International Film Festival Summit (December 4–6, 2011), held in Austin, Texas, is the largest international organization representing the film festival industry. The IFFS mission is to promote and strengthen the global film festival industry through education, networking, dissemination of information, and the cultivation of high standards. This year's featured topics include Anatomy of a Festival: South by Southwest, Programming: The Fine Art of Film Selection, Marketing Strategies: Integrating Social Media and Technology, The Festival Mission, Sponsorship Strategy, Box Office Technology Solutions, among others. Notable speakers include Richard Linklater (Before Sunrise, Before Sunset), as well as SFFS' very own Steve Jenkins, Sarah Cathers, and Linda Butler. DEADLINE: Register by September 25, 2011 to receive discounted rate. WEBSITE: filmfestivalsummit.com/iffshome.html.
SF360.org represents a nearly six-year experiment in philanthropically funded film journalism, covering films and filmmaking in the Bay Area and beyond. Published by the San Francisco Film Society, the website debuted February 27, 2006 and was created in a unique collaboration between SFFS and Indiewire, with Susan Gerhard as editor. While SF360.org is no longer publishing feature stories, the SF360 Archive remains the most comprehensive collection of articles about the Bay Area film community, with more than 1,000 feature stories and reviews as well as Indie Toolkit's informative columns about the basics of creating a film and delivering it to audiences. Articles by some of the Bay Area’s most notable voices will remain at your fingertips for the foreseeable future.
SF360.org represents a nearly six-year experiment in philanthropically funded film journalism, covering films and filmmaking in the Bay Area and beyond. Published by the San Francisco Film Society, the website debuted February 27, 2006 and was created in a unique collaboration between SFFS and Indiewire, with Susan Gerhard as editor. While SF360.org is no longer publishing feature stories, the SF360 Archive remains the most comprehensive collection of articles about the Bay Area film community, with more than 1,000 feature stories and reviews as well as Indie Toolkit's informative columns about the basics of creating a film and delivering it to audiences. Articles by some of the Bay Area’s most notable voices will remain at your fingertips for the foreseeable future.
The California Story Fund, presented by California Council for the Humanities (CCH), supports public humanities programs that bring light to compelling stories from California's diverse communities and provide opportunities for collective reflection and public discussion. ELIGIBILITY: Applicants must have California tax-exempt organizational status or partner with a California tax-exempt organization that will serve as a fiscal sponsor, not have an open grant with CCH, and be in good standing with CCH. Projects should be based on stories gathered from community members, include a public discussion component and at least one humanities expert. Film/video projects should not exceed a total budget of $50,000. AWARDS: Applicants may request up to $10,000, which must be matched by at least an equivalent contribution of non-federal funds or in-kind services. DEADLINE: November 15, 2011. WEBSITE: calhum.org/guidelines/guidelines_csf.htm.
San Francisco Arts Commission (SFAC) Cultural Equity Grants provide "financial support for the enrichment of San Francisco's multicultural landscape." ELIGIBILITY: Organization Project Grants provide up to $15,000 to support the presentation of high quality works of art and arts activities, including film and video screenings and arts festivals. All art forms will be considered. To be eligible, organizations must have 501(c)(3) status or use a fiscal sponsor. Grant Period: June 15, 2012 - December 31, 2013. AWARDS: Grants awards are up to 15,000 to support the enhancement of arts facilities in the city. DEADLINE: November 10, 2011. WEBSITE: sfartscommission.org/ceg/grants/index.html#opg.
Essential SF shines a light on the Bay Area’s legendary, idiosyncratic and multifaceted contributions to the filmmaking world at SF Film Society | New People Cinema, 7:00 pm. An outgrowth of SF360.org’s Essential SF column, the event this year also pays tribute to the half-decade-plus SF360.org project.
Essential SF shines a light on the Bay Area’s legendary, idiosyncratic and multifaceted contributions to the filmmaking world at SF Film Society | New People Cinema, 7:00 pm. An outgrowth of SF360.org’s Essential SF column, the event this year also pays tribute to the half-decade-plus SF360.org project.
Essential SF shines a light on the Bay Area’s legendary, idiosyncratic and multifaceted contributions to the filmmaking world at SF Film Society | New People Cinema, 7:00 pm. An outgrowth of SF360.org’s Essential SF column, the event this year also pays tribute to the half-decade-plus SF360.org project.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
"Bodega, a New York-based content creation/production company, has extended its reach Westward with the opening of a San Francisco shop headed by executive producer/partner Clint Goldman." More at shootonline.com.
Susan Gerhard talks copy, critics and the 'there' we have here.
Susan Gerhard talks copy, critics and the 'there' we have here.
Susan Gerhard talks copy, critics and the 'there' we have here.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Durfee Foundation Artists' Resource for Completion Grants give individual artists money to complete work for a specific, imminent opportunity that may significantly benefit their career. AWARDS: up to $3,500. ELIGIBILITY Artists must be Los Angeles County residents, 21 years or older and have secured an invitation from an established organization to present the work. Full-time students are ineligible. Current DEADLINE: Quarterly, current November 1, 2011. WEBSITE: durfee.org/programs/arc/index.html.
"After whetting local appetites through a successful soft launch last year, 91 films are now listed in the 2011 Napa Valley Film Festival program guide. Those films—many of them short—will be played on 12 screens throughout the Napa Valley, including screenings in Calistoga, Yountville, St. Helena and the city of Napa." More at napavalleyregister.com.
"John Lasseter, the chief creative officer of Walt Disney and Pixar Animation Studios, will receive the 2,453rd star on the Hollywood Walk of Fame today," reports Daily News Wire Services. More at dailynews.com.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
The National Film Preservation Foundation delivers another gem with the fascinating three-disc box set 'The West 1898-1938.'
The National Film Preservation Foundation delivers another gem with the fascinating three-disc box set 'The West 1898-1938.'
The National Film Preservation Foundation delivers another gem with the fascinating three-disc box set 'The West 1898-1938.'
Press release: The San Francisco Neighborhood Theater Foundation announced today that it is partnering with Gary Meyer to keep the City’s historic Balboa Theatre (1926) open and to develop a sustainable long-term plan for the theater. The Theater Foundation also announced it has reached an agreement to lease the theater through 2024—securing the future of one of San Francisco’s oldest operating cinemas. More at sfntf.org.
For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.
For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.
For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.
For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.
Love permeates SFFS's francophone film series.
Love permeates SFFS's francophone film series.
Love permeates SFFS's francophone film series.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Press release: The San Francisco Jewish Film Festival announced its new Executive Director: Lexi Leban, who begins working with the festival November 7, 2011. A longtime member of the Bay Area film community, Lexi has worked in all aspects of film, from production to distribution. She’s also worked with numerous film festivals, including the Mill Valley Film Festival, the San Francisco International Film Festival, and the Global Social Change Film Festival in Bali. Lexi is currently Academic Director of the Digital Filmmaking & Video Production Program at the Art Institute of California, where she built the department from its inception. Her most recent feature documentary, Girl Trouble, which follows young girls in San Francisco’s juvenile justice system, aired on PBS’s acclaimed series Independent Lens in January of 2006, and won Best Bay Area Documentary at the San Francisco International Film Festival. More at sfjff.org.
"After their weekend-long Film Independent Forum," reports Sophia Savage, "FIND announced eleven filmmakers and nine projects for their 11th annual Producers Lab, and named Brent Hoff and Malcom Pullinger the winners of the 5th annual $25,000 Sloan Producers Grant." More at indiewire.com/thompsononhollywood.
Accompanied by a program of solar system shorts, Travis Wilkerson’s 2003 look at ruthless union-busting and the rise and fall of Butte, Montana, offers eerie resonance.
Accompanied by a program of solar system shorts, Travis Wilkerson’s 2003 look at ruthless union-busting and the rise and fall of Butte, Montana, offers eerie resonance.
Accompanied by a program of solar system shorts, Travis Wilkerson’s 2003 look at ruthless union-busting and the rise and fall of Butte, Montana, offers eerie resonance.
The San Francisco Film Society joins the New York International Children’s Film Festival to present a three-day kid-ready fest of animated and non-animated shorts and features from around the world. The brief fest kicks off with a child-friendly opening night party on Friday, and for offers another chance to enjoy Alex Law's sweet Hong Kong Film Days entry, 'Echoes of the Rainbow.' More info sffs.org.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
"Filmmakers and coders hunkered down for two days of creative collaboration here during a first-of-its-kind hackathon that explored the future of web video — specifically Popcorn.js, Mozilla’s HTML5 media toolkit designed to amp up interactivity" reports Angela Watercutter. More at wired.com.
"The launch of SF360.org, an online publication devoted to covering the entire Bay Area film community, was one of San Francisco Film Society Executive Director Graham Leggat's first initiatives when he took over the organization," writes Pam Grady. "...in November, a victim of financial realities and organizational changes in the wake of Leggat's recent death, SF360.org will cease publication." More at SFGate.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
Cinequest Screenwriting Competition, held in conjunction with the Cinequest Film Festival (February 28-March 11, 2012), is accepting submissions. ELIGIBILITY: The competition is open to screenplays of all genres and lengths up to 140 pages that have not been optioned, purchased, produced, or put into production. Scripts should be in English, properly formatted, and submitted in PDF format. Scripts written as adaptations of other works must have secured rights before being submitted. Entry fee $45-65. AWARDS: Finalists receive non-cash prizes, including exposure to literary agents, film studios, and producers. Top prize is $5,000. DEADLINE: September 26, 2011 (early); October 17, 2011 (late). WEBSITE: cinequest.org/sp_agent.php.
Furthering CAAM's work to nurture Asian American media professionals and advance the field of Asian American media, the second annual CAAM Fellowship Program will connect young, talented individuals with leading professionals in the field. ELIGIBILITY: Participating fellows will have access to the leading Asian American talent in film, television and digital media. Each fellowship will be individually tailored to best fit the needs of the fellows and advisers. Fellowships will range from fully integrated collaborations to regular feedback on current projects to an ongoing dialogue about professional development. AWARDS: The CAAM Fellowship Program Retreat will allow the mentor-mentee pairs to spend two full days together in a quiet and peaceful environment where they can focus on the mentees' career, whether it is a script being developed or an acting career that needs some guidance. DEADLINE: October 17, 2011. WEBSITE: caamedia.org/filmmaker-resources/fellowship/caam-fellowship-program-2011/.
"Star Wars creator George Lucas is betting millions of his own dollars that moviegoers will be drawn to an action movie about African-American fighter pilots in World War II," reports Christopher John Farley. "Mr. Lucas has self-financed a new film entitled Red Tails inspired by the true story of the first organized group of African-American fighter pilots in the U.S. armed forces." More at wsj.com.
SF Indiefest offshoot DocFest kicks off its 10th edition this Friday with a screening of 'Dirty Pictures,' a film about underground ecstasy legend Dr. Alexander Shulgin. Featuring the wildest and wooliest independent docs emerging this year, the fest also boast a number of well-loved parties and one ’80s New Wave sing-along. More info at sfindie.virb.com.
SF Indiefest offshoot DocFest kicks off its 10th edition this Friday with a screening of 'Dirty Pictures,' a film about underground ecstasy legend Dr. Alexander Shulgin. Featuring the wildest and wooliest independent docs emerging this year, the fest also boast a number of well-loved parties and one ’80s New Wave sing-along. More info at sfindie.virb.com.
Nonfiction films offer view to revolutions. DocFest has a well-earned reputation for knocking the stuffiness out of a pretty sober word. The 10-year-old festival founded by IndieFest’s Jeff Ross has taken pride in equating “documentary” with the unconventional and idiosyncratic—fare that celebrates the offbeat, the weird, the wondrous. I’m thinking of wiener-dog races, yes, but that’s just the tip of the beast. This year’s festival (October 14–27), which opens at the Roxie with a profile of the creator of MDMA (Etienne Sauret’s Dirty Pictures) and ends with a look at a comic-book super-author (With Great Power: The Stan Lee Story), provides another...
Nonfiction films offer view to revolutions. DocFest has a well-earned reputation for knocking the stuffiness out of a pretty sober word. The 10-year-old festival founded by IndieFest’s Jeff Ross has taken pride in equating “documentary” with the unconventional and idiosyncratic—fare that celebrates the offbeat, the weird, the wondrous. I’m thinking of wiener-dog races, yes, but that’s just the tip of the beast. This year’s festival (October 14–27), which opens at the Roxie with a profile of the creator of MDMA (Etienne Sauret’s Dirty Pictures) and ends with a look at a comic-book super-author (With Great Power: The Stan Lee Story), provides another...
Expectations defied in Taiwan Film Days. It could be argued that Taiwanese cinema, best known through the work of three auteurs, Edward Yang, Hou Hsiao-hsien and Tsai Ming-liang, is not tied to audience-generating genres. It’s certainly been able to travel more diverse cinematic avenues than some of its neighbors. San Francisco Film Society's Taiwan Film Days running from October 14–16, however, offers evidence for any number of arguments you’d like to make about Asian cinema and Taiwan in particular. On the docket this year are ...
A film on Cherokee chief Wilma Mankiller bucks biopic formula and concentrates on a pivotal moment in the leader's life.
A film on Cherokee chief Wilma Mankiller bucks biopic formula and concentrates on a pivotal moment in the leader's life.
A film on Cherokee chief Wilma Mankiller bucks biopic formula and concentrates on a pivotal moment in the leader's life.
San Rafael’s Indigo Films makes fascinating crime fare for cable on a DIY-sized budget.
San Rafael’s Indigo Films makes fascinating crime fare for cable on a DIY-sized budget.
San Rafael’s Indigo Films makes fascinating crime fare for cable on a DIY-sized budget.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
The TFI Documentary Fund provides grants and guidance to exceptional filmmakers developing engaging feature-length documentaries which emphasize character and that allow audiences to consider history, culture and society through the experiences of extraordinary individuals. ELIGIBILITY: Submissions must be non-fiction motion pictures with an intended length of at least 70 minutes and should creatively document unique character(s); submissions can be in the advanced stages of development, production or post-production and must not have aired on any form. Foreign language documentaries are eligible, but must be subtitled and suitable for an American audience. Applicants must be over 18-years old. $25 entry fee. AWARDS: Grants of at least $10,000 will be awarded in 2012. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/tfi_documentary/.
"Netflix Inc. is abandoning its widely panned decision to separate its DVD-by-mail and Internet streaming services," reports Peter Svensson, "because it would make them more difficult to use." More at sfgate.com.
"Fritz Manes, who had a long association with Clint Eastwood, producing, exec producing or associate producing a dozen of the films Eastwood directed between 1977 and 1986," reports Variety, "died of lung and brain cancer on Sept. 27 in Sherman Oaks, Calif." More at variety.com.
Author and journalist Susan Orlean ('The Orchid Thief') appears in person at SF Film Society Cinema | New People to celebrate the release of her new book on American cinema's greatest animal actor, Rin Tin Tin. One of the canine's classics, 'Clash of the Wolves,' will screen following an illustrated introduction by Orlean. Q&A to follow. More info and tickets at sffs.org.
Author and journalist Susan Orlean ('The Orchid Thief') appears in person at SF Film Society Cinema | New People to celebrate the release of her new book on American cinema's greatest animal actor, Rin Tin Tin. One of the canine's classics, 'Clash of the Wolves,' will screen following an illustrated introduction by Orlean. Q&A to follow. More info and tickets at sffs.org.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
The Matt Damon-narrated SFIFF hit 'American Teacher' follows the lives of a few edu-system stars, one based in San Francisco, forced by low wages and crumbling job security to reconsider their chosen profession. Filmmaker Vanessa Roth and producers Dave Eggers and Nînive Calegari will be present for Q&A following Friday's screening; special reception Tuesday, October 11. More info at roxie.com.
The Matt Damon-narrated SFIFF hit 'American Teacher' follows the lives of a few edu-system stars, one based in San Francisco, forced by low wages and crumbling job security to reconsider their chosen profession. Filmmaker Vanessa Roth and producers Dave Eggers and Nînive Calegari will be present for Q&A following Friday's screening; special reception Tuesday, October 11. More info at roxie.com.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
AP: "Steve Jobs saw the future and led the world to it. He moved technology from garages to pockets, took entertainment from discs to bytes and turned gadgets into extensions of the people who use them," writes Jordan Robertson. "Jobs, who founded and ran Apple, told us what we needed before we wanted it." More at sfgate.com.
"As chairman and chief executive officer of Pixar," reports Lisa Respers France, "Jobs led the way in marrying the endless possibilities of technology with the glitz and glamour of the entertainment industry." More at cnn.com.
In the illusory world of what we call ‘real life’, our beloved friend Graham pursued his practice of keeping his attention fixed firmly on 'the screen.'
In the illusory world of what we call ‘real life’, our beloved friend Graham pursued his practice of keeping his attention fixed firmly on 'the screen.'
