International Film Festival Summit (December 4–6, 2011), held in Austin, Texas, is the largest international organization representing the film festival industry. The IFFS mission is to promote and strengthen the global film festival industry through education, networking, dissemination of information, and the cultivation of high standards. This year's featured topics include Anatomy of a Festival: South by Southwest, Programming: The Fine Art of Film Selection, Marketing Strategies: Integrating Social Media and Technology, The Festival Mission, Sponsorship Strategy, Box Office Technology Solutions, among others. Notable speakers include Richard Linklater (Before Sunrise, Before Sunset), as well as SFFS' very own Steve Jenkins, Sarah Cathers, and Linda Butler. DEADLINE: Register by September 25, 2011 to receive discounted rate. WEBSITE: filmfestivalsummit.com/iffshome.html.
SF360.org represents a nearly six-year experiment in philanthropically funded film journalism, covering films and filmmaking in the Bay Area and beyond. Published by the San Francisco Film Society, the website debuted February 27, 2006 and was created in a unique collaboration between SFFS and Indiewire, with Susan Gerhard as editor. While SF360.org is no longer publishing feature stories, the SF360 Archive remains the most comprehensive collection of articles about the Bay Area film community, with more than 1,000 feature stories and reviews as well as Indie Toolkit's informative columns about the basics of creating a film and delivering it to audiences. Articles by some of the Bay Area’s most notable voices will remain at your fingertips for the foreseeable future.
SF360.org represents a nearly six-year experiment in philanthropically funded film journalism, covering films and filmmaking in the Bay Area and beyond. Published by the San Francisco Film Society, the website debuted February 27, 2006 and was created in a unique collaboration between SFFS and Indiewire, with Susan Gerhard as editor. While SF360.org is no longer publishing feature stories, the SF360 Archive remains the most comprehensive collection of articles about the Bay Area film community, with more than 1,000 feature stories and reviews as well as Indie Toolkit's informative columns about the basics of creating a film and delivering it to audiences. Articles by some of the Bay Area’s most notable voices will remain at your fingertips for the foreseeable future.
The California Story Fund, presented by California Council for the Humanities (CCH), supports public humanities programs that bring light to compelling stories from California's diverse communities and provide opportunities for collective reflection and public discussion. ELIGIBILITY: Applicants must have California tax-exempt organizational status or partner with a California tax-exempt organization that will serve as a fiscal sponsor, not have an open grant with CCH, and be in good standing with CCH. Projects should be based on stories gathered from community members, include a public discussion component and at least one humanities expert. Film/video projects should not exceed a total budget of $50,000. AWARDS: Applicants may request up to $10,000, which must be matched by at least an equivalent contribution of non-federal funds or in-kind services. DEADLINE: November 15, 2011. WEBSITE: calhum.org/guidelines/guidelines_csf.htm.
San Francisco Arts Commission (SFAC) Cultural Equity Grants provide "financial support for the enrichment of San Francisco's multicultural landscape." ELIGIBILITY: Organization Project Grants provide up to $15,000 to support the presentation of high quality works of art and arts activities, including film and video screenings and arts festivals. All art forms will be considered. To be eligible, organizations must have 501(c)(3) status or use a fiscal sponsor. Grant Period: June 15, 2012 - December 31, 2013. AWARDS: Grants awards are up to 15,000 to support the enhancement of arts facilities in the city. DEADLINE: November 10, 2011. WEBSITE: sfartscommission.org/ceg/grants/index.html#opg.
Catapult Film Fund provides early development funding to documentary filmmakers who have a compelling story to tell. It supports powerful stories, and moving storytelling, across a broad spectrum of issues and perspectives. ELIGIBILITY: Applicant must be 18 or older. Catapult Film Fund does not award grants for student films. Documentary projects must be 28 minutes or longer. Development funds must specifically be used to complete early writing, shooting and editing once story and characters are in place. Applicants must be independent producers. They must own the copyright of their production, and have artistic, budgetary and editorial control of their project. Applicants must have previous film or television production experience in a principal role as demonstrated by submitting previously completed work sample. Applicants must be able to demonstrate that they have successfully fund-raised for an independent documentary film, in line with its original budget. AWARDS: Catapult Film Fund development grants range from $5,000 to $20,000. DEADLINE: November 7, 2011. WEBSITE: catapultfilmfund.org/.
"Bodega, a New York-based content creation/production company, has extended its reach Westward with the opening of a San Francisco shop headed by executive producer/partner Clint Goldman." More at shootonline.com.
Susan Gerhard talks copy, critics and the 'there' we have here.
Susan Gerhard talks copy, critics and the 'there' we have here.
Susan Gerhard talks copy, critics and the 'there' we have here.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Durfee Foundation Artists' Resource for Completion Grants give individual artists money to complete work for a specific, imminent opportunity that may significantly benefit their career. AWARDS: up to $3,500. ELIGIBILITY Artists must be Los Angeles County residents, 21 years or older and have secured an invitation from an established organization to present the work. Full-time students are ineligible. Current DEADLINE: Quarterly, current November 1, 2011. WEBSITE: durfee.org/programs/arc/index.html.
Rough Cuts is a series of work-in-progress documentary screenings that are produced at a variety of locations throughout San Francisco. The next event (November 14, 2011; 7:30 p.m.) features one rough cut of a feature-length documentary and then a conversation about the film. The post-screening discussion is designed to give the filmmaker a better, more objective sense of what is working and not working with the film, with particular attention paid to improving the film's structure and narrative clarity. ELIGIBILITY: Rough Cuts is currently accepting submissions for the next event. If you are editing a documentary that is over 40 minutes long and are seeking feedback, they encourage you to submit. Principal photography should have been completed, and filmmakers tare encouraged to submit films that are in the later stages of post-production. AWARDS: Invaluable feedback and constructive criticism. DEADLINE: November 1, 2011. Submissions must arrive by 5:00 p.m. WEBSITE: sfroughcuts.com/index.html.
"After whetting local appetites through a successful soft launch last year, 91 films are now listed in the 2011 Napa Valley Film Festival program guide. Those films—many of them short—will be played on 12 screens throughout the Napa Valley, including screenings in Calistoga, Yountville, St. Helena and the city of Napa." More at napavalleyregister.com.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Press release: The San Francisco Neighborhood Theater Foundation announced today that it is partnering with Gary Meyer to keep the City’s historic Balboa Theatre (1926) open and to develop a sustainable long-term plan for the theater. The Theater Foundation also announced it has reached an agreement to lease the theater through 2024—securing the future of one of San Francisco’s oldest operating cinemas. More at sfntf.org.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Press release: The San Francisco Jewish Film Festival announced its new Executive Director: Lexi Leban, who begins working with the festival November 7, 2011. A longtime member of the Bay Area film community, Lexi has worked in all aspects of film, from production to distribution. She’s also worked with numerous film festivals, including the Mill Valley Film Festival, the San Francisco International Film Festival, and the Global Social Change Film Festival in Bali. Lexi is currently Academic Director of the Digital Filmmaking & Video Production Program at the Art Institute of California, where she built the department from its inception. Her most recent feature documentary, Girl Trouble, which follows young girls in San Francisco’s juvenile justice system, aired on PBS’s acclaimed series Independent Lens in January of 2006, and won Best Bay Area Documentary at the San Francisco International Film Festival. More at sfjff.org.
"After their weekend-long Film Independent Forum," reports Sophia Savage, "FIND announced eleven filmmakers and nine projects for their 11th annual Producers Lab, and named Brent Hoff and Malcom Pullinger the winners of the 5th annual $25,000 Sloan Producers Grant." More at indiewire.com/thompsononhollywood.
The San Francisco Film Society joins the New York International Children’s Film Festival to present a three-day kid-ready fest of animated and non-animated shorts and features from around the world. The brief fest kicks off with a child-friendly opening night party on Friday, and for offers another chance to enjoy Alex Law's sweet Hong Kong Film Days entry, 'Echoes of the Rainbow.' More info sffs.org.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
North America's largest showcase of German-language films enters its 16th year, screening more than 20 films from Austria, Switzerland and Germany. Highlights include fest closing film 'If Not Us, Who' and thriller 'Sennentuntschi.' B&B opens Thursday with a screening of 'Almanya – Welcome to Germany' and a party to follow at the historic Castro Theatre. More info berlinbeyond.com.
"The launch of SF360.org, an online publication devoted to covering the entire Bay Area film community, was one of San Francisco Film Society Executive Director Graham Leggat's first initiatives when he took over the organization," writes Pam Grady. "...in November, a victim of financial realities and organizational changes in the wake of Leggat's recent death, SF360.org will cease publication." More at SFGate.
Press release: San Francisco Film Society announced the appointment of Bingham Ray as its executive director, effective November 7, 2011. Ray comes to the San Francisco Film Society from New York City, where he recently served as the first run programming consultant to the Film Society of Lincoln Center, executive consultant to the digital distribution company SnagFilms and adjunct professor at New York University's Tisch School of the Arts. More at sffs.org.
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
SFFS gives Catherine Breillat's SFIFF-screened fantasy 'The Sleeping Beauty' a short run at Film Society | New People Cinema starting Monday. More info sffs.org.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
Furthering CAAM's work to nurture Asian American media professionals and advance the field of Asian American media, the second annual CAAM Fellowship Program will connect young, talented individuals with leading professionals in the field. ELIGIBILITY: Participating fellows will have access to the leading Asian American talent in film, television and digital media. Each fellowship will be individually tailored to best fit the needs of the fellows and advisers. Fellowships will range from fully integrated collaborations to regular feedback on current projects to an ongoing dialogue about professional development. AWARDS: The CAAM Fellowship Program Retreat will allow the mentor-mentee pairs to spend two full days together in a quiet and peaceful environment where they can focus on the mentees' career, whether it is a script being developed or an acting career that needs some guidance. DEADLINE: October 17, 2011. WEBSITE: caamedia.org/filmmaker-resources/fellowship/caam-fellowship-program-2011/.
"Star Wars creator George Lucas is betting millions of his own dollars that moviegoers will be drawn to an action movie about African-American fighter pilots in World War II," reports Christopher John Farley. "Mr. Lucas has self-financed a new film entitled Red Tails inspired by the true story of the first organized group of African-American fighter pilots in the U.S. armed forces." More at wsj.com.
SF Indiefest offshoot DocFest kicks off its 10th edition this Friday with a screening of 'Dirty Pictures,' a film about underground ecstasy legend Dr. Alexander Shulgin. Featuring the wildest and wooliest independent docs emerging this year, the fest also boast a number of well-loved parties and one ’80s New Wave sing-along. More info at sfindie.virb.com.
SF Indiefest offshoot DocFest kicks off its 10th edition this Friday with a screening of 'Dirty Pictures,' a film about underground ecstasy legend Dr. Alexander Shulgin. Featuring the wildest and wooliest independent docs emerging this year, the fest also boast a number of well-loved parties and one ’80s New Wave sing-along. More info at sfindie.virb.com.
Expectations defied in Taiwan Film Days. It could be argued that Taiwanese cinema, best known through the work of three auteurs, Edward Yang, Hou Hsiao-hsien and Tsai Ming-liang, is not tied to audience-generating genres. It’s certainly been able to travel more diverse cinematic avenues than some of its neighbors. San Francisco Film Society's Taiwan Film Days running from October 14–16, however, offers evidence for any number of arguments you’d like to make about Asian cinema and Taiwan in particular. On the docket this year are ...
Expectations defied in Taiwan Film Days. It could be argued that Taiwanese cinema, best known through the work of three auteurs, Edward Yang, Hou Hsiao-hsien and Tsai Ming-liang, is not tied to audience-generating genres. It’s certainly been able to travel more diverse cinematic avenues than some of its neighbors. San Francisco Film Society's Taiwan Film Days running from October 14–16, however, offers evidence for any number of arguments you’d like to make about Asian cinema and Taiwan in particular. On the docket this year are ...
PFA finishes a short program of experimental films by teacher, multi-genre artist and Fluxus collaborator Paul Sharits this Thursday with a screening of his later work on Thursday. The Berkeley institution also screens a selection of Sharits' midcareer work this Wednesday. More info bampfa.edu.
PFA finishes a short program of experimental films by teacher, multi-genre artist and Fluxus collaborator Paul Sharits this Thursday with a screening of his later work on Thursday. The Berkeley institution also screens a selection of Sharits' midcareer work this Wednesday. More info bampfa.edu.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
The TFI Latin America Media Arts Fund supports innovative film and video artists who are living or working in Mexico, Central and South America and working independently in their efforts to reach a larger audience. ELIGIBILITY: Submissions must be animation, documentary and/or hybrid feature-length films with an intended length of at least 70 minutes. Submissions must be in production or post-production and must not have aired on any form of television, been screened publicly or have been distributed in theaters or via the internet. Projects may be in any language or dialect. Applicants must be over 18 years old. Student films and stand-alone short films are not eligible for submission. $25 entry fee. AWARDS: Last year, the Fund administered $10,000 grants to four selected films. In addition to funding, each grantee will receive a U.S. based advisor and guidance from the Tribeca Film Institute. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/filmmakers/latin_fund/.
"Netflix Inc. is abandoning its widely panned decision to separate its DVD-by-mail and Internet streaming services," reports Peter Svensson, "because it would make them more difficult to use." More at sfgate.com.
"Fritz Manes, who had a long association with Clint Eastwood, producing, exec producing or associate producing a dozen of the films Eastwood directed between 1977 and 1986," reports Variety, "died of lung and brain cancer on Sept. 27 in Sherman Oaks, Calif." More at variety.com.
Charles Burnett's criminally underseen meditation on urban life in future race flashpoint Watts, CA, 'Killer of Sheep,' screens this Friday as part of Pacific Film Archive's The Outsiders: New Hollywood Cinema in the Seventies. More info at bampfa.edu.
Charles Burnett's criminally underseen meditation on urban life in future race flashpoint Watts, CA, 'Killer of Sheep,' screens this Friday as part of Pacific Film Archive's The Outsiders: New Hollywood Cinema in the Seventies. More info at bampfa.edu.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
Fringe Tamil director Bala's mad, mondo tale of a pot-smoking, vengeance-driven holy man plays this week at YBCA. 'Naan Kadavul' screens as part of YBCA mini-program 'Cruel Cinema: New Directions in Tamil Film,' also featuring actor Sasikumar's ambitious first film, 'Subramaniapuram.' More info ybca.org.
Fringe Tamil director Bala's mad, mondo tale of a pot-smoking, vengeance-driven holy man plays this week at YBCA. 'Naan Kadavul' screens as part of YBCA mini-program 'Cruel Cinema: New Directions in Tamil Film,' also featuring actor Sasikumar's ambitious first film, 'Subramaniapuram.' More info ybca.org.
The 34th Mill Valley Film Festival continues at a number of locations, with a number of notable guests, including directors Gaston Kaboré and Luc Besson. See Dennis Harvey's extended preview on SF360 for the full story. More info and film schedule at mvff.com.
The 34th Mill Valley Film Festival continues at a number of locations, with a number of notable guests, including directors Gaston Kaboré and Luc Besson. See Dennis Harvey's extended preview on SF360 for the full story. More info and film schedule at mvff.com.
AP: "Steve Jobs saw the future and led the world to it. He moved technology from garages to pockets, took entertainment from discs to bytes and turned gadgets into extensions of the people who use them," writes Jordan Robertson. "Jobs, who founded and ran Apple, told us what we needed before we wanted it." More at sfgate.com.
In the illusory world of what we call ‘real life’, our beloved friend Graham pursued his practice of keeping his attention fixed firmly on 'the screen.'
In the illusory world of what we call ‘real life’, our beloved friend Graham pursued his practice of keeping his attention fixed firmly on 'the screen.'
In the illusory world of what we call ‘real life’, our beloved friend Graham pursued his practice of keeping his attention fixed firmly on 'the screen.'
The Booksmith and Berkeley Arts & Letters join forces to bring celebrated actor John Lithgow to the Sundance Kabuki for an evening in discussion of his new autobiography, 'Drama: An Actor's Education.' More info/tickets at brownpapertickets.com.
The Booksmith and Berkeley Arts & Letters join forces to bring celebrated actor John Lithgow to the Sundance Kabuki for an evening in discussion of his new autobiography, 'Drama: An Actor's Education.' More info/tickets at brownpapertickets.com.
"Disney has officially announced today that 'on the heels of the phenomenal success' of The Lion King 3D, they're now setting up 3D re-releases of four Disney/Pixar classics over the next two years, starting with Beauty and the Beast in 3D," reports Alex Billington. More at firstshowing.net.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
San Francisco Film Society and the Presidio Trust present the 10th anniversary edition of Film in the Fog, with pre-show entertainments (’50s-era newsreel, classic cartoon, music) to precede an outdoor screening of San Francisco-shot Humphrey Bogart noir treasure 'Dark Passage.' Film program begins at 7:15 p.m. at the Presidio Main Post Theater; more info at sffs.org.
San Francisco Film Society and the Presidio Trust present the 10th anniversary edition of Film in the Fog, with pre-show entertainments (’50s-era newsreel, classic cartoon, music) to precede an outdoor screening of San Francisco-shot Humphrey Bogart noir treasure 'Dark Passage.' Film program begins at 7:15 p.m. at the Presidio Main Post Theater; more info at sffs.org.
Up-and-comer Joseph Gordon-Levitt is so good he compensates for the cancer comedy's shortcomings, even if he can't erase them.
Up-and-comer Joseph Gordon-Levitt is so good he compensates for the cancer comedy's shortcomings, even if he can't erase them.
Up-and-comer Joseph Gordon-Levitt is so good he compensates for the cancer comedy's shortcomings, even if he can't erase them.
Up-and-comer Joseph Gordon-Levitt is so good he compensates for the cancer comedy's shortcomings, even if he can't erase them.
"After an eight-year tenure as the festival’s director," reports Dan Pine, "[Peter Stein] is stepping down Oct. 3 — and once again becoming a regular film festival fan." More at jweekly.com.
Artistic integrity is always in short supply, which makes Broughton an inspiration for every successive generation of poets and filmmakers.
Artistic integrity is always in short supply, which makes Broughton an inspiration for every successive generation of poets and filmmakers.
Artistic integrity is always in short supply, which makes Broughton an inspiration for every successive generation of poets and filmmakers.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
ITVS, Global Fund for Women, Spark and Women's Funding Network present a prescreening of issues doc 'Peace Unveiled,' part of a new PBS miniseries, 'Women, War & Peace,' launching this fall. Producer Abigail Disney and guests will be present for post-screening panel discussion. More info at pbs.org.
ITVS, Global Fund for Women, Spark and Women's Funding Network present a prescreening of issues doc 'Peace Unveiled,' part of a new PBS miniseries, 'Women, War & Peace,' launching this fall. Producer Abigail Disney and guests will be present for post-screening panel discussion. More info at pbs.org.
SFFS's bi-monthly forum and industry show-and-tell makes its first appearance at Film Society Cinema this Tuesday. Panel discussion will be moderated by music rights exec Brooke Wentz and feature Kim Aubry of Zoetrope Aubry productions alongside Academy Award-winning soundmen Michael Semanick and Richard Beggs. More info at sffs.org.
SFFS's bi-monthly forum and industry show-and-tell makes its first appearance at Film Society Cinema this Tuesday. Panel discussion will be moderated by music rights exec Brooke Wentz and feature Kim Aubry of Zoetrope Aubry productions alongside Academy Award-winning soundmen Michael Semanick and Richard Beggs. More info at sffs.org.
"The documentary, which aired last season on Independent Lens, reveals the work and wisdom of some of the most influential advertising creatives of our time." More at beyondthebox.org.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
After delighting audiences at this year's Frameline festival with its sexy, stylish update on the classic Hollywood screwball formula, 'Run Lola Run' director Tom Tykwer's '3' gets a full run at Sundance Kabuki and other venues around the Bay starting this Friday. More info sundancecinemas.com.
After delighting audiences at this year's Frameline festival with its sexy, stylish update on the classic Hollywood screwball formula, 'Run Lola Run' director Tom Tykwer's '3' gets a full run at Sundance Kabuki and other venues around the Bay starting this Friday. More info sundancecinemas.com.
SF Film Society | New People Cinema screens new films by Johnnie To, Bennie Chan, Alex Law and others in a new program celebrating one of cinema's most prolific cities. The Film Society launches the festival's inaugural year with a party at Superfrog gallery on Friday. More info sffs.org.
SF Film Society | New People Cinema screens new films by Johnnie To, Bennie Chan, Alex Law and others in a new program celebrating one of cinema's most prolific cities. The Film Society launches the festival's inaugural year with a party at Superfrog gallery on Friday. More info sffs.org.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Celebrating the grand opening of the SF Film Society | New People Cinema, a state-of-the-art venue for art, independent and world cinema, San Francisco Film Society offers an open house reception and ribbon cutting with food, drink, musical performances and screenings in the theater itself throughout the night. More info at sffs.org.
Peaches Christ and Dr. Carol Queen host the Sixth Annual Good Vibrations Indie Erotic Film Festival Short Film Competition this Thursday, boasting a Barbary Coast-themed party featuring food, drinks and an array of appropriately sexed-up performers and a curated screening of sexy short films from this year. Each event costs $10, more info castrotheatre.com.
Peaches Christ and Dr. Carol Queen host the Sixth Annual Good Vibrations Indie Erotic Film Festival Short Film Competition this Thursday, boasting a Barbary Coast-themed party featuring food, drinks and an array of appropriately sexed-up performers and a curated screening of sexy short films from this year. Each event costs $10, more info castrotheatre.com.
SFMOMA presents an hour-long program of contemporary artist Helga Fanderl's formalist silent Super 8mm shorts this Thursday. More info at sfmoma.org.
SFMOMA presents an hour-long program of contemporary artist Helga Fanderl's formalist silent Super 8mm shorts this Thursday. More info at sfmoma.org.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Dziga Vertov completed the epic documentary 'A Sixth Part of the World' after his ejection from the Cold War-era Soviet documentary film unit Sovkino. The breathtaking and broad-reaching doc, praised by revered experimentalist Chris Marker, screens Wednesday as part of PFA's annual avant-garde film program Alternative Visions. More info at bampfa.berkeley.edu.
Dziga Vertov completed the epic documentary 'A Sixth Part of the World' after his ejection from the Cold War-era Soviet documentary film unit Sovkino. The breathtaking and broad-reaching doc, praised by revered experimentalist Chris Marker, screens Wednesday as part of PFA's annual avant-garde film program Alternative Visions. More info at bampfa.berkeley.edu.
"Discovery Communications Inc. said it believes its new deal to distribute its shows over Netflix Inc.'s content-streaming service is an 'economic win,'" reports Maxwell Murphy, "and Discovery will learn from the pact lessons that will help shape its digital strategy." More at online.wsj.com.
