: The Musical for national release. A sort of anti-"High School Musical," "Colma" follows three friends in their new post-high school freedom.
For some movies, Sprite and popcorn aren't enough. You need gin and vodka and a room of unruly bodies shouting when they're not supposed to,
Now past its third-decade anniversary, SFILGBTFF — the producing organization keeps trying to change its public-recognition name to something more manageable, which this annum would be Frameline31 — now has filmmakers and distributors banging on its door.
Now past its third-decade anniversary, SFILGBTFF — the producing organization keeps trying to change its public-recognition name to something more manageable, which this annum would be Frameline31 — now has filmmakers and distributors banging on its door.
Strangely enough, perhaps the most compelling reason to attend the Jackson Hole fest is precisely the reason not to see a film: Jackson Hole itself.
Strangely enough, perhaps the most compelling reason to attend the Jackson Hole fest is precisely the reason not to see a film: Jackson Hole itself.
Brand is no short supply of Guy Maddin's usual firecrackers: apostrophe, hyperbole, and of course, catastrophe.
Frameline directors Michael Lumpkin and Jennifer Morris speak about the programming, controversy and the landscape of LGBT films.
Frameline directors Michael Lumpkin and Jennifer Morris speak about the programming, controversy and the landscape of LGBT films.
Strand Releasing can always be relied upon for some of the best art films and queer indies, and it has a strong festival presence,
Strand Releasing can always be relied upon for some of the best art films and queer indies, and it has a strong festival presence,
Nine years' vintage makes the SFBFF a newcomer by Bay Area standards. In terms of programmatic diversity and premieres, it's got old-soul depth.
Nine years' vintage makes the SFBFF a newcomer by Bay Area standards. In terms of programmatic diversity and premieres, it's got old-soul depth.
"SF Indiefest: Gets Animated," piggybacking on the 4th Annual Another Hole in the Head Film Festival, co-presents an animation program with the popular archivist.
"SF Indiefest: Gets Animated," piggybacking on the 4th Annual Another Hole in the Head Film Festival, co-presents an animation program with the popular archivist.
Industy vets will identify Klores with his PR firm, but he's also produced and directed TV docs and Ring of Fire: The Emile Griffith Story.
Industy vets will identify Klores with his PR firm, but he's also produced and directed TV docs and Ring of Fire: The Emile Griffith Story.
San Franciscans have a poignant symbiotic relationship with William Kaufman's freshman feature, The Prodigy, which returns to the city this week.
A masterful stroke by writer-director Abderrahmane Sissako; Luc Besson returns to American theaters after a nearly decade-long absence.
A week before the 27th festival, SF360.org spoke with the executive director on what Superfest gets about disability that the rest of the filmmaking world doesn't.
A week before the 27th festival, SF360.org spoke with the executive director on what Superfest gets about disability that the rest of the filmmaking world doesn't.
Five recommendations chosen from among the gore, ghouls, ghosts, gags, and animation at Indiefest's Holehead festival.
Five recommendations chosen from among the gore, ghouls, ghosts, gags, and animation at Indiefest's Holehead festival.
The four-day festival offered over 100 films, with an emphasis on documentaries, and attracted some 60 filmmakers, including Albert Maysles.
The four-day festival offered over 100 films, with an emphasis on documentaries, and attracted some 60 filmmakers, including Albert Maysles.
The San Francisco International LGBT Film Festival lineup includes several world premieres and international features from Korea, Argentina, and Cuba.
The San Francisco International LGBT Film Festival lineup includes several world premieres and international features from Korea, Argentina, and Cuba.
No sooner does the Festival de Cannes open than attendees start buzzing about the potential award-winners.
No sooner does the Festival de Cannes open than attendees start buzzing about the potential award-winners.
Jeff Iorillo on the fourth festival trailer that he's written and directed for the S.F. International LGBT Film Festival.
Jeff Iorillo on the fourth festival trailer that he's written and directed for the S.F. International LGBT Film Festival.