In the illusory world of what we call ‘real life’, our beloved friend Graham pursued his practice of keeping his attention fixed firmly on 'the screen.'
The path to authentic storytelling lies in research.
The path to authentic storytelling lies in research.
The path to authentic storytelling lies in research.
"Disney has officially announced today that 'on the heels of the phenomenal success' of The Lion King 3D, they're now setting up 3D re-releases of four Disney/Pixar classics over the next two years, starting with Beauty and the Beast in 3D," reports Alex Billington. More at firstshowing.net.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
San Francisco Film Society and the Presidio Trust present the 10th anniversary edition of Film in the Fog, with pre-show entertainments (’50s-era newsreel, classic cartoon, music) to precede an outdoor screening of San Francisco-shot Humphrey Bogart noir treasure 'Dark Passage.' Film program begins at 7:15 p.m. at the Presidio Main Post Theater; more info at sffs.org.
San Francisco Film Society and the Presidio Trust present the 10th anniversary edition of Film in the Fog, with pre-show entertainments (’50s-era newsreel, classic cartoon, music) to precede an outdoor screening of San Francisco-shot Humphrey Bogart noir treasure 'Dark Passage.' Film program begins at 7:15 p.m. at the Presidio Main Post Theater; more info at sffs.org.
"The 15th annual Portland Lesbian and Gay Film Fest opens tonight," reports Amanda Schurr, "with a screening of David Weissman’s latest documentary, We Were Here." More at justout.com.
John Turturro shares his passion for the Neapolitan songbook.
John Turturro shares his passion for the Neapolitan songbook.
John Turturro shares his passion for the Neapolitan songbook.
YBCA screens Brillante Mendoza's 'Lola,' a drama tracking the consequences of a crime on two grandmothers, one related to the victim, another the suspect. Infrequently seen on western screens, Mendoza is regarded in his native Philippines as a cinematic master and the leading light of Kapampangan film. More info at ybca.org.
YBCA screens Brillante Mendoza's 'Lola,' a drama tracking the consequences of a crime on two grandmothers, one related to the victim, another the suspect. Infrequently seen on western screens, Mendoza is regarded in his native Philippines as a cinematic master and the leading light of Kapampangan film. More info at ybca.org.
PFA series Anatolian Outlaw: Yilmaz Güney, showcasing the work of the Turkish actor-director cum revolutionary dubbed the "Ugly King" for his unique combination of charisma and rough-hewn looks, continues with the realist western riff 'The Hungry Wolves.' Series runs through October 9. More info at bampfa.berkeley.edu.
PFA series Anatolian Outlaw: Yilmaz Güney, showcasing the work of the Turkish actor-director cum revolutionary dubbed the "Ugly King" for his unique combination of charisma and rough-hewn looks, continues with the realist western riff 'The Hungry Wolves.' Series runs through October 9. More info at bampfa.berkeley.edu.
"After an eight-year tenure as the festival’s director," reports Dan Pine, "[Peter Stein] is stepping down Oct. 3 — and once again becoming a regular film festival fan." More at jweekly.com.
Artistic integrity is always in short supply, which makes Broughton an inspiration for every successive generation of poets and filmmakers.
Artistic integrity is always in short supply, which makes Broughton an inspiration for every successive generation of poets and filmmakers.
Artistic integrity is always in short supply, which makes Broughton an inspiration for every successive generation of poets and filmmakers.
Fresh from screening his wacky 'City Under Seige' in the SFFS Hong Kong Cinema program, the Cinema gives a short run to mainstay Benny Chan's more "serious" 2011 blockbuster, 'Shaolin,' with HK superstars Andy Lau, Jackie Chan and Nicholas Tse. More info at sffs.org.
Fresh from screening his wacky 'City Under Seige' in the SFFS Hong Kong Cinema program, the Cinema gives a short run to mainstay Benny Chan's more "serious" 2011 blockbuster, 'Shaolin,' with HK superstars Andy Lau, Jackie Chan and Nicholas Tse. More info at sffs.org.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
“Presumed Guilty was nominated for three Emmys — outstanding investigative journalism (long form), best documentary and best research — and has received some 20 festival awards," reports Cathy Cockrell. More at berkeley.edu.
"The documentary, which aired last season on Independent Lens, reveals the work and wisdom of some of the most influential advertising creatives of our time." More at beyondthebox.org.
Sentimental French film is no top-shelf vehicle, but Depardieu savors it as if it were the rarest vintage Bordeaux.
Sentimental French film is no top-shelf vehicle, but Depardieu savors it as if it were the rarest vintage Bordeaux.
Sentimental French film is no top-shelf vehicle, but Depardieu savors it as if it were the rarest vintage Bordeaux.
"The multiyear deal announced Monday," reports Michael Liedtke, "will give Netflix's streaming service the exclusive rights to show the latest content from DreamWorks, the studio behind a list of popular franchises that includes Shrek, Kung Fu Panda and Madagascar." More at usatoday.com.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Peaches Christ and Dr. Carol Queen host the Sixth Annual Good Vibrations Indie Erotic Film Festival Short Film Competition this Thursday, boasting a Barbary Coast-themed party featuring food, drinks and an array of appropriately sexed-up performers and a curated screening of sexy short films from this year. Each event costs $10, more info castrotheatre.com.
Peaches Christ and Dr. Carol Queen host the Sixth Annual Good Vibrations Indie Erotic Film Festival Short Film Competition this Thursday, boasting a Barbary Coast-themed party featuring food, drinks and an array of appropriately sexed-up performers and a curated screening of sexy short films from this year. Each event costs $10, more info castrotheatre.com.
"San Francisco-based visual effects and post house SPY, a FotoKem company, recently contributed hundreds of visual effects shots, the digital intermediate and 3D conversion services for Francis Ford Coppola’s latest feature film, Twixt," reports Below the Line. More at btlnews.com.
Two Berkeley filmmakers tap vitality of 84-year-old neuroscientist Dr. Marian Diamond.
Two Berkeley filmmakers tap vitality of 84-year-old neuroscientist Dr. Marian Diamond.
Two Berkeley filmmakers tap vitality of 84-year-old neuroscientist Dr. Marian Diamond.
"Discovery Communications Inc. said it believes its new deal to distribute its shows over Netflix Inc.'s content-streaming service is an 'economic win,'" reports Maxwell Murphy, "and Discovery will learn from the pact lessons that will help shape its digital strategy." More at online.wsj.com.
"Brad Pitt, Academy Award winner Philip Seymour Hoffman and Oscar-winning screenwriter Aaron Sorkin were among those on the red carpet at the Paramount Theater in Oakland on Monday evening as Moneyball, the movie based on A's general manager Billy Beane and the 2002 Oakland team, made its national premiere," reports Susan Slusser. More at www.sfgate.com.
"The proposal for the 82,000-square-foot facility made public Wednesday evening comes 15 months after the university-owned institution restarted the effort to build itself a new home on the downtown edge of the UC Berkeley campus at Center and Oxford streets," reports John King. Read more at sfgate.com.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...
Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...
North Bay world, independent showcase ready to screen wide range of films in early October.
North Bay world, independent showcase ready to screen wide range of films in early October.
North Bay world, independent showcase ready to screen wide range of films in early October.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Week two of San Francisco Film Society | New People Cinema features Argentinian Natalia Smirnoff’s first feature, a delicate character portrait in which a middle-aged housewife, cherished by her husband and two sons but nevertheless taken for granted, discovers an aptitude for jigsaw puzzles. More at sffs.org.
Maria Onetto quietly dazzles in Argentine film about a midlife jigsaw puzzler.
Maria Onetto quietly dazzles in Argentine film about a midlife jigsaw puzzler.
Maria Onetto quietly dazzles in Argentine film about a midlife jigsaw puzzler.
San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...
San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...
As an appreciation of George Kuchar's inspired presence, we offer up the filmmaker in his own words, excerpted from 'Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000.'
As an appreciation of George Kuchar's inspired presence, we offer up the filmmaker in his own words, excerpted from 'Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000.'
As an appreciation of George Kuchar's inspired presence, we offer up the filmmaker in his own words, excerpted from 'Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000.'
Mona Achache's first feature relies heavily on an 11-year-old narrator, but it's 60- and 65-year-old actors who steal the show.
Mona Achache's first feature relies heavily on an 11-year-old narrator, but it's 60- and 65-year-old actors who steal the show.
Mona Achache's first feature relies heavily on an 11-year-old narrator, but it's 60- and 65-year-old actors who steal the show.
Priya Giri Desai documents matchmaking efforts for HIV-positives in India.
Priya Giri Desai documents matchmaking efforts for HIV-positives in India.
Priya Giri Desai documents matchmaking efforts for HIV-positives in India.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
San Francisco Film Society | New People Cinema sets sail with Jean-Luc Godard's 2010 provocation, 'Film Socialisme.' As Robert Avila writes in SF360.org later this week, the "playful, somber meditation on where history has brought us is brimming with ideas and aesthetic pleasures." Screenings begin September 2. More info on the new SFFS venue at Post Street (between Webster and Buchanan) in sffs.org.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
Britta Sjogren gets a second chance to make a film about how people rebound from trauma.
Britta Sjogren gets a second chance to make a film about how people rebound from trauma.
Britta Sjogren gets a second chance to make a film about how people rebound from trauma.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
The Roy W. Dean Film and Writing Grants fund shorts, documentaries and low budget independent features. ELIGIBILITY: New film and video projects (including works-in-progress) that are unique and benefit the society. Student filmmakers, independent producers or independent production companies are all welcome. AWARDS: Winner gets a variety of awards including scholarships and cash prizes for different production fields. DEADLINE: August 30, 2011. WEBSITE: fromtheheartproductions.com/grant-lavideo.shtml.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Graham Leggat (b. March 12, 1960), executive director of the San Francisco Film Society, died at his San Francisco home on August 25, 2011, after an 18-month battle with cancer. He was 51.
Graham Leggat (b. March 12, 1960), executive director of the San Francisco Film Society, died at his San Francisco home on August 25, 2011, after an 18-month battle with cancer. He was 51.
Graham Leggat (b. March 12, 1960), executive director of the San Francisco Film Society, died at his San Francisco home on August 25, 2011, after an 18-month battle with cancer. He was 51.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
The San Francisco’s Film Commission's executive director offers notes on new incentives for production in the city.
The San Francisco’s Film Commission's executive director offers notes on new incentives for production in the city.
The San Francisco’s Film Commission's executive director offers notes on new incentives for production in the city.
The Golden Gate Bridge remains in heavy rotation in sci-fi, action genres.
The Golden Gate Bridge remains in heavy rotation in sci-fi, action genres.
The Golden Gate Bridge remains in heavy rotation in sci-fi, action genres.
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Pacific Film Archive screens 'The Makioka Sisters,' Kon Ichikawa's gorgeous and understated women's drama based on Tanizaki's novel of the same name. Lush color sequences of beautiful kimonos and cherry blossoms falling make this subtle masterpiece a joy to view on the large screen. New 35mm print shows Wednesday and Friday only. More info at bampfa.berkeley.edu.
Viz Cinema wraps up its Classic Summer Weekends series in style with two Japanese cinematic landmarks. Equally unforgettable and each ravishingly gorgeous, masterworks Kenji Mizoguchi's 'Ugetsu' and Masaski Kobayashi's 'Kwaidan' screen Saturday and Sunday respectively. More info at newpeopleworld.com.
Canonized director John Huston's 'The African Queen,' now mostly remembered for its tumultuous production history, was also the director's biggest grossing film, securing Humphrey Bogart his first Oscar for acting. The Alameda Theatre screens this battle-of-the-sexes classic on film Wednesday and Thursday only. More info at alamedatheatres.com.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Placing well-timed humor in a documentary film can be a great way to open minds.
Placing well-timed humor in a documentary film can be a great way to open minds.
Placing well-timed humor in a documentary film can be a great way to open minds.
The San Francisco Film Society and the Kenneth Rainin Foundation today announced the five winners and two honorable mentions of the fifth round of SFFS/KRF Filmmaking Grants. The grants are awarded twice annually to filmmakers for narrative feature films with social justice themes that will have significant economic or professional impact on the Bay Area filmmaking community. Between 2009 and 2013 the SFFS/KRF Filmmaking Grants will award nearly $2.5 million, including a total of $788,000 already awarded in the first five grant rounds.
Carlton Evans and Matthew Lessner (Ross), $50,000 for screenwriting; Aurora Guerrero (Mosquita y Mari), $88,000 for postproduction; Adam Keker (National Park), $35,000 for screenwriting; Timothy Kelly (The Cherokee Word for Water), $75,000 for production; Benh Zeitlin (Beasts of a Southern Wild), $55,000 for postproduction. Honorable Mentions went to: John Dilly (Rubbish), development and Ian Olds (The Western Habit), screenwriting. More at sffs.org.
The second year of the Film Society's movie-making summer camp puts youth on location.
The second year of the Film Society's movie-making summer camp puts youth on location.
The second year of the Film Society's movie-making summer camp puts youth on location.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
Connie Field makes a radical shift to verité filmmaking, accompanied by an equally momentous switch in fundraising strategy with her latest project.
Connie Field makes a radical shift to verité filmmaking, accompanied by an equally momentous switch in fundraising strategy with her latest project.
Connie Field makes a radical shift to verité filmmaking, accompanied by an equally momentous switch in fundraising strategy with her latest project.
The venerable Castro screen hosts a double feature of Kelly Reichardt's Malick-like 'Meek's Cutoff' and John Sayles' equally existentialist 'Limbo,' itself a good primer for less familiar viewers anticipating the release of his new film 'Amigo' in the coming months. More info castrotheatre.com.
Film buffs that missed SFJFF entry 'Between Two Worlds' at this year's festival have another opportunity to see the doc this week at the Roxie. A loose series of events beginning with the festival's own highly controversial screening of 'Rachel' in 2009, 'Between Two Worlds' is moored by a sublime ambient soundtrack by guitarist Fred Firth. For analysis, check out Ruby Rich's in-depth feature here on SF360. Filmmakers Alan Snitow and Deborah Kaufman will be present for Q&A for 7:00 pm screenings Friday, Saturday and Sunday. More info at roxie.com.
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
San Francisco International Film Festival audience-award winner and Sundance standout 'Crime After Crime' opens Friday at the Roxie. This week in SF360, Judy Stone profiles Yoav Potash, the director of the doc, which covers five years of the life and trials of Deborah Peagler, a woman serving 25-years-to-life for her involvement in the murder of her abuser. Potash will appear with guests for Q&A following some screenings. More info at roxie.com.
Filmmakers take personal approach to Jewish cultural debates.
Filmmakers take personal approach to Jewish cultural debates.
Filmmakers take personal approach to Jewish cultural debates.
John Michael McDonagh's first feature echos the blackly comedic tenor of his ('In Bruges') brother Martin's oeuvre.
John Michael McDonagh's first feature echos the blackly comedic tenor of his ('In Bruges') brother Martin's oeuvre.
John Michael McDonagh's first feature echos the blackly comedic tenor of his ('In Bruges') brother Martin's oeuvre.
Writes Leah Garchik, "Graham Leggat had said that it probably would be a small group, a gathering of a few friends he'd asked to come to Tosca on Tuesday night to see him. But Leggat, who a month ago stepped down as executive director of the San Francisco Film Society because of illness, has more than a few friends. And it seemed almost all of them wanted to see him, to thank him for what he'd accomplished in six years and, more than that, to embrace him with family-like affection." More at sfgate.com.
Berry Minott's work-in-progress travels to Guam seeking a cure, puzzling over scientific mystery.
Berry Minott's work-in-progress travels to Guam seeking a cure, puzzling over scientific mystery.
Berry Minott's work-in-progress travels to Guam seeking a cure, puzzling over scientific mystery.
Critics from the Bay Area and beyond weigh in on the weekend's openings.
Critics from the Bay Area and beyond weigh in on the weekend's openings.
Critics from the Bay Area and beyond weigh in on the weekend's openings.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
Monday through Wednesday, the embattled Balboa Theatre screens Bill Plympton's outrageous, irreverent silent work, 'Idiots and Angels,' alongside acclaimed short 'The Cow that Wanted to be a Hamburger' and other undisclosed treasures from the director's oeuvre. Plympton will be in attendance to conduct a "Master Class," including a drawing demonstration and discussion, at each screening. More info at balboamovies.com.
4 Star Theatre screens John Woo's sweeping, polarizing 'Red Cliff,' still Asia's largest production at $80 million, along with its sequel 'Red Cliff II', his most recent film. Both films play uncut, on the original celluloid. More info at lntsf.com.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The planned "reversal" gives documentary filmmakers a means to build drama from otherwise anti-climactic moments.
The planned "reversal" gives documentary filmmakers a means to build drama from otherwise anti-climactic moments.