"Brad Pitt, Academy Award winner Philip Seymour Hoffman and Oscar-winning screenwriter Aaron Sorkin were among those on the red carpet at the Paramount Theater in Oakland on Monday evening as Moneyball, the movie based on A's general manager Billy Beane and the 2002 Oakland team, made its national premiere," reports Susan Slusser. More at www.sfgate.com.
"The proposal for the 82,000-square-foot facility made public Wednesday evening comes 15 months after the university-owned institution restarted the effort to build itself a new home on the downtown edge of the UC Berkeley campus at Center and Oxford streets," reports John King. Read more at sfgate.com.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
SFIFF standout 'Aurora' screens at SF Film Society | New People Cinema starting this Friday. Following the lead set by his highly praised 2005 film, 'The Death of Mr. Lazarescu,' Cristi Puiu's latest is the blackest of comedies, exposing the anatomy of a crime to the smallest, most innocent detail. More info sffs.org.
Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...
Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...
SF's largest single screen shows a new restoration print of Martin Scorsese's grime classic, 'Taxi Driver.' Playing on the same double-bill is underseen noir 'Blast of Silence', an influence on filmmakers from Scorsese to Lars von Trier. More info at castrotheatre.com.
As a complement to this year's Bay Area Now program, YBCA screens two films about waste and the way it impacts our lives. 'Scrappers,' showing Thursday, tells the story of two scavengers eking out a living salvaging trash from Chicago's dumpsters and 'Waste Land,' playing Sunday, follows artist Vik Muniz to Brazil where he connects with pickers at the world's largest garbage dump. More info: ybca.org.
North Bay world, independent showcase ready to screen wide range of films in early October.
North Bay world, independent showcase ready to screen wide range of films in early October.
North Bay world, independent showcase ready to screen wide range of films in early October.
Gavin O'Connor does a remarkable job making his two-and-a-half-hour fight film gritty, involving and as credible as humanly possible.
Gavin O'Connor does a remarkable job making his two-and-a-half-hour fight film gritty, involving and as credible as humanly possible.
Gavin O'Connor does a remarkable job making his two-and-a-half-hour fight film gritty, involving and as credible as humanly possible.
Gavin O'Connor does a remarkable job making his two-and-a-half-hour fight film gritty, involving and as credible as humanly possible.
Maria Onetto quietly dazzles in Argentine film about a midlife jigsaw puzzler.
Maria Onetto quietly dazzles in Argentine film about a midlife jigsaw puzzler.
Maria Onetto quietly dazzles in Argentine film about a midlife jigsaw puzzler.
San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...
San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...
San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...
San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...
As an appreciation of George Kuchar's inspired presence, we offer up the filmmaker in his own words, excerpted from 'Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000.'
As an appreciation of George Kuchar's inspired presence, we offer up the filmmaker in his own words, excerpted from 'Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000.'
As an appreciation of George Kuchar's inspired presence, we offer up the filmmaker in his own words, excerpted from 'Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000.'
Priya Giri Desai documents matchmaking efforts for HIV-positives in India.
Priya Giri Desai documents matchmaking efforts for HIV-positives in India.
Priya Giri Desai documents matchmaking efforts for HIV-positives in India.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Center for Asian American Media and the Roxie team up to present Sion Sono's madcap masterpiece 'Love Exposure' for a limited run starting Friday. This nearly four-hour long absurdist experiment in maximalism trumps even the director's previous effort 'Suicide Club.' It's succeeded in Sono's bizarre oeuvre by 'Cold Fish,' which opens mid-month. More info at roxie.com.
Britta Sjogren gets a second chance to make a film about how people rebound from trauma.
Britta Sjogren gets a second chance to make a film about how people rebound from trauma.
Britta Sjogren gets a second chance to make a film about how people rebound from trauma.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
The Roy W. Dean Film and Writing Grants fund shorts, documentaries and low budget independent features. ELIGIBILITY: New film and video projects (including works-in-progress) that are unique and benefit the society. Student filmmakers, independent producers or independent production companies are all welcome. AWARDS: Winner gets a variety of awards including scholarships and cash prizes for different production fields. DEADLINE: August 30, 2011. WEBSITE: fromtheheartproductions.com/grant-lavideo.shtml.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
The Golden Gate Bridge remains in heavy rotation in sci-fi, action genres.
The Golden Gate Bridge remains in heavy rotation in sci-fi, action genres.
The Golden Gate Bridge remains in heavy rotation in sci-fi, action genres.
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Canonized director John Huston's 'The African Queen,' now mostly remembered for its tumultuous production history, was also the director's biggest grossing film, securing Humphrey Bogart his first Oscar for acting. The Alameda Theatre screens this battle-of-the-sexes classic on film Wednesday and Thursday only. More info at alamedatheatres.com.
The luxurious single-screen represents for its Castro neighbors, screening a mini-retrospective of Pedro Almodovar's sensitive and dynamic arthouse crankers. Viva Pedro opens with Gael García Bernal vehicle 'Bad Education' on Wednesday, finishing off with the excellent, underseen 'The Flower of My Secret' and 'Women on the Verge of a Nervous Breakdown' on Friday. More info at castrotheatre.com.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
UK Film Council, Emerging Pictures and the Mostly British Film Festival present a selection of new British films curated by Film Society of Lincoln Center. 'From Britain with Love' continues at Smith Rafael Film Center selected dates through September 18. More info at cafilm.org.
Placing well-timed humor in a documentary film can be a great way to open minds.
Placing well-timed humor in a documentary film can be a great way to open minds.
Placing well-timed humor in a documentary film can be a great way to open minds.
Connie Field makes a radical shift to verité filmmaking, accompanied by an equally momentous switch in fundraising strategy with her latest project.
Connie Field makes a radical shift to verité filmmaking, accompanied by an equally momentous switch in fundraising strategy with her latest project.
Connie Field makes a radical shift to verité filmmaking, accompanied by an equally momentous switch in fundraising strategy with her latest project.
Thrill ride 'Point Blank' loses nothing in translation—it's a prime example of cinematic globalization.
Thrill ride 'Point Blank' loses nothing in translation—it's a prime example of cinematic globalization.
Thrill ride 'Point Blank' loses nothing in translation—it's a prime example of cinematic globalization.
Disney animation director John Musker, responsible for 'The Little Mermaid,' 'Aladdin' and a number of other contemporary favorites, appears at The Walt Disney Family Museum to give a short demonstration of the craft of animation to youth ages 8-12. Older aficionados of the director's work can head to PFA on Wednesday for a lecture and presentation by Musker. More info at sffs.org and bampfa.berkeley.edu.
SFMOMA's Opera on Film series continues with a screening of Otto Preminger's 'Carmen Jones,' based on George Bizet's 'Carmen' but recast as a WWII-era yarn with an all-black cast featuring Harry Belafonte and Dorothy Dandridge, who received an Oscar nom for her performance. Screening will be preceded by an introduction and live performance by entrancing New York artist Kalup Linzy. More info at sfmoma.org.
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
John Michael McDonagh's first feature echos the blackly comedic tenor of his ('In Bruges') brother Martin's oeuvre.
John Michael McDonagh's first feature echos the blackly comedic tenor of his ('In Bruges') brother Martin's oeuvre.
John Michael McDonagh's first feature echos the blackly comedic tenor of his ('In Bruges') brother Martin's oeuvre.
Writes Leah Garchik, "Graham Leggat had said that it probably would be a small group, a gathering of a few friends he'd asked to come to Tosca on Tuesday night to see him. But Leggat, who a month ago stepped down as executive director of the San Francisco Film Society because of illness, has more than a few friends. And it seemed almost all of them wanted to see him, to thank him for what he'd accomplished in six years and, more than that, to embrace him with family-like affection." More at sfgate.com.
Berry Minott's work-in-progress travels to Guam seeking a cure, puzzling over scientific mystery.
Berry Minott's work-in-progress travels to Guam seeking a cure, puzzling over scientific mystery.
Berry Minott's work-in-progress travels to Guam seeking a cure, puzzling over scientific mystery.
Critics from the Bay Area and beyond weigh in on the weekend's openings.
Critics from the Bay Area and beyond weigh in on the weekend's openings.
Critics from the Bay Area and beyond weigh in on the weekend's openings.
Smith Rafael presents a pre-release screening of 'Finding Joe,' a new doc centered around the teachings and discoveries of universal mythologist and screenwriter's savior Joseph Campbell, featuring appearances by artists and celebs, including Mick Fleetwood, Catherine Hardwicke, Deepak Chopra and others. Filmmaker Patrick Takaya Solomon and Joseph Campbell Foundation's Robert Walter will be in attendance for a discussion following the screening. More info at cafilm.org.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The planned "reversal" gives documentary filmmakers a means to build drama from otherwise anti-climactic moments.
The planned "reversal" gives documentary filmmakers a means to build drama from otherwise anti-climactic moments.
The planned "reversal" gives documentary filmmakers a means to build drama from otherwise anti-climactic moments.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Filmmaker talks about Chicago, identity, music and the making of ‘Polish Bar.’
Filmmaker talks about Chicago, identity, music and the making of ‘Polish Bar.’
Filmmaker talks about Chicago, identity, music and the making of ‘Polish Bar.’
SFFS presents the work of pioneering software artist Marius Watz, who uses digital processes and authored algorithms to “automatically” produce numerous types of media including video, still imagery and sculpture through semi-autonomous software systems, as part of its KinoTek series. Look for sci-fi writer/theorist Bruce Sterling's essay on Watz in Thursday's SF360.org. Events: An exhibition in Super Frog Gallery at New People opens July 22; Artist Talk, July 26; Master Class, July 27. More at sffs.org.
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
SF Museum of Modern Art's Opera on Film series screens Jean-Jacques Beineix's under-appreciated 'Diva' on Thursday. The Caesar Award-winning romance/thriller hybrid deftly handles a complex, opera-centric plot littered with brilliant pop-art inspired chase scenes and features a number of standout performances, including those by Jeunet regular Dominique Pinon and real-life opera singer Wilhelmenia Wiggins Fernandez. More info sfmoma.org.
"Balboa Theatre operator Gary Meyer said Wednesday that this summer will be his last at the Richmond District movie house, leaving the future of the scrappy independent theater in doubt," reports Peter Hartlaub. More at sfgate.com.
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Pacific Film Archive’s ‘Hands Up! Essential Skolimowski’ surveys the Polish director’s confounding oeuvre.
Pacific Film Archive’s ‘Hands Up! Essential Skolimowski’ surveys the Polish director’s confounding oeuvre.
Pacific Film Archive’s ‘Hands Up! Essential Skolimowski’ surveys the Polish director’s confounding oeuvre.
Actor’s first documentary outing pays tribute to Quest’s influence.
Actor’s first documentary outing pays tribute to Quest’s influence.
Actor’s first documentary outing pays tribute to Quest’s influence.
Actor’s first documentary outing pays tribute to Quest’s influence.
Actor’s first documentary outing pays tribute to Quest’s influence.
Actor’s first documentary outing pays tribute to Quest’s influence.
San Francisco Silent Film Festival features the work of the most important female director of the silent era, Lois Weber.
San Francisco Silent Film Festival features the work of the most important female director of the silent era, Lois Weber.
San Francisco Silent Film Festival features the work of the most important female director of the silent era, Lois Weber.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
Chusy Jardine has set out to tell the Andres Torres ADHD-to-World Series glory story in a feature-length documentary.
Chusy Jardine has set out to tell the Andres Torres ADHD-to-World Series glory story in a feature-length documentary.
Chusy Jardine has set out to tell the Andres Torres ADHD-to-World Series glory story in a feature-length documentary.
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
Fascinating SFIFF-screened doc 'Page One: Inside the New York Times' starts its run at Smith Rafael Film Center this Friday. More at cafilm.org. (It also continues at other Bay Area theaters.)
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
A film festival and conference offered audiences and makers opportunities to move forward.
A film festival and conference offered audiences and makers opportunities to move forward.
A film festival and conference offered audiences and makers opportunities to move forward.
Press release: The Ninth Street Independent Film Center announced today five new participants for the Center's Media Arts Incubator Program for 2011-2012. "This is a great group of participants," says Skye Christensen, Executive Director of the Ninth Street Independent Film Center. "Each brings a very dynamic project to the Program, and we're really looking forward to what they'll accomplish during their time here." Ninth Street’s Media Arts Incubator Program is designed to nurture socially relevant independent media projects at Ninth Street Independent Film Center. The Incubator Program supports independent filmmakers, start-up film festivals and small media nonprofits through access to workspace and shared resources, such as cross-promotional opportunities, co-productions, affordable meeting or exhibition space and community connections with established media arts partners (Center for Asian American Media, Frameline, San Francisco Jewish Film Festival, and others). Participants are: Rachel Caplan (CEO) and Daniela Rible (Deputy Director) of the annual SF Green Film Festival; Jennifer Tipton and Cary McQueen Morrow, the directors of Art with Impact, which is a platform for the creation of new media on critical social issues; David Evan Harris, Executive Director of the Global Lives Project, a media arts nonprofit that seeks to collaboratively build a video library of human life experience; Scarlett Shepard is Executive Director of the SF Women’s Film Festival; and J.R. Flemming, director and producer of Guarding Dogs, which is a documentary film with a crowd-sourcing model currently in production that makes the case for adopting a dog instead breeding/buying.
Award-winning 2010 doc 'Cultures of Resistance' captures the ways artists, musicians and other cultural producers create political change through art, from Iran to China to other points worldwide. The event features a live interview with director Iara Lee via Skype after screening; ticket sales benefit clean water efforts for children in Gaza. Plays at Berkeley City College. More at mecaforpeace.org.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Rick Minnick, oldest son a middle-aged father of five who started a new life after suffering from amnesia, returns to California in an attempt to discover the truth behind his father's disappearance in this haunting doc. Minnick and some film subjects will be present for Q&A at both screenings. More at redvic.com.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
Prolific producer, art-house fave and proponent of "radical banality" Hong Sang-Soo juxtaposes moments from a young woman's relationships with two men, a year apart, in the formalist comedy/romance ‘Oki's Movie.’ Screens at Yerba Buena Center for the Arts. More at ybca.org.
Louie Psihoyos' and Roc O'Barry's immersive, award-winning eco-doc 'The Cove' screens with a live performance by Bob Weir of the Grateful Dead and post-film discussion with both directors at the Smith Rafael. Ticket sales benefit the Earth Island Institute and Save Japan Dolphins. More at cafilm.org.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Lucien Castaing-Taylor and Ilisa Barbash's beautiful 'Sweetgrass' plays during a special event at the Oakland Museum, 1:00 pm, and features a live appearance by the starring species: sheep, who will be sheared by farmer Joe Sanchez, as part of Felt. More at museumca.org.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
One film was not enough to quench Frans Weisz’s fascination with Nazi-era artist Charlotte Salomon.
One film was not enough to quench Frans Weisz’s fascination with Nazi-era artist Charlotte Salomon.
One film was not enough to quench Frans Weisz’s fascination with Nazi-era artist Charlotte Salomon.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
Throughout the month of June, Pacific Film Archive features a half century of alternately feverish, dark, confessional, parodic work from filmmaker brothers George and Mike Kuchar, starting with their 1965 feature, ‘Sins of the Fleshapoids,’ at which Mike Kuchar appears in person. More at bampfa.berkeley.edu.
Arthur Penn is the focus of a monthlong series at Pacific Film Archive, beginning with 1958’s Gore Vidal-written revisionist Western, ‘The Left Handed Gun,’ which features Paul Newman. More at bampfa.berkeley.edu.
David Meiklejohn’s first feature-length documentary, ‘My Heart Is An Idiot,’ which follows Davy Rothbart as he travels and receives love-life advice from those he encounters, plays at Roxie Theater. Zooey Deschanel, Ira Glass, Newt Gingrich and Davy’s mom are among those contributing thoughts. More at roxie.com.
David Meiklejohn’s first feature-length documentary, ‘My Heart Is An Idiot,’ which follows Davy Rothbart as he travels and receives love-life advice from those he encounters, plays at Roxie Theater. Zooey Deschanel, Ira Glass, Newt Gingrich and Davy’s mom are among those contributing thoughts. More at roxie.com.
Ben Sombogaart’s ‘Bride Flight’ opens at Smith Rafael Film Center. The Dutch feature pursues drama in the stories of three women taking a plane flight to meet their awaiting fiancés. More at cafilm.org.
Press release: Fandor, a new on-demand provider of independent films, along with distributors Kino Lorber and Microcinema International, today announced it is pioneering the coordinated theatrical and digital premier, a first for the industry. The first film to be released under the coordinated theatrical and digital premier paradigm will be the June 15 re-release of 'David Holzman's Diary.' More at microcinema.com and fandor.com.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
A documentary digs into New York's 'No Wave' movement that briefly flourished in the late 1970s and early ’80s.
A documentary digs into New York's 'No Wave' movement that briefly flourished in the late 1970s and early ’80s.
A documentary digs into New York's 'No Wave' movement that briefly flourished in the late 1970s and early ’80s.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
Josh Shelov’s comedy ‘The Best & The Brightest’ plays at Roxie Theater before its wide release this summer. The film features Neil Patrick Harris and Bonnie Somerville as yuppies from New York fighting to get their daughter into an elitist private kindergarten. More at roxie.com.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
Viz Cinema at New People hosts their third fundraiser event, presenting the Japanese film ‘Kamikaze Girls.’ Proceeds benefit Northern Japan Earthquake Relief Funds. More at newpeopleworld.com.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.
A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.
A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.
The vivid mindscapes of Allen Ginsberg's poems come to radical life in Rob Epstein and Jeffrey Friedman's James Franco-fied 'Howl' via the art of Ginsberg collaborator Eric Drooker. The Cartoon Art Museum showcases 'The Art of Howl,' with Drooker's work, storyboards, photos and multimedia. More at cartoonart.org.
John Antonelli finds good news, bad news and plenty of drama in African environmental stories.
John Antonelli finds good news, bad news and plenty of drama in African environmental stories.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
Viz Cinema at New People hosts the Legacy Film Festival on Aging, offering three days of shorts and features from around the world that deal with the difficulties and appreciation of growing older. The program begins with ‘Ruth Awasa: Roots of an Artist,’ a documentary about the famous artist, with director Bob Toy and Ruth’s children in attendance for a Q&A following the screening. More at newpeopleworld.com.
Director Claude Marks participates in a discussion following the screening of his film, ‘COINTELPRO 101,’ which presents the history and impact of the FBI Counter Intelligence Program. More at redvicmoviehouse.com.
'Zoo' director Robinson Devor uncovers the strange history behind the Gerald Ford assassination attempt in ’70s San Francisco.
'Zoo' director Robinson Devor uncovers the strange history behind the Gerald Ford assassination attempt in ’70s San Francisco.
'Zoo' director Robinson Devor uncovers the strange history behind the Gerald Ford assassination attempt in ’70s San Francisco.
The best advice for creating the perfect Act III? Surprise yourself.
The best advice for creating the perfect Act III? Surprise yourself.
The best advice for creating the perfect Act III? Surprise yourself.
Castro Theatre hosts the final evening of SFIFF54, which features Mathieu Amalric’s ‘On Tour,’ a film that tells the story of a has-been French TV producer who stages his comeback with burlesque performers. A party follows at The Factory. More at fest11.sffs.org.
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Red Vic Movie House presents ‘William Burroughs: A Man Within,’ a documentary that offers a look into the life of one of the first writers to address queer and drag culture in the '50s. Director Yony Leyser participates in a Q&A following select showings. More at redvicmoviehouse.com.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Writers for the Festival’s daily ‘Scoop’ capture live director-audience interactions.
Writers for the Festival’s daily ‘Scoop’ capture live director-audience interactions.
Writers for the Festival’s daily ‘Scoop’ capture live director-audience interactions.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
San Francisco International Film Festival’s 2011 Centerpiece selection, ‘Terri,’ featuring John C. Reilly as a vice principle who befriends an insecure junior high student, plays at Sundance Kabuki Cinemas with director Azazel Jacobs and actor Jacob Wysocki in attendance. The evening’s after party is at Clift's Velvet Room. More at fest11.sffs.org.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Lynn Hershman Leeson's decades-in-the-making documentary about women artists taking on the establishment debuts at the festival Saturday, April 23, with a San Francisco Museum of Modern Art screening, and plays again Monday, April 25, at the Pacific Film Archive. More at fest11.sffs.org.
Press release: The San Francisco Film Society announced today that Terence Stamp will be the recipient of the Peter J. Owens Award at the 54th San Francisco International Film Festival (April 21–May 5). The Owens Award, named for the longtime San Francisco benefactor of arts and charitable organizations and Film Society board member, honors an actor whose work exemplifies brilliance, independence and integrity. The award will be presented to Stamp at Film Society Awards Night, Thursday, April 28 at Bimbo’s 365 Club. More at fest11.sffs.org.
The 54th San Francisco International Film Festival opens with a film about fresh starts, in the form of a 75-year-old living life romantically, possibly for the first time, in Mike Mills' 'Beginners.' One can't go wrong with a cast featuring Ewan McGregor, Christopher Plummer and Melanie Laurent. Better: Mills and McGregor are present. A party follows at Terra Gallery. More at fest.sffs.org.
In celebration of the upcoming Turner Classic Movies Film Festival in Hollywood, Castro Theatre participates in the one-night nationwide Road to Hollywood Tour with a free screening of ‘Elmer Gantry.’ Turner Classic Movies host Ben Mankiewicz and Academy Award winner Shirley Jones are present. Tickets are acquired through tcm.com/roadtohollywood. More at castrotheatre.com.
Roxie Theater hosts Playback: ATA Film & Video Festival 2006-2010, a one-day event that showcases a selection of short films from the experimental media arts gallery. More at roxie.com.
Reports Peter Knegt: "Academy Award-nominated documentary filmmaker Tim Hetherington has been killed in Libya, it is being reported by Vanity Fair (where Hetherington worked as a contributing photographer)." More at indieWIRE.com.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
Pacific Film Archive's Patricio Guzmán series continues with ‘The Pinochet Case’ and ‘Chile, Obstinate Memory.’ Later this month, Guzman's latest, a poignant and provocative reflection called 'Nostalgia for the Light,' closes the collection and screens as part of the San Francisco International Film Festival, April 26 and 28. More at bampfa.berkeley.edu and fest11.sffs.org.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Press release: Current TV is launching a new pro-social program, called 'The Current Cause,' which invites both amateur and professional filmmakers to create promotional spots focusing on pro-social themes and organizations. The program focuses on a different theme every quarter, beginning with a sustainability-themed "Earth Fights Back" initiative to commemorate Earth Day 2011. More at current.com/cause.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
Yerba Buena Center for the Arts hosts and dGenerate Films and Fandor present ‘Fearless: Independent Chinese Documentaries,’ which features six independent Chinese political docs; continuing this week with 'Tape' (April 7), 'Ghost Town' (April 10) and '1428' (pictured, April 14). More at ybca.org.