Changes in Hal Hartley's geography and work styles have put distance between his early films and also given the director a chance to experiment with form.
Mexican director Francisco Vargas Quevedo’s "The Violin" (El violin) won the San Francisco International Film Festival’s Skyy Prize, while Israeli duo Shahar Cohen and Halil Efrat’s "Souvenirs" took best documentary feature (West Coast premiere), capping the Golden Gate Awards ceremony Wednesday evening for the festival’s landmark 50th edition.
Mexican director Francisco Vargas Quevedo’s "The Violin" (El violin) won the San Francisco International Film Festival’s Skyy Prize, while Israeli duo Shahar Cohen and Halil Efrat’s "Souvenirs" took best documentary feature (West Coast premiere), capping the Golden Gate Awards ceremony Wednesday evening for the festival’s landmark 50th edition.
While the SF International Film Festival has always had celebrity guests, the 50th edition featured a particular concentration of unique one-offs.
While the SF International Film Festival has always had celebrity guests, the 50th edition featured a particular concentration of unique one-offs.
The 50th annual SF International Film Festival is as good a time to put forth an argument. Here’s one: The most compelling movie stars of the current era are athletes, and the most dynamic 21st-century cinema is sports cinema.
The 50th annual SF International Film Festival is as good a time to put forth an argument. Here’s one: The most compelling movie stars of the current era are athletes, and the most dynamic 21st-century cinema is sports cinema.
The Unbelievable Truth helped jumpstart the independent film movement in the U.S. in 1989, followed by eight more Hartley features in the next decade.
The Unbelievable Truth helped jumpstart the independent film movement in the U.S. in 1989, followed by eight more Hartley features in the next decade.
As Bruno Dumont's Flanders navigates festival waters, it's been leaving behind a noticeable wake.
As Bruno Dumont's Flanders navigates festival waters, it's been leaving behind a noticeable wake.
If the Bay Area oozed self-regard last night, it couldn't exactly be blamed.
If the Bay Area oozed self-regard last night, it couldn't exactly be blamed.
When then-unknown Spike Lee premiered She's Gotta Have It at the SF International in 1986, there was an instance of filmus interruptus.
Movies are shifting at mach speed from the theater to the home. The future is at hand.
Movies are shifting at mach speed from the theater to the home. The future is at hand.
A shot in Wonders Are Many makes visual reference to Guernica as shorthand for art's charge to speak for the voiceless.
A shot in Wonders Are Many makes visual reference to Guernica as shorthand for art's charge to speak for the voiceless.
Daniel Wu and fictitious boy band Alive from his directorial debut The Heavenly Kings on Cantpop, the Bay Area, and Hong Kong film.
Daniel Wu and fictitious boy band Alive from his directorial debut The Heavenly Kings on Cantpop, the Bay Area, and Hong Kong film.
How did Kink.com make it to the Mission? How did Straight Outta Hunters Point get out of Hunters Point? How'd the Roxie get saved?
How did Kink.com make it to the Mission? How did Straight Outta Hunters Point get out of Hunters Point? How'd the Roxie get saved?
A decade might be long enough in dog years, but in film festival terms it takes a bit more time to impress.
A decade might be long enough in dog years, but in film festival terms it takes a bit more time to impress.
The artist's filmsÑsensual, intricate, tactileÑare a magical combination of optical artistry, snippets of forgotten films, and bits of lace, tape, and glitter.
Is there anyone who doesn't know that the San Francisco International Film Festival is turning 50 this month?
Is there anyone who doesn't know that the San Francisco International Film Festival is turning 50 this month?
Wonders Are Many: The Making of Doctor Atomic blends World War II history with composer John Adams and director Peter Sellars’ staging of a new opera on the subject.
Thinking about the upcoming SFIFF, music may not be the first thing that pops into your head. It may not even be the second.
Thinking about the upcoming SFIFF, music may not be the first thing that pops into your head. It may not even be the second.