The planned "reversal" gives documentary filmmakers a means to build drama from otherwise anti-climactic moments.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
SFFS presents the work of pioneering software artist Marius Watz, who uses digital processes and authored algorithms to “automatically” produce numerous types of media including video, still imagery and sculpture through semi-autonomous software systems, as part of its KinoTek series. Look for sci-fi writer/theorist Bruce Sterling's essay on Watz in Thursday's SF360.org. Events: An exhibition in Super Frog Gallery at New People opens July 22; Artist Talk, July 26; Master Class, July 27. More at sffs.org.
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
SF institution The Red Vic Movie House celebrates both its anniversary and its closure with screenings of house favorite 'Harold and Maude'—perhaps the quintessential quirky romantic comedy. Those who haven't seen 'Harold and Maude' since its release will delight to revisit its many Bay Area locations and Cat Stevens soundtrack. Red Vic promises a "special birthday treat" for Monday's attendees. More info redvicmoviehouse.com
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
SF Museum of Modern Art's Opera on Film series screens Jean-Jacques Beineix's under-appreciated 'Diva' on Thursday. The Caesar Award-winning romance/thriller hybrid deftly handles a complex, opera-centric plot littered with brilliant pop-art inspired chase scenes and features a number of standout performances, including those by Jeunet regular Dominique Pinon and real-life opera singer Wilhelmenia Wiggins Fernandez. More info sfmoma.org.
"Balboa Theatre operator Gary Meyer said Wednesday that this summer will be his last at the Richmond District movie house, leaving the future of the scrappy independent theater in doubt," reports Peter Hartlaub. More at sfgate.com.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Pacific Film Archive’s ‘Hands Up! Essential Skolimowski’ surveys the Polish director’s confounding oeuvre.
Pacific Film Archive’s ‘Hands Up! Essential Skolimowski’ surveys the Polish director’s confounding oeuvre.
Pacific Film Archive’s ‘Hands Up! Essential Skolimowski’ surveys the Polish director’s confounding oeuvre.
Actor’s first documentary outing pays tribute to Quest’s influence.
Actor’s first documentary outing pays tribute to Quest’s influence.
Actor’s first documentary outing pays tribute to Quest’s influence.
Roxie presents as-yet-unreleased-to-DVD 'Skatetown, U.S.A.,' Patrick Swayze's first on-screen appearance. The big-budget camp classic, presented on film in all its sparkling, neon-pink, disco-soaked glory, will be accompanied by a "roller disco" at Cellspace. More info roxie.com.
The SF institution returns to the Castro Theatre with 18 rediscovered films and live musical accompaniment. Highlights include a collection of Disney's Laugh-O-Grams, a travelogue of an expedition to the Antarctic and a film once cited as "the single greatest masterwork in the history of cinema" by stately film journal Cahiers du Cinema. More info castrotheatre.com.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
A legal expert offers advice on staying within the law while shedding extra layers.
A legal expert offers advice on staying within the law while shedding extra layers.
A legal expert offers advice on staying within the law while shedding extra layers.
Chusy Jardine has set out to tell the Andres Torres ADHD-to-World Series glory story in a feature-length documentary.
Chusy Jardine has set out to tell the Andres Torres ADHD-to-World Series glory story in a feature-length documentary.
Chusy Jardine has set out to tell the Andres Torres ADHD-to-World Series glory story in a feature-length documentary.
Playing at Roxie, new Katrina doc 'The Big Uneasy,' questions the levees' failure in New Orleans and uncovers impending dangers in the city's future. Director and comedian Harry Shearer is scheduled to appear at both evening screenings on July 10. More at roxie.com.
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Viewers that may have missed the original run of Herzog's astounding 'Cave of Forgotten Dreams' have three "last" chances to catch it in the luxurious, historic environs of the Castro Theatre. Screens in 3D. More at castrotheatre.com.
The Red Vic collective announced today that after 31 years of continuous operation as a cooperatively-run, single screen neighborhood theater, the theater will be closing its doors July 25.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
A film festival and conference offered audiences and makers opportunities to move forward.
A film festival and conference offered audiences and makers opportunities to move forward.
A film festival and conference offered audiences and makers opportunities to move forward.
Jesse Hawthorne Ficks, with his SF institution Midnites for Maniacs, presents a trio of “troubled teen” classics: ‘Tex,’ ‘River's Edge’ and the extremely rare ‘Over the Edge’ for a single admission price. Directors Tim Hunter, Jonathan Kaplan and others will be in attendance at the screening. More at roxie.com. Look for a full 'Over the Edge' feature by Dennis Harvey in Tuesday's edition of SF360.org.
Press release: The Ninth Street Independent Film Center announced today five new participants for the Center's Media Arts Incubator Program for 2011-2012. "This is a great group of participants," says Skye Christensen, Executive Director of the Ninth Street Independent Film Center. "Each brings a very dynamic project to the Program, and we're really looking forward to what they'll accomplish during their time here." Ninth Street’s Media Arts Incubator Program is designed to nurture socially relevant independent media projects at Ninth Street Independent Film Center. The Incubator Program supports independent filmmakers, start-up film festivals and small media nonprofits through access to workspace and shared resources, such as cross-promotional opportunities, co-productions, affordable meeting or exhibition space and community connections with established media arts partners (Center for Asian American Media, Frameline, San Francisco Jewish Film Festival, and others). Participants are: Rachel Caplan (CEO) and Daniela Rible (Deputy Director) of the annual SF Green Film Festival; Jennifer Tipton and Cary McQueen Morrow, the directors of Art with Impact, which is a platform for the creation of new media on critical social issues; David Evan Harris, Executive Director of the Global Lives Project, a media arts nonprofit that seeks to collaboratively build a video library of human life experience; Scarlett Shepard is Executive Director of the SF Women’s Film Festival; and J.R. Flemming, director and producer of Guarding Dogs, which is a documentary film with a crowd-sourcing model currently in production that makes the case for adopting a dog instead breeding/buying.
New series spotlights the fascination with Mexico in American noir.
New series spotlights the fascination with Mexico in American noir.
New series spotlights the fascination with Mexico in American noir.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Ficks’ ‘Watch out for Children’ triple bill features a long lost career-lanching teen-drama gem.
Ficks’ ‘Watch out for Children’ triple bill features a long lost career-lanching teen-drama gem.
Ficks’ ‘Watch out for Children’ triple bill features a long lost career-lanching teen-drama gem.
Rick Minnick, oldest son a middle-aged father of five who started a new life after suffering from amnesia, returns to California in an attempt to discover the truth behind his father's disappearance in this haunting doc. Minnick and some film subjects will be present for Q&A at both screenings. More at redvic.com.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
Prolific producer, art-house fave and proponent of "radical banality" Hong Sang-Soo juxtaposes moments from a young woman's relationships with two men, a year apart, in the formalist comedy/romance ‘Oki's Movie.’ Screens at Yerba Buena Center for the Arts. More at ybca.org.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
First-time doc-maker Dain Percifield offers notes on capturing the highs and lows of drag queen Anna Conda's 2010 run for S.F. Supervisor.
First-time doc-maker Dain Percifield offers notes on capturing the highs and lows of drag queen Anna Conda's 2010 run for S.F. Supervisor.
First-time doc-maker Dain Percifield offers notes on capturing the highs and lows of drag queen Anna Conda's 2010 run for S.F. Supervisor.
First-time doc-maker Dain Percifield offers notes on capturing the highs and lows of drag queen Anna Conda's 2010 run for S.F. Supervisor.
Directors Paul Mariano and Kurt Norton inspect the treasures held in the Library of Congress' revered National Film Registry and consider their lasting impact on the American experience. The locally made doc features insightful interviews with prominent celebrities and critics. Both filmmakers will be present for Q&A after screening at Smith Rafael Film Center. More at cafilm.org.
YBCA digs a delightfully disturbing live Kinski document from the archives.
YBCA digs a delightfully disturbing live Kinski document from the archives.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
Herzog "best fiend" Klaus Kinski battles hecklers and personal ghosts in this newly restored print of his 1971 one-man show, one of scant few opportunities for English audiences to bear witness to his truly unhinged, but deeply compelling public persona. Plays at YBCA; more info YBCA.org.
One film was not enough to quench Frans Weisz’s fascination with Nazi-era artist Charlotte Salomon.
One film was not enough to quench Frans Weisz’s fascination with Nazi-era artist Charlotte Salomon.
One film was not enough to quench Frans Weisz’s fascination with Nazi-era artist Charlotte Salomon.
Indie/art-film portal Fandor screens the rare and influential mock-doc 'David Holzman's Diary' at the Victoria Theatre. Filmmaker Jim McBride will be in attendance. Free, RSVP required. More at eventbrite.com.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
The Historic Bal Theatre brings us a screening of Bay Area filmmaker Vincent Cortez’s latest feature, ‘The Hush,’ a 2011 Oakland International Film Festival selection and LA Festival honorable mention. The film is a locally shot supernatural film noir piece that has a hitman looking for redemption. More at mitchellstreetpictures.com.
The Historic Bal Theatre brings us a screening of Bay Area filmmaker Vincent Cortez’s latest feature, ‘The Hush,’ a 2011 Oakland International Film Festival selection and LA Festival honorable mention. The film is a locally shot supernatural film noir piece that has a hitman looking for redemption. More at mitchellstreetpictures.com.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
Red Vic Movie House offers up Kaneto Shindo’s 1968 Japanese horror masterpiece ‘Kuroneko.’ More at redvicmoviehouse.com.
Red Vic Movie House offers up Kaneto Shindo’s 1968 Japanese horror masterpiece ‘Kuroneko.’ More at redvicmoviehouse.com.
Throughout the month of June, Pacific Film Archive features a half century of alternately feverish, dark, confessional, parodic work from filmmaker brothers George and Mike Kuchar, starting with their 1965 feature, ‘Sins of the Fleshapoids,’ at which Mike Kuchar appears in person. More at bampfa.berkeley.edu.
Arthur Penn is the focus of a monthlong series at Pacific Film Archive, beginning with 1958’s Gore Vidal-written revisionist Western, ‘The Left Handed Gun,’ which features Paul Newman. More at bampfa.berkeley.edu.
David Meiklejohn’s first feature-length documentary, ‘My Heart Is An Idiot,’ which follows Davy Rothbart as he travels and receives love-life advice from those he encounters, plays at Roxie Theater. Zooey Deschanel, Ira Glass, Newt Gingrich and Davy’s mom are among those contributing thoughts. More at roxie.com.
David Meiklejohn’s first feature-length documentary, ‘My Heart Is An Idiot,’ which follows Davy Rothbart as he travels and receives love-life advice from those he encounters, plays at Roxie Theater. Zooey Deschanel, Ira Glass, Newt Gingrich and Davy’s mom are among those contributing thoughts. More at roxie.com.
Ben Sombogaart’s ‘Bride Flight’ opens at Smith Rafael Film Center. The Dutch feature pursues drama in the stories of three women taking a plane flight to meet their awaiting fiancés. More at cafilm.org.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
The 1967 nearly dialogue-free comedy ‘Playtime,’ which is the fourth feature and the most notably boldest piece from late French filmmaker-actor Jacques Tati, plays at Castro Theatre. More at castrotheatre.com.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
A documentary digs into New York's 'No Wave' movement that briefly flourished in the late 1970s and early ’80s.
A documentary digs into New York's 'No Wave' movement that briefly flourished in the late 1970s and early ’80s.
A documentary digs into New York's 'No Wave' movement that briefly flourished in the late 1970s and early ’80s.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
Castro Theatre hosts a double feature of Oscar-nominated Sidney Lumet films, beginning with 1976’s ‘Network’ and following with 1957’s ’12 Angry Men.’ More castrotheatre.com.
Josh Shelov’s comedy ‘The Best & The Brightest’ plays at Roxie Theater before its wide release this summer. The film features Neil Patrick Harris and Bonnie Somerville as yuppies from New York fighting to get their daughter into an elitist private kindergarten. More at roxie.com.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
The Roxie's new leaders offer notes on their unique vision for the rep house.
The Roxie's new leaders offer notes on their unique vision for the rep house.
The Roxie's new leaders offer notes on their unique vision for the rep house.
Red Vic Movie House hosts ‘Big In Bollywood,’ a film about a struggling 27-year-old actor who lands a dream role in a overly successful Bollywood film. Directors Kenny Meehan and Bill Bowles are in attendance. More at redvicmoviehouse.com.
Red Vic Movie House hosts ‘Big In Bollywood,’ a film about a struggling 27-year-old actor who lands a dream role in a overly successful Bollywood film. Directors Kenny Meehan and Bill Bowles are in attendance. More at redvicmoviehouse.com.
Viz Cinema at New People hosts their third fundraiser event, presenting the Japanese film ‘Kamikaze Girls.’ Proceeds benefit Northern Japan Earthquake Relief Funds. More at newpeopleworld.com.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Castro Theatre pays tribute to the Dame Elizabeth Taylor with six days of benefit double features, beginning with 1958’s ‘Cat On A Hot Tin Roof,’ in which Taylor performs alongside Paul Newman, and 1959’s ‘Suddenly, Last Summer,’ also featuring Katherine Hepburn. More at castrotheatre.com.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Viz Cinema at New People hosts the DVD release of the establishment's personal favorite food film, ‘Eatrip,’ a lyrical documentary that explores the impact that sharing food has on personal relationships by specifically looking at the food culture of Japan. Those that attend the screening can purchase a poster and the DVD. More at newpeopleworld.com.
A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.
A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.
A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.
Roxie Theater brings in two weeks of rare film noir in its I Wake Up Dreaming 2011: The Legendary and the Lost program. A full 14 double features, including ‘The Web’ and ‘711 Ocean Drive,’ are presented in 35mm prints. More at roxie.com.
Roxie Theater brings in two weeks of rare film noir in its I Wake Up Dreaming 2011: The Legendary and the Lost program. A full 14 double features, including ‘The Web’ and ‘711 Ocean Drive,’ are presented in 35mm prints. More at roxie.com.
Castro Theatre hosts a double feature of films by writers-directors Joel and Ethan Coen, beginning with 1987's ‘Raising Arizona’ and followed by 1998's ‘The Big Lebowski.’ More at castrotheatre.com.
Filmmaker Lisa and Zen Priest Tai Sheridan are in person for a benefit screening of ‘My Brother Mike,’ a documentary on the impact that music and a loving support system has on a family struggling with mental illness. More at cafilm.org.
The vivid mindscapes of Allen Ginsberg's poems come to radical life in Rob Epstein and Jeffrey Friedman's James Franco-fied 'Howl' via the art of Ginsberg collaborator Eric Drooker. The Cartoon Art Museum showcases 'The Art of Howl,' with Drooker's work, storyboards, photos and multimedia. More at cartoonart.org.
John Antonelli finds good news, bad news and plenty of drama in African environmental stories.
John Antonelli finds good news, bad news and plenty of drama in African environmental stories.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The San Francisco premier of ‘The Upsetter: The Life and Music of Lee “Scratch” Perry,' Ethan Higbee and Adam Bhala’s documentary presenting the life of the Jamaican musician, plays at Red Vic Movie House. More at redvicmoviehouse.com.
Viz Cinema at New People hosts the Legacy Film Festival on Aging, offering three days of shorts and features from around the world that deal with the difficulties and appreciation of growing older. The program begins with ‘Ruth Awasa: Roots of an Artist,’ a documentary about the famous artist, with director Bob Toy and Ruth’s children in attendance for a Q&A following the screening. More at newpeopleworld.com.
‘The Double Hour (La Doppia Ora),’ an Italian thriller from first-time director Giuseppe Capotondi that The New York Times touted as “the best movie of its kind,” plays at Smith Rafael Film Center. More at cafilm.org.
Castro Theatre celebrates Friday the 13th with Midnites for Maniacs, a late night triple feature including 1979's ‘Rock ‘N Roll High School,’ 1980's ‘The Blues Brothers’ and ‘Out of the Blue.’ The collection is curated and hosted by Jesse Hawthorne Ficks. More at castrotheatre.com.
'Nostalgia for the Light' may be the most optimistic film in Guzmán's oeuvre, but he still knows how to make us cry, mourn and remember.
'Nostalgia for the Light' may be the most optimistic film in Guzmán's oeuvre, but he still knows how to make us cry, mourn and remember.
'Nostalgia for the Light' may be the most optimistic film in Guzmán's oeuvre, but he still knows how to make us cry, mourn and remember.
Director Claude Marks participates in a discussion following the screening of his film, ‘COINTELPRO 101,’ which presents the history and impact of the FBI Counter Intelligence Program. More at redvicmoviehouse.com.
'Zoo' director Robinson Devor uncovers the strange history behind the Gerald Ford assassination attempt in ’70s San Francisco.
'Zoo' director Robinson Devor uncovers the strange history behind the Gerald Ford assassination attempt in ’70s San Francisco.