Mission Cultural Center presents Catherine Murphy’s ‘Maestra,’ a 30-minute documentary that follows female literacy workers in Cuba. Murphy and former literacy campaign teacher Norma Guillard participate in a Q&A with film critic B. Ruby Rich following the film. More at missionculturalcenter.org.
Hester Schell’s ‘Casting Revealed’ helps filmmakers hire quality actors.
Hester Schell’s ‘Casting Revealed’ helps filmmakers hire quality actors.
Hester Schell’s ‘Casting Revealed’ helps filmmakers hire quality actors.
Tiffany Shlain keynotes a discussion of education and opportunity, while panelists Mark Decena, Rob Epstein, Barry Jenkins, Lexi Leban and Jenni Olson share their experiences and stories of how they’ve sustained their careers over time. It begins at 7:30 pm at the Lab. More at sffs.org.
IndieWIRE reports: "With the sheer number of arts-related events in San Francisco, one might mistake the city as one of America’s largest metropolises, but in fact it’s California’s fourth largest city. San Francisco has however had a long tradition of embracing arts on the cusp, reflecting its vibrant and diverse citizens." More at indieWIRE.com.
Ozon's Deneuve vehicle, filled with comedy and politics, travels well.
Ozon's Deneuve vehicle, filled with comedy and politics, travels well.
Ozon's Deneuve vehicle, filled with comedy and politics, travels well.
SFMOMA's Eadweard Muybridge exhibit is essential viewing for Bay Area film lovers. More than 150 years after Eadweard Muybridge set up shop on Montgomery Street, San Francisco Museum Modern Art is featuring a splendid retrospective of the photographer’s work just a few blocks away. A tireless self-promoter with chutzpah enough to adapt “Helios” as a nom de plume early in his career (this after already having left “Muggeridge” behind in England), Muybridge would surely have been pleased by this showcase. From A Trip Down Market Street
SFMOMA's Eadweard Muybridge exhibit is essential viewing for Bay Area film lovers. More than 150 years after Eadweard Muybridge set up shop on Montgomery Street, San Francisco Museum Modern Art is featuring a splendid retrospective of the photographer’s work just a few blocks away. A tireless self-promoter with chutzpah enough to adapt “Helios” as a nom de plume early in his career (this after already having left “Muggeridge” behind in England), Muybridge would surely have been pleased by this showcase. From A Trip Down Market Street
Behind the Scenes: Art director Patricia Woodbridge introduces ‘I Am Legend’ at Pacific Film Archive with a formal discussion of her work on that film and others on March 31. SFFS hosts Woodbridge at Ninth Street Independent Film Center for a Master Class on April 2, and then she returns to PFA to informally present ‘Shutter Island,’ on April 3. More at bampfa.berkeley.edu and sffs.org.
SFMOMA's Eadweard Muybridge exhibit is essential viewing for Bay Area film lovers. More than 150 years after Eadweard Muybridge set up shop on Montgomery Street, San Francisco Museum Modern Art is featuring a splendid retrospective of the photographer’s work just a few blocks away. A tireless self-promoter with chutzpah enough to adapt “Helios” as a nom de plume early in his career (this after already having left “Muggeridge” behind in England), Muybridge would surely have been pleased by this showcase. From A Trip Down Market Street
SFMOMA's Eadweard Muybridge exhibit is essential viewing for Bay Area film lovers. More than 150 years after Eadweard Muybridge set up shop on Montgomery Street, San Francisco Museum Modern Art is featuring a splendid retrospective of the photographer’s work just a few blocks away. A tireless self-promoter with chutzpah enough to adapt “Helios” as a nom de plume early in his career (this after already having left “Muggeridge” behind in England), Muybridge would surely have been pleased by this showcase. From A Trip Down Market Street
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
New People at Viz Cinema hosts three showings of ‘Hula Girls,’ a 2006 film based in the recently devastated Fukushima, Japan. Showings are free, but donations of $10, which will go directly to Japanese earthquake relief funds, are requested. More at newpeopleworld.com.
Director Taggart Siegel participates in a Q&A at Roxie Theater following the evening showings on March 25, 27 and 28 of his recent documentary, ‘Queen of the Sun: What are the Bees Telling Us?,’ which examines the recent global disappearance of bees. More at roxie.com.
Screenwriter Oscar Torres appears in person at Mission Cultural Center to talk following his award winning film ‘Voces Inocentes,’ based on Torres’ real-life tale of growing up and avoiding mandatory army recruitment in San Salvador. More at missionculturalcenter.org.
Ron Merk sends a San Francisco-set series into the ring.
Ron Merk sends a San Francisco-set series into the ring.
Ron Merk sends a San Francisco-set series into the ring.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
Xavier Dolan’s ‘Heartbeats,’ the 2010 Winner of Un Certain Regard Youth Prize at Cannes International Film Festival, opens at Landmark Theatres in San Francisco and Landmark’s Shattuck Cinemas. The film follows two best friends and their attempt to attain the affection of a charming man they’ve just met. More at landmarktheatres.com.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
Oscar-winning visual effects supervisor Craig Barron and Oscar-winning sound designer Ben Burtt reveal the special effects used in 1939s ‘Tarzan Finds a Son!’ and present live audio demonstrations. The event takes place at Smith Rafael Film Center and is presented by Science and Technology Council of the Academy of Motion Picture Arts and Sciences. More at cafilm.org.
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
Jason Wolos builds a drama about family and food with a few key ingredients.
Jason Wolos builds a drama about family and food with a few key ingredients.
Jason Wolos builds a drama about family and food with a few key ingredients.
Pacific Film Archive offers the latest in their Alternative Visions series with Images of Nature, or The Nature of the Image: Canadian Artists at Work, which explores the techniques and strategies utilized by four decades of Canadian short films as they showcase images of nature and Canadian landscapes. More at bampfa.berkeley.edu.
Jason Wolos builds a drama about family and food with a few key ingredients.
Jason Wolos builds a drama about family and food with a few key ingredients.
Jason Wolos builds a drama about family and food with a few key ingredients.
Breaking down the common licensing terms.
Breaking down the common licensing terms.
Breaking down the common licensing terms.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
San Francisco Museum of Modern Art and Castro Theatre present ‘Exposed on Film,’ a three-day series featuring films that explore the themes presented in the concurrent San Francisco Museum of Modern Art’s exhibit, Exposed: Voyeurism, Surveillance and the Camera Since 1870, including Warhol's 'The Nude Restaurant,' Antonioni's 'Blow Up' and David Lynch's 'Lost Highway.' More at castrotheatre.com and sfmoma.org.
Press release: The 54th San Francisco International Film Festival (April 21 - May 5) today announced its documentaries in competition for the Golden Gate Awards and films in competition for the New Directors Prize. The International will award close to $100,000 in total prizes this year. Sixty thousand dollars will be awarded to winners in three categories: investigative documentary feature ($25,000), documentary feature ($20,000) and Bay Area documentary feature ($15,000). The New Directors Prize of $15,000 is given to a narrative first feature that exhibits a unique artistic sensibility and deserves to be seen by as wide an audience as possible. Seventeen countries contributed to the production of the 11 films in this year's competition. Click through for titles or visit sffs.org.
Build an action picture with a poor script? At your own risk.
Build an action picture with a poor script? At your own risk.
Build an action picture with a poor script? At your own risk.
Reuters: "'Toy Story 3' won the Oscar for animated feature on Sunday, becoming the fourth Pixar release to win the category in as many years." More at reuters.com.
SFFS Artist in Residence speaks on cities, Siberia, family and life in the Middle East.
SFFS Artist in Residence speaks on cities, Siberia, family and life in the Middle East.
SFFS Artist in Residence speaks on cities, Siberia, family and life in the Middle East.
As part of Laurel Nakadate: Fever Dreams, photographer and filmmaker Nakadate appears in person at the Roxie Theater for a Q&A following a double-feature of her transfixing, transforming feature-length films, including 2010's 'The Wolf Knife' and 2009's 'Stay the Same Never Change.' More, including info on Nakadate work on display in the Mission, at sffs.org.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
A festival whose curation was called "stupefyingly good" by Dennis Harvey in SF360.org last week, the Noise Pop Film Series complements the live music it's meant to accompany as the likes of Feist, Devendra Banhart and Tom Ze cross the screen. More at 2011.noisepop.com/film.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
A filmmaker delves deep into the process of embodying 'madness' in movie form.
A filmmaker delves deep into the process of embodying 'madness' in movie form.
A filmmaker delves deep into the process of embodying 'madness' in movie form.
Variety: "Marking another acquisition partnership coming out of the Sundance Film Festival, Roadside Attractions will team with Participant Media," handling U.S. theatrical distribution rights of writer and director Maryam Keshavarz's Iranian drama 'Circumstance.' More at variety.com.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Neither tragedy nor grand romance, 'Come Undone' captures an evocative everyday mess.
Neither tragedy nor grand romance, 'Come Undone' captures an evocative everyday mess.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
Roxie Theater hosts the 13th SF Indiefest, which presents 15 raucous days of both feature and short independent films. Opening Night features Gregg Araki’s ‘Kaboom,’ with an afterparty at CELLspace and live music. More at sfindie.com.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
An expert offers advice on solving the issues rough-cut screenings raise.
An expert offers advice on solving the issues rough-cut screenings raise.
An expert offers advice on solving the issues rough-cut screenings raise.
Reports indieWIRE: "Oprah Winfrey Network has added another member to its Documentary Film Club with Yoav Potash’s “Crime After Crime,” which premiered at the Sundance Film Festival in the U.S. Documentary Competition." More at indiewire.com.
The Roxie showcases filmmaker and educator George Kuchar with ‘By, For and About George Kuchar,’ including a Frankenstein series recently completed with his San Francisco Art Institute students, a selection of his shorts and Jennifer Kroot’s 2009 documentary, ‘It Came From Kuchar.’ More at roxie.com.
Pacific Film Archive Theater hosts the African Film Festival 2011, presenting popular documentary and narrative films from eight African countries. The festival begins with Remi Vaughan-Richards’ 2010 ‘One Small Step.’
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
The final week of Noir City plays at Castro Theatre. Two Film Noir features play nightly through January 30, ending with 1952’s ‘Angel Face’ and 1948’s ‘The Hunted.’ More at castrotheatre.com.
The Red Lantern Meetup group brings Asian film fans together.
The Red Lantern Meetup group brings Asian film fans together.
The Red Lantern Meetup group brings Asian film fans together.
Jordan Biren, Tony Labat and Anne McGuire appear in person for the Radical Light program Post-Conceptual Performance: Video, 1977 to 1997, which looks at the artist's body as the medium in works by Biren, McGuire, Labat, Leslie Singer, Doug Hall and Cecilia Dougherty. More at press.bampfa.berkeley.edu/radical.
A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.
A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.
A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.
Yerba Buena Center for the Arts offers the latest by Pedro Costa, what they call a "ravishing, entrancing study of light, shadow and voice" from the Portuguese filmmaker. More at ybca.org.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Pacific Film Archive Theater and UC Berkeley’s Department of Film and Media present Jean Cocteau’s 1946 ‘Beauty and the Beast.’ A lecture by Professor Russell Merritt follows. More at bampfa.berkeley.edu.
SF Chronicle: "It was creative projects like 'The Revolutionary Optimists'," writes Benny Evangelista, "that helped the nonprofit San Francisco organization, which advocates social change through the integration fo storytelling with the latest media technologies, win a $1 million grant from the John D. and Catherine T. MacArthur Foundation." More at sfgate.com.
Press release: The San Francisco Film Society will present Fever Dreams: Laurel Nakadate, a multiplatform presentation of the work of American multimedia artist Laurel Nakadate, February 23–March 2. Fever Dreams kicks off KinoTek 2011–12, an eclectic series of programs dedicated to cross-platform and emergent media, supported by a two-year, $80,000 grant from the Andy Warhol Foundation for the Visual Arts. More at sffs.org.
Roxie Theater presents ‘Genghis Blues,’ Roko Belic’s 1999 Oscar nominated Best Documentary feature about the unlikely throat-singing champion Paul Pena. Current throat-singing artist Kongar-Ol Ondar attends and performs following the feature. More at roxie.com.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Sofia Coppola's 'Somewhere' nails the spiritual erosion of constant, effortless indulgence.
Sofia Coppola's 'Somewhere' nails the spiritual erosion of constant, effortless indulgence.
Sofia Coppola's 'Somewhere' nails the spiritual erosion of constant, effortless indulgence.
Castro Theatre hosts the German Gems Film Festival, a three day event showcasing recent German features, shorts and documentaries. It begins on Friday with ‘Mahler On The Couch,' a feature directed by father and son team Percy and Felix Adlon, with an Opening Night after party following. More at castrotheatre.com.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
Rachel Nanstad finds a unique American story in the Reed Sisters' musical act.
Rachel Nanstad finds a unique American story in the Reed Sisters' musical act.
Rachel Nanstad finds a unique American story in the Reed Sisters' musical act.
An Asian cinema talk-radio show broadcasts from San Mateo to the world.
An Asian cinema talk-radio show broadcasts from San Mateo to the world.
An Asian cinema talk-radio show broadcasts from San Mateo to the world.
The Castro Theatre hosts six days of double features from the unsurpassed master of suspense, Alfred Hitchcock. The series starts with two of the finest films from Hitchcock’s late British period, ‘The Lady Vanishes’ and ‘The 39 Steps.’ More at castrotheatre.com.
The Film on Film Foundation and Oddball Film and Video offer a little financial advice to start the new year with their program of 16mm ’70s-era shorts, ‘In It For the Money: Short Films You Can Take to the Bank.’ The program plays at 8:00 p.m., Oddball Films, 275 Capp St. More at filmonfilm.org and oddballfilm.com.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
The life story of Pakistani politician Benazir Bhutto, the first ever female leader in a Muslim nation, is examined in ‘Bhutto,’ which plays at the Smith Rafael, Clay and Shattuck, with in person filmmaker appearances at select screenings over the weekend. More at caflim.org and landmarktheatres.com.
The Rec Vic hosts a second run of Alex Gibney’s ‘Client 9: The Rise and Fall of Eliot Spitzer,’ which chronicles the accomplishments and scandals surrounding the once popular New York politician. More at redvicmoviehouse.com.
Rough-cut screenings can help you identify problems areas of your film—if you know how to listen.
Rough-cut screenings can help you identify problems areas of your film—if you know how to listen.
Rough-cut screenings can help you identify problems areas of your film—if you know how to listen.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
David Lindsay-Abaire adapts his Pulitzer Prize-winning play for the big screen in director John Cameron Mitchell’s ‘Rabbit Hole,’ the story of a husband and wife struggling to gain control over their lives after a devastating accident. More at landmarktheatres.com.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Waters’ live Christmas show at the Roxie raised money for San Francisco’s oldest continuously operating theater as it moves full-steam into its second century.
Waters’ live Christmas show at the Roxie raised money for San Francisco’s oldest continuously operating theater as it moves full-steam into its second century.
Waters’ live Christmas show at the Roxie raised money for San Francisco’s oldest continuously operating theater as it moves full-steam into its second century.
SF Chronicle: "To attract more motion pictures and commercials to shoot in the city, the Film Commission today launched the Scene in San Francisco Vendor Discount Program offering participating productions discounts at businesses from restaurants and hotels to fitness clubs and entertainment venues." More at SFGate.
The Mountain Goats offer an original score for Mauritz Stiller's rambunctious adventure-turned tragedy/morality tale of 1919.
The Mountain Goats offer an original score for Mauritz Stiller's rambunctious adventure-turned tragedy/morality tale of 1919.
The Mountain Goats offer an original score for Mauritz Stiller's rambunctious adventure-turned tragedy/morality tale of 1919.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
This popular Oakland Museum of California exhibition is an all encompassing look at the world’s leading animation studio and includes artwork from 'Ratatouille', 'Wall E', 'Up' and 'Toy Story 3.' More at museumca.org
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
The former Saturday Night Live player was an essential element to some of the most memorable moments in the show’s recent history. In 2009 the actress displayed her versatility in the Sam Mendes-directed ‘Away We Go,’ costarring with John Krasinski. Maya Rudolph discusses her career as a comedienne with Bay Area broadcasting veteran Paul Lancour at Herbst Theater. More at cityarts.net.
When structuring a screenplay, sometimes you need to leave the "advice" behind.
When structuring a screenplay, sometimes you need to leave the "advice" behind.
When structuring a screenplay, sometimes you need to leave the "advice" behind.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
The mutli-talented Nora Ephron is credited to some of the most beloved romantic comedies of all time and recently won praise for last year’s ‘Julie and Julia.’ The journalist/screenwriter/director/author discusses life and her latest book, ‘I Remember Nothing: and Other Reflections’ with Bay Area broadcasting veteran Paul Lancour. More at cityarts.net.
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
The story of 17th-century ninja who makes the dangerous decision to run from his own clan, ‘Kamui Gaiden’ is one of Japan’s most expensive movies in history and brings Sampei Shirato’s celebrated '70s comic to the big screen as part of The Red Lantern: Bay Area Asian Cinephiles film series. More at newpeopleworld.com.
San Francisco Film Society celebrates Italy’s freshest film offerings in the New Italian Cinema series at Landmark’s Embarcadero Center Cinema. Films new and old from director Ferzan Ozpetek begin the weeklong festival, which focuses on a diverse group of work from some of Italy’s most gifted filmmakers, many appearing in person. Opening Night is Ozpetek’s most recent, ‘Loose Cannons,’ which precedes a party at Cigar Bar & Grill, 850 Montgomery Street. More at sffs.org.
"Following its world premiere at this year’s Toronto International Film Festival (TIFF) in September, Lynn Hershman Leeson’s '!Women Art Revolution' has been acquired by Zeitgeist Films for North American distribution," reports Nigel M. Smith. More at indiewire.com.
Laws and treaties protect artists' rights overseas and make the permissions-gathering process all the more important for filmmakers.
Laws and treaties protect artists' rights overseas and make the permissions-gathering process all the more important for filmmakers.
Laws and treaties protect artists' rights overseas and make the permissions-gathering process all the more important for filmmakers.
Writer-director Todd Solondz revisits familiar themes and characters in his latest offering, a sequel to 1998’s critically acclaimed ‘Happiness.’ In ‘Life During Wartime’ Solondz proves he is one dark comedy’s most serious players as he further dissects the struggles of the Jordan family. Plays at the Red Vic on $7 night. More at redvicmoviehouse.com.
San Francisco Film Society’s New Italian Cinema series wraps up this week at Landmark’s Embarcadero Center Cinema. Upcoming films include Giuseppe Capatondi’s thriller ‘The Double Hour’ and Luis Prieto’s heartfelt drama, ‘I Am Glad You Are Here’ (pictured). The Closing Night film is Paolo Virzì’s ‘The First Beautiful Thing’ with a reception at Fior d’Italia, 2237 Mason Street. More at sffs.org.
From 'Tongues Untied' to 'Black Is.....Black Ain't,' Marlon Riggs' art was a series of radical acts that were both overdue and ahead of their time. Two decades ago, in post-Reagan America, the arts were under fire—one lit by a very particular religious right match. Feeling the heat was the National Endowment for the Arts, a then 25-year-old institution already pretty pitifully funded by comparison with most other developed nations’ governmental arts support. But the small portion of NEA grants that helped avant-garde or otherwise edgy art—as opposed to, say, the local Gilbert & Sullivan society or annual craft fair—provided plenty of opportunities...
From 'Tongues Untied' to 'Black Is.....Black Ain't,' Marlon Riggs' art was a series of radical acts that were both overdue and ahead of their time. Two decades ago, in post-Reagan America, the arts were under fire—one lit by a very particular religious right match. Feeling the heat was the National Endowment for the Arts, a then 25-year-old institution already pretty pitifully funded by comparison with most other developed nations’ governmental arts support. But the small portion of NEA grants that helped avant-garde or otherwise edgy art—as opposed to, say, the local Gilbert & Sullivan society or annual craft fair—provided plenty of opportunities...
From 'Tongues Untied' to 'Black Is.....Black Ain't,' Marlon Riggs' art was a series of radical acts that were both overdue and ahead of their time. Two decades ago, in post-Reagan America, the arts were under fire—one lit by a very particular religious right match. Feeling the heat was the National Endowment for the Arts, a then 25-year-old institution already pretty pitifully funded by comparison with most other developed nations’ governmental arts support. But the small portion of NEA grants that helped avant-garde or otherwise edgy art—as opposed to, say, the local Gilbert & Sullivan society or annual craft fair—provided plenty of opportunities...
From 'Tongues Untied' to 'Black Is.....Black Ain't,' Marlon Riggs' art was a series of radical acts that were both overdue and ahead of their time. Two decades ago, in post-Reagan America, the arts were under fire—one lit by a very particular religious right match. Feeling the heat was the National Endowment for the Arts, a then 25-year-old institution already pretty pitifully funded by comparison with most other developed nations’ governmental arts support. But the small portion of NEA grants that helped avant-garde or otherwise edgy art—as opposed to, say, the local Gilbert & Sullivan society or annual craft fair—provided plenty of opportunities...
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
San Francisco International Animation Festival: Semiconductor's Ruth Jarman and Joseph Gerhardt talk about their work in music, movies and animation. What do you call a duo that considers itself a trio? Or videomakers who call themselves sculptors? Semiconductor has been making video and installation work for over ten years. They consist of Joseph Gerhardt, Ruth Jarman and a computer. They create animations and present live music and visual shows. Everything they do is slightly inside out. The computer is more or less an antagonist in their midst. They haven’t quite broken up the band yet, because the....
San Francisco International Animation Festival: Semiconductor's Ruth Jarman and Joseph Gerhardt talk about their work in music, movies and animation. What do you call a duo that considers itself a trio? Or videomakers who call themselves sculptors? Semiconductor has been making video and installation work for over ten years. They consist of Joseph Gerhardt, Ruth Jarman and a computer. They create animations and present live music and visual shows. Everything they do is slightly inside out. The computer is more or less an antagonist in their midst. They haven’t quite broken up the band yet, because the....