Taste a bit of the vintage grindhouse experience at the last of Dead Channels' Month of Sleazy Sundays triple bill of under-the-radar movies.
Taste a bit of the vintage grindhouse experience at the last of Dead Channels' Month of Sleazy Sundays triple bill of under-the-radar movies.
The editor and actor, known for his frequent work with Todd Haynes, died in New York. His friends share their thoughts.
At many larger fests, daily life is less a stroll in the park than a pentathalon. The SVFF is all about the good life.
At many larger fests, daily life is less a stroll in the park than a pentathalon. The SVFF is all about the good life.
Just a week out of the SFIFF50 press conference at the Westin St. Francis, and the buzz has already had a chance to build. SF360.org checked in with a few friends in the San Francisco filmmaking scene to see what they’re looking forward to in the 50th edition of the SF International Film Festival. Big winners: Guy Maddin’s “Brand Upon the Brain!” and, of course, the live and in-person tribute to Spike Lee, who — as Strand Releasing’s Marcus Hu reminds us — returns to the Bay Area to receive his Film Society Directing Award in spite of the fact the projector broke during the premiere of “She’s Gotta Have It” at the SFIFF more than 20 years ago.
I’m eager to see Camila Guzman Urzula’s documentary “The Sugar Curtain” for perspectives on life in Cuba from those in their twenties and thirties. I’m curious about how a savvy film critic like Wesley Morris will interview Spike Lee. It will be a welcome occurrence to see two Black men talking on a US festival stage about film.
Cornelius Moore
California Newsreel
“Audience of One:” I know this year the festival is honoring Lucas and Coppola and those guys as local heroes, but really. Hollywood North? What happened? Now here is a group of makers, Pentacostals no less, working on a gargantuan bible epic right down on Ocean Avenue in the old El Rey Theatre. Now that’s hot!
Christian Bruno
Strand, A Natural History of Cinema
Although I’ve already seen it, I look forward to attending the one-off screening of Guy Maddin’s “Brand Upon the Brain!” since each live performance, by design, differs somewhat from the last. No self-respecting (or, for that matter, self-deprecating) cineaste should miss it. Beyond that, I’m particularly interested in Alain Resnais’ latest, “Coeurs” (i.e., “Private Fears in Public Places,” which, due to timing conflicts, I missed in Toronto), reuniting the director with the exceptional playwright Alan Ayckbourn. I remain quite fond of his recent films even if most folks in this country seem to disregard his work after “Mon oncle d’Amerique,” released over a quarter-century ago.
Jonathan Marlow
GreenCine
I love that SFIFF is honoring Spike Lee, I saw “She’s Gotta Have It” when it had its world premiere at SFIFF and remembered what an amazing experience that was when the projector broke!
Marcus Hu
Strand Releasing
I first started attending SFIFF in 1964 while still in high school. I saw the independent “The Luck of Ginger Coffey,” directed by Irvin Kershner and starring Robert Shaw, a fascinating documentary look at a country
Just a week out of the SFIFF50 press conference at the Westin St. Francis, and the buzz has already had a chance to build. SF360.org checked in with a few friends in the San Francisco filmmaking scene to see what they’re looking forward to in the 50th edition of the SF International Film Festival. Big winners: Guy Maddin’s “Brand Upon the Brain!” and, of course, the live and in-person tribute to Spike Lee, who — as Strand Releasing’s Marcus Hu reminds us — returns to the Bay Area to receive his Film Society Directing Award in spite of the fact the projector broke during the premiere of “She’s Gotta Have It” at the SFIFF more than 20 years ago.
I’m eager to see Camila Guzman Urzula’s documentary “The Sugar Curtain” for perspectives on life in Cuba from those in their twenties and thirties. I’m curious about how a savvy film critic like Wesley Morris will interview Spike Lee. It will be a welcome occurrence to see two Black men talking on a US festival stage about film.