'Zoo' director Robinson Devor uncovers the strange history behind the Gerald Ford assassination attempt in ’70s San Francisco.
The best advice for creating the perfect Act III? Surprise yourself.
The best advice for creating the perfect Act III? Surprise yourself.
The best advice for creating the perfect Act III? Surprise yourself.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Opening weekend of ‘These Amazing Shadows,’ a docu on American movies, features Q&As with its Bay Area filmmakers, as well as other local figures, including SF Chron critic Mick LaSalle, SF Public Defender (and filmmaker) Jeff Adachi and cinematographer Frazer Bradshaw. More at theseamazingshadows.com.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Castro Theatre hosts the final evening of SFIFF54, which features Mathieu Amalric’s ‘On Tour,’ a film that tells the story of a has-been French TV producer who stages his comeback with burlesque performers. A party follows at The Factory. More at fest11.sffs.org.
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Red Vic Movie House presents ‘William Burroughs: A Man Within,’ a documentary that offers a look into the life of one of the first writers to address queer and drag culture in the '50s. Director Yony Leyser participates in a Q&A following select showings. More at redvicmoviehouse.com.
SFFS's Schools at the Festival toasts its 20 years with clips, stories, tributes, food and drink (5:00 pm), followed by a special Teacher Appreciation Night screening of ‘American Teacher’ (6:30 pm), a documentary exploring the frustrating realities facing public school teachers, with special guests in attendance. More at fest11.sffs.org.
‘Letters from the Big Man,’ a story of a friendship built between a young woman and a sasquatch, plays at Sundance Kabuki Cinemas and New People with director Christopher Munch in town. More at fest11.sffs.org.
A 16-year-old teenager overcomes the harsh realities of life in Rio de Janeiro by using her imagination in ‘The Joy,’ which plays at Sundance Kabuki Cinemas. Director Felipe Bragança in attendance. More at fest11.sffs.org.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
The Sundance Film Festival Audience Award winner, ‘Circumstance,’ which tells the story of two Iranian women who fall in love, plays at Sundance Kabuki Cinemas on May 1 and May 3. Director Maryam Keshavarz attends each screening of her debut feature. More at fest11.sffs.org.
‘The Salesman,’ a feature that follows an aging car salesman in a struggling Quebec town, plays at Sundance Kabuki Cinemas on May 1 and Pacific Film Archive on May 3. Director Sebastian Pilote attends the screenings. More at fest11.sffs.org.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
San Francisco International Film Festival’s 2011 Centerpiece selection, ‘Terri,’ featuring John C. Reilly as a vice principle who befriends an insecure junior high student, plays at Sundance Kabuki Cinemas with director Azazel Jacobs and actor Jacob Wysocki in attendance. The evening’s after party is at Clift's Velvet Room. More at fest11.sffs.org.
San Francisco director Emily Lou attends the screening of her comedic horror film, ‘The Selling,’ which tells the story of a real estate agent who struggles to sell a haunted house. Film plays at Sundance Kabuki Cinemas. More at fest11.sffs.org.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
The metaphysical mystery ‘Asleep In The Sun,’ featuring a watchmaker and his dog-loving wife in the 1950s, plays at Sundance Kubaki Cinemas on April 28 and New People on April 30, with director Alejandro Chomski in attendance. More at fest11.sffs.org.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
‘She Monkeys,’ a coming-of-age psychological drama about the friendship and competitiveness of two teenage females fighting for a spot on the local equestrian vaulting team, plays at Sundance Kabuki Cinemas on April 25 and 26, with director Lisa Aschan in attendance. More at fest11.sffs.org.
Bay Area director Yoav Potash attends screenings of his documentary ‘Crime After Crime,’ which showcases the story of a female prisoner and the two pro bono lawyers who fight for her release over five and a half years. The film plays at Pacific Film Archive on April 27 and Sundance Kubaki Cinemas on May 2. More at fest11.sffs.org.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
Bay Area directors are high profile in the 54th San Francisco International Film Festival; catch them in person this week. Katie Galloway and Kelly Duane de la Vega appear Tuesday with Bradley Crowder, a principal of ‘Better This World,’ a documentary that traces the paths of activists deemed the "Texas Two." The film plays at Pacific Film Archive on April 26 and Sundance Kubaki Cinemas on April 29. More at fest11.sffs.org.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Press release: New People Entertainment, a film division of New People, Inc. that focuses on the licensing and distribution of Japanese films and media, has announced the beta launch of its own exclusive web channel where audiences will be able to stream a variety of the company’s films and content. More at newpeoplechannel.com.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Renowned producer Christine Vachon addresses cinema in the year 2011, gleaning wisdom from her extensive career producing films, from 1995's ‘Kids’ to 1999's ‘Boys Don’t Cry’ to the recent HBO mini-series 'Mildred Pierce.' More at fest.sffs.org.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
‘Miss Representation,’ former San Francisco Mayoral First Lady Jennifer Siebel Newsom's documentary examining the impact of media on the self-image of female teenagers, screens Friday, with the filmmaker herself in town. More at fest11.sffs.org.
Press release: The San Francisco Film Society announced today that Terence Stamp will be the recipient of the Peter J. Owens Award at the 54th San Francisco International Film Festival (April 21–May 5). The Owens Award, named for the longtime San Francisco benefactor of arts and charitable organizations and Film Society board member, honors an actor whose work exemplifies brilliance, independence and integrity. The award will be presented to Stamp at Film Society Awards Night, Thursday, April 28 at Bimbo’s 365 Club. More at fest11.sffs.org.
As the San Francisco International Film Festival opens, key films consider the value of place.
As the San Francisco International Film Festival opens, key films consider the value of place.
As the San Francisco International Film Festival opens, key films consider the value of place.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
In celebration of the upcoming Turner Classic Movies Film Festival in Hollywood, Castro Theatre participates in the one-night nationwide Road to Hollywood Tour with a free screening of ‘Elmer Gantry.’ Turner Classic Movies host Ben Mankiewicz and Academy Award winner Shirley Jones are present. Tickets are acquired through tcm.com/roadtohollywood. More at castrotheatre.com.
Roxie Theater hosts Playback: ATA Film & Video Festival 2006-2010, a one-day event that showcases a selection of short films from the experimental media arts gallery. More at roxie.com.
Reports Peter Knegt: "Academy Award-nominated documentary filmmaker Tim Hetherington has been killed in Libya, it is being reported by Vanity Fair (where Hetherington worked as a contributing photographer)." More at indieWIRE.com.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
SFFS Education and Lourdes Portillo, director/producer of ‘The Mothers of Plaza de Mayo’ and ‘The Devil Never Sleeps,’ present a Master Class titled ‘The Unorthodox Documentary,’ in which Portillo shares her techniques and reviews students proposals. More at sffs.org.
Pacific Film Archive's Patricio Guzmán series continues with ‘The Pinochet Case’ and ‘Chile, Obstinate Memory.’ Later this month, Guzman's latest, a poignant and provocative reflection called 'Nostalgia for the Light,' closes the collection and screens as part of the San Francisco International Film Festival, April 26 and 28. More at bampfa.berkeley.edu and fest11.sffs.org.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Director Aaron Schock speaks at Landmark’s Lumiere Theatre San Francisco and Landmark’s Shattuck Cinemas in Berkeley following select opening weekend showings of his new film, ‘Circo,’ which tells the story of a family’s financial and emotional battles as they struggle to successfully run a circus in Mexico. More at landmarktheatres.com.
Castro Theatre hosts a double feature of cop films set in San Francisco, beginning with Peter Yates’ 1968 ‘Bullitt,’ which features Steve McQueen, and Richard Rush’s 1974 ‘Freebie and the Bean,’ featuring James Caan and Alan Arkin. More at castrotheatre.com.
Keanu Reeves, James Caan and Vera Farmiga star in Malcolm Venvile’s ‘Henry’s Crime,’ which opens at Landmark’s Embarcadero Center Cinema in San Francisco, Landmark’s Shattuck Cinemas in Berkeley and other Bay Area theaters. The film was an official selection of the Toronto International Film Festival. More at landmarktheatres.com.
Roxie Theater presents ‘Some Days are Better Than Others,’ a debut feature-length film by Matt McCormick that explores the mutual struggles of hope shared amongst a group of eclectic characters. The film features Carrie Brownstein (Sleater-Kinney) as well as James Mercer (The Shins). More at roxie.com.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Filmmaker Mimi Chakarova is at Sutardja Hall Auditorium, UC Berkeley, to present her documentary, ‘The Price of Sex,’ which is an award-winning investigation into sex trafficking throughout Europe and the Middle East. More at priceofsex.org.
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Press release: Current TV is launching a new pro-social program, called 'The Current Cause,' which invites both amateur and professional filmmakers to create promotional spots focusing on pro-social themes and organizations. The program focuses on a different theme every quarter, beginning with a sustainability-themed "Earth Fights Back" initiative to commemorate Earth Day 2011. More at current.com/cause.
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
Award-winning Bay Area director Les Blank introduces his 1969 short film, ‘The Blues Accordin’ to Lightnin’ Hopkins,’ and his 1979 project, ‘Always for Pleasure,’ which play at Red Vic Movie House. Viewers receive rice and beans made with Les’ special recipe. More at redvicmoviehouse.com.
Yerba Buena Center for the Arts hosts and dGenerate Films and Fandor present ‘Fearless: Independent Chinese Documentaries,’ which features six independent Chinese political docs; continuing this week with 'Tape' (April 7), 'Ghost Town' (April 10) and '1428' (pictured, April 14). More at ybca.org.
Mission Cultural Center presents Catherine Murphy’s ‘Maestra,’ a 30-minute documentary that follows female literacy workers in Cuba. Murphy and former literacy campaign teacher Norma Guillard participate in a Q&A with film critic B. Ruby Rich following the film. More at missionculturalcenter.org.
Press release: The San Francisco Film Society announced today that Oliver Stone will be the recipient of the Founder’s Directing Award at the 54th San Francisco International Film Festival (April 21–May 5). The FDA will be presented to Stone at Film Society Awards Night, Thursday, April 28 at Bimbo’s 365 Club. The Film Society’s Youth Education program will be the beneficiary of the fundraiser honoring Stone. The soon-to-be-announced recipient of the Peter J. Owens Award for excellence in acting and Frank Pierson, recipient of the Kanbar Award for excellence in screenwriting will also be honored. More at sffs.org.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
The 7th Annual San Francisco Women’s Film Festival opens with ‘Grace, Milly, Lucy… Child Soldiers’ and runs five days, with shows and events at the Roxie Theater, Ninth Street Independent Film Center and Mission Workshop. More at roxie.com and womensfilminstitute.com.
Hester Schell’s ‘Casting Revealed’ helps filmmakers hire quality actors.
Hester Schell’s ‘Casting Revealed’ helps filmmakers hire quality actors.
Hester Schell’s ‘Casting Revealed’ helps filmmakers hire quality actors.
Tiffany Shlain keynotes a discussion of education and opportunity, while panelists Mark Decena, Rob Epstein, Barry Jenkins, Lexi Leban and Jenni Olson share their experiences and stories of how they’ve sustained their careers over time. It begins at 7:30 pm at the Lab. More at sffs.org.
A collection of Dave Kehr's analytical, entertaining pieces from 30-plus years ago offers critical enlightenment for a short-form era.
A collection of Dave Kehr's analytical, entertaining pieces from 30-plus years ago offers critical enlightenment for a short-form era.
A collection of Dave Kehr's analytical, entertaining pieces from 30-plus years ago offers critical enlightenment for a short-form era.
‘Salvador Allende,’ the first feature in the month-long series ‘Afterimage: The Films of Patricio Guzman,’ which showcases a variety of Guzman’s work, plays at Pacific Film Archive. More at bampfa.berkeley.edu.
IndieWIRE reports: "With the sheer number of arts-related events in San Francisco, one might mistake the city as one of America’s largest metropolises, but in fact it’s California’s fourth largest city. San Francisco has however had a long tradition of embracing arts on the cusp, reflecting its vibrant and diverse citizens." More at indieWIRE.com.
Ozon's Deneuve vehicle, filled with comedy and politics, travels well.
Ozon's Deneuve vehicle, filled with comedy and politics, travels well.
Ozon's Deneuve vehicle, filled with comedy and politics, travels well.
Liz Canner’s astounding and yet amusing documentary ‘Orgasm, Inc.,’ which examines the attempt of pharmaceutical companies to take advantage of women’s desire to orgasm to sell perhaps ineffective and possibly dangerous medications, plays at Roxie Theater. Opening reception with Canner takes place at Good Vibrations on April 2 and a panelist discussion featuring Dr. Carol Queen follows an April 4 showing. More at roxie.com.
SFMOMA's Eadweard Muybridge exhibit is essential viewing for Bay Area film lovers. More than 150 years after Eadweard Muybridge set up shop on Montgomery Street, San Francisco Museum Modern Art is featuring a splendid retrospective of the photographer’s work just a few blocks away. A tireless self-promoter with chutzpah enough to adapt “Helios” as a nom de plume early in his career (this after already having left “Muggeridge” behind in England), Muybridge would surely have been pleased by this showcase. From A Trip Down Market Street
SFMOMA's Eadweard Muybridge exhibit is essential viewing for Bay Area film lovers. More than 150 years after Eadweard Muybridge set up shop on Montgomery Street, San Francisco Museum Modern Art is featuring a splendid retrospective of the photographer’s work just a few blocks away. A tireless self-promoter with chutzpah enough to adapt “Helios” as a nom de plume early in his career (this after already having left “Muggeridge” behind in England), Muybridge would surely have been pleased by this showcase. From A Trip Down Market Street
Behind the Scenes: Art director Patricia Woodbridge introduces ‘I Am Legend’ at Pacific Film Archive with a formal discussion of her work on that film and others on March 31. SFFS hosts Woodbridge at Ninth Street Independent Film Center for a Master Class on April 2, and then she returns to PFA to informally present ‘Shutter Island,’ on April 3. More at bampfa.berkeley.edu and sffs.org.
Filmmakers Ray Telles and Kenn Rabin are in person at the Smith Rafael Film Center to present their documentary, ‘The Storm That Swept Mexico,’ which illustrates the story of the Mexican Revolution of 1910 and explores the subsequent changes in relationship dynamics between Mexico, the United States and Europe. More at cafilm.org.
A nonfiction tagging doc takes a novel approach, looking at those who erase graffiti as opposed to those who make it.
A nonfiction tagging doc takes a novel approach, looking at those who erase graffiti as opposed to those who make it.
A nonfiction tagging doc takes a novel approach, looking at those who erase graffiti as opposed to those who make it.
Director Cassie Jaye and producer Nena Jaye are in person for a discussion following their documentary, ‘Daddy I Do,’ which explores the need to provide youth and young adults with sexual education. More at cafilm.org.
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
New People at Viz Cinema hosts three showings of ‘Hula Girls,’ a 2006 film based in the recently devastated Fukushima, Japan. Showings are free, but donations of $10, which will go directly to Japanese earthquake relief funds, are requested. More at newpeopleworld.com.
Lisandro Alonso’s 2001 ‘La Libertad’ is the first film in Pacific Film Archive’s First Person Rural: The New Nonfiction series, which presents works that utilize documentary filmmaking techniques in fictional storytelling. More at bampfa.berkeley.edu.
The Sing Along ‘The Wizard of Oz,’ featuring an interactive experience with song and goody bags, plays for seven days at the Castro Theatre. Laurie Bushman, Joe Wicht and David Hawkins host. More at castrotheatre.com.
Director Taggart Siegel participates in a Q&A at Roxie Theater following the evening showings on March 25, 27 and 28 of his recent documentary, ‘Queen of the Sun: What are the Bees Telling Us?,’ which examines the recent global disappearance of bees. More at roxie.com.
Rosenblatt’s meditative essay on the difficult subject of suicide finds its way to HBO. Narrative films may occasionally conjure the shock of a suicide—last year’s The Father of My Children is a fine example—but it’s the nature of character dramas to keep pace with the living rather than meditate in the shadow of loss. In his most recent lyrical essay-film, The Darkness of Day, local filmmaker Jay Rosenblatt creates such a meditative space, intertwining different stories and perspectives of suicide: near and far, first-person and third, male and female, young and old, anonymous and notable. Rosenblatt cues the multiple narratives to a poetic stream of found...
Rosenblatt’s meditative essay on the difficult subject of suicide finds its way to HBO. Narrative films may occasionally conjure the shock of a suicide—last year’s The Father of My Children is a fine example—but it’s the nature of character dramas to keep pace with the living rather than meditate in the shadow of loss. In his most recent lyrical essay-film, The Darkness of Day, local filmmaker Jay Rosenblatt creates such a meditative space, intertwining different stories and perspectives of suicide: near and far, first-person and third, male and female, young and old, anonymous and notable. Rosenblatt cues the multiple narratives to a poetic stream of found...