Animated stories from around the world gather at Landmark’s Embarcadero Center Cinema for the fifth SFIAF. Six wide-ranging shorts programs as well as features like Brent Green’s ‘Gravity Was Everywhere Back Then’ and Sunao Katabuchi’s ‘Mai Mai Miracle’ take the screen. Four diverse animators interpret folk rock band The Decemberists’ 2009 concept album in ‘Here Come the Waves: The Hazards of Love Visualized,’ which opens the festival. Opening Night party follows the screening at La Mar Cebichería Peruana at Pier One and One-Half on the Embarcadero. More at sffs.org.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.
Taking the legendary director of 'Rosemary's Baby,' 'Chinatown' and 'The Pianist' out of headlines and back to his filmmaking and geographic roots, this program pairs a live performance by Warsaw electro-acoustic duo Sza/Za with early Polanski shorts at Letterman Digital Arts Center’s Premier Theater. More at sffs.org.
Olivier Assayas’s five-and-a-half hour masterpiece about Venezuelan terrorist Carlos the Jackal continues on SFFS Screen at the Sundance Kabuki Cinemas. A 15-minute intermission divides the epic. More at sffs.org.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Olivier Assayas's 'Carlos' chases after a notorious phantom. Since premiering out of competition at Cannes, nearly all the write-ups of Olivier Assayas’s Carlos have located the film amidst the post–War on Terror flurry of dramatizations of the self-styled revolutionaries of the 1960s and ’70s (e.g. Che, United Red Army, The Baader Meinhof Complex and locally produced documentary The Weather Underground). This is as it should be: it’s often noted that Assayas wrote for Cahiers du Cinéma before he became a filmmaker, but more than his other movies Carlos works as criticism. In particular, it’s clear that Assayas is having....
Olivier Assayas's 'Carlos' chases after a notorious phantom. Since premiering out of competition at Cannes, nearly all the write-ups of Olivier Assayas’s Carlos have located the film amidst the post–War on Terror flurry of dramatizations of the self-styled revolutionaries of the 1960s and ’70s (e.g. Che, United Red Army, The Baader Meinhof Complex and locally produced documentary The Weather Underground). This is as it should be: it’s often noted that Assayas wrote for Cahiers du Cinéma before he became a filmmaker, but more than his other movies Carlos works as criticism. In particular, it’s clear that Assayas is having....
SF360.org profiles the 2011 roster of Essential SF, an ongoing compendium of the film community’s vital figures and institutions.
Former Film Arts Foundation head Gail Silva continues to catalyze the film community. It would be a simple matter to collect testimonies to Gail Silva’s extraordinary impact and influence on the Bay Area film community—and beyond—from the countless artists and novices she has counseled, coached, prodded and pushed in the last 30-plus years and counting. But an extensive public appreciation already exists, you see, in the hundreds and hundreds of films, long and short, that prominently acknowledged her contribution in the end credits. The longtime executive director of Film Arts Foundation (of blessed memory) and creative and strategic consultant for a host of individual clients, Silva is deservedly included in the inaugural class of Essential SF honorees.
Former Film Arts Foundation head Gail Silva continues to catalyze the film community. It would be a simple matter to collect testimonies to Gail Silva’s extraordinary impact and influence on the Bay Area film community—and beyond—from the countless artists and novices she has counseled, coached, prodded and pushed in the last 30-plus years and counting. But an extensive public appreciation already exists, you see, in the hundreds and hundreds of films, long and short, that prominently acknowledged her contribution in the end credits. The longtime executive director of Film Arts Foundation (of blessed memory) and creative and strategic consultant for a host of individual clients, Silva is deservedly included in the inaugural class of Essential SF honorees.
Former Film Arts Foundation head Gail Silva continues to catalyze the film community. It would be a simple matter to collect testimonies to Gail Silva’s extraordinary impact and influence on the Bay Area film community—and beyond—from the countless artists and novices she has counseled, coached, prodded and pushed in the last 30-plus years and counting. But an extensive public appreciation already exists, you see, in the hundreds and hundreds of films, long and short, that prominently acknowledged her contribution in the end credits. The longtime executive director of Film Arts Foundation (of blessed memory) and creative and strategic consultant for a host of individual clients, Silva is deservedly included in the inaugural class of Essential SF honorees.
Former Film Arts Foundation head Gail Silva continues to catalyze the film community. It would be a simple matter to collect testimonies to Gail Silva’s extraordinary impact and influence on the Bay Area film community—and beyond—from the countless artists and novices she has counseled, coached, prodded and pushed in the last 30-plus years and counting. But an extensive public appreciation already exists, you see, in the hundreds and hundreds of films, long and short, that prominently acknowledged her contribution in the end credits. The longtime executive director of Film Arts Foundation (of blessed memory) and creative and strategic consultant for a host of individual clients, Silva is deservedly included in the inaugural class of Essential SF honorees.
Rick Prelinger’s efforts at preserving ephemeral films have made him indispensable to the cinema of San Francisco—and the world.
Rick Prelinger’s efforts at preserving ephemeral films have made him indispensable to the cinema of San Francisco—and the world.
Poet turned novelist Nicole Krauss, whose international bestseller ‘The History of Love’ was optioned before completion as a project for Alfonso Cuaron to direct, discusses art and process with bestselling author Andrew Sean Greer. More at cityarts.net.
Katie Aselton stars in her heartfelt and humorous directorial debut as one half of a married couple struggling with fading desire. They decide that a ‘freebie,’ a guilt-free night with a stranger, may serve as a sexual reawakening and help save their relationship. More at landmarktheatres.com.
The latest finds from France's national cinema play in an SFFS showcase.
The latest finds from France's national cinema play in an SFFS showcase.
The latest finds from France's national cinema play in an SFFS showcase.
"Ten Bay Area filmmakers got good news this month when the San Francisco Film Society and the Kenneth Rainin Foundation announced that they had narrowed their choices to a short list of contenders competing for $225,000 in cash," writes Hugh Hart. "The awards will go toward funding projects that explore civil rights, discrimination, gender and sexual identity. Winners will be named in November." More at SFGate.
With Eadweard Muybridge's motion experiments and Niles Essanay's early productions, the San Francisco Bay Area brought the silent film to life.
With Eadweard Muybridge's motion experiments and Niles Essanay's early productions, the San Francisco Bay Area brought the silent film to life.
With Eadweard Muybridge's motion experiments and Niles Essanay's early productions, the San Francisco Bay Area brought the silent film to life.
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
The San Francisco Jewish Film Festival's series "Tough Guys: Images of Jewish Gangsters In Film" concludes with Paul Sloane's 'Straight Is the Way' at Yerba Buena Center for the Arts. Franchot Tone stars as the morally conflicted Benny Horowitz, an ex-con struggling to steer clear of old accomplices as he tries to make a fresh start in New York's Lower East Side. More at ybca.org.
New stories emerge from a storied cinema nation in the second year of the Taiwan Film Days showcase.
New stories emerge from a storied cinema nation in the second year of the Taiwan Film Days showcase.
New stories emerge from a storied cinema nation in the second year of the Taiwan Film Days showcase.
At SFFS Film Arts Forum, experts offered live advice on how to pitch a film.
At SFFS Film Arts Forum, experts offered live advice on how to pitch a film.
At SFFS Film Arts Forum, experts offered live advice on how to pitch a film.
SF Docfest continues through October 28 with its reliable blend of eccentricity and outrage. Films screening during week two include 'Trampoline' and 'Vanishing of the Bees.' More at sfindie.com.
SF Docfest continues through October 28 with its reliable blend of eccentricity and outrage. Films screening during week two include 'Trampoline' and 'Vanishing of the Bees.' More at sfindie.com.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
What to consider when you're considering hiring a producer.
What to consider when you're considering hiring a producer.
What to consider when you're considering hiring a producer.
Space Gallery hosts the official release of ‘Left in the Dark: Portraits of San Francisco Movie Theatres’ featuring over 50 full color photographs by R.A. McBride, who was granted access to many of the city’s vanished venues as well as its cinema survivors. Events continue all month, all over, from City Lights to Pacific Film Archive to the Exploratorium. More at leftinthedark.info.
A film about the legendary band Fishbone brings California's past 25 years into close relief.
A film about the legendary band Fishbone brings California's past 25 years into close relief.
A film about the legendary band Fishbone brings California's past 25 years into close relief.
Peter Meaney’s thorough documentary focuses on the eccentric and prolific Scottish comic book writer Grant Morrison, with insight from several of Morrison’s closest collaborators including Phil Jimenez, Frank Quitely, and Jill Thompson. ‘Talking With Gods’ plays at the Roxie Theater.
The Bay Area's best first-person documentaries take us through a lens, darkly.
The Bay Area's best first-person documentaries take us through a lens, darkly.
The Bay Area's best first-person documentaries take us through a lens, darkly.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Learn to hone your movie pitch with help from industry professionals Jennifer Chaiken, Megan Gelstein and Jacob Kornbluth in this panel discussion at Mezzanine moderated by SFFS director of filmmaker services Michele Turnure-Salleo. Three lucky filmmakers will be pitching live; the "laptop shop" film-sharing continues after the program.
YBCA shows its programming breadth, moving from Charles Ludlam and Robert Gardner to this celebration of the iconic children's show as part of a series highlighting the legendary Jim Henson.
MacArthur "genius" grant recipient (2008) Will Allen is featured in this documentary about the building a healthier American food system, which also features 'Omnivore's Dilemma' author Michael Pollan. Director Ana Joanes will be present for an opening night Q&A at the San Francisco premiere of the film at the Red Vic Movie House.
The latest Deborah Scranton film takes another look at the Rwandan genocide.
The latest Deborah Scranton film takes another look at the Rwandan genocide.
The latest Deborah Scranton film takes another look at the Rwandan genocide.
A special screening of Deborah Scranton'’s searing documentary about two Rwandan genocide survivors' quest for truth features a Phil Bronstein–moderated panel discussion with director Scranton; Robert Rosenthal, executive director of the Center for Investigative Reporting; and Mathilde Mukantabana, president of Friends of Rwanda, at Landmark's Embarcadero Center Cinema.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
San Francisco narrative filmmakers offer nuanced visions of their city.
San Francisco narrative filmmakers offer nuanced visions of their city.
San Francisco narrative filmmakers offer nuanced visions of their city.
Three decades of Robert Gardner films scrutinize the human condition.
Three decades of Robert Gardner films scrutinize the human condition.
Three decades of Robert Gardner films scrutinize the human condition.
Three decades of Robert Gardner films scrutinize the human condition.
Three decades of Robert Gardner films scrutinize the human condition.
Three decades of Robert Gardner films scrutinize the human condition.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
After seeing one of Charles Ludlam's early plays, theater critic Brendan Gill famously remarked, "This isn't farce. This isn't absurd. This is absolutely ridiculous!" Yerba Buena Center for the Arts presents two of Ludlam's rarely seen films: a digitally remastered version of 'The Sorrows of Dolores' (September 24–25) and 'The Impostors' (September 26), where Ludlam stars as a gay magician.
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
There's no better better place to see 'The Parking Lot Movie,' about the physical-spiritual life of an attended lot, than in . . . a parking lot! ITVS offers this unique opportunity at the Good Hotel parking lot, Seventh and Minna, SF, at 7:00 pm, to celebrate the global Park(ing) Day (where metered spaces are turned into art worldwide) and to launch the ninth season of the Independent Lens series on PBS. Find out more at www.itvs.org.
Edward Yang died too soon, but his work remains: An uncut and newly restored version of Yang's intense and epic portrait of life in '60s Taiwan plays at the Yerba Buena Center for the Arts.
A festival transforms itself and transports audiences with a visionary new theater.
A festival transforms itself and transports audiences with a visionary new theater.
A festival transforms itself and transports audiences with a visionary new theater.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A new film/photography website offers compelling characters, bold artistry and innovative storylines.
A new film/photography website offers compelling characters, bold artistry and innovative storylines.
A new film/photography website offers compelling characters, bold artistry and innovative storylines.
SF Chronicle: "Masashi Niwano, who most recently was executive director of the Austin Asian American Film Festival in Austin, Texas, has been named festival and exhibitions director for the San Francisco International Asian American Festival." More at SFGate.
Danièle Thompson's film offers comedy from the lives of fortysomethings on a post-dinner party collision course.
'Change of Plans' charts an eventful year in the lives of a dozen or so disparate Parisians.
'Change of Plans' charts an eventful year in the lives of a dozen or so disparate Parisians.
'Change of Plans' charts an eventful year in the lives of a dozen or so disparate Parisians.
'Change of Plans' charts an eventful year in the lives of a dozen or so disparate Parisians.
Local digital media artist Tim Roseborough presents a feature-length video in homage to Shirley Clarke's 1967 documentary, 'Portrait of Jason,' one last time at Scenius Gallery on 18th Street.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
The Yerba Buena Center for the Arts' design and architecture series, Something From Nothing, draws to a close with Faythe Levine's 'Handmade Nation,' a documentary about the politics, aesthetics, and ethos of D.I.Y craft in North America that played SF360 Film+Club this past year.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
A Greek film incriminates the viewer.
A Greek film incriminates the viewer.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
The stories of an assassinated soccer star and the nation's most notorious criminal merge in a portrait of '80s-'90s Colombia.
The stories of an assassinated soccer star and the nation's most notorious criminal merge in a portrait of '80s-'90s Colombia.
The stories of an assassinated soccer star and the nation's most notorious criminal merge in a portrait of '80s-'90s Colombia.
Rare vampire films, including Kathryn Bigelow's Near Dark and Carl Dreyer's unsettling Vampyr, come out of the dark for a weekend at the Yerba Buena Center for the Arts.
Three vampire films capture more than the imagination. That the vogue for vampire melodramas may have run its course is clear enough from the appearance of Vampires Suck (in theaters as of this writing, though not likely much past it) and the news that the American redo of the 2008 Swedish indie hit, Let the Right One In, will be titled "Let Me In." Just like that, a lovely slice of pop-baroque gets reprocessed as a pathetic whine. No matter: as long there is cinema, the vampire will reemerge. Ever since the twin pinnacles of Nosferatu (1922) and Vampyr (1932), in which two of early cinema’s. . .
Three vampire films capture more than the imagination. That the vogue for vampire melodramas may have run its course is clear enough from the appearance of Vampires Suck (in theaters as of this writing, though not likely much past it) and the news that the American redo of the 2008 Swedish indie hit, Let the Right One In, will be titled "Let Me In." Just like that, a lovely slice of pop-baroque gets reprocessed as a pathetic whine. No matter: as long there is cinema, the vampire will reemerge. Ever since the twin pinnacles of Nosferatu (1922) and Vampyr (1932), in which two of early cinema’s. . .
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
The Clay theater in San Francisco's Pacific Heights became the latest neighborhood movie theater to announce it would go dark. Wednesday's KQED Forum offered multiple takes on the fight to save the city's remaining historic single-screen theaters; listen to the podcast here.
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
SF Chronicle: "One of San Francisco's oldest movie houses plans to shut the lights for good this month. Landmark Theatres will walk away from the Clay on Sunday, leaving the Pacific Heights neighborhood without its single-screen theater. More at SFGate.
Jimmy Stewart becomes ensnared in a Moroccan-set assassination plot in 'The Man Who Knew Too Much.' One of Hitchcock's most suspenseful films, it screens at Oakland's gilded movie palace, the Paramount Theatre.
A filmmaker offers a script excerpt in appreciation of Jules Laforgue on the 150th anniversary of his birth.
A filmmaker offers a script excerpt in appreciation of Jules Laforgue on the 150th anniversary of his birth.
A filmmaker offers a script excerpt in appreciation of Jules Laforgue on the 150th anniversary of his birth.
Chronicle of a Death Foretold screens at the Pacific Film Archive as part of the Modernist Masters series on August 12. Gabriel García Marquez' novella, which unfolds around uncertain crimes of passion, is faithfully adapted by Francesco Rosi, who focuses on his own recurring theme, motives behind violence.
Scott Kirschenbaum's 80-minute doc aims to convey the experience of Alzheimer’s from the patient’s point of view.
Scott Kirschenbaum's 80-minute doc aims to convey the experience of Alzheimer’s from the patient’s point of view.
Scott Kirschenbaum's 80-minute doc aims to convey the experience of Alzheimer’s from the patient’s point of view.
H.P. Mendoza (Colma: The Musical) has redirected his interests from the Peninsula to San Francisco with his latest, and we couldn't be happier: The cast from Fruit Fly, about a Filipina woman who arrives in the city and moves into a Mission District Artists’ commune, will be on stage for a Q & A at the Castro Theatre on Wednesday, August 11, at 8:30 p.m.
A few simple ideas can help nervous fundraisers take the leap.
A few simple ideas can help nervous fundraisers take the leap.
Filmmakers working with Duvall, Murray and Spacek talk about humor, perseverance, and process.
Filmmakers working with Duvall, Murray and Spacek talk about humor, perseverance, and process.
Filmmakers working with Duvall, Murray and Spacek talk about humor, perseverance, and process.
Think summer's almost over? In the Bay Area, think again: Outdoor screenings are just getting started.
Think summer's almost over? In the Bay Area, think again: Outdoor screenings are just getting started.
Think summer's almost over? In the Bay Area, think again: Outdoor screenings are just getting started.
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
Memorable lines of dialogue are like the tips of icebergs, floating above vast, submerged mountains of character history, and more.
Memorable lines of dialogue are like the tips of icebergs, floating above vast, submerged mountains of character history, and more.
Memorable lines of dialogue are like the tips of icebergs, floating above vast, submerged mountains of character history, and more.
Shooting for Moneyball, with Brad Pitt playing the part of thrifty Oakland Athletic's owner Billy Beane, has drawn thousands of Bay Area residents for extra roles and provided a source of revenue for Oakland. More at KTVU.com.
The engrossing seascapes of 'Alamar' bring a deeper understanding of a father-son bond.
The engrossing seascapes of 'Alamar' bring a deeper understanding of a father-son bond.
The engrossing seascapes of 'Alamar' bring a deeper understanding of a father-son bond.
Three Bay Area documentaries correct the historical record.
Three Bay Area documentaries correct the historical record.
Every film needs one person devoted to the distribution and marketing of the film from the start, just as they have a line producer, assistant director, or editor.
Every film needs one person devoted to the distribution and marketing of the film from the start, just as they have a line producer, assistant director, or editor.
Bob Ray brings his Down & Dirty Austin Film Tour to the Bay Area. And you can't stop him.
Bob Ray brings his Down & Dirty Austin Film Tour to the Bay Area. And you can't stop him.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Tom Shepard and Andy Abrahams Wilson are redefining activist filmmaking with educational films, such as their documentary on the National AIDS Memorial Grove in Golden Gate Park.
Tom Shepard and Andy Abrahams Wilson are redefining activist filmmaking with educational films, such as their documentary on the National AIDS Memorial Grove in Golden Gate Park.
Tom Shepard and Andy Abrahams Wilson are redefining activist filmmaking with educational films, such as their documentary on the National AIDS Memorial Grove in Golden Gate Park.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
Deborah Koons Garcia's latest film explores the mystery and complexities of one of the earth's most valuable resources.
Deborah Koons Garcia's latest film explores the mystery and complexities of one of the earth's most valuable resources.
Charlotte Buchen’s Bay Area Street Portraits take us on a ride with the everyday bicycling citizen of Berkeley and Oakland.
Charlotte Buchen’s Bay Area Street Portraits take us on a ride with the everyday bicycling citizen of Berkeley and Oakland.
Resnais remains elusive and detached, his films beautiful abstracts of intellectual rather than emotional impact.
Resnais remains elusive and detached, his films beautiful abstracts of intellectual rather than emotional impact.
Tamara Perkins' The Trust is intended to provide a rare lens into the lives of incarcerated men and their families.
Tamara Perkins' The Trust is intended to provide a rare lens into the lives of incarcerated men and their families.
Choosing and implementing the right motif can help convey a narrative documentary's theme.
Now…what exactly is a motif? And why would you want to edit one into a documentary film?
During one of my recent group coaching calls, we addressed these questions. . . .
Maren Ade’s second feature is striking for what it doesn't do as it follows ordinary lives through a failing relationship.
Maren Ade’s second feature is striking for what it doesn't do as it follows ordinary lives through a failing relationship.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Hirokazu Kore-eda's Air Doll is a conceptual gamble pulled off with a master’s grace and subtlety.
Hirokazu Kore-eda's Air Doll is a conceptual gamble pulled off with a master’s grace and subtlety.
Frameline34 brought together a wide array of programs following the retrospective impulse.
Scott Boswell’s marvelous debut feature, The Stranger In Us, plays out on Polk Street and in the Tenderloin, far from the oft-photographed glamour spots of San Francisco.
Screens are getting smaller. From the cineplex to TV to the computer or iPhone screen, surfaces have shrunk but creativity and resourcefulness have expanded.
Two graduate students at Stanford University have won an Academy Award for their latest documentary short, "Dreams Awake," about a campus custodian.
With a new book, gallery exhibition, appearances on local radio and stages, John Waters is quickly becoming a Bay Area fixture, a welcome addition to the film and cultural landscape.
With a new book, gallery exhibition, appearances on local radio and stages, John Waters is quickly becoming a Bay Area fixture, a welcome addition to the film and cultural landscape.
Charles Koppelman's documentary in progress, Zero Day, exposes each of three threats to the Internet: cybercrime, cyberespionage and cyberwarfare.
Ondine finds Neil Jordan back on personal terra firma with a story (his own, in conception and screenplay) that sits exactly on the thin line separating reality and fantasy.
San Francisco-based video production company recognized for work for Adobe Systems and Izze Sparkling Juice.
San Francisco filmmaker Jon Bowden brings a second comic feature, The Full Picture, to screens.
By any measure, the long-awaited release of Have You Heard from Johannesburg? shapes up to be one of the major documentary events of 2010.
Maria Breaux, deep in the heart of production on Mother Country talks about politics, process and her existential road movie.
Moving past genre distinctions may help some filmmakers find the best dramatic arc and the most powerful truths.
It s not a laugh-out-loud film, but Looking for Eric can be considered a comedy…in comparison to just about any other Ken Loach movie you could name.
A literary adaptation filled with first-class actors in sumptuous settings, City doesn't fall too far from the familiar Merchant-Ivory tree.
Frameliine 34 presents a Beat movement mini-theme and 10 gay-themed films from South America.
Emiko Omori s upcoming documentary, Ed Hardy: Tattoo the World, a collaboration of sorts between the two artists, grew out of a friendship that dates to 1974.
Former San Franciscan Jack Stevenson returns from Denmark to promote the U.S. publication of Scandinavian Blue: The Erotic Cinema of Sweden and Denmark in the 1960s and 1970s.
Laura Poitras speaks during SFIFF53 about the process of creating The Oath from the stories of Osama Bin Laden's former bodyguard and driver.
Gary Hustwit s Helvetica turned a font into a fascination, and Justine Nagan's Typeface takes the topic of type one step further by moving into the past.