Cornelius Moore
California Newsreel
“Audience of One:” I know this year the festival is honoring Lucas and Coppola and those guys as local heroes, but really. Hollywood North? What happened? Now here is a group of makers, Pentacostals no less, working on a gargantuan bible epic right down on Ocean Avenue in the old El Rey Theatre. Now that’s hot!
Christian Bruno
Strand, A Natural History of Cinema
Although I’ve already seen it, I look forward to attending the one-off screening of Guy Maddin’s “Brand Upon the Brain!” since each live performance, by design, differs somewhat from the last. No self-respecting (or, for that matter, self-deprecating) cineaste should miss it. Beyond that, I’m particularly interested in Alain Resnais’ latest, “Coeurs” (i.e., “Private Fears in Public Places,” which, due to timing conflicts, I missed in Toronto), reuniting the director with the exceptional playwright Alan Ayckbourn. I remain quite fond of his recent films even if most folks in this country seem to disregard his work after “Mon oncle d’Amerique,” released over a quarter-century ago.
Jonathan Marlow
GreenCine
I love that SFIFF is honoring Spike Lee, I saw “She’s Gotta Have It” when it had its world premiere at SFIFF and remembered what an amazing experience that was when the projector broke!
Marcus Hu
Strand Releasing
I first started attending SFIFF in 1964 while still in high school. I saw the independent “The Luck of Ginger Coffey,” directed by Irvin Kershner and starring Robert Shaw, a fascinating documentary look at a country
“I Don’t Want to Sleep Alone” puts its melodrama and comedy within a Malaysian mattress. 1962’s “Mafioso” may be the mob-chronicle genre’s ground zero.
The festival kicks off with Emanuele Crialese's Golden Door and closes with Olivier Dahan's Edith Piaf biopic, La vie en rose.
The festival kicks off with Emanuele Crialese's Golden Door and closes with Olivier Dahan's Edith Piaf biopic, La vie en rose.
When Bay Area filmmaker Amanda Micheli approaches, you can see that she is an athlete. She's sure of herself.
A look at critics' responses to Antonioni through the ages shows there is, and always was, plenty to say about his work.
Director Grace Lee talks about the personal horror movie genre in American Zombie and the ethical dilemmas documentary filmmakers face.
Director Grace Lee talks about the personal horror movie genre in American Zombie and the ethical dilemmas documentary filmmakers face.
The SFIFF GreenWorld Contest brings the vision of filmmakers to the forefront of environmental discourse through fiction, documentary, experimental, and essayistic films.
The SFIFF GreenWorld Contest brings the vision of filmmakers to the forefront of environmental discourse through fiction, documentary, experimental, and essayistic films.
SF360.org checked in with actors and filmmakers roaming this year's festival to give props to their favorite Asian American artist, past or present.
SF360.org checked in with actors and filmmakers roaming this year's festival to give props to their favorite Asian American artist, past or present.
Spencer Nakasako gets the credit for starting the still-cresting wave of first-person camcorder documentaries back in 1995, but he claims it was largely an accident.
Spencer Nakasako gets the credit for starting the still-cresting wave of first-person camcorder documentaries back in 1995, but he claims it was largely an accident.
It's a big week for Peter Morgan, partly because the SFFS announced he'll receive the Kanbar Award for excellence in screenwriting at the 50th SFIFF.
Daniel Burman's smartest play was casting Daniel Hendler as his onscreen alter ego. Michael Apted's worthy Grace, reminds that period pieces make effective message movies.
Boasting dozens upon dozens of homegrown events anchored by the country's most visible festivals, San Francisco has evolved into the quintessential festival town.
Boasting dozens upon dozens of homegrown events anchored by the country's most visible festivals, San Francisco has evolved into the quintessential festival town.
This year's 125 films follow the fest's growth from 13 films in 1982 in the wake of Wayne Wang's Chan is Missing.
This year's 125 films follow the fest's growth from 13 films in 1982 in the wake of Wayne Wang's Chan is Missing.