Created in 2007 by Eric Slatkin and Carlton Evans to celebrate possibilities of media we might consider "throwaway" (devices like cell phones and pocket cameras), the Disposable Film Festival has grown into a popular one-day event and year-round traveling showcase. This year, it debuts at the Castro Theatre. More at castrotheatre.com.
Screenwriter Oscar Torres appears in person at Mission Cultural Center to talk following his award winning film ‘Voces Inocentes,’ based on Torres’ real-life tale of growing up and avoiding mandatory army recruitment in San Salvador. More at missionculturalcenter.org.
Ron Merk sends a San Francisco-set series into the ring.
Ron Merk sends a San Francisco-set series into the ring.
Ron Merk sends a San Francisco-set series into the ring.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
New technology and futuristic themes featured prominently at South by Southwest this year.
New technology and futuristic themes featured prominently at South by Southwest this year.
New technology and futuristic themes featured prominently at South by Southwest this year.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
Xavier Dolan’s ‘Heartbeats,’ the 2010 Winner of Un Certain Regard Youth Prize at Cannes International Film Festival, opens at Landmark Theatres in San Francisco and Landmark’s Shattuck Cinemas. The film follows two best friends and their attempt to attain the affection of a charming man they’ve just met. More at landmarktheatres.com.
Abbas Kiarostami’s ‘Certified Copy,’ featuring Juliette Binoche, opens at Landmark's Clay and Shattuck as well as the Smith Rafael Film Center. The films tells the story of a man and woman who begin pretending they’re romantically involved and subsequently experience the dynamics of being in a couple. More at landmarktheatres.com and cafilm.org.
Ry Russo-Young’s 2009 Gotham Independent Film Award winner and Sundance Film Festival Selection, ‘You Won’t Miss Me,’ plays for one week at Roxie Theater. The film features Stella Schnabel, who plays a 23 year-old just released from a psychiatric hospital. More at roxie.com.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
Long story short: A filmmaker finds the right length for his South American health doc.
Long story short: A filmmaker finds the right length for his South American health doc.
Long story short: A filmmaker finds the right length for his South American health doc.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
“At times William S. Burroughs seemed less the author of fiction than a creation of it,” writes Dennis Harvey in SF360; director Yony Leyser offers what Harvey calls a "fascinating, impressionistic" treatment of the subject in ‘William S. Burroughs: A Man Within.’ Leyser and other special guests offer a Q&A following the showing of their film, Tuesday, March 15. More at roxie.com.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
Oscar-winning visual effects supervisor Craig Barron and Oscar-winning sound designer Ben Burtt reveal the special effects used in 1939s ‘Tarzan Finds a Son!’ and present live audio demonstrations. The event takes place at Smith Rafael Film Center and is presented by Science and Technology Council of the Academy of Motion Picture Arts and Sciences. More at cafilm.org.
A new Burroughs documentary revisits a familiar story, but delivers fresh insight.
A new Burroughs documentary revisits a familiar story, but delivers fresh insight.
A new Burroughs documentary revisits a familiar story, but delivers fresh insight.
San Francisco International Asian American Film Festival begins March 10 and runs for 11 days, celebrating Opening Night at the Castro Theatre with Andy De Emmony’s 2009 ‘West Is West,’ the sequel to the successful 1999 ‘East Is East.’ About 120 films will play at a variety of venues around San Francisco, Berkeley and San Jose. More at festival.asianamericanmedia.org.
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
Pacific Film Archive hosts ‘Film and Video Makers at Cal,’ which offers an array of short narratives, documentaries and music videos by UC Berkeley student filmmakers. More at bampfa.berkeley.edu.
Hollywood Reporter: ""What the film industry desperately needs is a merger of social networks and content," says Ted Hope, the celebrated producer of American Splendor and dozens of indie hits at Sundance and elsewhere. That's why he just joined former Facebook chief privacy officer Chris Kelly on the board of Fandor, the indie film streaming site built by Dan Aronson and Jonathan Marlow, a veteran of Amazon and GreenCine. After several months in beta (trial-run mode), Fandor made its full-fledged debut Wednesday," writes Tim Appelo. More at hollywoodreporter.com.
Jason Wolos builds a drama about family and food with a few key ingredients.
Jason Wolos builds a drama about family and food with a few key ingredients.
Jason Wolos builds a drama about family and food with a few key ingredients.
Pacific Film Archive offers the latest in their Alternative Visions series with Images of Nature, or The Nature of the Image: Canadian Artists at Work, which explores the techniques and strategies utilized by four decades of Canadian short films as they showcase images of nature and Canadian landscapes. More at bampfa.berkeley.edu.
Breaking down the common licensing terms.
Breaking down the common licensing terms.
Breaking down the common licensing terms.
Apichatpong Weerasethakul’s much anticipated ‘Uncle Boonmee Who Can Recall His Past Lives,' a dramatic feature that tells the story of a dying man who visits the incarnations of his past lives in his final days, remains at the Sundance Kabuki Cinemas for a few days. More at sffs.org.
Apichatpong Weerasethakul’s much anticipated ‘Uncle Boonmee Who Can Recall His Past Lives,' a dramatic feature that tells the story of a dying man who visits the incarnations of his past lives in his final days, remains at the Sundance Kabuki Cinemas for a few days. More at sffs.org.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
The Balboa Theatre celebrates its 81st year with a rare early film of Rudolph Valentino, ‘Moran of the Lady Letty,’ lensed here in San Francisco and Tiburon. The evening includes short-subject films, live accompaniment and performance, your own take on Jazz Age attire, and, of course, birthday cake. More at balboamovies.com.
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Mariana Chenillo’s comedy ‘Nora’s Will' (Cinco Dias Sin Nora), winner of seven Mexican Ariel Awards, including best picture, actor, supporting actress and screenplay opens at the Smith Rafael as well as Landmark's Bridge and Shattuck. More at cafilm.org and landmarktheatres.com.
Mariana Chenillo’s comedy ‘Nora’s Will' (Cinco Dias Sin Nora), winner of seven Mexican Ariel Awards, including best picture, actor, supporting actress and screenplay opens at the Smith Rafael as well as Landmark's Bridge and Shattuck. More at cafilm.org and landmarktheatres.com.
San Francisco Museum of Modern Art and Castro Theatre present ‘Exposed on Film,’ a three-day series featuring films that explore the themes presented in the concurrent San Francisco Museum of Modern Art’s exhibit, Exposed: Voyeurism, Surveillance and the Camera Since 1870, including Warhol's 'The Nude Restaurant,' Antonioni's 'Blow Up' and David Lynch's 'Lost Highway.' More at castrotheatre.com and sfmoma.org.
Director Tom Shadyac, known for comedies ‘Ace Ventura,’ ‘Liar, Liar’ and ‘Bruce Almighty,’ will be at Smith Rafael Film Center to present his new documentary, ‘I Am,’ which investigates the extreme change he experienced after an accident caused him to get rid of all his possessions and rethink his outlook on life. More at cafilm.org.
Press release: The 54th San Francisco International Film Festival (April 21 - May 5) today announced its documentaries in competition for the Golden Gate Awards and films in competition for the New Directors Prize. The International will award close to $100,000 in total prizes this year. Sixty thousand dollars will be awarded to winners in three categories: investigative documentary feature ($25,000), documentary feature ($20,000) and Bay Area documentary feature ($15,000). The New Directors Prize of $15,000 is given to a narrative first feature that exhibits a unique artistic sensibility and deserves to be seen by as wide an audience as possible. Seventeen countries contributed to the production of the 11 films in this year's competition. Click through for titles or visit sffs.org.
An environmental film festival with exceptional flair enters the San Francisco scene.
An environmental film festival with exceptional flair enters the San Francisco scene.
An environmental film festival with exceptional flair enters the San Francisco scene.
Smith Rafael Film Center hosts filmmaker Justin Hunt and composer James Hetfield (Metallica) as they present and discuss their documentary ‘Absent,’ which looks at the absence of father figures. More at cafilm.org.
San Francisco's first ever Green Film Festival takes off with a collection that includes Werner Herzog's 'Happy,' Patrick Rouxel's 'Green' and Fredrik Gertten’s 'Bananas!*' More at sfgreenfilmfest.org.
Los Angeles Times: "The documentary “Presumed Guilty” (“Presunto Culpable”) has received accolades far and wide, from human rights groups, audiences and Mexican legislators. It is a damning look at the Mexican judicial system that hastens to put a man in prison on the flimsiest of evidence," writes Tracey Wilkinson. More at latimes.com.
After her own Assange story broke big, a Bay Area filmmaker followed another lead...to Iceland.
After her own Assange story broke big, a Bay Area filmmaker followed another lead...to Iceland.
After her own Assange story broke big, a Bay Area filmmaker followed another lead...to Iceland.
Ido Haar continues his two-week residency with the San Francisco Film Society; he appears in person for a Q&A following the screening of ‘Melting Siberia,’ which will play at New People. A reception with Haar will follow at Viz Cinema Café. More at sffs.org.
Build an action picture with a poor script? At your own risk.
Build an action picture with a poor script? At your own risk.
Build an action picture with a poor script? At your own risk.
Reuters: "'Toy Story 3' won the Oscar for animated feature on Sunday, becoming the fourth Pixar release to win the category in as many years." More at reuters.com.
LA Times Blogs: "Inside Job” won the Oscar for documentary feature at the 83rd Academy Awards on Sunday night. “Inside Job” is an exploration of the causes and corollaries of the 2008 financial crisis. The award goes to Charles Ferguson and Audrey Marrs." More at latimesblogs.latimes.com. And from SF360.org: Bay Area-based Ferguson's speech began with a statement of fact, "After financial fraud not a single financial executive has gone to jail," before thanking his colleagues.
SFFS Artist in Residence speaks on cities, Siberia, family and life in the Middle East.
SFFS Artist in Residence speaks on cities, Siberia, family and life in the Middle East.
SFFS Artist in Residence speaks on cities, Siberia, family and life in the Middle East.
Film on Film Foundation and Red Vic Movie House offer a triple feature of claymation and puppetry projects, including ‘Gumby, The Movie,’ ‘The Adventures of Mark Twain,’ and ‘Meet the Feebles.’ More at redvicmoviehouse.com.
SFFS Screen presents Alexei Popogrebsky’s, ‘How I Ended This Summer,’ a psychological drama about two men's relationship over a summer of working at a meteorological station in the Arctic Circle. The film plays at Sundance Kabuki Cinemas. More at sffs.org.
Director Robinson Devor and actor Patrick Warburton are in person at Roxie Theater to show their 1999 noir film, ‘The Woman Chaser,’ which tells the story of a used care salesman who strives to write and direct his own film in an attempt to find fame and fortune. More at roxie.com.
Castro Theatre hosts seven days of ‘We Were Here,’ David Weissman's documentary examining the initial arrival of AIDS in San Francisco and its subsequent influence the community. Opening night features a VIP reception prior to and a Q&A with director David Weissman following the screening. More at castrotheatre.com.
As part of Laurel Nakadate: Fever Dreams, photographer and filmmaker Nakadate appears in person at the Roxie Theater for a Q&A following a double-feature of her transfixing, transforming feature-length films, including 2010's 'The Wolf Knife' and 2009's 'Stay the Same Never Change.' More, including info on Nakadate work on display in the Mission, at sffs.org.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Reports SFGate: “The HBO production ‘Hemingway & Gellhorn,’ starring Nicole Kidman and Clive Owen and being filmed almost entirely in San Francisco, needs some local extras. But the open call only welcomes 18- to 40-year-old, Spanish-looking, English-speaking men with fair to medium complexions, dark hair, eyes and lean physiques.” Open calls take place through Sunday, February 27 12:30 to 4:00 pm at Beau Bonneau Casting. More at sfgate.com and beaubonneaucasting.com.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
A festival whose curation was called "stupefyingly good" by Dennis Harvey in SF360.org last week, the Noise Pop Film Series complements the live music it's meant to accompany as the likes of Feist, Devendra Banhart and Tom Ze cross the screen. More at 2011.noisepop.com/film.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Steven Soderbergh's Spalding Gray tribute gives us the true beating heart of the artist instead of talking-head punditry.
Steven Soderbergh's Spalding Gray tribute gives us the true beating heart of the artist instead of talking-head punditry.
Steven Soderbergh's Spalding Gray tribute gives us the true beating heart of the artist instead of talking-head punditry.
Andrew O'Hehir called Gregg Araki's latest "trashy," "sweet," and "downright disturbing" in Salon. It opens this weekend at the Bridge with Araki in person at evening shows Friday and Saturday. More at landmarktheatres.com.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Carrie Lozano and Charlotte Lagarde find a life-and-death story in the making of 'My Coma Dreams.'
Carrie Lozano and Charlotte Lagarde find a life-and-death story in the making of 'My Coma Dreams.'
Carrie Lozano and Charlotte Lagarde find a life-and-death story in the making of 'My Coma Dreams.'
A filmmaker delves deep into the process of embodying 'madness' in movie form.
A filmmaker delves deep into the process of embodying 'madness' in movie form.
A filmmaker delves deep into the process of embodying 'madness' in movie form.
Variety: "Marking another acquisition partnership coming out of the Sundance Film Festival, Roadside Attractions will team with Participant Media," handling U.S. theatrical distribution rights of writer and director Maryam Keshavarz's Iranian drama 'Circumstance.' More at variety.com.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Short and feature films completed over the previous year by the Scary Cow’s co-op members play at Castro Theater. Attendees vote on which filmmakers should receive funding for future projects. More at scarycow.com.
The San Francisco Silent Film Festival's Winter Event, a one-day affair to showcase silent films, returns to the Castro. Features include Charlie Chaplin shorts, Marcel L’Herbier’s 1928 ‘L’Argent’ and King Vidor’s 1926 ‘La Boheme,' each accompanied with live music. More at silentfilm.org and castrotheatre.com.
Neither tragedy nor grand romance, 'Come Undone' captures an evocative everyday mess.
Neither tragedy nor grand romance, 'Come Undone' captures an evocative everyday mess.
SFFS Screen offers ‘Come Undone,’ Silvio Soldini’s recent dramatic film featuring Alba Rohrwacher of ‘I Am Love.’ The film examines the reasons behind and subsequent emotional effects of a couple's extramarital affair. The film plays at Sundance Kabuki Cinemas. More at sffs.org.
Press Release: Bay Area-based ro*co films announced that they will be distributing Jennifer Siebel Newsom’s documentary film, 'Miss Representation' in the North American educational market. ro*co will distribute the film to academic institutions, universities, and libraries for both classroom use and educational screenings. More at rocofilms.com.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
Viz Cinema at New People hosts the U.S. premiere of the Japanese animated film ‘The Garden of Sinners,’ based on Kinoko Nasu’s successful cult novel. Producers are in attendance for a discussion panel following. More at newpeopleworld.com.
Viz Cinema at New People hosts the U.S. premiere of the Japanese animated film ‘The Garden of Sinners,’ based on Kinoko Nasu’s successful cult novel. Producers are in attendance for a discussion panel following. More at newpeopleworld.com.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
The Castro Theatre hosts as SF Sketchfest and Midnight Mass present Idol Worship: An Evening with Cloris Leachman, which will offers a screening of Mel Brooks’ ‘High Anxiety’ and drag queen music performances including exchanges with Cloris Leachman. More at castrotheatre.com.
Elia Suleiman’s 'The Time That Remains' recalls his parents’ Nazareth.
Elia Suleiman’s 'The Time That Remains' recalls his parents’ Nazareth.
Elia Suleiman’s 'The Time That Remains' recalls his parents’ Nazareth.
SFFS Screen returns to the Sundance Kabuki with a new one from Elia Suleiman, a story about the the lives and hardships of Palestinians who were branded "Israeli Arabs." It's a film that the Toronto International Film Festival calls a "fusion of the political and personal, the historical and hysterical." More at sffs.org.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
The eight-day Mostly British Film Festival opens with Andy DeEmmony’s ‘West is West,’ the sequel to 1999s ‘East is East.’ Films from the United Kingdom, Australia, South Africa and Ireland play for eight days at the Vogue Theatre and the Smith Rafael Film Center. More at mostlybritish.org.
Filmmaker Nicole Karsin shares the latest cut of her documentary ‘We Women Warriors,’ which showcases three Colombian women’s nonviolent efforts to protect their liberties while caught in the crosshairs of a rebellious war. The film plays at The Women’s Building. More at wewomenwarriors.com.
Roxie Theater hosts the 13th SF Indiefest, which presents 15 raucous days of both feature and short independent films. Opening Night features Gregg Araki’s ‘Kaboom,’ with an afterparty at CELLspace and live music. More at sfindie.com.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
3rd i launches its ‘Cruel Cinema: New Directions in Tamil Film’ weekend series at the Pacific Film Archive Theater. Four current new wave films from Tamil play, beginning with India’s highly successful crime thriller ‘Pudhuppettai.’ More at bampfa.berkeley.edu.