Gary Hustwit s Helvetica turned a font into a fascination, and Justine Nagan's Typeface takes the topic of type one step further by moving into the past.
Gary Hustwit s Helvetica turned a font into a fascination, and Justine Nagan's Typeface takes the topic of type one step further by moving into the past.
I sat down for a chat with Festival Director and cofounder Carlton Evans, Art Director Rebecca Bortman, and Jessica Meek, project coordinator for a fest sponsor.
I sat down for a chat with Festival Director and cofounder Carlton Evans, Art Director Rebecca Bortman, and Jessica Meek, project coordinator for a fest sponsor.
If you re making a short narrative, foundations give you no respect. Financiers turn a cold shoulder. Government grantors snort. And festivals slot your film Sunday at midnight.
Bruce Conner, the sculptor, painter, photographer and filmmaker who loomed large in the Bay Area's shifting avant-garde currents for 50 years, resurfaces with Three Screen Ray.
Bruce Conner, the sculptor, painter, photographer and filmmaker who loomed large in the Bay Area's shifting avant-garde currents for 50 years, resurfaces with Three Screen Ray.
Documentary film footage is caught in the middle of a court battle between Chevron and Ecuadorian plaintiffs over pollution of the Amazon rain forest.
Almost $300,000 was given out Wednesday night for awards and grants honoring documentary winners.
We caught up with several Bay Area makers, fresh off their high-energy screenings at SFIFF53 and primed to keep the momentum rolling.
Judging from Saturday night s festivities, half the capacity Castro Theatre audience had worked on or otherwise invested in Joshua Grannell a.k.a. Peaches Christ s debut feature.
Few would argue that a good movie often starts with a good story. Yet it has been the screenwriter s lot to be underappreciated.
Poet, essayist, environmentalist, Buddhist, public intellectual and teacher Gary Snyder speaks on life and the making of 'The Practice of the Wild.'
Poet, essayist, environmentalist, Buddhist, public intellectual and teacher Gary Snyder speaks on life and the making of 'The Practice of the Wild.'
Don t let Hollywood crow about The Hurt Locker and the year of the woman until more filmmakers of the sort featured at this year s festival benefit.
Through most of its history, the Festival has featured revivals of restored classics and little-known gems. This year s selections run an unusually wide gamut.
Live & Onstage thought globally and drafted locally with Sam Green and musician Dave Cerf s live Utopia in Four Movements, which never takes the exact same form.
You are awesome. Spectacular, incredible, interesting, accomplished and generally just way awesome. Everyone wants to hear every possible thing there is to know about you.
Writer Jim Harrison offers thoughts about his relationship to Gary Snyder and his contributions to 'The Practice of the Wild.'
Writer Jim Harrison offers thoughts about his relationship to Gary Snyder and his contributions to 'The Practice of the Wild.'
Writer Jim Harrison offers thoughts about his relationship to Gary Snyder and his contributions to 'The Practice of the Wild.'
Writer Jim Harrison offers thoughts about his relationship to Gary Snyder and his contributions to 'The Practice of the Wild.'
How many foreign stars do U.S. moviegoers know? Not many, alas. My favorite living French actor, André Dussollier, appears prominently in two high-profile festival films.
The Statton era has begun. Kate and Chris Statton have officially assumed the positions of co-executive directors of the venerable Mission District cinema.
I found Sam Green deep in preparation, but he found time to walk me through the greatest dreams and worst nightmares of the 20th century.
If you imagine the S.F. International Film Festival as an circus tent, with Opening and Closing nights the main supports, the other tent poles are interactive live experiences.
If you imagine the S.F. International Film Festival as an circus tent, with Opening and Closing nights the main supports, the other tent poles are interactive live experiences.
First-time filmmaker Christina Yao is soft-spoken and exceedingly polite, but it s apparent that very little intimidates her.
Inuit peoples—the indigenous cultures rooted in Arctic regions from Alaska to Greenland—have an honored place in film history, dating to Flaherty's Nanook of the North.
The new law reforming the Federal student loan program will save billions and help millions. But it won t make Serge Bakalian s debt expos‚ superfluous.
Beware of Save the Day My Way Syndrome. Now, learn from your mistakes.
With opening night approaching, Rachel Rosen talked about her L.A. Rolodex, the function of festivals in a broadband world and her favorites in the festival.
ViewChange.org, a digital-media hub on global development, offers news about microeconomics and innovative web technology that enables users to contribute to the causes they re learning about.
Pedestrians have always propelled cinema narratives, but the bicycle has rarely had a starring role.
Pedestrians have always propelled cinema narratives, but the bicycle has rarely had a starring role.
Director of Programming Rachel Rosen and programmers Rod Armstrong, Audrey Chang and Sean Uyehara shared thoughts on 177 films from 46 countries.
San Francisco has a variety of excellent soundstages, but one is trying to save the earth.
YBCA s month-long, six-part Human Rights and Film series closes with two documentaries on the Arab-Israeli conflict made 35 years apart.
Tens of thousands of artists, aficionados and businesspeople flock to Austin for a festival that is part online conference, part film festival, and more than part music.
There's so much about this product called milk that we think we know everything about, declares Jed Riffe with his usual blend of enthusiasm and amazement.
When a child assumes center stage on film, the potential for both thematic richness and unexpected plot directions increases exponentially.
Think of U.S. public television and science fiction or any type of fiction doesn't spring to mind. ITVS aims to change that perception with a series of mini-features.
A theme that emerged in this year s SFIAFF was the importance of archives in the film world.
A theme that emerged in this year s SFIAFF was the importance of archives in the film world.
One of the heroes of South Korean cinema's recent renaissance wisely sticks to home terrain with his follow-up to The Host.
The culture war is over, and the reactionaries have won. In this climate, Jerome Hiler and Owsley Brown III s Music Makes a City is a revelation,
Muayad Alayan, a 24-year-old filmmaker from the only remaining Arab neighborhood in West Jerusalem, was not even aware there was such a thing as Palestinian cinema until, as a teenager, he came to the Bay Area to visit his brother and sister.
There will probably never be a theatrical release for James Benning's landscape movies. Amazingly, Ilisa Barbash and Lucien Castaing-Taylor have scored distribution and made a splash.
Cementing its status as the preeminent animation company of the 00s, Pixar won the Oscar for Best Animated Feature for the third time in seven years.
William Hurt didn't fulfill the promise of major stardom in the 80s, but it's become clearer that he probably didn't want that.
If Kimberly Reed took a not particularly unique path into filmmaking, she certainly took an interesting road out of it.
If Kimberly Reed took a not particularly unique path into filmmaking, she certainly took an interesting road out of it.
When Laos revised its visa structure to allow visitors to stay for more than one week, Westerners with digital cameras surged over the border.
From his modest start as a staff writer at 20th Century Fox, Sid Ganis has built an uncommonly long and successful career in Hollywood.
Wasn't it just yesterday that Cinequest was the scrappy upstart amongst Bay Area festivals? Apparently not: San Jose's annual cinematic blowout is entering its third decade.
With its comfortable suburban setting, flashback structure and mystery-suspense framework, My Son, My Son is, by Herzogian standards, almost mainstream-conventional. I said almost.
YBCA has sustained a major place in S.F.'s cultural landscape without receiving the due it would have had its mission been narrower and more easily defined.
YBCA has sustained a major place in S.F.'s cultural landscape without receiving the due it would have had its mission been narrower and more easily defined.
Transformation, of any kind, an ephemeral, elusive thing to capture on film. One advisor told Nancy Kelly she'd never do it. Difficult, sure, but impossible?
Steve Buscemi is one of those actors people are instantly happy to see on screen, even if their recall stretches no farther than, Hey, it's that guy!
The spring edition of the Cinematheque calendar is making the rounds, and my copy is dog-eared with wishful thinking. Grab your datebook for a rundown.
The spring edition of the Cinematheque calendar is making the rounds, and my copy is dog-eared with wishful thinking. Grab your datebook for a rundown.
Olga Samaroff, the path-breaking 20th-century concert pianist, critic and teacher, was born Lucy Hickenlooper in San Antonio, Texas. That's right, she reinvented herself.
The film historian looks back at Frank Stauffacher's seminal mid-century series, which hatched a Bay Area avant-garde.
The film historian looks back at Frank Stauffacher's seminal mid-century series, which hatched a Bay Area avant-garde.
In the YouTube-Facebook-viral video era, it's hard to remember the time when youth-made media was rare.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
You might fare better in today's market with a character-driven story, the Doc Doctor advises.
As soon as the silent era hit sound circa 1927, musicals became a leading genre worldwide. How could their appeal possibly die out?
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
In late January, many tune their radar to the snowy, showy glare of Sundance. With Noir City here, the stay-at-homes are the luckier ones.
The late, great Jack Smith was all about the strange sway classic Hollywood movies, particularly obscure stars and low-budget yet opulent art direction, have had on us.
"I wish gay cinema would die", Joe Graham declares. It s not queer movies the San Francisco filmmaker hates, but categories and pigeonholing.
Riding the crest of the Tati tsunami hitting our shores is The Magnificent Tati by Michael House, who lived in S.F. for 12 years before moving to Paris.
You could make a case for Tati as the last great silent comedian even if he didn't begin making features until two decades into the sound era.
You could make a case for Tati as the last great silent comedian even if he didn't begin making features until two decades into the sound era.
By any measure, the long-awaited release of Have You Heard from Johannesburg? shapes up to be one of the major documentary events of 2010.
Seems like every filmmaker I know is ready to party! Everyone s throwing fundraising events for their films. So many babes in the party-planning woods.
With more than 25 documentaries to his credit, many on mathematicians and scientists, George Csicsery is arguably the most prolific filmmaker in the Bay Area.
The silver lining to a decade that saw traditional critics in conventional media dwindle? The explosion of socially networked citizen critics.
While the U.S. moved from rebuilding decimated skyscrapers to the rebuilding of an entire economy, film moved from the multiplex to the mailbox to the mobile.
Dennis Harvey weighs in on the upcoming films of the holiday season.
Dennis Harvey weighs in on the upcoming films of the holiday season.
Highlights from the 2009 San Francisco Silent Film Festival winter event.
Kristine Enea's documentary shows The EcoCenter, a San Francisco environmental educational facility that treats and recycles wastewater and generates its own solar power.
Catherine Galasso talks about her performance piece Lightning Never Strikes the Same Place Twice, which features dance, theater and projected video.
Frederick Wiseman documents the frantic routine of choreographers for the Paris Opera Ballet as Frazer Bradshaw gives a more familiar portrayal of workplace satisfaction.
Marin County filmmaker John Antonelli talks about his documentary on influential late singer-songwriter Sam Cooke for PBS's "American Masters" series.
In town for the premiere of Wasteland Utopias, the artist, curator and administrative director of Canyon Cinema gives us the scoop on Wilhelm Reich and other shadowy figures.
Dennis Harvey weighs in on the upcoming films of the holiday season.
Dennis Harvey weighs in on the upcoming films of the holiday season.
Ask the Documentary Doctor: The Doc examines patience in filmmaking.
Two films from Oakland filmmakers, Dhana & Indra and Family 2469, illuminate the changing face of the country as the 21st Century unfolds.
The 13th New Italian Cinema festival finds the political and personal mixing more frequently than you'd find in any assortment of U.S. narrative films.
Shot in depressed burgs and 'burbs across the country, this documentary looks at the U.S. at its lowest economic ebb in generations.
A conversation on Walt Disney's Alice Comedies with a lively raconteur and Professor of Film Studies at UC Berkeley.
For three days, the SFFS offers a chance to see contemporary Taiwanese cinema beyond the work of the usual Taiwanese film masters.
For three days, the SFFS offers a chance to see contemporary Taiwanese cinema beyond the work of the usual Taiwanese film masters.
For three days, the SFFS offers a chance to see contemporary Taiwanese cinema beyond the work of the usual Taiwanese film masters.
Aroy's film excavates the history and contributions of Filipino farmworkers in the Golden State since the 1920s.
Bay Area locals Jonathan Parker and Catherine di Napoli discuss (Untitled), a hilarious romp through the world of conceptual art and atonal music.
Bay Area locals Jonathan Parker and Catherine di Napoli discuss (Untitled), a hilarious romp through the world of conceptual art and atonal music.
Bay Area locals Jonathan Parker and Catherine di Napoli discuss (Untitled), a hilarious romp through the world of conceptual art and atonal music.
Francois Truffaut’s The 400 Blows is being revived as part of San Francisco Film Society’s second annual French Cinema Now festival, which runs the week of October 29 through November 4 at the city’s Clay Theatre.
It’s hard to imagine a venue where the new documentary Holding On to Jah will sound better than it did at Mezzanine last Wednesday night.
Chick Strand, a crucial pioneer of West Coast experimental cinema, died July 11 at 78.
There's an advantage to being an insulated American while watching Tom Hooper's dramatization of an important part of the life of football coach Brian Clough.
There's an advantage to being an insulated American while watching Tom Hooper's dramatization of an important part of the life of football coach Brian Clough.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
Anne McGuire finds the beauty in the strange, and the strangeness in the beautiful. That's not perversity, people; that's poetry.
At their respective festival tributes, the actors gave entertaining and revealing onstage interviews.
Where the Wild Things Are is directed by Spike Jonze from a screenplay by Jonze and Bay Area–based writer Dave Eggers, based on the classic 1963 picture book by Maurice Sendak.
Probably no one pushed the artistic carte blanche of "pink" films further—at least into the realm of serious political engagement—than the Japanese auteur.
Probably no one pushed the artistic carte blanche of "pink" films further—at least into the realm of serious political engagement—than the Japanese auteur.
Fans of the San Francisco festival, now in its eighth year, have developed a well-honed appreciation for the eccentric.
The program offers a surprisingly potent mainstream industry presence, with tributes to A-list types more frequently seen at the multiplex than at the art house.
First Person: How can people respond in diametric and, at times, vitriolic opposition to the same film? Mine.
A year after Jonathan Marlow took the helm as executive director, the organization is showing fresh signs of life.
With the Netherlands-based filmmaker's latest portrait in resilience, Oblivion, opening Friday, it's a good time to celebrate one of documentary's most engaging storytellers.
Tangier has created an identity as a great fount of stories and light, complete with an independent cinema that opened in 2007.
East Bay filmmaker Miles Montalbano is in preproduction on dark coming-of-age story The Recondite Heart, his followup to his lauded debut, Revolution Summer.
Joe Berlinger speaks about the making of an environmental disaster in the Amazon, as seen in his new film, Crude.
Chris Simon and Maureen Gosling's documentary-in-progress, tentatively titled No Mouse Music! The Story of Chris Strachwitz and Arhoolie Records, pays tribute to an underappreciated artist.
The Edit Room: Learning how to organize saves you time and money in the editing process; a walk-through just how to do it.
The Toronto International Film Festival has always allowed a generosity of pursuits to co-exist, rewarding the adventurous and satiating the lazy, all without judgment.
To viewers of Lucrecia Martel's earlier work, The Headless Woman is the crowning achievement; the filmmaker speaks about her vision of the world.
To viewers of Lucrecia Martel's earlier work, The Headless Woman is the crowning achievement; the filmmaker speaks about her vision of the world.
Ray Telles's ambitious two-hour film, The Storm that Swept Mexico, with a budget north of $1.2 million, reaches out to the world.
High-concept cabaret-act favorite in the Bay Area who sidelines as a filmmaker, Cory McAbee (The American Astronaut) speaks about his latest, Stingray Sam.
The movies of William Klein are suffused with the same impudence, social commentary and aesthetic surprise found in his photos.
The movies of William Klein are suffused with the same impudence, social commentary and aesthetic surprise found in his photos.
The story of teenagers living like a savage, roaming pack of animals, The Beautiful Person locates a classic in a contemporary setting.
The rapid adoption of e-newsletters by documentary filmmakers is the latest example of resourcefulness and efficiency among contemporary independents.
Ellen Schneider speaks on the impact of social-issue documentaries and her San Francisco-based strategic communications company Active Voice.
The release of Woodstock provides an opportunity to look back on Ang Lee and Schamus's very impressive, diverse screen resume.
A mini-retrospective of the work of Kim Longinotto plays during the Women Make Movies Film Festival at the Roxie.
With in-process Volunteer Nation: Stories of Service, veteran producer-directors Ben Hess and Dan Janos are mobilizing the millennials.
Bay Area favorite Bob Goldthwait, whose pop culture moment seemed to expire in the mid '80s, returns with comedic vengeance via World's Greatest Dad.
Avoiding Disaster: Festivals are a good way to have your film discovered by distributors, to build buzz and to build an audience—if you're well prepared.
Josef von Sternberg's The Salvation Hunters caused a small sensation within the industry when it appeared, and is visually assured time capsule of urban poverty.
Seiji Horibuchi, founder and chairman of VIZ Media, speaks about VIZ Cinema, a built-from-scratch venue located in the New People building in Japantown.
Seiji Horibuchi, founder and chairman of VIZ Media, speaks about VIZ Cinema, a built-from-scratch venue located in the New People building in Japantown.
Vampires are still the It Ghoul of our cultural moment and South Korean film Thirst is as precisely crafted as it is gleefully over-the-top in content both carnal and carnivorous.
Oakland attorney Richard Lee speaks on the legal case surrounding the Swedish filmmakers of the hot-button documentary Bananas!.
Jager McConnell speaks about Scary Cow, a filmmakers' co-op that offers experience, people, money and equipment to aspiring filmmakers with ideas to burn.
The Desert of the Tartars is a story in which the grim certainty that "Nothing will ever happen" is a slow poison that drives men to madness, suicide or other inglorious ends.
Aaron Aites and Audrey Ewell's documnetary, Until the Light Takes Us examines the dark intersection of local Norwegian history and Death Metal.
Academy Award-winning documentary filmmakers Rob Epstein and Jeffrey Friedman combine live-action period drama and animation in retelling of Ginsburg's Howl
The Sixth Screen: Veteran journalists and filmmakers alike are polishing up their resumes, contemplating the hospitality industry, and wondering: Who stole my career?
Newly-retired Pacific Film Archive publicist Shelley Diekman discusses her cinephile tastes, her past and her future.
Director Armando Iannucci's razor-sharp satire is about how the politics of spin can determine critical decisions on both sides of the Atlantic.
The San Francisco Jewish Film Festival arrives with an expansive program spotlighting the Jewish tradition of social justice and human rights.
A peripatetic childhood laid fertile ground for the heated imagination of Berkeley-based author Barry Gifford, who has written Wild at Heart and Lost Highway.
A peripatetic childhood laid fertile ground for the heated imagination of Berkeley-based author Barry Gifford, who has written Wild at Heart and Lost Highway.
Lucrecia Martel's films, including La Ciénaga and The Headless Woman feature what have come to be known as her primary concerns: classism, decay and femininity.
Lucrecia Martel's films, including La Ciénaga and The Headless Woman feature what have come to be known as her primary concerns: classism, decay and femininity.
Sjogren threads her vexations with feminist film theory into a study of sound and voice in "women's film" touchstones like Letter from an Unknown Woman.
J.P. Allen and Janis DeLucia Allen's latest imagining, Sex and Imagining, is a two-character piece thick with dialogue and psychological undercurrents.
During her tenure at the venerable Castro Theatre, film programmer Anita Monga made her mark shepherding the venue to international prominence.
Tilda Swinton's edge of riskiness is on ample display in Julia, a new film by French director Erick Zonca.
Douglas Fairbanks in The Gaucho is one of the many highlights on screen during the three-day San Francisco Silent Film Festival.
David Weissman speaks on his new project, Heartbreak and Heroism, revisiting the early years of the AIDS outbreak in San Francisco.
David Weissman speaks on his new project, Heartbreak and Heroism, revisiting the early years of the AIDS outbreak in San Francisco.
Adam Goldstein and Eric Kutner discuss their debut, The Snake, an unapologetically impertinent, made-in-S.F, comedy that marks its creators as resourceful wiseguys.
A series at the Castro marks 1939 as the high-water mark of cinema.
An interview with Flynn Witmeyer about his debut feature Tweaker With an Axe, and the desire to make genre films—horror or sci-fi or fantasy—that incorporate gay and lesbian characters.
The Edit Room: I decided to set my New Doc Editing research team on a mission to find out what structural models are getting funded these days.
Avoiding Disaster: Clearing music is one of those horrible, arduous, frustrating tasks that needs to be done in order to show or sell a film.
Tom Shepard revisits the overachieving, hyper-ambitious world of science-obsessed high school seniors in his new film, Whiz Kids.
One can't help but think about the concept of cinematic language, as well as spoken language, when talking with Munyurangabo filmmaker Lee Isaac Chung.
Wild man of Italian cinema, Marco Ferreri left many films in need of rediscovery (or simply discovery) since his death in 1997.
Like most social-issue documentaries, Food Stamped sprang from an activist impulse for Shira and Yoav Potash.
Make them love it. Make? Oh, words of dread! How do you MAKE somebody love your film?
Berkeley-based filmmaking team Gary Weimberg and Catherine Ryan speak about social justice as a career and their film Soldiers of Conscience.
Fados, about a Portuguese musical genre, reveals Carlos Saura as an effortless master at weaving together disparate performances.
The Miller brothers take their memoir-release to the local ballpark.
Ask the Documentary Doctor: Where does the filmmaker stop existing to give way to the reporter/activist/responsible citizen with camera in hand?
Leading light of avant-garde cinema Lawrence Jordan speaks on the occasion of his Gallery Extraña show and his 75th birthday.
Leading light of avant-garde cinema Lawrence Jordan speaks on the occasion of his Gallery Extraña show and his 75th birthday.
The Sixth Screen: Eaves analyzes the future of video in developing countries, specifically the proliferation of mobile communication.
Iranian filmmaker Cyrus Omoomian documents post-Pinochet Chile in work-in-progress Pushing Towards Democracy.
A Wake for Analog honors analog experimental films like Patrolling the Ether, Bassline Baseline and Zuse Strip.
A Wake for Analog honors analog experimental films like Patrolling the Ether, Bassline Baseline and Zuse Strip.
Bruce Goldstein recalls his adventures in film land as he prepares to host the Con Film Festival at the Film Forum in New York.
Philippe Garrel sticks to his highly-personal aesthetic in Frontier of Dawn.
Arthouse theaters like The Roxie, Red Vic and The Balboa resist the economic downturn and adjust calendars to meet audience demands.
Arthouse theaters like The Roxie, Red Vic and The Balboa resist the economic downturn and adjust calendars to meet audience demands.
Marc Capelle's ode to Westerns and Buddy films as well as noteworthy festival scores.