The alarm has been sounding for some time now that "indie" doesn't mean what it used to. Jeff Ross simply ignores the cranky clamor.
Tears of the Black Tiger is Thai eye candy, an exercise pastiche where color just about leaps off the screen, and a star-crossed love story.
The latest launch under the SF Film Society's SF360 banner premieres this week on ComcastSF, Channel 11.
Wrapping up Sundance Ô07, with the NFL's big game as the best metaphor to describe the annual festival.
Wrapping up Sundance Ô07, with the NFL's big game as the best metaphor to describe the annual festival.
A preview of the festival's rich program with festival's organizer Eddie Muller
Highlights of the upcoming festival were presented by the San Francisco Film Society Executive Director.
Highlights of the upcoming festival were presented by the San Francisco Film Society Executive Director.
Inteview with the artist and filmmaker on her work and her latest movie, presented at Sundance.
SF IndieFest's founder/director Jeff Ross announced the ninth edition of the Bay Area's indie showcase festival
Hailed as one of the best films of 2005 without distribution, Becker's doc hits theaters nearly two years after it debuted at Sundance.
Rock&Roll, romantic comedy, fantasy and adventure, among the themes of this year's festival.
The 1959 reworking of the Greek myth of Orpheus and Eurydice is a bossa nova adventure through Brazilian Carnival, with actor Breno Mello as the black Orpheus.
San Francisco artist James T. Hong is currently working on a documentary, tentatively titled New History Zero, which explores his interest in revisionist World War II history.
At least three Bay Area-based filmmakers will be making the trek to Park City this year, Jon Else, Steven Okazaki, and Jay Rosenblatt.
At least three Bay Area-based filmmakers will be making the trek to Park City this year, Jon Else, Steven Okazaki, and Jay Rosenblatt.
This series of cinematic responses to war, curated by Lebanese video artist Akram Zaatari, opens up possibilities for re-imagining the dehumanized landscape of violence.
Ramin Bahrani's debut feature follows a solitary, quiet immigrant struggling to make a go of it in New York City.
One month ago today, the maverick filmmaker was at the Hamptons International Film Festival reflecting upon his career at a tribute in his honor.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
Three days, nine films, eight shorts, and endless bliss courtesy of last weekend's fourth annual 3rd I South Asian Film Festival.
Three days, nine films, eight shorts, and endless bliss courtesy of last weekend's fourth annual 3rd I South Asian Film Festival.
The relationship between intellectualism and passion, a distinctly Italian concern, propels the 2006 edition of New Italian Cinema.
Through a close examination of his own family, filmmaker Doug Block explores universal questions about our own mothers and fathers in 51 Birch Street.
A visit to the 50th anniversary portion of San Francisco Film Society’s web site nets not just the real Truman Capote candidly essaying on life and the movies in a 1974 visit to the SF International Film Festival.
A visit to the 50th anniversary portion of San Francisco Film Society’s web site nets not just the real Truman Capote candidly essaying on life and the movies in a 1974 visit to the SF International Film Festival.
Segueing from network television news to documentary features, Amy Berg makes her debut with a shocking, powerful film about pedophile priest Oliver Grady.
The List: Ten to catch at the 9th annual United Nations Association Film Festival October 25 through 29 at Stanford University in Palo Alto.
The List: Ten to catch at the 9th annual United Nations Association Film Festival October 25 through 29 at Stanford University in Palo Alto.
When Brent Hoff was checking into a hotel for a film festival, the concierge thrust a business card into his hand, “Remember me next time you’re casting a film." So he asked the biggest directors he knows to cast the concierge in a series of short films.
Mark Andrews and Andrew Jimenez co-wrote and co-directed the unexpected, surprisingly funny short about two musicians vying for a young girl's lone coin.
San Francisco Film Society programming associate Sean Uyehara has pulled off a feat with the opening program for the first San Francisco International Animation Showcase.