An expert offers advice on solving the issues rough-cut screenings raise.
An expert offers advice on solving the issues rough-cut screenings raise.
An expert offers advice on solving the issues rough-cut screenings raise.
‘Lemmy,’ Greg Olliver and Wes Orshoski’s 2010 documentary exploring the over 40-year music career of lead singer of Motörhead, Lemmy Kilmister, plays at Roxie Theater. More at roxie.com.
The Castro Theatre hosts a tribute to ‘Airplane!’ in conjunction with the SF Sketchfest. Following the film is a Q&A with leading actor Robert Hays, screenwriter Jim Abrahams and directors David and Jerry Zucker. More at sfsketchfest.com.
The Roxie Theater and San Francisco Film Society present ‘Herzog In Focus,’ a class taught by Bill Nichols, which analyzes the work of German filmmaker Werner Herzog. More at roxie.com and sffs.org.
Reports indieWIRE: "Oprah Winfrey Network has added another member to its Documentary Film Club with Yoav Potash’s “Crime After Crime,” which premiered at the Sundance Film Festival in the U.S. Documentary Competition." More at indiewire.com.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
The Roxie showcases filmmaker and educator George Kuchar with ‘By, For and About George Kuchar,’ including a Frankenstein series recently completed with his San Francisco Art Institute students, a selection of his shorts and Jennifer Kroot’s 2009 documentary, ‘It Came From Kuchar.’ More at roxie.com.
Pacific Film Archive Theater hosts the African Film Festival 2011, presenting popular documentary and narrative films from eight African countries. The festival begins with Remi Vaughan-Richards’ 2010 ‘One Small Step.’
Filmmakers Amy and Tom Valens appear in person at Smith Rafael Film Center for the world premiere of their documentary ‘August to June,’ which follows Amy in her final year as an instructor at a public elementary school in the city of Lagunitas. More at cafilm.org.
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Sean Uyehara: "If you wanted, you could say that Calvin Lee Reeder channels the love child of Dario Argento and Maya Deren..."
Sean Uyehara: "If you wanted, you could say that Calvin Lee Reeder channels the love child of Dario Argento and Maya Deren..."
Sean Uyehara: "If you wanted, you could say that Calvin Lee Reeder channels the love child of Dario Argento and Maya Deren..."
The final week of Noir City plays at Castro Theatre. Two Film Noir features play nightly through January 30, ending with 1952’s ‘Angel Face’ and 1948’s ‘The Hunted.’ More at castrotheatre.com.
The Red Lantern Meetup group brings Asian film fans together.
The Red Lantern Meetup group brings Asian film fans together.
The Red Lantern Meetup group brings Asian film fans together.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Eddie Muller and Anita Monga bring 10 days of finely curated noir to the Castro Theatre, where it's promised "you'll find all kinds of crazy" in 24 films. We never doubted. The festival opens with 1947's ‘High Wall’ and 1940's ‘Stranger on the Third Floor.' More at castrotheatre.com and noircity.com.
Roxie Theater presents ‘Two In The Wave,’ a documentary showcasing the friendship and eventual fall out of French New Wave filmmakers Francois Truffaut and Jean-Luc Godard. Actual short works from Truffaut and Godard play after the film. More at roxie.com.
A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.
A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.
A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.
Yerba Buena Center for the Arts offers the latest by Pedro Costa, what they call a "ravishing, entrancing study of light, shadow and voice" from the Portuguese filmmaker. More at ybca.org.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Pacific Film Archive Theater and UC Berkeley’s Department of Film and Media present Jean Cocteau’s 1946 ‘Beauty and the Beast.’ A lecture by Professor Russell Merritt follows. More at bampfa.berkeley.edu.
SF Chronicle: "It was creative projects like 'The Revolutionary Optimists'," writes Benny Evangelista, "that helped the nonprofit San Francisco organization, which advocates social change through the integration fo storytelling with the latest media technologies, win a $1 million grant from the John D. and Catherine T. MacArthur Foundation." More at sfgate.com.
Press release: "...The new initiative, called JustFilms, will invest $10 million a year over the next five years to support and expand the community of filmmakers and mediamakers around the world focused on creating documentaries with passion and purpose, but who often lack funding to realize their visions or reach audiences." More at fordfoundation.org.
Geoff Alexander opens a window into the 20th century with a book about films for/from the classroom.
Geoff Alexander opens a window into the 20th century with a book about films for/from the classroom.
Geoff Alexander opens a window into the 20th century with a book about films for/from the classroom.
An advance screening of Peter Weir’s new film, ‘The Way Back’, which features Jim Sturgess, Ed Harris and Colin Farrell, plays at the Smith Rafael Film Center, with Weir presenting and discussing the film. More at cafilm.org.
An advance screening of Peter Weir’s new film, ‘The Way Back’, which features Jim Sturgess, Ed Harris and Colin Farrell, plays at the Smith Rafael Film Center, with Weir presenting and discussing the film. More at cafilm.org.
Roxie Theater presents ‘Genghis Blues,’ Roko Belic’s 1999 Oscar nominated Best Documentary feature about the unlikely throat-singing champion Paul Pena. Current throat-singing artist Kongar-Ol Ondar attends and performs following the feature. More at roxie.com.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Pacific Film Archive Theater offers the World Cinema Foundation: Safeguarding Cinematic Treasures series, highlighting WCF's preservation efforts. It opens with Edward Yang's 1991 ‘A Brighter Summer Day’. More at bampfa.berkeley.edu.
Sofia Coppola's 'Somewhere' nails the spiritual erosion of constant, effortless indulgence.
Sofia Coppola's 'Somewhere' nails the spiritual erosion of constant, effortless indulgence.
Sofia Coppola's 'Somewhere' nails the spiritual erosion of constant, effortless indulgence.
Castro Theatre hosts the German Gems Film Festival, a three day event showcasing recent German features, shorts and documentaries. It begins on Friday with ‘Mahler On The Couch,' a feature directed by father and son team Percy and Felix Adlon, with an Opening Night after party following. More at castrotheatre.com.
Lionel Rogosin's 1956 Oscar-nominated film, 'On the Bowery,' blends documentary and fiction in its look at three days of New York’s skid row; it's followed by an archival 'making-of' look at the project by Rogosin's son, Michael. More at roxie.com.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
The Smith Rafael Film Center offers 'For Your Consideration,' a sampling of this year’s 65 submitted and accepted Oscar Foreign Language Films. The event begins with Italy's ‘The First Beautiful Thing.' More at cafilm.org.
Rachel Nanstad finds a unique American story in the Reed Sisters' musical act.
Rachel Nanstad finds a unique American story in the Reed Sisters' musical act.
Rachel Nanstad finds a unique American story in the Reed Sisters' musical act.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
An Asian cinema talk-radio show broadcasts from San Mateo to the world.
An Asian cinema talk-radio show broadcasts from San Mateo to the world.
An Asian cinema talk-radio show broadcasts from San Mateo to the world.
The Castro Theatre hosts six days of double features from the unsurpassed master of suspense, Alfred Hitchcock. The series starts with two of the finest films from Hitchcock’s late British period, ‘The Lady Vanishes’ and ‘The 39 Steps.’ More at castrotheatre.com.
The Film on Film Foundation and Oddball Film and Video offer a little financial advice to start the new year with their program of 16mm ’70s-era shorts, ‘In It For the Money: Short Films You Can Take to the Bank.’ The program plays at 8:00 p.m., Oddball Films, 275 Capp St. More at filmonfilm.org and oddballfilm.com.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
A deceased bride comes to life before the lens of a young photographer in this mysterious film from Portugal’s most prolific film director, Manoel de Oliveira. ‘The Strange Case of Angelica’ plays at the Roxie Theater. More at roxie.com.
The life story of Pakistani politician Benazir Bhutto, the first ever female leader in a Muslim nation, is examined in ‘Bhutto,’ which plays at the Smith Rafael, Clay and Shattuck, with in person filmmaker appearances at select screenings over the weekend. More at caflim.org and landmarktheatres.com.
Sword, sandals and a sinister real-life epilogue: 'Deathstalker' earns top billing in a Midnite for Maniacs evening at the Castro. As one of 1982's bigger box-office hits, Conan the Barbarian accomplished two things. First, it finally made a movie star out of thick-bodied, thicker-accented Arnold Schwarzenegger after several failed attempts. Second, it spawned a legion of cheaper imitations cashing in on the early 1980s' seemingly bottomless need for films to fill cable airtime and video rental shelves. (Remember, until that time there the only commercial outlets for movies were theatrical release and network TV—so these were entirely...
Sword, sandals and a sinister real-life epilogue: 'Deathstalker' earns top billing in a Midnite for Maniacs evening at the Castro. As one of 1982's bigger box-office hits, Conan the Barbarian accomplished two things. First, it finally made a movie star out of thick-bodied, thicker-accented Arnold Schwarzenegger after several failed attempts. Second, it spawned a legion of cheaper imitations cashing in on the early 1980s' seemingly bottomless need for films to fill cable airtime and video rental shelves. (Remember, until that time there the only commercial outlets for movies were theatrical release and network TV—so these were entirely...
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
The Rec Vic hosts a second run of Alex Gibney’s ‘Client 9: The Rise and Fall of Eliot Spitzer,’ which chronicles the accomplishments and scandals surrounding the once popular New York politician. More at redvicmoviehouse.com.
Rough-cut screenings can help you identify problems areas of your film—if you know how to listen.
Rough-cut screenings can help you identify problems areas of your film—if you know how to listen.
Rough-cut screenings can help you identify problems areas of your film—if you know how to listen.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
David Lindsay-Abaire adapts his Pulitzer Prize-winning play for the big screen in director John Cameron Mitchell’s ‘Rabbit Hole,’ the story of a husband and wife struggling to gain control over their lives after a devastating accident. More at landmarktheatres.com.
While 'The Fighter' and 'Black Swan' duke it out at the multiplex, the Roxie offers its own take on male and female athletes via Frederick Wiseman's 'Boxing Gym.' Unexpected views of the American institution emerge in Wiseman's look at Lord's Gym in Austin, Texas. A master of his craft, Wiseman brings out the sport's hypnotic beauty without the aid of narration or interviews. More at roxie.com.
George Hickenlooper’s final film, ‘Casino Jack,’ features Kevin Spacey in the true story of Jack Abramoff, a Washington D.C. lobbyist whose unabashed greed and reckless behavior throws him and his colleagues into a world of thugs and criminals who solve problems the old-fashioned way. More at landmarktheatres.com.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
Tim Burton and Henry Selick’s stop-motion Christmas classic centers on Jack, the Pumpkin King, a bored Halloween trickster who discovers the innocent town of Christmas and becomes one bad Santa. Plays at the Red Vic. More at redvicmoviehouse.com.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Director Andrew Jarecki revisits disquieting themes from his celebrated documentary ‘Capturing the Friedmans’ in his debut narrative feature, ‘All Good Things,’ which boasts riveting performances from actors Ryan Gosling and Kirsten Dunst. More at landmarktheatres.com.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
One man’s bridge is another man’s catwalk in this inspirational documentary about Chicago’s most eccentric fashion model, Vincent P. Falk, whose spectators aren’t industry icons but passing by boats. Director Jennifer Burns and star Vincent P. Falk in person at the Red Vic. More at redvicmoviehouse.com.
An early example of Jim Jarmusch’s thorough craftsmanship and characteristic sense of humor, ‘Stranger than Paradise’ stars John Lurie as a young New Yorker obligated to look after his visiting Hungarian cousin for ten days. This seminal ‘80s independent production plays at the Roxie Theater. More at roxie.com.
Waters’ live Christmas show at the Roxie raised money for San Francisco’s oldest continuously operating theater as it moves full-steam into its second century.
Waters’ live Christmas show at the Roxie raised money for San Francisco’s oldest continuously operating theater as it moves full-steam into its second century.
Waters’ live Christmas show at the Roxie raised money for San Francisco’s oldest continuously operating theater as it moves full-steam into its second century.
SF Chronicle: "To attract more motion pictures and commercials to shoot in the city, the Film Commission today launched the Scene in San Francisco Vendor Discount Program offering participating productions discounts at businesses from restaurants and hotels to fitness clubs and entertainment venues." More at SFGate.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Society presents the world premiere of John Darnielle’s score to Mauritz Stiller’s silent masterpiece ‘Sir Arne’s Treasure.’ The celebrated singer-songwriter plays live at the Castro Theatre to accompany the film. More at sffs.org.
San Francisco Film Society presents the world premiere of John Darnielle’s score to Mauritz Stiller’s silent masterpiece ‘Sir Arne’s Treasure.’ The celebrated singer-songwriter plays live at the Castro Theatre to accompany the film. More at sffs.org.
Bay Area filmmaker Tom Wyrsch examines the history of San Francisco’s one-time seaside amusement park, Playland, whose origins dated back nearly a century before being torn down in 1972. Wyrsch appears in person at the Smith Rafael Film Center. More at cafilm.org.
YBCA’s ‘Go To Hell For The Holidays: Horror in December’ series continues with Kiwa Moethaisong’s ‘Meat Grinder,’ the story of a disturbed chef who increases her noodle soup sales by adding a simple and grotesque ingredient. More at ybca.org.
The Mountain Goats offer an original score for Mauritz Stiller's rambunctious adventure-turned tragedy/morality tale of 1919.
The Mountain Goats offer an original score for Mauritz Stiller's rambunctious adventure-turned tragedy/morality tale of 1919.
The Mountain Goats offer an original score for Mauritz Stiller's rambunctious adventure-turned tragedy/morality tale of 1919.
Ever wonder how a literary heavyweight might critique your angst-ridden teenage poetry? In ‘Bad Writing’ filmmaker Vernon Lott hands his dusty pages over to some seasoned pros in search of honest feedback and an answer to the film’s predominant question: What’s the difference between good writing and bad? Plays at the Roxie Theater. More at roxie.com.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
Laura Lukitsch's new project asks whether we can replace car culture with biking, public transportation and high-speed rail.
Laura Lukitsch's new project asks whether we can replace car culture with biking, public transportation and high-speed rail.
Laura Lukitsch's new project asks whether we can replace car culture with biking, public transportation and high-speed rail.
This popular Oakland Museum of California exhibition is an all encompassing look at the world’s leading animation studio and includes artwork from 'Ratatouille', 'Wall E', 'Up' and 'Toy Story 3.' More at museumca.org
Federico Fellini made a name for himself with 1954’s ‘La Strada,’ which centers on the adventures of a young girl sold into the circus, and he capitalized, emboldened and underlined that name with 1969’s ‘Satyricon,’ his audacious take on Petronius Arbiter’s fragmented first-century Roman satire. More at castrotheatre.com.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
The Red Vic hosts the U.S. theatrical premiere of Michelle Esrick’s ‘Saint Misbehavin’—The Wavy Gravy Movie,’ which chronicles the rousing life and times of Wavy Gravy, the world’s most endearing hippie-clown-peace activist. More at redvicmoviehouse.com.
Veiko Õunpuu's dream-like study of a middle-aged man’s morality struggle has drawn comparisons to the work of cinema’s most notorious surrealists. ‘The Temptation of St. Tony’ is Estonia’s submission for Best Foreign Language Film at the 83rd Academy Awards. Plays at the Roxie. More at roxie.com.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Of the countless musical compositions inspired by ‘The Passion of Joan of Arc,’ Richard Einhorn’s ‘Voices of Light’ is the only one featured as an audio option on the film’s Criterion Collection release. Einhorn’s oratorio accompanies Carl Theodor Dreyer’s masterpiece live at Oakland’s Paramount Theatre. More at silentfilm.org.
Simon Rumley’s low budget Texas-set horror film tells the story of a disconnected, promiscuous young woman who finds friendship in a mysterious Iraq veteran. ‘Red White & Blue’ kicks off YBCA’s Go To Hell For The Holidays: Horror in December series. More at ybca.org.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
The former Saturday Night Live player was an essential element to some of the most memorable moments in the show’s recent history. In 2009 the actress displayed her versatility in the Sam Mendes-directed ‘Away We Go,’ costarring with John Krasinski. Maya Rudolph discusses her career as a comedienne with Bay Area broadcasting veteran Paul Lancour at Herbst Theater. More at cityarts.net.
When structuring a screenplay, sometimes you need to leave the "advice" behind.
When structuring a screenplay, sometimes you need to leave the "advice" behind.
When structuring a screenplay, sometimes you need to leave the "advice" behind.
A local drug war, an unjust court case and an ignorant police state are the antagonists to three resilient native Colombians in Nicole Karsin’s documentary-in-progress, ‘We Women Warriors.’ More at thelab.org.
Horror legend George Romero offers fundraising advice to first-timers: "Just make the movie. Don’t worry about the money."