The Lost World, the 1925 silent fantasy
SFIFF handed out approximately $100,000 and announced the winner San Francisco Film Society/Kenneth Rainin Foundation Filmmaking Grant during its Golden Gate Awards.
Franny Armstrong's The Age of Stupid is a documentary encased like a time capsule inside a fictive but science-based, frighteningly possible future
The Edit Room: How do you keep your audience engaged rather than putting them to sleep?
An Evening with Francis Ford Coppola & Friends honored Coppola with the Founder Directing Award and included a moderated discussion with editing/sound design genius Walter Murch, director Carroll Ballard, scenarist-turned-director Matthew Robbins, and George Lucas.
SF360.org interviews film critics about the changing landscape of film criticism. A panel discussion and screening of For the Love of Movies: The Story of American Film Criticism will take place on Sunday, May 3, at 6 p.m.
On May Day Eve, Travis Wilkerson performed Proving Ground, probably the first multimedia Leninist rant to have ever graced the Sundance Kabuki.
The San Francisco Film Society awarded Francis Ford Coppola the Founder & Directing Award this week. Justin Juul offers us five reasons why San Francisco loves Coppola.
Robert Redford braves the public and accepts the San Francisco International Film Festival's Peter J. Owens Award.
Lourdes Portillo's partly autobiographical documentary Al Más Allá draws a laugh from the San Francisco International Film Festival crowd.
Marc Capelle meets and greets with actress Gena Rowlands, composer Bo Harwood and other film mavens and mavericks at a post-screening party for Cassavette's A Woman Under the Influence and the Mission Awards
City of Borders, the debut film by Bay Area filmmaker Yun Suh, follows several Palestinian characters seeking refuge at a gay bar. The film testifies to the intolerance that members of the LGBTQ community face in addition to all of the other walls, physical and social, separating people in the region.
Jarmel and Schneider's Speaking in Tongues follows the stories of four public school children studying Mandarin, Cantonese and Spanish along with their English.
The eight films in the San Francisco International Film Festival's Lightness of Being spotlight are Laila's Birthday, Small Crime, Mid-August Lunch, Every Little Step, (Untitled), In the Loop, Our Beloved Month of August and Still Walking.
Four independent narratives - La Mission, My Suicide, Everything Strange and New and (Untitled) - are adding to the Bay Area's repertoire, historically regarded as a breeding ground for documentary filmmakers.
Local filmmaker Jim Granato, whose movie D tour follows the band Rogue Wave and its ailing drummer Pat Spurgeon, on tour and on dialysis, is competing for the San Francisco International Film Festival's Golden Gate Award in Documentary.
Ramin Bahrani's Goodbye Solo prompted Roger Ebert to pronounce him "the new great American directorâ" a couple weeks ago. The film is definitely the writer-helmer's most accessible work to date, one that might very well provide him with an arthouse breakthrough.
Where would cinema be without good, old-fashioned youthfulness? Hence: Youth Bring the Truth, a showcase for promising pre-adult media-makers including several local teenagers from this year's San Francisco International Film Festival.
The 6th Screen: Hannah Eaves recommends Twitter, Meebo, Facebook, Ning and eNewsletters as film promotion tools.
Local filmmakers Allie Light and Irving Saraf's latest film Empress Hotel delves into the lives of the residents at the titular building, a Tenderloin housing facility for the recently homeless. The film makes visible an area many city dwellers may only experience in the fringe of their consciousness and provides insight into the lives of the residents within.
If it grows darker than one might expect, Observe still hesitates at becoming a true black comedy; it's more medium-gray, earning stripes for breaking from current comedy norms on a moment-to-moment basis without quite arriving at an original, fully-developed whole. But Hill has a good eye, ear (the soundtrack choices are notably sharp), sense of off-kilter pacing, and, most importantly, a firm grasp on character.
Bringing Rainer's work to a larger audience: Feelings Are Facts: The Life of Yvonne Rainer, a feature-length documentary about the choreographer and experimental filmmaker.
Bringing Rainer's work to a larger audience: Feelings Are Facts: The Life of Yvonne Rainer, a feature-length documentary about the choreographer and experimental filmmaker.
Fans, Friends & Followers, focuses on strategies artists can use to support their careers in the digital age.
Jennifer Maytorena Taylor's documentary, New Muslim Cool, focuses on Hamza Perez, a Catholic hip hop artist, who converted to Islam; whose life is now a crucible of disparate urban influences.
William W. (Bill) McLeod, 59, one of the Bay Area's most respected film publicists died at his home on March 29th, 2009.
National Film Preservation Foundation, Treasures IV: American Avant-Garde Film, 1947-1986, is a splendid package of 26 films, drawn from New York and San Francisco.
National Film Preservation Foundation, Treasures IV: American Avant-Garde Film, 1947-1986, is a splendid package of 26 films, drawn from New York and San Francisco.
The two weeks of programs offers 151 films from 55 countries, awards and prices, and a wide array of San Francisco talent, from legendary names to the fledgling artists.
The two weeks of programs offers 151 films from 55 countries, awards and prices, and a wide array of San Francisco talent, from legendary names to the fledgling artists.
Ben Rivers makes his Bay Area debut this week presenting in person two programs, both providing a slightly dislocative experience at once tranquil and sinister.
Ben Rivers makes his Bay Area debut this week presenting in person two programs, both providing a slightly dislocative experience at once tranquil and sinister.
The films of William Kentridge make up a significant and absorbing part of the San Francisco Museum of Modern Art enthralling survey of recent work by the acclaimed South African artist
The films of William Kentridge make up a significant and absorbing part of the San Francisco Museum of Modern Art enthralling survey of recent work by the acclaimed South African artist
Mark Kitchell current project is an ambitious summation of the environmental movement, from the protests of the 1960s, the '70s focus on pollution, the Greenpeace campaigns and the global climate change.
When a challenge turns into opportunity: the Bay Area professional tribute artist talks about how he managed to leverage his striking similarity to Arnold Schwarzenegger into a successful acting career.
This year, the festival feels like it has truly arrived as an internationally recognized platform for cross-Pacific cinematic exchange, in this disparate cross-section of films from home, abroad and places in between.
Co-directors Senain Kheshgi and Geeta V. Patel, two American friends with family ties to opposite sides of the conflict, went to Kashmir together to see what they could learn–and what the rest of us could.
Troell keeps everything emotionally intimate in this lovely film full of grace moments, that chronicles the early 20th-century travails of the Larsson family.
H.P. Mendoza talks about being a filmmaker in the Bay Area and the opening of his last musical, where he is both director and composer of the film 19 original songs.
Barry Jenkins talks abut his background, making movies in San Francisco and the issues of black identity, assimilation and gentrification, which are at the heart of his film.
For many narrative filmmakers, hiring a lawyer is either an afterthought or not a financial reality, but moving forward with a film without considering legal is a huge mistake.
Twenty years after its founding, Strand Releasing remains an active, irreplaceable and distinctive presence on the U.S. distribution scene.
Twenty years after its founding, Strand Releasing remains an active, irreplaceable and distinctive presence on the U.S. distribution scene.
First-Person: Larry Daressa provides helpful hints on distribution strategy.
The Black Rock focuses on the African American prisoners and guards who lived on the island when it was a federal penitentiary.
Beyond Words: To pull off an adaptation, you must translate the unwieldy bulk of the original story into a breathing and transformative tale on screen.
This "dramatized documentary" was a labor of love–if also a graphic portrayal of the vast LA detached from Hollywood's success-bubble glamour.
SF360.org interviews Davila on his film about a bottom-rung Tenderloin drug dealer with aspirations of becoming an artist.
With films that focus a patient eye on common human conditions, Belgian-born auteur Chantal Akerman is a formalist with heart–and global interests.
The S.F. Silent Film Festival's Winter Event allows you to spend hours in the dark with the madcap movie entertainments of 80-plus years ago.
When we're finally all watching movies on the most expedient of platforms–our mobile phone–Ellen Lake will be at the head of the parade.
Davies' latest film recalls his earlier autobiographical narratives, but is also unlike anything he has done before, being nonfiction.
In Strand: A Natural History of Cinema, Christian Bruno pays homage to the pivotal and shifting role of movie theaters in San Francisco's cultural life.
SF360.org joined in on a conversation about Cinematheque's past and present when Steven Jenkins lunched with Jonathan Marlow at Caffe Centro.
13 Most BeautifulÉSongs for Andy Warhol's Screen Tests offers a cherry-picking of the famous Warhol reels accompanied by live original-soundtracking.
On January 24 the San Francisco film and arts community lost Ave Montague, who was well known for her hard work, creativity and passion for the arts.
Grants totaling $3 million for narrative feature films made in the Bay Area will be distributed by the SFFS and the Kenneth Rainin Foundation.
Oscar-nominated cinematographer César Charlone recently codirected his first theatrical feature film, a darkly comic farce about Pope John Paul II.
Susie Gerhard gives an overview of a festival moving back to the basics of art-making.
Michael Fox looks behind the scenes of a film on the maverick Seattle composer-performer-inventor Trimpin.
Michael Fox looks behind the scenes of a film on the maverick Seattle composer-performer-inventor Trimpin.
Susan Gerhard blogs on what is strange and new about watching movies in these particular mountains.
In this documentary, Walker tells the tale of his delayed popularity the ever-more adventurous music with which he feeds his latterday cult.
First-Person: A program officer at the San Francisco Foundation has a sobering experience making a documentary.
SF Sketchfest pays tribute to Bud Cort with a live Q&A and screening of Harold and Maude.
Susan Gerhard reports on film and physique highlights at Sundance 2009.
SF360.org spoke with Eddie Muller, who launched Noir City, an annual noir festival that has attracted an avid following in the Bay Area and beyond.
Hilary Hart blogs her 14th year at Sundance, back on the midnight shift at the Egyptian Theatre.
Hilary Hart blogs her 14th year at Sundance, back on the midnight shift at the Egyptian Theatre.
Wenders, one of the stellar directors of "New German Cinema," is this year's honoree at the 14th annual Berlin & Beyond festival.
A look at Otto; or, Up with Dead People, from a late arrival in the New Queer Cinema wave.
Levy offers thoughts on the program she's presenting at Sundance and what's being called the "New Documentary Movement."
Steven Soderbergh's fascinating portrait of legendary revolutionary Ernesto "Che" Guevara is willfully disinterested in the conventions of mainstream movies.
Waltz with Bashir is another animated feature that embraces a more grown-up story and audience than anything in the long history of "cartoons."
50 California students talk about their problems with gender in the new documentary Straightlaced–How Gender's Got Us All Tied Up.
Bay Area filmmakers, critics and industry pros list their favorite unreleased films of 2008.
Oakland's Pamela Harris and Grantmakers in Film + Electronic Media are connecting media makers with financial resources.
Sebastopol-based screenwriter Pamela Gray's approach to screenwriting is the literary equivalent of the slow food movement.
Victor Fleming: An American Movie Master and Glenn Lovell's Escape Artist: The Life and Films of John Sturges are splendid biographies by critics with local ties.
Fear-Free Fundraising: Holly Million on how donor cultivation can make you a successful film fundraiser.
Québec's thriving regional cinema is showcased in San Francisco Film Society's latest mini-festival addition to the annual Bay Area movie calendar.
Gini Reiticker's fine documentary Pray the Devil Back to Hell, opens at SF's Red Vic Movie House and Berkeley's Shattuck Cinemas.
Frameline's new executive director discusses his non-profit background and graduate school pipe dream of being a novelist.
The Pacific Film Archive shows Discovering Teuvo Tulio, a four-film retrospective of works from Finland's master of over-the-top melodrama in the 1930s and '40s.
Martha Colburn's recent shorts plunge the interstices of Americana for a hidden history of fanaticism and double-faced hypocrisies.
Former San Francisco Examiner film critic Michael Sragow talks about his newly released book Victor Fleming: An American Movie Master.
Bay Area filmmaker Jennifer Kroot talks about her inspiration to make a documentary on legendary, underground filmmaking twins George and Mike Kuchar.
Bay Area filmmaker Jennifer Kroot talks about her inspiration to make a documentary on legendary, underground filmmaking twins George and Mike Kuchar.
Ask the Documentary Doctor: Fernanda Rossi weighs in on how many different pitches you really need for your documentary.
Scott McDonald's Canyon Cinema: The Life and Times of an Independent Film Distributor, details the formation of the revered Bay Area artists' collective in the early 1960s.
The controversial Cargo 200, a take-down of the Soviet era, makes its U.S. theatrical debut at Yerba Buena Center for the Arts.
The controversial Cargo 200, a take-down of the Soviet era, makes its U.S. theatrical debut at Yerba Buena Center for the Arts.
If, in the ol' days, they were called "'toons," these days, some heavy-duty words are required to express the strength and breadth of contemporary animation.
A newly restored print of Bergman's Monika, which deals with underage, guiltlessly unfaithful femininity, plays the Red Vic.
Film historian and essayist David Thomson talks to SF360 about his new book, Have You Seen . . . ? A Personal Introduction to 1,000 Films.
The Sixth Screen: If you're interested in the future of online technology, 'jaguar' is the evergreen example used to explain what's called The Semantic Web.
Wayne Coyne's Flaming Lips movie extends a long, lately rising number of narrative features made by musicians.
A husband and wife filmmaking pair are in the midst of a documentary on mysterious disappearances in the Galapagos.
Robb Moss and Peter Galison's deliberative, atmospheric and engrossing documentary, Secrecy, puts democratic transparency to the test.
A director who lives in both Switzerland and New York leads a Swiss-German coproduction about two women from former Yugoslavian territories who meet in Zurich.
Tony Gerber and Jesse Moss's film candidly explores 'the ground truth' of Iraq without setting foot in the country.
The extreme, the strange, the silly and surreal all have big seats at the SF DocFest table.
Epstein and Friedman bring a poem to the screen, while a South Bay director goes Russian.
Epstein and Friedman bring a poem to the screen, while a South Bay director goes Russian.
We sat down with Michel Shehadeh, who joined the festival earlier this year, for a wide-ranging interview on Arab film.
Andy Abrahams Wilson talks about Under Our Skin, his elegantly crafted film on the underreported epidemic of Lyme disease.
The Doc Doctor prescribes cures for common pitfalls of demo reels.
The SFFS has added a Gallic counterpart to its long-running New Italian Cinema series.
Freelance curator and film fanatic Jack Stevenson brings grainy reels documenting live, nude girls to the Yerba Buena Center for the Arts.
Freelance curator and film fanatic Jack Stevenson brings grainy reels documenting live, nude girls to the Yerba Buena Center for the Arts.
Those inclined toward healthy doses of sleaze, gore, and retro-shlock can rejoice that it's time for the second annual edition of Dead Channels.
In 'Crooked Beauty,' mental health is re-imagined and redefined.
The Sixth Screen: Here are some browser-based legal zones for free online feature film viewing pleasure. No installation required.
The seventh San Francisco International Documentary Film Festival has the potential to be every bit as raucous as the other festivals under the organization's umbrella.
Matt Wolf's biodoc is a remarkably affecting portrait that's a remembrance for those who knew the composer/vocalist/cellist and an introduction for potential fans.
Every year, people grumble. Every year, someone points out how much worse it is than before. And every year, there are films that pull everyone out of the doldrums and guarantee it all continues. Welcome to this season’s Toronto International Film Festival.
Every year, people grumble. Every year, someone points out how much worse it is than before. And every year, there are films that pull everyone out of the doldrums and guarantee it all continues. Welcome to this season’s Toronto International Film Festival.
YBCA's triennial exhibition has developed a deserved reputation for presenting an energetic survey of current Bay Area artistic practice.
YBCA's triennial exhibition has developed a deserved reputation for presenting an energetic survey of current Bay Area artistic practice.
When Wind Man appeared on the SFFS Screen at the Sundance Kabuki Cinemas' schedule, moral crisis ensued.
A film in a darkened theater commands our undivided attention, but a video installation in a museum doesn't have the same effect.
A film in a darkened theater commands our undivided attention, but a video installation in a museum doesn't have the same effect.
Scott Crocker's documentary brings the truth behind the "Lord God" bird phenomenon out of the bushes.
There is little question that so-called educational films with specific social-welfare goals don’t get much respect as examples of craft or art.
A Telluride veteran gives a festival overview, and explains why film lovers and filmmakers travel to a remote corner of Colorado on blind faith.
SF360.org asked this veteran indie auteur for his thoughts, which he gamely and intelligently offers here.
Economic troubles reveal the true depths of a couple's long-taken-for-granted bond in a film by Italian director Silvio Soldini.
A local filmmaker looks at Mimi Weddell, a perennial bit part-player with a jaw-dropping collection of hats and endless show biz energy.
Film Arts Foundation, a nonprofit organization formed by 15 independent filmmakers in 1976, joins forces with SFFS.
First Person: Jonathan Marlow rehashes commentary on film that has caused a kerfuffle of late.
Sharma might never have made his film had he not felt guilty about causing unhappiness to his dying mother by telling her he was homosexual.
The Legend of the Holy Net Potato, the first feature by Kerala-based filmmaker Vipin Vijay, concerns a cyborg, black magic, and a hacker.
The Legend of the Holy Net Potato, the first feature by Kerala-based filmmaker Vipin Vijay, concerns a cyborg, black magic, and a hacker.
SF360.org asked Bay Area filmmaker Elizabeth Farnsworth about her film, which follows Judge Juan Guzmán as he investigates General Pinochet's crimes.
Not many movies call for a celebration of their anniversaries, but one exception is what many have called 'the ultimate San Francisco film.'
The Pacific Film Archive screens a survey of Goodis-related works from both the big and small screen, spanning nearly five decades.
SF360.org looks at the making of a documentary about the controversial leak of the Pentagon papers.
SF360.org looks at the making of a documentary about the controversial leak of the Pentagon papers.
A documentary looks into a machine designed to harness the hallucinatory potential of flickering light, and sketches a portrait of its troubled creator.
A conversation with the executive director of an experimental/avant-garde film distribution company, who both runs a profitable business and creates dynamic art.
A film from 1961, The Exiles is a long-in-making unvarnished look at 12 hours in the lives of a group of American Indians who have come to Los Angeles.
Andrea Kreuzhage speaks about her documentary, 1000 Journals, which raises a host of fascinating questions about creativity, collaboration, community, and communication.
Andrea Kreuzhage speaks about her documentary, 1000 Journals, which raises a host of fascinating questions about creativity, collaboration, community, and communication.
The Sixth Screen: The first installment of a new, monthly column by filmmaker and journalist Hannah Eaves looks at just how "fair use" is being utilized.
Those attracted to the new film CSNY: Deja Vu simply expecting an opportunity to recall the old days might be in for a surprise.
A Listener's Tale is a lovely if unclassifiable mixture of ethnography and poetic reverie which screened at last winter's Rotterdam Film Festival.
French author and director Catherine Breillat speaks about the fierce passion play of her latest, The Last Mistress.
Li Yang speaks about commercial pressures in Chinese film and the story behind Blind Mountain.
Li Yang speaks about commercial pressures in Chinese film and the story behind Blind Mountain.
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
Viva's cautionary tale is aptly encapsuled by the poster line: 'They were housewives seeking kicks, in a world of swingers, orgies, booze, and sin.'
Bruce Conner, the great, irascible, and ever-evolving San Francisco-based artist known for his assemblages, films, drawings, and interdisciplinary works, passed away on July 7, 2008.
Thomas Michael remembers well the birth of Hank and Mike, the titular blue-collar Easter bunnies in director Matthiew Klinck's absurdist workplace comedy.
The Gits offers both an appreciation of a unique quartet's too-brief career and consideration of Mia Zapata's death.
Having just spent three invigorating days in Niles watching crowds cheering to films from the years between 1903 and 1917, I can report that silent films are alive and well.
SF360.org sits down with director Alex Gibney, whose film, Gonzo: The Life and Work of Dr. Hunter S. Thompson played at the 51st SFIFF.
A documentary tribute to Derek Jarman, Isaac Julien's Derek does not seek to enlarge or complicate the filmmaker's legacy so much as succor its loss.
A documentary tribute to Derek Jarman, Isaac Julien's Derek does not seek to enlarge or complicate the filmmaker's legacy so much as succor its loss.
Critic Dennis Harvey reviews select films screened at the 32nd San Francisco International LGBT Film Festival.
Eric Rohmer's latest "moral tale," The Romance of Astrea and Cèladon, filled with evanescent beauty, plays as part of SFFS Screen.
Dennis Harvey reviews Sergei Bodrov's Mongol, a distinctive look at the early life of the conqueror.
A look at the films in the 32nd San Francisco International LGBT FIlm Festival indicates the rise of Argentina's new wave.
Woman on the Beach is a wonderful introduction to South Korean director Hong Sang Soo's films, in large part due to its subtle comedy.
Woman on the Beach is a wonderful introduction to South Korean director Hong Sang Soo's films, in large part due to its subtle comedy.
Strand Releasing President Marcus Hu speaks with Frameline Artistic Director Lumpkin about Frameline, queer cinema and the future of this niche festival.]
Michael Lumpkin's mini-retrospective of features that highlight some personal favorites that made waves at the Frameline Festival (and sometimes in the larger cinematic world).
The SF Film Society is optimistic that its year-round screen at the Sundance Kabuki will contribute to the spectrum of films in Bay Area theaters.
The SF Film Society is optimistic that its year-round screen at the Sundance Kabuki will contribute to the spectrum of films in Bay Area theaters.
Exhibitions in San Jose feature art drawn from and inspired by online social networking sites, Youtube, video games and blogs.
Exhibitions in San Jose feature art drawn from and inspired by online social networking sites, Youtube, video games and blogs.
In 'Surfwise', documentarian Doug Pray examines the eccentric Paskowitz clan, whose patriarch and nine children have been legends in the surfing world for decades.
In 2008 the San Francisco Black Film Festival marks its 10th anniversary with the most expansive program yet, flagging the theme "10 Years, 10 Days, 100 Films."
Katznelson, a co-founder of the Dawn festival at the Contemporary Jewish Museum, sat down to talk about Judaism, culture, film and the festival.
Looking for something meaningful to do Sunday at 2 a.m.? Try the all-night Dawn festival.
Looking for something meaningful to do Sunday at 2 a.m.? Try the all-night Dawn festival.
Composer Erling Wold's solo chamber opera enjoys a thrillingly intimate world premiere this week under the banner of the San Francisco International Arts Festival.
It may not be easy being Uwe Boll, but it must be fun. He's a boundlessly energetic fanboy-turned-maker who thinks large.
In addition to bringing a host of worldwide performers to the Bay Area for the first time, the San Francisco International Arts Festival (May 2-June 8), now in its fifth year, has become an indispensable showcase for collaborative work by leading Bay Area artists and their peers across all manner of geographical, cultural and disciplinary borders. The more than 40 performances in this year’s lineup, taking place at 14 separate venues across the city and in Berkeley, span the worlds of dance, music, opera, theater, visual arts and multidisciplinary work. The following four highlights are all hybrid productions with strong film and/or video components.