Crossdressers, canines, and Cruellas de Vil occupied the Castro theater last weekend as part of the first Canine Film Festival.
Crossdressers, canines, and Cruellas de Vil occupied the Castro theater last weekend as part of the first Canine Film Festival.
By the youth-rhetoric standards of another era, this is the last year we can trust the Mill Valley Film Festival. Next year, it turns 30.
By the youth-rhetoric standards of another era, this is the last year we can trust the Mill Valley Film Festival. Next year, it turns 30.
Though it won the Silver Bear at the Berlin Film Festival in 1975, Overlord is one of those movies that mostly slipped through the cracks.
John Cameron Mitchell's latest film: A bright, sexually explicit ensemble piece featuring American friends and acquaintances who might have made good primetime TV.
People-powered transportation propels the movies in the 2006 Bicycle Film Fest.
The annual series of films from countries with less developed or out-of-favor national cinemas has several winners.
The annual series of films from countries with less developed or out-of-favor national cinemas has several winners.
Filmmaker Georgia Lee discusses her narrative feature with family member Frances Chang.
Filmmaker Georgia Lee discusses her narrative feature with family member Frances Chang.
The Maquilapolis filmmakers talk about empowering their subjectsÑwomen factory workers in Tijuana.
Tributes to Helen Mirren and Tim Robbins highlight the 29th annual edition .
Tributes to Helen Mirren and Tim Robbins highlight the 29th annual edition .
The founder of the Madcat International Film Festival talks about the 2006 lineup.
The founder of the Madcat International Film Festival talks about the 2006 lineup.
Executive director Bashir Anastas discusses this year's lineup.
Executive director Bashir Anastas discusses this year's lineup.
A longtime seasonal staffer recounts her experience and highlights at the '06 fest.
A longtime seasonal staffer recounts her experience and highlights at the '06 fest.
Austin's Alamo Drafthouse Cinema touring program brings classics to the locations they made famous, with a mobile outdoor projection unit and inflatable screen.
Director Laura Poitras’ traveled to Iraq for her latest film, “My Country, My Country.”
SF360 checks in with a few Bay Area festival insiders to see what they're excited about at upcoming festivals.
SF360 checks in with a few Bay Area festival insiders to see what they're excited about at upcoming festivals.
The Academy of Motion Picture Arts and Sciences' Academy Foundation bestowed a surprise grant of $150,000 over three years.
The Academy of Motion Picture Arts and Sciences' Academy Foundation bestowed a surprise grant of $150,000 over three years.
Ryan Fleck talks about his new film Half Nelson, his filmmaking career, and his creative inspirations and tastes.
The director of The Business of Strangers talks about his second feature, starring Robin Williams.
SF Shorts and the SF Underground Short Film Festival provide a big-screen showcase for oft-overlooked short subjects.
SF Shorts and the SF Underground Short Film Festival provide a big-screen showcase for oft-overlooked short subjects.
The co-director talks about his provocative fictional documentary about conjoined twins groomed for rock Ôn' roll stardom.
The List: ZeroOne San Jose Global Festival of Art on the Edge presents an array of = augmented realities, artificial intelligences, and interactive pieces.
The List: ZeroOne San Jose Global Festival of Art on the Edge presents an array of = augmented realities, artificial intelligences, and interactive pieces.
The veteran Israeli filmmaker, in town for the Jewish Film Festival, talks about radical art and Free Zone.
The sudden climate change in the Middle East has had a tone-altering effect on the San Francisco Jewish Film Festival, where the war will be Topic A.
The sudden climate change in the Middle East has had a tone-altering effect on the San Francisco Jewish Film Festival, where the war will be Topic A.
California Film Institute's Executive Director, Mark Fishkin, comments on the Sundance Institute's "Art House Project."
California Film Institute's Executive Director, Mark Fishkin, comments on the Sundance Institute's "Art House Project."
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
SF360 talked to the director of Who Killed the Electric Car?, which opened last week, after his recent stop through the City.