Horror legend George Romero offers fundraising advice to first-timers: "Just make the movie. Don’t worry about the money."
Horror legend George Romero offers fundraising advice to first-timers: "Just make the movie. Don’t worry about the money."
The mutli-talented Nora Ephron is credited to some of the most beloved romantic comedies of all time and recently won praise for last year’s ‘Julie and Julia.’ The journalist/screenwriter/director/author discusses life and her latest book, ‘I Remember Nothing: and Other Reflections’ with Bay Area broadcasting veteran Paul Lancour. More at cityarts.net.
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
The story of 17th-century ninja who makes the dangerous decision to run from his own clan, ‘Kamui Gaiden’ is one of Japan’s most expensive movies in history and brings Sampei Shirato’s celebrated '70s comic to the big screen as part of The Red Lantern: Bay Area Asian Cinephiles film series. More at newpeopleworld.com.
This Roxie Theater double feature rejoices in ‘80s punk cinema with ‘Surf II,’ a sequel to a film that was never made, and the outrageous story of a young geek who seeks to destroy surfers by turning them into zombies, plus the classic ‘Times Square,’ which tells of The Sleaze Sisters, two insane asylum runaways who become heroes of New York’s disenchanted youth and features music by Talking Heads and Roxy Music. Presented by editors of the book ‘Destroy All Movies!!!: The Complete Guide to Punks on Film’ and Alamo Drafthouse programmers Zack Carlson and Bryan Connolly. More at roxie.com.
'Client 9' makes the case that Wall Street, not women, brought Eliot Spitzer down. This month commenced with the most stellar edition yet of what's become America's favorite political pasttime, a game we call Out with the (Sorta) Old, In with the (Kinda) New. Payback was especially directed at the current administration's failure to get the economy back to booming. Yet as one of the year's biggest documentaries, Charles Ferguson's Inside Job, noted, conservative politicos and their allies were very much in on the policies that got our collective piggy bank broken and looted in the first place. Though it can certainly stand on its own merits, Client 9 (which opens at local theaters this...
'Client 9' makes the case that Wall Street, not women, brought Eliot Spitzer down. This month commenced with the most stellar edition yet of what's become America's favorite political pasttime, a game we call Out with the (Sorta) Old, In with the (Kinda) New. Payback was especially directed at the current administration's failure to get the economy back to booming. Yet as one of the year's biggest documentaries, Charles Ferguson's Inside Job, noted, conservative politicos and their allies were very much in on the policies that got our collective piggy bank broken and looted in the first place. Though it can certainly stand on its own merits, Client 9 (which opens at local theaters this...
A longtime friendship grows into a film.
A longtime friendship grows into a film.
A longtime friendship grows into a film.
San Francisco Film Society celebrates Italy’s freshest film offerings in the New Italian Cinema series at Landmark’s Embarcadero Center Cinema. Films new and old from director Ferzan Ozpetek begin the weeklong festival, which focuses on a diverse group of work from some of Italy’s most gifted filmmakers, many appearing in person. Opening Night is Ozpetek’s most recent, ‘Loose Cannons,’ which precedes a party at Cigar Bar & Grill, 850 Montgomery Street. More at sffs.org.
"Following its world premiere at this year’s Toronto International Film Festival (TIFF) in September, Lynn Hershman Leeson’s '!Women Art Revolution' has been acquired by Zeitgeist Films for North American distribution," reports Nigel M. Smith. More at indiewire.com.
Laws and treaties protect artists' rights overseas and make the permissions-gathering process all the more important for filmmakers.
Laws and treaties protect artists' rights overseas and make the permissions-gathering process all the more important for filmmakers.
Laws and treaties protect artists' rights overseas and make the permissions-gathering process all the more important for filmmakers.
Writer-director Todd Solondz revisits familiar themes and characters in his latest offering, a sequel to 1998’s critically acclaimed ‘Happiness.’ In ‘Life During Wartime’ Solondz proves he is one dark comedy’s most serious players as he further dissects the struggles of the Jordan family. Plays at the Red Vic on $7 night. More at redvicmoviehouse.com.
The Pacific Film Archive’s series on film giant Carl Theodor Dreyer continues well into the month December and showcases the Danish director’s greatest achievements. Dreyer’s influence on cinema is colossal and ageless as proven in Lars Von Trier’s ‘Medea,’ which he directed for television decades after Dreyer penned the original screenplay. Dreyer’s ‘Michael’ precedes ‘Medea.’ ‘The Master of the House,’ and ‘Leaves from Satan’s Book’ also screen this weekend. More at bampfa.berkeley.edu.
San Francisco Film Society’s New Italian Cinema series wraps up this week at Landmark’s Embarcadero Center Cinema. Upcoming films include Giuseppe Capatondi’s thriller ‘The Double Hour’ and Luis Prieto’s heartfelt drama, ‘I Am Glad You Are Here’ (pictured). The Closing Night film is Paolo Virzì’s ‘The First Beautiful Thing’ with a reception at Fior d’Italia, 2237 Mason Street. More at sffs.org.
From 'Tongues Untied' to 'Black Is.....Black Ain't,' Marlon Riggs' art was a series of radical acts that were both overdue and ahead of their time. Two decades ago, in post-Reagan America, the arts were under fire—one lit by a very particular religious right match. Feeling the heat was the National Endowment for the Arts, a then 25-year-old institution already pretty pitifully funded by comparison with most other developed nations’ governmental arts support. But the small portion of NEA grants that helped avant-garde or otherwise edgy art—as opposed to, say, the local Gilbert & Sullivan society or annual craft fair—provided plenty of opportunities...
From 'Tongues Untied' to 'Black Is.....Black Ain't,' Marlon Riggs' art was a series of radical acts that were both overdue and ahead of their time. Two decades ago, in post-Reagan America, the arts were under fire—one lit by a very particular religious right match. Feeling the heat was the National Endowment for the Arts, a then 25-year-old institution already pretty pitifully funded by comparison with most other developed nations’ governmental arts support. But the small portion of NEA grants that helped avant-garde or otherwise edgy art—as opposed to, say, the local Gilbert & Sullivan society or annual craft fair—provided plenty of opportunities...
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
SFIAF's Online Screening Room gives the festival's animation another dimension.
SFIAF's Online Screening Room gives the festival's animation another dimension.
SFIAF's Online Screening Room gives the festival's animation another dimension.
San Francisco International Animation Festival: Semiconductor's Ruth Jarman and Joseph Gerhardt talk about their work in music, movies and animation. What do you call a duo that considers itself a trio? Or videomakers who call themselves sculptors? Semiconductor has been making video and installation work for over ten years. They consist of Joseph Gerhardt, Ruth Jarman and a computer. They create animations and present live music and visual shows. Everything they do is slightly inside out. The computer is more or less an antagonist in their midst. They haven’t quite broken up the band yet, because the....
San Francisco International Animation Festival: Semiconductor's Ruth Jarman and Joseph Gerhardt talk about their work in music, movies and animation. What do you call a duo that considers itself a trio? Or videomakers who call themselves sculptors? Semiconductor has been making video and installation work for over ten years. They consist of Joseph Gerhardt, Ruth Jarman and a computer. They create animations and present live music and visual shows. Everything they do is slightly inside out. The computer is more or less an antagonist in their midst. They haven’t quite broken up the band yet, because the....
Animated stories from around the world gather at Landmark’s Embarcadero Center Cinema for the fifth SFIAF. Six wide-ranging shorts programs as well as features like Brent Green’s ‘Gravity Was Everywhere Back Then’ and Sunao Katabuchi’s ‘Mai Mai Miracle’ take the screen. Four diverse animators interpret folk rock band The Decemberists’ 2009 concept album in ‘Here Come the Waves: The Hazards of Love Visualized,’ which opens the festival. Opening Night party follows the screening at La Mar Cebichería Peruana at Pier One and One-Half on the Embarcadero. More at sffs.org.
Akira Kurosawa was well into his 70s when he began shooting ‘Ran,’ the war epic that took over a year to film and was then Japan’s most expensive movie in history. The Castro Theater celebrates the 25th anniversary of Kurosawa’s 'King Lear' adaptation, which the iconic director considered his best film. More at castrotheatre.com.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.
Taking the legendary director of 'Rosemary's Baby,' 'Chinatown' and 'The Pianist' out of headlines and back to his filmmaking and geographic roots, this program pairs a live performance by Warsaw electro-acoustic duo Sza/Za with early Polanski shorts at Letterman Digital Arts Center’s Premier Theater. More at sffs.org.
Olivier Assayas’s five-and-a-half hour masterpiece about Venezuelan terrorist Carlos the Jackal continues on SFFS Screen at the Sundance Kabuki Cinemas. A 15-minute intermission divides the epic. More at sffs.org.
Olivier Assayas's five-and-a-half hour epic (with a 15-minute intermission) about Venezuelan terrorist Carlos The Jackal is being regarded as the director’s masterpiece. ‘Carlos’ plays for a week at Sundance Kabuki Cinemas. More at sffs.org.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Olivier Assayas's 'Carlos' chases after a notorious phantom. Since premiering out of competition at Cannes, nearly all the write-ups of Olivier Assayas’s Carlos have located the film amidst the post–War on Terror flurry of dramatizations of the self-styled revolutionaries of the 1960s and ’70s (e.g. Che, United Red Army, The Baader Meinhof Complex and locally produced documentary The Weather Underground). This is as it should be: it’s often noted that Assayas wrote for Cahiers du Cinéma before he became a filmmaker, but more than his other movies Carlos works as criticism. In particular, it’s clear that Assayas is having....
Olivier Assayas's 'Carlos' chases after a notorious phantom. Since premiering out of competition at Cannes, nearly all the write-ups of Olivier Assayas’s Carlos have located the film amidst the post–War on Terror flurry of dramatizations of the self-styled revolutionaries of the 1960s and ’70s (e.g. Che, United Red Army, The Baader Meinhof Complex and locally produced documentary The Weather Underground). This is as it should be: it’s often noted that Assayas wrote for Cahiers du Cinéma before he became a filmmaker, but more than his other movies Carlos works as criticism. In particular, it’s clear that Assayas is having....
SF360.org profiles the 2011 roster of Essential SF, an ongoing compendium of the film community’s vital figures and institutions.
The 35th Annual AIFF kicks off at Landmark’s Embarcadero Cinema. Armand Garnet Ruffo interweaves two stories inspired by Ojibway spiritualism in the opening night film, ‘A Windigo Tale.’ The festival also includes animation and shorts programs, as well a toy drive. More at aifisf.com.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
The Roxie Theater hosts a San Francisco Film Society special presentation: Hollywood 2.0 is a discussion with Ed Burns on the making, marketing and distributing of his new film, ‘Nice Guy Johnny,’ which screens after the event. More at sffs.org.
Former Film Arts Foundation head Gail Silva continues to catalyze the film community. It would be a simple matter to collect testimonies to Gail Silva’s extraordinary impact and influence on the Bay Area film community—and beyond—from the countless artists and novices she has counseled, coached, prodded and pushed in the last 30-plus years and counting. But an extensive public appreciation already exists, you see, in the hundreds and hundreds of films, long and short, that prominently acknowledged her contribution in the end credits. The longtime executive director of Film Arts Foundation (of blessed memory) and creative and strategic consultant for a host of individual clients, Silva is deservedly included in the inaugural class of Essential SF honorees.
Former Film Arts Foundation head Gail Silva continues to catalyze the film community. It would be a simple matter to collect testimonies to Gail Silva’s extraordinary impact and influence on the Bay Area film community—and beyond—from the countless artists and novices she has counseled, coached, prodded and pushed in the last 30-plus years and counting. But an extensive public appreciation already exists, you see, in the hundreds and hundreds of films, long and short, that prominently acknowledged her contribution in the end credits. The longtime executive director of Film Arts Foundation (of blessed memory) and creative and strategic consultant for a host of individual clients, Silva is deservedly included in the inaugural class of Essential SF honorees.
Rick Prelinger’s efforts at preserving ephemeral films have made him indispensable to the cinema of San Francisco—and the world.
Rick Prelinger’s efforts at preserving ephemeral films have made him indispensable to the cinema of San Francisco—and the world.
The SFFS fall festival of French cinema continues at Landmark’s Embarcadero Center Cinema. Abbas Kiarostami’s ‘Certified Copy,’ starring Juliet Binoche (in a role that won her a best actress prize at Cannes) closes the festival. More at sffs.org.
Poet turned novelist Nicole Krauss, whose international bestseller ‘The History of Love’ was optioned before completion as a project for Alfonso Cuaron to direct, discusses art and process with bestselling author Andrew Sean Greer. More at cityarts.net.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
'Straight to Hell Returns,' Alex Cox’s re-tweaked version of his bloody spaghetti western parody, featuring performances by Dennis Hopper, Jim Jarmusch and Courtney Love, arrives at the Roxie Theater in time to scare up some laughs on Halloween. Director Alex Cox appears in person to talk about the film's added scenes or anything else you have in mind. More at roxie.com.
Celebrations of photographer R.A. McBride’s and Julie Lindow's elegiac ‘Left in the Dark: Portraits of San Francisco Movie Theatres,' which features photographs cinemas of the past and present matched with scholarly essays on local industry themes, continue. Pacific Film Archive hosts a slide show presentation by McBride and readings by writers including Lindow, Katherine Petrin, Melinda Stone. More at bampfa.berkeley.edu.
Marc Huestis presents the '80s horror classic at the Castro Theatre with a tribute to star JoBeth Williams preceding the screening. This special event includes (of course) a live performance, and it's titled ‘Poltergayest, A Horrific Fashion Show.’ An autograph signing concludes the night’s otherworldly celebration. More at castrotheatre.com.
"Friday the 13th. On the list of Hallmark holidays, this one rarely makes the cut. But for Alamedan Victor Miller, it's the luckiest day of the year," writes Ginny Prior. "Miller wrote the terrifying screenplay for Friday the 13th back in 1980 and 30 years later, he's still hearing from fans. 'On Friday the 13th I spend the day answering e-mails," he says. "And smiling.' Just how did a guy who turned a hockey mask into a symbol of paralyzing fear end up in a sleepy island town like Alameda? To understand this, you need to know how Miller's mind works." More at InsideBayArea.com.
Katie Aselton stars in her heartfelt and humorous directorial debut as one half of a married couple struggling with fading desire. They decide that a ‘freebie,’ a guilt-free night with a stranger, may serve as a sexual reawakening and help save their relationship. More at landmarktheatres.com.
The latest finds from France's national cinema play in an SFFS showcase.
The latest finds from France's national cinema play in an SFFS showcase.
The latest finds from France's national cinema play in an SFFS showcase.
SFFS’s annual showcase of modern French filmmaking includes some of the country’s most important work from the past year, from Éléonore Faucher's 'Sisters' to Katell Quillévéré's 'Love Like Poison.' Mark Fitoussi's ‘Copacabana,’ starring Isabelle Huppert, opens the festival; it's followed by a reception at the Bubble Lounge, 714 Montgomery Street. All films play at Landmark’s Embarcadero Center Cinema. More at sffs.org.
David L. Brown explores traumatic brain injuries with 'Going the Distance.' When ABC’s Bob Woodruff and his cameraman were badly injured by an IED in Iraq in January of 2006, it was the top story for days. We may not know any of the estimated 320,000 soldiers who’ve returned home with traumatic brain injuries (TBI), but we do remember the co-anchor of World News Tonight. To his credit, he and his family created the Bob Woodruff Foundation to advocate for and raise money for veterans with head injuries, and to educate the public. Longtime Brisbane documentary maker David L. Brown was at one of those benefits, a 22-mile traverse....
David L. Brown explores traumatic brain injuries with 'Going the Distance.' When ABC’s Bob Woodruff and his cameraman were badly injured by an IED in Iraq in January of 2006, it was the top story for days. We may not know any of the estimated 320,000 soldiers who’ve returned home with traumatic brain injuries (TBI), but we do remember the co-anchor of World News Tonight. To his credit, he and his family created the Bob Woodruff Foundation to advocate for and raise money for veterans with head injuries, and to educate the public. Longtime Brisbane documentary maker David L. Brown was at one of those benefits, a 22-mile traverse....
"Ten Bay Area filmmakers got good news this month when the San Francisco Film Society and the Kenneth Rainin Foundation announced that they had narrowed their choices to a short list of contenders competing for $225,000 in cash," writes Hugh Hart. "The awards will go toward funding projects that explore civil rights, discrimination, gender and sexual identity. Winners will be named in November." More at SFGate.
With Eadweard Muybridge's motion experiments and Niles Essanay's early productions, the San Francisco Bay Area brought the silent film to life.
With Eadweard Muybridge's motion experiments and Niles Essanay's early productions, the San Francisco Bay Area brought the silent film to life.
With Eadweard Muybridge's motion experiments and Niles Essanay's early productions, the San Francisco Bay Area brought the silent film to life.