For all his lasting wholesome appeal, Stewart was an oddity: Gangly, stammering, Pennsylvania-drawling and not particularly attractive by 1930s studio standards.
The historic Castro Theatre, its marquee recently revamped for the Milk biopic shoot, hosted Frameline's announcement of its 2008 festival.
Part Luis Bunuel parable, Artforum spread, Jonestown ballet and Warhol camp, Harmony Korine's latest is a prime, insomniac two hours of midnight-movie drifting.
Part Luis Bunuel parable, Artforum spread, Jonestown ballet and Warhol camp, Harmony Korine's latest is a prime, insomniac two hours of midnight-movie drifting.
Unlike most experimental filmmakers, Sonbert's collected works have had the benefit of full retrospectives at major museums (SFMOMA, NYMOMA, Guggenheim) and a strong preservation effort.
Gregg Araki's "irresponsible" movie was the first to respond to the AIDS crisis with ACT UP-style radical rage rather than lamentation or case-pleading.
Joan Didion famously said, "We tell ourselves stories in order to live." We've internalized the American narrative of Abu Ghraib and accepted its implications.
Food scents and film sensibilities mingled in a pungent party atmosphere at the California Culinary Academy.
The second installment of Alex Gibney's interview about Gonzo: The Life and Work of Dr. Hunter S. Thompson, which closes the San Francisco International Film Festival.
You know a festival is working its way into your brain when, in a landscape of intersecting ideas, you begin to witness the collisions.
Joan Didion famously said, "We tell ourselves stories in order to live." We have internalized the narrative of Abu Ghraib and accepted its implications.
Glass: A Portrait of Philip in Twelve Parts is a very close-quartered and loving documentary, a year in the life of the composer.
SF Film Society’s Founder’s Directing Award winner Mike Leigh's work has created a distinctive insider’s portrait of working-to-middle class English life.
The longtime Bay Area resident, who recently relocated to Brooklyn, screens Woodward's Gardens in the shorts program "In A Lonely Place: New Experimental Cinema."
The star of My Name Is Earl is (alongside Grindhouse superstarlet Rose McGowan) the recipient of this year's SFIFF Midnight Award.
The Mission filmmaker has slaved in the underground for some three decades, a guide and shaman for other artists working on the fringes.
Touching Home by Bay Area-raised identical twins Logan and Noah Miller is a largely autobiographical coming-of-age film that radiates sincerity.
Dawn Logsdon and Lolis Eric Elie dig through the rubble of Hurricane Katrina to tell the story of Faubourg TremŽ, which was home to African Americans and fertile ground for political activism, music and literary life.
If making a movie about one’s family could be equated with a fire-walk in August, then making a documentary about one’s partner’s family might be akin to a midsummer sauna. Yet veteran L.A. filmmaker Renee Tajima-Pe–a (Who Killed Vincent Chin?) signed on to a road trip with her husband from L.A. to Washington state to Texas in search of "la verdad" about the father that abandoned Armando’s mother Rosa and his six brothers several decades ago. An intimate and elegantly crafted work of cinema verita, Calavera Highway encompasses universal familial tensions, Mexican-American identity, the responsibilities of fathers (and sons) and the psychic malleability of map-drawn borders.
Tajima-Pe–a, who’s an associate professor at UC Santa Cruz, will receive the Golden Gate Award for long-form television documentary at the S.F. International Film Festival, where Calavera Highway screens three times in early May. Via email, she talked about searching for "Calaveras" hidden in closets and elsewhere.
Cachao: Uno Mas documents acclaimed bassist and cuban music innovator Israel "Cachao" Lopez's work and San Francisco concert at Bimbo's
Will "the Thrill" Viahro, impresario of East Bay cult movie extravaganza "Thrillville," discusses the difference between "trash" and "garbage" in film.
Two films at the Arab Film Festival's program Palestine: Interior/Exterior map physical, personal and ideological terrain.
Boarding Gate is raw, silly, bloody, funny, carnal, intricate, coarse and self-conscious. It all suggests Olivier Assayas has a lot more surprises in him yet.
Bodies of work have emerged from the intersections of performance, film and electronic art. Cinematograph 7ÑLive Cinema: A Contemporary Reader, edited by Thomas Beard's provides thoughtful writing on the subject.
The fifth annual EarthDance Short-Attention-Span Environmental Film Festival screens a juried compilation of 20 short films in two 90-minute installments.
Small-town "heartland" America that once held our majority populace is now seldom seen on screen. Jeff Nichols debut feature Shotgun Stories is an exception.
First-time writer/director Jeff Nichols discusses the inspiration behind Shotgun Stories, the initial hurdles in making the film, and the noble nature of his characters.
A series of films at SFMOMA present an outsiders take on the outmoded American staple, the Western.
A series of films at SFMOMA present an outsiders take on the outmoded American staple, the Western.
Two top winners at the SFIAAFF focused on breakadancing, an art form taken up with vengeance by Asians, with Koran teams a particularly dominant force.
Outgoing SFIAAFF's Associate Director reflects on what made him happy during his last year of work.
SFIAAFF has grown from a niche event to a major international festival - with more than enough voices to justify its unwieldy moniker.
Filipino Director Brillante Mendoza discusses his aesthetic: a basic approach that resists facade and pretense and desires to depict to things as they really are.
Longtime San Francisco Chronicle film critic Judy Stone offers her top ten picks from the 2008 San Francisco International Asian American Film Festival.
Just when Gus Van Sant seemed on the verge of turning into just another Hollywood selloutÑhe did a total about-face. His four features since have been true art films
Here Donnie Yen wears two hatsÑas an actor in his signature role of a dedicated cop , and as an action choreographer who stages electric fight sequences using Mixed Martial Arts (MMA).
A "discovery" festival from Day OneÑmeaning they premiere a lot of films, including many other fests might pass overÑSan Jose's Cinequest actually adopted "Discover" as motto for its 16th year.
"A Genuine Tribute to Peter Bogdanovich" is a major coup for Jesse Hawthorne Ficks, after all these years later, he's ready for a retrospective of his own.
San Francisco Irish Film Festival begins this Wednesday at the Roxie with a slate of narratives and documentaries imbued with Ireland's particularly unique sense of time and place
Warts & All: The Films of Danny Plotnick: 10 short comic narratives are exemplars of an unpolished, unpretentious school of moviemaking that aims at every moment to be audience-friendly.
Girls Rock watches a few select 8-18 -year-olds overcome the obstacles to claim their rightful place on Earth and wail away.
In Honeydripper it will no doubt be pleasure to see Danny Glover play a familiar character: The good man trying to gain a leg-up when fortune has rained on his hopes.
Fresh insight into the Iranian director is offered in a remarkable DVD featuring Five, an experimental, meditative film set on the shores of the Caspian.
In addition to practically every extant band you’d want to see, an art exhibit, and comedy shows, there are movies at Noise Pop.
The list of talking dog movies is long and storied, but one stands head and forelocks above the others: A Boy and His Dog.
Even as the country has become a typically affluent Western society, its cinema has retained its status as a crucial component of the national dialogue.
An idea so vivid yet simple you've got to wonder why more movies haven't used it: Something happens that turns the populace into irrational maniacs.
It probably wasn't Romero's original dream to become semi-famous for movies about the flesh-eating undead.
Despite the blanket of financial and technical doom constantly smothering Independent Filmdom, Indiefest serves as a satisfying reminder that great indie film isn't going anywhere.
The Irish flick might put the leper back in leprechaun, but it's still at heart a reassuringly formulaic hunk of bloody commercial horror.
The Romanian film takes place over 24 hours in a provincial town in 1987 before Ceaucescu was deposed.
The Romanian film takes place over 24 hours in a provincial town in 1987 before Ceaucescu was deposed.
Sundance is like being in a car accident: Everything seems to be in slow-motion, but later you can hardly remember what happened.
Michael Fox reviews the release of a Sergei Paradjanov DVD boxed set and the arrival of a Jean-Luc Godard box spotlighting his underrated mid-'80s work.
At Sundance 2008, a swath of features, docs, installations, and projected art shared similar socio-political concerns, which they grappled with via well-honed aesthetic filters.
At Sundance 2008, a swath of features, docs, installations, and projected art shared similar socio-political concerns, which they grappled with via well-honed aesthetic filters.
Heath Ledger's death was sad not just because any young death is sad, but because we'd only just begun to know Heath Ledger as a real artist.
Galison, whose film is competing at Sundance '08, answers questions about the world of hidden national security policy.
Mitchell Lichtenstein's directorial debut has made Jess Weixler the newest "it girl" on the indie scene.
Anton Corbijn's Control is a dramatization of the book written by the frontman's widow, chronicling their romance and marriage, his eventual infidelity, and his mental health issues.
As filmmakers, fans, and skiers get zipped up to head off to Parka City for the annual Sundance Festival this week, SF360.org checked in with Gail Silva.
The Goethe-Institut's festival offers a pointed reminder that Germany, Austria and Switzerland aren't just in the center of Europe, but in the middle of international cinema.
The live-action film division of Viz Media has just marked its second year of bringing a broader range of Japanese film to the growing audience for Japanese pop culture.
As this retrospective makes clear, de Antonio's documentaries are a different species entirely from the kind of celebrity-driven, headline chasing theatricals now in favor.
As this retrospective makes clear, de Antonio's documentaries are a different species entirely from the kind of celebrity-driven, headline chasing theatricals now in favor.
If they don't get the chance to beguile the world in theaters, maybe, at the very least, they'll find their way to audiences via digital download.
Ivan Jaigirdar's joint offers a screen filled with Bollywood eye candy, plates filled with South Asian food, and drinks to warm both.
Judd Apatow has come to so dominate American comedy that I often find myself thinking, "If only this movie had been written by Apatow..."
The Sundance feature follows a 70-year-old novelist trying to complete the book he's been working on for the last 10 years.
Yu's latest doc centers on four rather damaged individuals, applying the dramatic structure of Greek playwright Euripedes to contemporary life.
In honor of Gus Van Sant's new film, 'Paranoid Park,' five skate films that matter to the skate junkie, and three honorable mentions.
In honor of Gus Van Sant's new film, 'Paranoid Park,' five skate films that matter to the skate junkie, and three honorable mentions.
Somewhere between iPhone and YouTube there’s a wee festival known as miniPAH. A more slender version of PAH-FEST, the touring weeklong digital film festival founded a year and a half ago by filmmaker Christopher Coppola, “miniPAH: San Francisco” happens this weekend at Coppola’s alma mater, San Francisco Art Institute, ahead of a full-fledged Bay Area PAH sometime next year.
Somewhere between iPhone and YouTube there’s a wee festival known as miniPAH. A more slender version of PAH-FEST, the touring weeklong digital film festival founded a year and a half ago by filmmaker Christopher Coppola, “miniPAH: San Francisco” happens this weekend at Coppola’s alma mater, San Francisco Art Institute, ahead of a full-fledged Bay Area PAH sometime next year.
How does Jean-Jacques Beineix's breakthrough hold up a quarter-century later, duly remastered and freshly subtitle-translated?
Midnites for Maniacs unearths populist yet esoteric genre and exploitation flicks that have mostly disappeared into the netherworld of discarded VHS rental tapes.
The List: A commentary-filled list of the lineup at the silent film festival, which consists of three separate programs and an evening mixer with live music.
The entire Bay Area is invited to watch a film simultaneously in the comfort of home, and the selection is a delicate and heartfelt depiction of the director's autistic sister.
U.S.-Cambodian co-production Holly might easily have gone straight to DVD, which would be a pity because it's well worth rushing to the theatre for.
A perfect example of the emerging genre of improv-based, digitally shot, minimally budgeted seriocomedies about twentysomethings stumbling through, you know, relationship stuff.
Six features in the week-long series had not been seen in 50 (and in one case 70) years due to legal complications.
Todd Haynes' I'm Not There both replicates and examines the hazy landscape of fact, fiction, art and myth comprising Dylanology.
The documentary What Would Jesus Buy? makes bad news go down easy, thanks largely to its "star," Reverend Billy of the Church of Stop Shopping.
The List: We take the opportunity to link you to four short films from the Big Ugly Review, an online publication that includes fiction, nonfiction, poetry, and more.
Meet Phil Chambliss, a 54-year-old, recently retired gravel pit nightwatchman who makes what might be termed cinematic folk art.
Meet Phil Chambliss, a 54-year-old, recently retired gravel pit nightwatchman who makes what might be termed cinematic folk art.
Sometimes even presumably good intentions can warp into artistic misdeeds most foul.
Herzog's remarks challenged the audience to reconsider its views on non-fiction film at AFI Fest.
In the wake of Mexican cinema's triumphant showing at the 2007 Oscars, these films serve to confirm how some of the biggest surprises can come from the shortest of distances.
SFFS programmer Sean Uyehara gives some perspective on the shifting dimensions of animated filmmaking.
There are a lot of Strummer stories to tell, and a good share of them are in Julien Temple's terrific new documentary.
The filmmaker talks about her recent projects, including Salud!, which looks at Cuba's world-class health system.
The List: While Rob Stewart's film is winning awards around the world, he offered his thoughts on the five films that have done the most damage to sharks' reputation.
This festival is home to an array of talent that promotes Indians in roles other than that of Indians, in movies other than westerns.
Make: magazine gives tons of fascinating advice on how to do everything from turn two lengths of sewer pipe into a lens focuser to the proper way to mount a heat shield.
MobMov combines the four-wheeled charm of an old-time drive-in with the technologist's urge to pimp his or her ride into a rolling film-projection booth.
We spoke with the filmmaker about his own intersections with his award-winning film on a young man with Mowat-Wilson syndrome.
This wisp of a movie shouldn't be able to sustain its gimmicky concept, yet miraculously does, thanks not just to Gosling, but to his fellow actors and measured direction.
The List: SF360.org has compiled a short list of environmental filmmakers we hope will one day find a Peace Prize coming their way, too.
Joseph Cornell: Navigating the Imagination comes to San Francisco for the first major west-coast exhibition of the artist's work in 40 years.
Joseph Cornell: Navigating the Imagination comes to San Francisco for the first major west-coast exhibition of the artist's work in 40 years.
Jamie Meltzer talks about his new film on Nigeria, where the digital revolution enables entrepreneurs to churn out movies quickly and inexpensively.
SF360.org caught up with the filmmaker, who has been extraordinarily prolific since abandoning celluloid for the lighter, cheaper, more flexible digital realm.
The Mill Valley Film Festival turns 30 years young this year, sporting none of the girth and wobbly ankles suffered by other way-out-west fests that began life in 1978.
Slow your rhythms down to this film's idiosyncratic tempo, and you'll get a striking, authentic-feeling epic that's often rivetingly tense.
SF360.org spoke with Robert Ogden Barnum on guiding four future pop stars onto the big screen in Antonia and his new distribution company.
"In Search of Mozart" is a comprehensive overview of the composer's generous genius and one of the finest examples of the PBS-style, talking heads-and-cutaways documentaries in recent memory.
As the Madcat Women's International Film Festival heads into its final stretch this coming week in San Francisco, SF360.org felt it was important to catch up with its chief curator, Ariella Ben-Dov.
Lynn Hershman Leeson discusses her new project, ÔStrange Culture'.
The freshing thing about Susan Dynner's new documentary ÔPunk's Not Dead' Ñ beyond the fact that it's not the 9,482nd recap of The Early Years (circa 1976-85) Ñ is its unabashed if not uncritical acknowledgment that punk is here to stay.
Here are a few quick takes on programs that look particularly worthwhile at Madcat.
Michael Fox interviews director and Mission District icon George Kuchar
Michael Fox interviews director and Mission District icon George Kuchar
Lucy Gray reports from the 35th Telluride Film Festival.
Matt Sussman looks at the final products of the talented young directors in TILT's Summer Film Camp showcase (screening as part of of Straight Outta Film Arts program at YBCA).
Matt Sussman looks at the final products of the talented young directors in TILT's Summer Film Camp showcase (screening as part of of Straight Outta Film Arts program at YBCA).
Max Goldberg on Jonathan Rosenbaum's critical survey of director Orson Welles.
Max Goldberg on Jonathan Rosenbaum's critical survey of director Orson Welles.
An intimate four-day buffet of tributes, premieres, restorations, and revivals laid out in the Colorado mountains, Telluride is an oasis for film lovers.
The Pacific Film Archive offers a three-week sampling of Russian sci-fi films stretching from the silent era to the end of Communism.
A conversation with Joshua Grannel, a.k.a. Peaches Christ, founder and host of camp/cult-fest extravaganza Midnight Mass.
SF360.org reviews a masterpiece of train-wreck voyeurism and "Sunset" stripped.
The List: While one might take comfort that the following list lies isolated in the filmic realm, do play it safe: don't piss off the ladies in your life.
The co-programmers discuss their newest endeavor, though those already from the Bay Area will be familiar with their work at S.F. Cinematheque.
The List: The following list consists of the most interesting or important moments in the visualization of blood, from sheer abundance to aesthetic appreciation.
In this film, those creatures of the polar region, who've long been ready for their closeup, carry the global warming message on their so very cute backs.
Fletcher explains what will hopefully be an annual event that encompasses all kinds of worldwide cult-skewing fun.
Tirard takes an ingenious tack in conjuring the creative evolution of France's master of satiric comedy.
An impressive PFA series runs alongside an exhibition at the Berkeley Art Museum of Kiarostami's striking photographic work.
A non-rich family is torn apart by money matters, and young actors lie atop, next to, and around each other with youthful, sexual abandon.
SF360.org talks to Marc Huestis, who exhibits a playful flair to his showmanship, putting the "imp" back in impresario.
While reality television may have reduced Warhol's 15 minutes to a 15 second sound byte, Kemet is setting his sights well beyond his time.
The List: San Francisco Jewish Film Festival is showing five great films that showcase the moxie and smart fighting style of Jewish boxers, both old and new.
Sunshine tells the story of the eight astronauts aboard the ominously named "Icarus II," a vessel bound to kick-start the sun, Earth's last hope for survival.
Manufactured Landscapes, the film, extends photographer Edward Burtynsky's vision into a new medium, the documentary, and engages a dialog about global capitalism's impact on Earth.
The List: Frozen Film Festival is a small festival that hopes to capitalize on the fact that San Franciscans like to stay indoors in the summer.
Stacey Wisnia has been a vibrant fixture in the San Francisco film scene for years and has became the Executive Director of the San Francisco Silent Film Festival,
Parker Posey: one more-than-worthies in an often less-than-worthy medium. It's particularly exciting when they get a rare expansive part in a good movie.
"People in this town are coming to realize that Los Angeles needs a world-class film festival," proclaimed Rich Raddon, who's led LAFF since 1999.
Jasmine Dellal's affinity for Roma (or Gypsy) and new film, Gypsy Caravan is a spectacular portrait of five top-drawer Roma acts.
List: While the following list may hold few such surprises, these adaptations are some of the most intensely unsettling (and most cinematically rich) re-stagings of Shakespeare's dark plays.
Sicko's story of the mismanagement of U.S. healthcare takes Michael Moore from the U.S. to Canada to Europe, and most notably, to Cuba.
Review: startling portraits Claude Cahun, her half-sister and lover Marcel Moore took of themselves and each other dressed in a variety of personas, costumes and genders in Lover Other.
Review: startling portraits Claude Cahun, her half-sister and lover Marcel Moore took of themselves and each other dressed in a variety of personas, costumes and genders in Lover Other.
Sperling's Itty Bitty Titty Committee closes the SF International LGBT Film Festival, at which Sperling—17 films strong—receives the Frameline Award.
List: American Cannibal documents two down on their luck television writers, Gil Ripley and Dave Roberts, as they sell their souls to the reality television circuit.
Muppets, Music, and Magic, a Jim Henson career retrospective pleases not only Muppet-lovers but also people whose tastes stretch beyond.
Muppets, Music, and Magic, a Jim Henson career retrospective pleases not only Muppet-lovers but also people whose tastes stretch beyond.
The prolific British director, known for a large and eclectic body of work, has done something very unusual in the past half decade.
For some movies, Sprite and popcorn aren't enough. You need gin and vodka and a room of unruly bodies shouting when they're not supposed to,
Now past its third-decade anniversary, SFILGBTFF — the producing organization keeps trying to change its public-recognition name to something more manageable, which this annum would be Frameline31 — now has filmmakers and distributors banging on its door.
Brand is no short supply of Guy Maddin's usual firecrackers: apostrophe, hyperbole, and of course, catastrophe.
Frameline directors Michael Lumpkin and Jennifer Morris speak about the programming, controversy and the landscape of LGBT films.
Strand Releasing can always be relied upon for some of the best art films and queer indies, and it has a strong festival presence,
Nine years' vintage makes the SFBFF a newcomer by Bay Area standards. In terms of programmatic diversity and premieres, it's got old-soul depth.
"SF Indiefest: Gets Animated," piggybacking on the 4th Annual Another Hole in the Head Film Festival, co-presents an animation program with the popular archivist.
Despite the best efforts of method actors, methodical directors, and talented costume designers, biopics can usually be relied upon to disappoint.
San Franciscans have a poignant symbiotic relationship with William Kaufman's freshman feature, The Prodigy, which returns to the city this week.
A week before the 27th festival, SF360.org spoke with the executive director on what Superfest gets about disability that the rest of the filmmaking world doesn't.
The four-day festival offered over 100 films, with an emphasis on documentaries, and attracted some 60 filmmakers, including Albert Maysles.
The San Francisco International LGBT Film Festival lineup includes several world premieres and international features from Korea, Argentina, and Cuba.
No sooner does the Festival de Cannes open than attendees start buzzing about the potential award-winners.
Not even widely released yet in the States, Philippe Parreno and Douglas Gordon's "ZidaneÉ" has already been considered a portrait of the century.
Jeff Iorillo on the fourth festival trailer that he's written and directed for the S.F. International LGBT Film Festival.
Changes in Hal Hartley's geography and work styles have put distance between his early films and also given the director a chance to experiment with form.
Mexican director Francisco Vargas Quevedo’s "The Violin" (El violin) won the San Francisco International Film Festival’s Skyy Prize, while Israeli duo Shahar Cohen and Halil Efrat’s "Souvenirs" took best documentary feature (West Coast premiere), capping the Golden Gate Awards ceremony Wednesday evening for the festival’s landmark 50th edition.
While the SF International Film Festival has always had celebrity guests, the 50th edition featured a particular concentration of unique one-offs.