SF360 spoke to the director of Rise Above: The Tribe 8 Documentary, showing at the Red Vic Movie House and an imminent DVD release.
SF360 spoke to the director of Rise Above: The Tribe 8 Documentary, showing at the Red Vic Movie House and an imminent DVD release.
We checked in with Gary Meyer to find out what films have rocked the 1926 foundations of the Balboa in the past six years.
16 filmmakers from the Bay Area find at least 15 minutes of fame in the San Francisco International LGBT Film Festival this year.
16 filmmakers from the Bay Area find at least 15 minutes of fame in the San Francisco International LGBT Film Festival this year.
S.F. International LGBT Film Festival celebrates its 30th anniversary as a forum for the LGBT community to celebrate its own hard-won survival and progress.
S.F. International LGBT Film Festival celebrates its 30th anniversary as a forum for the LGBT community to celebrate its own hard-won survival and progress.
Julián Hernández and João Pedro Rodrigues show their second features at the S.F. International LGBT Film Festival.
Highlights from San Francisco International LGBT Film Festival's 30th annual edition.
Highlights from San Francisco International LGBT Film Festival's 30th annual edition.
Highlights of San Francisco Black Film Festival's eighth annual edition.
Highlights of San Francisco Black Film Festival's eighth annual edition.
Highlights from the 4th year ofAnother Hole in the Head, the S.F. Indiefest-produced celebration of horror, sci-fi, fantasy and just plain sick cinema.
Highlights from the 4th year ofAnother Hole in the Head, the S.F. Indiefest-produced celebration of horror, sci-fi, fantasy and just plain sick cinema.
A conversation with John Peterson on his unusual farming practices, and the documentary that captures them.
The 2006 San Francisco International Arts Festival focuses on Latino culture across North and South America.
The 2006 program for the San Francisco International LGBT Film Festival features an eclectic mix of genres and narrative types.
The 2006 program for the San Francisco International LGBT Film Festival features an eclectic mix of genres and narrative types.
The third annual Icelandic Film Festival offers just two features and one short, but it's all very, very good.
The third annual Icelandic Film Festival offers just two features and one short, but it's all very, very good.
Four stories from familiar performers who once found themselves in the "formerly employed by" category, taken from Fired!, which plays Docfest 2006.
A list of the 24 reasons why to find yourself in the Mission this Sunday and the rest of the week for the 10th annual Music and Arts Festival.
Docfest founder Jeff Ross explains the S.F. Indie empire's definition of reality filmmaking.
The 2006 recipient of the Film Society Directing Award was full of raised-finger pronouncements, self-effacing demurrals, and unsolicited rebuttals at a Q&A preceding his film.
A complete list of the winners of the Golden Gate Awards show, which was all about celebrating the city, with filmmakers of all genres saying a kind word or two about it.
A complete list of the winners of the Golden Gate Awards show, which was all about celebrating the city, with filmmakers of all genres saying a kind word or two about it.
An address delivered by Tilda Swinton to an audience at the Kabuki Theatre on April 29, 2006, during the San Francisco International Film Festival.
An address delivered by Tilda Swinton to an audience at the Kabuki Theatre on April 29, 2006, during the San Francisco International Film Festival.
An intimate group caught Addictive TV's VJ-style show of ÔEye of the Pilot' at the Kabuki, and stayed late for an enthusiastic Q&A.
An intimate group caught Addictive TV's VJ-style show of ÔEye of the Pilot' at the Kabuki, and stayed late for an enthusiastic Q&A.
The second week of the 49th SFIFF was packed with tributes and special events, luring diverse crowds with honorees like Werner Herzog and Ed Harris.
The second week of the 49th SFIFF was packed with tributes and special events, luring diverse crowds with honorees like Werner Herzog and Ed Harris.
A conversation with director Michael Glawogger on his film, Workingman's Death, which screens at the 2006 SFIFF.
A conversation with director Michael Glawogger on his film, Workingman's Death, which screens at the 2006 SFIFF.
Is it possible that Big Tilda in the real is bigger than Lucy Gray's larger-than-life projections of her onto City Hall?
Is it possible that Big Tilda in the real is bigger than Lucy Gray's larger-than-life projections of her onto City Hall?
The revolution will not be televised, but it may be digitized, run through Final Cut Pro, and projected on the screen near you.
The revolution will not be televised, but it may be digitized, run through Final Cut Pro, and projected on the screen near you.
Memorize these words that supposedly can bring you under government scrutiny when said over the phone, or written in a text message or email.
The Kabuki turned into a mosh pit at the Sunday screening of All About Love as Andy Lau's fans rushed the stage to greet him.
Heroic firefighters, eerie simian costumes, a Baywatch star-as-activist, fierce flamenco dancers, and a rushing tide of watermelon juice.
Heroic firefighters, eerie simian costumes, a Baywatch star-as-activist, fierce flamenco dancers, and a rushing tide of watermelon juice.
The S.F. International Film Festival opened the gates this year to an accredited citizen press corps of bloggers and vloggers.
The S.F. International Film Festival opened the gates this year to an accredited citizen press corps of bloggers and vloggers.
"I got a call out of the blue," Graham Leggat says, explaining how he left the Film Society of Lincoln Center for the left coast.
"I got a call out of the blue," Graham Leggat says, explaining how he left the Film Society of Lincoln Center for the left coast.
Palestinian filmmaker Rashid Masharawi's Waiting intricately and ingeniously intertwines irony, humor, and pathos.
If you haven't yet found your repurpose in life, SFIFF's International Remix site might be of use.
If you haven't yet found your repurpose in life, SFIFF's International Remix site might be of use.
The producer talks about the barriers filmmakers have faced in bringing Philip K. Dick's novel to the screen.
David Munro and Xandra Castleton speak about making their indie Full Grown Men and taking it to the Tribeca Film Festival.
For people who know their rock trivia, or saw Gimme Shelter, Altamont represents one of the most infamous moments in Bay Area cultural history.
You can sunbathe topless at Cannes and ski at Sundance, and drink your fill of fine wine at the Sonoma Valley Film Festival.
You can sunbathe topless at Cannes and ski at Sundance, and drink your fill of fine wine at the Sonoma Valley Film Festival.
The List: B. Ruby Rich picks her favorites for the 2006 San Francisco International Film Festival.
The List: B. Ruby Rich picks her favorites for the 2006 San Francisco International Film Festival.
Audio and visual collide when Noise Pop hits the silver screen at the Noise Pop Film Festival.
San Francisco International Film Festival announces lineup for the 49th annual festival.
San Francisco International Film Festival announces lineup for the 49th annual festival.
Sundance Cinemas buys the Kabuki 8 and announces plans to reopen as the Sundance Kabuki in early fall 2006.
The documentary Persian Garden chronicles the grandest art exhibition in Iran since the 1979 Revolution.
Vietnamese American filmmaker Ham Tran rights an historical wrong in his debut feature film on the Vietnam War.
The List: Taro Goto posits who will go on to superstardom from the 2006 San Francisco International Asian American Film Festival.
Transnational tales stand out at the 2006 San Francisco International Asian American Film Festival.
Six degrees of James Shigeta: an actor ahead of his time sustains a presence in American and Asian American cinema.
Asian America everywhere: A talk with San Francisco International Asian American Film Festival directors Chi-hui Yang and Taro Goto.
The List: In the aftermath of the Roxie resurrection, the five top-grossing films that screened there over the past two decades.
The newest film festival on the dock, Tiburon International, turns a tourist town around.
The newest film festival on the dock, Tiburon International, turns a tourist town around.
HRW's series of films chosen for aesthetic value and human rights content continues to grow as it stays true to its roots.
HRW's series of films chosen for aesthetic value and human rights content continues to grow as it stays true to its roots.