The 50th annual SF International Film Festival is as good a time to put forth an argument. Here’s one: The most compelling movie stars of the current era are athletes, and the most dynamic 21st-century cinema is sports cinema.
The Unbelievable Truth helped jumpstart the independent film movement in the U.S. in 1989, followed by eight more Hartley features in the next decade.
As Bruno Dumont's Flanders navigates festival waters, it's been leaving behind a noticeable wake.
If the Bay Area oozed self-regard last night, it couldn't exactly be blamed.
A shot in Wonders Are Many makes visual reference to Guernica as shorthand for art's charge to speak for the voiceless.
Daniel Wu and fictitious boy band Alive from his directorial debut The Heavenly Kings on Cantpop, the Bay Area, and Hong Kong film.
A decade might be long enough in dog years, but in film festival terms it takes a bit more time to impress.
The artist's filmsÑsensual, intricate, tactileÑare a magical combination of optical artistry, snippets of forgotten films, and bits of lace, tape, and glitter.
The artist's filmsÑsensual, intricate, tactileÑare a magical combination of optical artistry, snippets of forgotten films, and bits of lace, tape, and glitter.
Thinking about the upcoming SFIFF, music may not be the first thing that pops into your head. It may not even be the second.
The editor and actor, known for his frequent work with Todd Haynes, died in New York. His friends share their thoughts.
in Claude Chabrol's latest film, Isabelle Huppert plays a judge plunging headlong into a dangerous investigation of french corruption and gender dynamics.
White's heroes and heroines are content with their mundane lives until some uninvited intruder or unforeseen event exposes their frustration and complacency.
Verhoeven's career can be divided between the character-driven movies he made in Holland and the slick genre films he directed in Hollywood after 1985.
One of Apichatpong Weerasethakul Ôs goals as a filmmaker is to simply show what he likes, and what he likes to see.
One of Apichatpong Weerasethakul Ôs goals as a filmmaker is to simply show what he likes, and what he likes to see.
The festival kicks off with Emanuele Crialese's Golden Door and closes with Olivier Dahan's Edith Piaf biopic, La vie en rose.
Robert Avila reviews A Zen Life: D.T. Suzuki and The Situation.
An interview with documentary and narrative filmmaker Philip Haas upon the release of his latest film, The Situation.
SF360.org checked in with actors and filmmakers roaming this year's festival to give props to their favorite Asian American artist, past or present.
Spencer Nakasako gets the credit for starting the still-cresting wave of first-person camcorder documentaries back in 1995, but he claims it was largely an accident.
As this week's blanket coverage of David Fincher's Zodiac shows, it's axiomatic that nothing intrigues San Franciscans more than San Francisco. And why not?
When all was said and done in Los Angeles tonight, The Departed was the big winner at the 79th Academy Awards.
The Oscar-nominated screenwriter of Little Miss Sunshine made a Cody's San Francisco bookstore appearance promoting the publication of the shooting script.
It's a big week for Peter Morgan, partly because the SFFS announced he'll receive the Kanbar Award for excellence in screenwriting at the 50th SFIFF.
Daniel Burman's smartest play was casting Daniel Hendler as his onscreen alter ego. Michael Apted's worthy Grace, reminds that period pieces make effective message movies.
Boasting dozens upon dozens of homegrown events anchored by the country's most visible festivals, San Francisco has evolved into the quintessential festival town.
Boasting dozens upon dozens of homegrown events anchored by the country's most visible festivals, San Francisco has evolved into the quintessential festival town.
The Pacific Film Archive's standing as a cinema-centric educational institution brings the avant-garde into conversation with a broad program of film history.
This year's 125 films follow the fest's growth from 13 films in 1982 in the wake of Wayne Wang's Chan is Missing.
We asked the collectively owned and operated theater to come up with a list of their five favorite screenings over the years.
"Not eating your friends after they have died is a relatively new invention."
Tears of the Black Tiger is Thai eye candy, an exercise pastiche where color just about leaps off the screen, and a star-crossed love story.
The new western isn't really about violence, it's about Myth, in a symbolic, sort of Old Testament-meets-Sergio Leone way.
The latest launch under the SF Film Society's SF360 banner premieres this week on ComcastSF, Channel 11.
The List: A collection of individuals who caught my eye in an intense week of YouTube scouring. Most have gotten upwards of one million views.
Wrapping up Sundance Ô07, with the NFL's big game as the best metaphor to describe the annual festival.
A preview of the festival's rich program with festival's organizer Eddie Muller
Inteview with the artist and filmmaker on her work and her latest movie, presented at Sundance.
Inteview with the artist and filmmaker on her work and her latest movie, presented at Sundance.
The Pacific Film Archive retrospective on Ernst Lubitsch encompasses 21 features, including many seldom-seen silent movies.
A delightfully funny movie on boy-men redeeming themselves from New Zealand, and Mark Becker's absorbing documentary on a musician in the Mission.
Rock&Roll, romantic comedy, fantasy and adventure, among the themes of this year's festival.
A documentary provides an in-depth description of Robert Wilson's life and art. Melville's spy story on a Resistance cell in Nazi-occupied French challenges our idea of heroism.
A documentary provides an in-depth description of Robert Wilson's life and art. Melville's spy story on a Resistance cell in Nazi-occupied French challenges our idea of heroism.
The 1959 reworking of the Greek myth of Orpheus and Eurydice is a bossa nova adventure through Brazilian Carnival, with actor Breno Mello as the black Orpheus.
SF360.org ended the year the way we started it--asking enormous favors from some of our favorite filmmakers: Caveh Zahedi, Sam Green, and Danny Plotnick.
Hollywood is the Santa that bestows gifts every Yuletide,; but you have to pick which ones you want, then pay for them.
The product of a true cinematic innovator and gloriously individual poet, Broughton's film work remains much too idiosyncratic to be deconstructed,
Spies are frequent movie characters, in part because we know so little about them. Nonetheless, The Good Shepherd is an unusual Hollywood project.
San Francisco artist James T. Hong is currently working on a documentary, tentatively titled New History Zero, which explores his interest in revisionist World War II history.
San Francisco artist James T. Hong is currently working on a documentary, tentatively titled New History Zero, which explores his interest in revisionist World War II history.
The language of film may be universal, as the Landmark trailer reminds us, but the critics in major U.S. cities speak their own dialects.
At least three Bay Area-based filmmakers will be making the trek to Park City this year, Jon Else, Steven Okazaki, and Jay Rosenblatt.
This series of cinematic responses to war, curated by Lebanese video artist Akram Zaatari, opens up possibilities for re-imagining the dehumanized landscape of violence.
Song and Solitude, is a twilight sojourn to a secret world much like our own, rendered with profound patience and a hint of wistfulness.
Song and Solitude, is a twilight sojourn to a secret world much like our own, rendered with profound patience and a hint of wistfulness.
Ramin Bahrani's debut feature follows a solitary, quiet immigrant struggling to make a go of it in New York City.
Ramin Bahrani's debut feature follows a solitary, quiet immigrant struggling to make a go of it in New York City.
The director, producer and sometime actor enjoyed a painless ride from well-off circumstances to well-connected beginnings to one of Hollywood's biggest names for decades.
MTV's boat has long since sailed, but music videos are as ubiquitous on YouTube and Myspace as YBCA brings music videos to its downstairs gallery.
MTV's boat has long since sailed, but music videos are as ubiquitous on YouTube and Myspace as YBCA brings music videos to its downstairs gallery.
Collector and archivist Rick Prelinger puts on a show at the Other Cinema to celebrate his new book, A Field Guide to Sponsored Films.
The filmmaker talks about tagging along with three renegade activists on their self-funded humanitarian excursions to war zones and disaster sites.
Filmmaking was just one among many creative outlets for Japanese multimedia artist Hiroshi Teshigahara.
Half of Illbilly Productions and 1/45th of Killing My Lobster, Bancroft has made claymation shorts and perhaps the quintessential rap video, Maximum Wage.
The Redwood City-based startup InDplay is like an online dating service for the film industry.
It doesn't seem like a stretch to group Janus with those American institutions which have represented a vision of what art is and can be.
It doesn't seem like a stretch to group Janus with those American institutions which have represented a vision of what art is and can be.
Three days, nine films, eight shorts, and endless bliss courtesy of last weekend's fourth annual 3rd I South Asian Film Festival.
The relationship between intellectualism and passion, a distinctly Italian concern, propels the 2006 edition of New Italian Cinema.
The relationship between intellectualism and passion, a distinctly Italian concern, propels the 2006 edition of New Italian Cinema.
The resounding refrain at Digimart 2006 was that the traditional model of independent film and video distribution was dying.
Through a close examination of his own family, filmmaker Doug Block explores universal questions about our own mothers and fathers in 51 Birch Street.
The List: Lesser remembered and/or excellent Mafia films that might make you an offer you can't refuse.
The veteran documentary maker describes the making of Jonestown: The Life and Death of Peoples Temple.
With the midterm elections less than two weeks away, a crop of documentaries are collectively trying to get a message across that has largely been passed over by the mainstream media.
Eric Steel's disturbing, controversial documentary, The Bridge, focuses on people who end their lives at the famous landmark at the edge of the continent.
Segueing from network television news to documentary features, Amy Berg makes her debut with a shocking, powerful film about pedophile priest Oliver Grady.
The List: Ten to catch at the 9th annual United Nations Association Film Festival October 25 through 29 at Stanford University in Palo Alto.
After weeks of Western Europe, what better way for the young cineaste to crash the City of Light than a trip to the silver screen?
When Brent Hoff was checking into a hotel for a film festival, the concierge thrust a business card into his hand, “Remember me next time you’re casting a film." So he asked the biggest directors he knows to cast the concierge in a series of short films.
Mark Andrews and Andrew Jimenez co-wrote and co-directed the unexpected, surprisingly funny short about two musicians vying for a young girl's lone coin.
San Francisco Film Society programming associate Sean Uyehara has pulled off a feat with the opening program for the first San Francisco International Animation Showcase.
When onlookers or bystanders disparagingly refer to experimental film as torturous or a bore, it’s a safe bet that they’ve never seen anything by Bruce Baillie.
The List: 25 Bay Area landmarks, including the Roxie and the Fox Oakland, are vying for $1 million in preservation grants from American Express.
Though it won the Silver Bear at the Berlin Film Festival in 1975, Overlord is one of those movies that mostly slipped through the cracks.
Killer Films' Christine Vachon's new memoir, A Killer Life (written with Austin Bunn), bolsters the producer as the driving force of independent film.
The expat archivist and writer makes his near-annual pilgrimage to San Francisco with a flurry of shows teeming with goodies from his personal collection.
The real voter fraud is orchestrated under the radar, says the director of American Blackout.
A panel discussion yields insights into the presentÑand futureÑof indie distribution.
Filmmaker Georgia Lee discusses her narrative feature with family member Frances Chang.
The List: American Blackout director Ian Inaba names the top four Web sites.
The provocative documentary filmmaker is recalled with a retrospective at Yerba Buena Center For the Arts.
The provocative documentary filmmaker is recalled with a retrospective at Yerba Buena Center For the Arts.
The Catharine Clark Gallery's new Video on Demand feature allows you to choose videos from the gallery's extensive library of video work.
A longtime seasonal staffer recounts her experience and highlights at the '06 fest.
The renowned local critic and historian talks about his book about the iconic Hollywood beauty.
The List:10 local filmmakers describe what they love about shooting on the streets of San Francisco.
This 2006 series of recent releases and restorations that played theaters for only a day or, at most, a week is exceptionally varied.
Austin's Alamo Drafthouse Cinema touring program brings classics to the locations they made famous, with a mobile outdoor projection unit and inflatable screen.
SF360 checks in with a few Bay Area festival insiders to see what they're excited about at upcoming festivals.
The author's cult gets another buck-up from the release of Norwegian director Bent Hamer;s first English-language feature, Factotum.
The Academy of Motion Picture Arts and Sciences' Academy Foundation bestowed a surprise grant of $150,000 over three years.
Through Asphodel Records and RML, Humon pursues his fascination with sound's spatial properties.
Jeff Kreines and Joel DeMott's legendary and obscure 1982 documentary set in Muncie, Indiana, highlights the PFA series "Screenagers: Documents from the Teenage Years."
The Association for Computing Machinery Ôs 2006 conference and exhibition offered animation, new media art exhibits and the latest techniques in interactivity.
The director of The Business of Strangers talks about his second feature, starring Robin Williams.
The List: Ten faves from Eva Sollberger's YouTube series, The Deadbeat Club, which revisits the decade she spent working in the Bay Area film community.
The co-director talks about his provocative fictional documentary about conjoined twins groomed for rock Ôn' roll stardom.
The San Francisco Media Archive director talks about the weirdness and normality revealed on Home Movie Day.
The List: ZeroOne San Jose Global Festival of Art on the Edge presents an array of = augmented realities, artificial intelligences, and interactive pieces.
An appreciation of the great actress of cult and mainstream films, before her appearance at a Midnight Mass screening of Death Race 2000.
The veteran Israeli filmmaker, in town for the Jewish Film Festival, talks about radical art and Free Zone.
The veteran Israeli filmmaker, in town for the Jewish Film Festival, talks about radical art and Free Zone.
Chris Metzler and Jeff Springer talk about their acclaimed debut Plagues and Pleasures on the Salton Sea, their influences, and making films in San Francisco.
Film journalist Cathleen Rountree's lists five categories and 27 films of an under-discussed genre: hip hop cinema.
The Istituto Italiano di Cultura screens Visconti's signature features, from his 1942 debut Ossessione through 1976's The Innocent, which he died before completing.
Belic helped a group of youths learn about documentary filmmaking in a program designed to offer media skills to under-served Bay Area high schoolers.
A conversation with Pamela Yates, director of State of Fear, on Peru's 20-year war on terror, which bears an unsettling resemblance to U.S. current events.
A California Film Institute-procured class of 13somethings needed no help deciding their top ten list of surprise movie endings.
Leena Prasad talks about making a sci-fi comedy featuring a pillow and a character named Mark Pantagenet, Foreign Ambassador in just 48 hours.
California Film Institute's Executive Director, Mark Fishkin, comments on the Sundance Institute's "Art House Project."
Benjamin Weil took time out from preparations for the upcoming Barney show to answer questions about the artist's "Drawing Restraint" series.
Benjamin Weil took time out from preparations for the upcoming Barney show to answer questions about the artist's "Drawing Restraint" series.
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
Danielle Beverly, director of Learning to Swallow, offers some backstory on her filmmaking relationship with artist Patsy Desmond.
Danielle Beverly, director of Learning to Swallow, offers some backstory on her filmmaking relationship with artist Patsy Desmond.
SF360 spoke to the director of Rise Above: The Tribe 8 Documentary, showing at the Red Vic Movie House and an imminent DVD release.
We checked in with Gary Meyer to find out what films have rocked the 1926 foundations of the Balboa in the past six years.
The beloved cult classic will screen in conjunction with a live cast reunion at Peaches Christ's Midnight Mass series.
SF360 spoke with Clark about Impaled, in which his exploration of adolescent mores reaches in discomfiting, yet fascinating new directions.
Bay Area soccer fans offer their takes on the best football films.
In The War Tapes, Deborah Scranton exposes war as an industry - for those who fight it and for those who don't.
16 filmmakers from the Bay Area find at least 15 minutes of fame in the San Francisco International LGBT Film Festival this year.
Wong weighs in on the hardest song to bring to life in Colma: The Musical, a story about a city in which the dead outnumber the living.
Matthew Barney: Drawing Restraint opens at the San Francisco Museum of Modern Art. Barney talks to SF360 about his film and gallery project.
Matthew Barney: Drawing Restraint opens at the San Francisco Museum of Modern Art. Barney talks to SF360 about his film and gallery project.
Benjamin Morgan talks about his San Francisco-made drama, Quality of Life, and his favorite graffiti sites on the web.
Highlights from San Francisco International LGBT Film Festival's 30th annual edition.
Highlights from the 4th year ofAnother Hole in the Head, the S.F. Indiefest-produced celebration of horror, sci-fi, fantasy and just plain sick cinema.
San Francisco Cinematheque guest curator Jenni Olson reflects on her show, Kees Kino: The Film Work of Weldon Kees.
San Francisco Cinematheque guest curator Jenni Olson reflects on her show, Kees Kino: The Film Work of Weldon Kees.
Carrie Lozano talks about her inspiration to make Reporter Zero, a documentary on Chronicle reporter Randy Shilts, who documented the early years of the AIDS epidemic.
Film programmer Jesse Hawthrone Ficks talks about the enduring appeal of midnight movies.
Songbirds is a "documentary musical" Ñ something that sounds like a pure contradiction-in-terms until you actually see it.
Dominic Angerame describes the techniques he used while making Consume, and their surprising results.
Dominic Angerame describes the techniques he used while making Consume, and their surprising results.
A conversation with John Peterson on his unusual farming practices, and the documentary that captures them.
Newly appointed S.F. Cinematheque executive director Caroline Savage discusses the state of experimental film.
Newly appointed S.F. Cinematheque executive director Caroline Savage discusses the state of experimental film.
The 2006 San Francisco International Arts Festival focuses on Latino culture across North and South America.
The 2006 San Francisco International Arts Festival focuses on Latino culture across North and South America.
The 2006 program for the San Francisco International LGBT Film Festival features an eclectic mix of genres and narrative types.
Perfumed Nightmare, a Filipino art film in which process is ultimately indivisible from form, is largely forgotten today but created a minor sensation upon its release.
Perfumed Nightmare, a Filipino art film in which process is ultimately indivisible from form, is largely forgotten today but created a minor sensation upon its release.
Rodney Ascher and Syd Garon are only two people whose works curator Danny Plotnick would show sight unseen.
Rodney Ascher and Syd Garon are only two people whose works curator Danny Plotnick would show sight unseen.
After 35 years of underground success, veteran indie filmmaker William Farley still hovers just off the shore of mainstream respectability.
After 35 years of underground success, veteran indie filmmaker William Farley still hovers just off the shore of mainstream respectability.
Christian Bruno, Julie Lindow and R.A. McBride discuss their love of San Francisco and its theaters over beers at the Uptown.
A list of the 24 reasons why to find yourself in the Mission this Sunday and the rest of the week for the 10th annual Music and Arts Festival.
A list of the 24 reasons why to find yourself in the Mission this Sunday and the rest of the week for the 10th annual Music and Arts Festival.
Insights into the initial process of bringing the screenplay adaptation of a short story to the screen.
The 2006 recipient of the Film Society Directing Award was full of raised-finger pronouncements, self-effacing demurrals, and unsolicited rebuttals at a Q&A preceding his film.
San Francisco filmmaker Terry Zwigoff, a former curmudgeon softened by success, discusses Art School Confidential.
An intimate group caught Addictive TV's VJ-style show of ÔEye of the Pilot' at the Kabuki, and stayed late for an enthusiastic Q&A.
The second week of the 49th SFIFF was packed with tributes and special events, luring diverse crowds with honorees like Werner Herzog and Ed Harris.
A conversation with director Michael Glawogger on his film, Workingman's Death, which screens at the 2006 SFIFF.
The Kabuki turned into a mosh pit at the Sunday screening of All About Love as Andy Lau's fans rushed the stage to greet him.
The S.F. International Film Festival opened the gates this year to an accredited citizen press corps of bloggers and vloggers.
This English comedy, the second feature made by the guys behind that genius horror spoof, 'Shaun of the Dead,' satirizes fake cinematic testosterone.
I first saw the remarkable A Trip Down Market Street, 1905 at the Exploratorium seven years ago, feeling chills as I gazed into the past.
George Bush Senior's thousand points of light may never have materialized, but Adam Werbach believes that millions of pixels can truly accomplish something.
Director Caveh Zahedi and his partner, Amanda Field, speak about turning their personal lives over to the public with I Am a Sex Addict.
Audio and visual collide when Noise Pop hits the silver screen at the Noise Pop Film Festival.
Filmmaker Carlos Reygadas discusses his life and work upon the release of his second film, Battle in Heaven.
Sundance Cinemas buys the Kabuki 8 and announces plans to reopen as the Sundance Kabuki in early fall 2006.
The documentary Persian Garden chronicles the grandest art exhibition in Iran since the 1979 Revolution.
The documentary Persian Garden chronicles the grandest art exhibition in Iran since the 1979 Revolution.
The List: How JT LeRoy went from fiction to fact in the media.
Six degrees of James Shigeta: an actor ahead of his time sustains a presence in American and Asian American cinema.
Asian America everywhere: A talk with San Francisco International Asian American Film Festival directors Chi-hui Yang and Taro Goto.
The List: In the aftermath of the Roxie resurrection, the five top-grossing films that screened there over the past two decades.
The newest film festival on the dock, Tiburon International, turns a tourist town around.
A tribute to the life and work of the late documentary maker Garrett Scott.
Direct cinema pioneers Richard Leacock and D.A. Pennebaker discuss seeing and believing.
A conversation with David Kipen about his book, The Schreiber Theory, which reclaims the contribution of screenwriters to motion pictures.
Michael Fox goes behind the scenes on Peaches Christs' slice-'em-up.
Academy of Motion Picture Arts and Sciences (AMPAS) Foundation Film Scholars Program is stimulating and supporting new and significant works of film scholarship. ELIGIBILITY: Applicants must be established scholars, writers, historians or researchers possessing either a significant record of achievement, or exceptional promise and demonstrated accomplishments in their field. Applicants must have written and published at least one book or a comparable collection of articles or monographs. AWARDS: Two grants of $25,000 will be made to qualified and worthy applicants, as reviewed and selected by the Academy's Grants Committee and staff. The Academy will distribute the grant money in two parts: at the commencement and upon completion of the proposed project. The Academy will also cover travel, lodging and per diem expenses, if necessary, for the recipients to attend the Film Scholars awards luncheon and to make their lecture presentation. DEADLINE: Application materials must be received by October 3, 2011. WEBSITE: oscars.org/education-outreach/grants/filmscholars/apply.html.
The Oppenheimer Cine Rental New Filmmaker Equipment Grant Program supports new filmmakers in producing their first serious film project. The grant awards the use of Grant Program Arriflex 16SR2 camera package to senior and graduate thesis students and to independent filmmakers for a scheduled period of time. ELIGIBILITY: Students, media arts center members and unaffiliated independents are encouraged to apply. Proposed projects may be of any noncommercial nature: dramatic, narrative, documentary, experimental, etc. (Commercial projects, music videos and PSAs will not be considered.) DEADLINE: Ongoing. WEBSITE: oppenheimercinerental.com/grant.html.
Netflix has struck a deal with a joint venture formed by powerhouse studios Paramount Pictures, Lionsgate Entertainment Corp., and Metro-Goldwyn-Mayer Inc.