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
The San Francisco Jewish Film Festival's series "Tough Guys: Images of Jewish Gangsters In Film" concludes with Paul Sloane's 'Straight Is the Way' at Yerba Buena Center for the Arts. Franchot Tone stars as the morally conflicted Benny Horowitz, an ex-con struggling to steer clear of old accomplices as he tries to make a fresh start in New York's Lower East Side. More at ybca.org.
A pair of expert heist films top Berlin & Beyond.
A pair of expert heist films top Berlin & Beyond.
A pair of expert heist films top Berlin & Beyond.
The Berlin & Beyond Film Festival returns to the Castro with its collection of contemporary cinema from Germany, Austria and Switzerland. ‘Die Fremde’ is the centerpiece film (and Germany’s entry for Best Foreign Language Film at the 83rd Academy Awards) about a young woman living in Istanbul who, along with her son, decides to leave her abusive husband and reunite with her family in Berlin. More at berlinbeyond.com.
New stories emerge from a storied cinema nation in the second year of the Taiwan Film Days showcase.
New stories emerge from a storied cinema nation in the second year of the Taiwan Film Days showcase.
New stories emerge from a storied cinema nation in the second year of the Taiwan Film Days showcase.
Leah Mahan's 'Turkey Creek' finds a variety of disasters in Mississippi.
Leah Mahan's 'Turkey Creek' finds a variety of disasters in Mississippi.
Leah Mahan's 'Turkey Creek' finds a variety of disasters in Mississippi.
At SFFS Film Arts Forum, experts offered live advice on how to pitch a film.
At SFFS Film Arts Forum, experts offered live advice on how to pitch a film.
At SFFS Film Arts Forum, experts offered live advice on how to pitch a film.
SF Docfest continues through October 28 with its reliable blend of eccentricity and outrage. Films screening during week two include 'Trampoline' and 'Vanishing of the Bees.' More at sfindie.com.
SF Docfest continues through October 28 with its reliable blend of eccentricity and outrage. Films screening during week two include 'Trampoline' and 'Vanishing of the Bees.' More at sfindie.com.
The Arab Film Festival wraps up this weekend in Berkeley at Shattuck Cinemas. Closing Night films include ‘Every Day is a Holiday,' the story of three women in Lebanon and their very different intentions for boarding the same bus to a men’s penitentiary, and ‘Cinecitta,' about a struggling filmmaker who decides to rob a bank to fund his latest project. More at arabfilmfestival.org.
Charles Ferguson offers intel on the world financial crisis with 'Inside Job.'
Charles Ferguson offers intel on the world financial crisis with 'Inside Job.'
Charles Ferguson offers intel on the world financial crisis with 'Inside Job.'
After the discovery of a premiere release print in an Argentine film museum, a German restoration crew has pieced together the most complete version yet of Fritz Lang’s silent science fiction masterpiece. ‘Metropolis’ plays at the Smith Rafael Film Center with 25 minutes of added footage.
Yerba Buena Center for the Arts and the San Francisco Jewish Film Festival offer plenty to chew on in the series Tough Guys: Images of Jewish Gangsters in Film. Mervyn LeRoys’ ‘Little Caesar’ has Edward G. Robinson as an Italian gangster in a breakout performance. The series plays through the month of October. More at ybca.org.
Montgomery Clift's birthday brings two of his most revered performances to the Castro screen: Fred Zinnemann’s ‘From Here to Eternity,’ and Elia Kazan’s ‘Wild River.’
A critic offers not-to-be-missed entries in the ninth annual SF Docfest.
A critic offers not-to-be-missed entries in the ninth annual SF Docfest.
A critic offers not-to-be-missed entries in the ninth annual SF Docfest.
VIZ Cinema celebrates World Food Day with a screening of Yuri Yomura’s ‘Eatrip,’ a Japanese documentary exploring the detailed splendors of food preparation and, of course, consumption. A live broadcast connects Tokyo and San Francisco audiences as they say “Itadakimasu” ("I humbly receive") in unison to kick off the event. Audience members also receive an onigiri rice ball and complementary drink.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Lyes Salem’s dark comedy ‘Masquerades’ opens the Arab Film Festival at the Castro; it tells the story of Mounir, a young Algerian misfit who informs the whole town his narcoleptic sister Nim is engaged to a handsome, wealthy foreigner. The festival runs October 14–24. More at arabfilmfestival.org.
Two filmmakers examine the justice system in the U.S. post-Sept. 11.
Two filmmakers examine the justice system in the U.S. post-Sept. 11.
What to consider when you're considering hiring a producer.
What to consider when you're considering hiring a producer.
What to consider when you're considering hiring a producer.
Journalist Thet Sambath’s family was among an estimated two million executed during the Khmer Rouge’s rule of Cambodia. ‘Enemies of the People’ documents Sambath’s journey to discover the truth as he obtains graphic confessions from a wide range of murderers, including ‘Brother Number Two’ Nuon Chen, Pol Pot’s deputy between 1975 and 1979. Codirector Rob Lemkin appears in person at the Balboa Theater. (Screenings continue at UC Berkeley October 12 the Grand Lake October 13. More at enemiesofthepeoplemovie.com.)
Space Gallery hosts the official release of ‘Left in the Dark: Portraits of San Francisco Movie Theatres’ featuring over 50 full color photographs by R.A. McBride, who was granted access to many of the city’s vanished venues as well as its cinema survivors. Events continue all month, all over, from City Lights to Pacific Film Archive to the Exploratorium. More at leftinthedark.info.
A film about the legendary band Fishbone brings California's past 25 years into close relief.
A film about the legendary band Fishbone brings California's past 25 years into close relief.
A film about the legendary band Fishbone brings California's past 25 years into close relief.
VIZ Cinema hosts the U.S. premiere of this highly anticipated racing animation film the same day it opens in Japan. Five years in the making, ‘Redline’ is a collaboration between the creators of the 'Kill Bill Vol. 1' animation segments and 'The Animatrix.'
Peter Meaney’s thorough documentary focuses on the eccentric and prolific Scottish comic book writer Grant Morrison, with insight from several of Morrison’s closest collaborators including Phil Jimenez, Frank Quitely, and Jill Thompson. ‘Talking With Gods’ plays at the Roxie Theater.
The Bay Area's best first-person documentaries take us through a lens, darkly.
The Bay Area's best first-person documentaries take us through a lens, darkly.
The Bay Area's best first-person documentaries take us through a lens, darkly.
Free jazz pianist Cecil Taylor is captured in performance and interviewed in Christopher Felver’s documentary ‘Cecil Taylor: All the Notes’. A discussion between Felver and California Poet Laureate Al Young follows the screening at the Smith Rafael Film Center.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Litquake lights up the Embarcadero Center Cinema all day Sunday and features not only 'Dante's Inferno' and 'Ghost World,' but also SF360.org-moderated discussions for 'Red Poet' (director Matthew Furey and poet Jack Hirschman, left, with Michael Fox) and 'The Practice of the Wild' (producer Will Hearst and Jack Shoemaker with Robert Avila).
This year's free outdoor screening in the Presidio marks a return to '50s sci-fi classics with Jack Arnold's 'The Incredible Shrinking Man,' the story of a businessman who after being exposed to a strange poisonous mist grows smaller and smaller. Disney short 'The Skeleton Dance' is the warm-up.
Friends, enemies, Facebook: 'The Social Network' dramatizes the making of a Web phenomenon.
Friends, enemies, Facebook: 'The Social Network' dramatizes the making of a Web phenomenon.
Friends, enemies, Facebook: 'The Social Network' dramatizes the making of a Web phenomenon.
MacArthur "genius" grant recipient (2008) Will Allen is featured in this documentary about the building a healthier American food system, which also features 'Omnivore's Dilemma' author Michael Pollan. Director Ana Joanes will be present for an opening night Q&A at the San Francisco premiere of the film at the Red Vic Movie House.
The latest Deborah Scranton film takes another look at the Rwandan genocide.
The latest Deborah Scranton film takes another look at the Rwandan genocide.
The latest Deborah Scranton film takes another look at the Rwandan genocide.
A special screening of Deborah Scranton'’s searing documentary about two Rwandan genocide survivors' quest for truth features a Phil Bronstein–moderated panel discussion with director Scranton; Robert Rosenthal, executive director of the Center for Investigative Reporting; and Mathilde Mukantabana, president of Friends of Rwanda, at Landmark's Embarcadero Center Cinema.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
San Francisco narrative filmmakers offer nuanced visions of their city.
San Francisco narrative filmmakers offer nuanced visions of their city.
San Francisco narrative filmmakers offer nuanced visions of their city.
Three decades of Robert Gardner films scrutinize the human condition.
Three decades of Robert Gardner films scrutinize the human condition.
Three decades of Robert Gardner films scrutinize the human condition.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
'Howl' filmmakers Rob Epstein and Jeffrey Friedman will host a Q&A and present the San Francisco opening of their new film at the Sundance Kabuki.
After seeing one of Charles Ludlam's early plays, theater critic Brendan Gill famously remarked, "This isn't farce. This isn't absurd. This is absolutely ridiculous!" Yerba Buena Center for the Arts presents two of Ludlam's rarely seen films: a digitally remastered version of 'The Sorrows of Dolores' (September 24–25) and 'The Impostors' (September 26), where Ludlam stars as a gay magician.
Rob Epstein and Jeffrey Friedman offer insight into the making of 'Howl,' a movie about a poem and a time.
Rob Epstein and Jeffrey Friedman offer insight into the making of 'Howl,' a movie about a poem and a time.
The San Francisco Irish Film Festival offers Roxie audiences three days of contemporary Irish cinema, including features, documentaries and short films paired with free pints of Irish cider. Closing night film 'His & Hers' won the Cinematography Award at Sundance 2010.
Judy Irving goes from parrots to pelicans with her new documentary.
Judy Irving goes from parrots to pelicans with her new documentary.
The creator of award-winning documentary 'Last Train Home' speaks about the new China.
The creator of award-winning documentary 'Last Train Home' speaks about the new China.
The creator of award-winning documentary 'Last Train Home' speaks about the new China.
A series at the Roxie mines the fault lines in Robert Altman's varied oeuvre.
A series at the Roxie mines the fault lines in Robert Altman's varied oeuvre.
A series at the Roxie mines the fault lines in Robert Altman's varied oeuvre.
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
There's no better better place to see 'The Parking Lot Movie,' about the physical-spiritual life of an attended lot, than in . . . a parking lot! ITVS offers this unique opportunity at the Good Hotel parking lot, Seventh and Minna, SF, at 7:00 pm, to celebrate the global Park(ing) Day (where metered spaces are turned into art worldwide) and to launch the ninth season of the Independent Lens series on PBS. Find out more at www.itvs.org.
A festival transforms itself and transports audiences with a visionary new theater.
A festival transforms itself and transports audiences with a visionary new theater.
A festival transforms itself and transports audiences with a visionary new theater.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A Bay Area filmmaker's trip to Africa cemented her "bond with Facebook and created a new way for human rights activists to spread the word--while promoting the social networking site's month-old streaming video channel," writes Alex Ben Block. More at Canada.com.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
A new film/photography website offers compelling characters, bold artistry and innovative storylines.
A new film/photography website offers compelling characters, bold artistry and innovative storylines.
A new film/photography website offers compelling characters, bold artistry and innovative storylines.
SF Chronicle: "Masashi Niwano, who most recently was executive director of the Austin Asian American Film Festival in Austin, Texas, has been named festival and exhibitions director for the San Francisco International Asian American Festival." More at SFGate.
A look at Phil Spector brings back memories, if not that loving feeling.
A look at Phil Spector brings back memories, if not that loving feeling.
'Change of Plans' charts an eventful year in the lives of a dozen or so disparate Parisians.
'Change of Plans' charts an eventful year in the lives of a dozen or so disparate Parisians.
'Change of Plans' charts an eventful year in the lives of a dozen or so disparate Parisians.
'Change of Plans' charts an eventful year in the lives of a dozen or so disparate Parisians.
A filmmaker shows environmentalists who are changing the way we as Americans relate to nature.
A filmmaker shows environmentalists who are changing the way we as Americans relate to nature.
A filmmaker shows environmentalists who are changing the way we as Americans relate to nature.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
A Greek film incriminates the viewer.
A Greek film incriminates the viewer.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
Amir Bar-Lev follows a family's continuing fight in 'The Tillman Story.'
Amir Bar-Lev follows a family's continuing fight in 'The Tillman Story.'
Amir Bar-Lev follows a family's continuing fight in 'The Tillman Story.'
The Pacific Film Archive has dusted off a collection of rarely seen shorts from its new film vault; the kaleidoscopic collection full of "grain, color and noise" displays on a summer evening, outdoors, at a free screening on Friday, August 27.
Three vampire films capture more than the imagination. That the vogue for vampire melodramas may have run its course is clear enough from the appearance of Vampires Suck (in theaters as of this writing, though not likely much past it) and the news that the American redo of the 2008 Swedish indie hit, Let the Right One In, will be titled "Let Me In." Just like that, a lovely slice of pop-baroque gets reprocessed as a pathetic whine. No matter: as long there is cinema, the vampire will reemerge. Ever since the twin pinnacles of Nosferatu (1922) and Vampyr (1932), in which two of early cinema’s. . .
Three vampire films capture more than the imagination. That the vogue for vampire melodramas may have run its course is clear enough from the appearance of Vampires Suck (in theaters as of this writing, though not likely much past it) and the news that the American redo of the 2008 Swedish indie hit, Let the Right One In, will be titled "Let Me In." Just like that, a lovely slice of pop-baroque gets reprocessed as a pathetic whine. No matter: as long there is cinema, the vampire will reemerge. Ever since the twin pinnacles of Nosferatu (1922) and Vampyr (1932), in which two of early cinema’s. . .
Rare vampire films, including Kathryn Bigelow's Near Dark and Carl Dreyer's unsettling Vampyr, come out of the dark for a weekend at the Yerba Buena Center for the Arts.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
The Clay theater in San Francisco's Pacific Heights became the latest neighborhood movie theater to announce it would go dark. Wednesday's KQED Forum offered multiple takes on the fight to save the city's remaining historic single-screen theaters; listen to the podcast here.
Who's to say if it's a story problem or an audience problem?
Who's to say if it's a story problem or an audience problem?
Who's to say if it's a story problem or an audience problem?
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
SF Chronicle: "One of San Francisco's oldest movie houses plans to shut the lights for good this month. Landmark Theatres will walk away from the Clay on Sunday, leaving the Pacific Heights neighborhood without its single-screen theater. More at SFGate.
'Army of Crime’s' portraits in heroism remain admirably restrained, unlike so many Resistance fantasies.
'Army of Crime’s' portraits in heroism remain admirably restrained, unlike so many Resistance fantasies.
'Army of Crime’s' portraits in heroism remain admirably restrained, unlike so many Resistance fantasies.
SFFS Screen presents Robert Guédiguian’s 'Army of Crime,' a historical drama that follows a cell of Jewish and communist resistance fighters led by French Armenian poet Missak Manouchian and his wife Mélinée.
The pairing of 'Invasion of the Body Snatchers' and 'The Creeping Unknown'–the first of many double features with a "decidedly bent perspective on the human condition"– kicks off the Roxie's genre-busting series Not Necessarily Noir.
Elliot Lavine speaks of noir, noirishness, and the series of potent, paranoid, and often genre-busting classics he brings to the Roxie.
Elliot Lavine speaks of noir, noirishness, and the series of potent, paranoid, and often genre-busting classics he brings to the Roxie.
Elliot Lavine speaks of noir, noirishness, and the series of potent, paranoid, and often genre-busting classics he brings to the Roxie.
Drawing from reality, and yoga practice, an independent production team catalogues childhood's end.
Drawing from reality, and yoga practice, an independent production team catalogues childhood's end.
A filmmaker offers a script excerpt in appreciation of Jules Laforgue on the 150th anniversary of his birth.
A filmmaker offers a script excerpt in appreciation of Jules Laforgue on the 150th anniversary of his birth.
A filmmaker offers a script excerpt in appreciation of Jules Laforgue on the 150th anniversary of his birth.
Johnnie To delivers on his trademark themes with 'Vengeance.'
Johnnie To delivers on his trademark themes with 'Vengeance.'
Johnnie To delivers on his trademark themes with 'Vengeance.'
Run, walk, bike, or bus to Sausalito for a festival filled with environmental (and other) surprises. The Sausalito Film Festival at Cavallo Point offers an impressive natural/urban backdrop to complement the worlds on view inside its theaters. Situated in the less-crowded film festival calendar space of August, it offers residents of the Bay Area ample room for their eyes to roam, with gorgeous vistas to greet those coming and going from its two restored theaters, the Mission Blue and Callippe. (Cavallo Point, a backdrop for the 22nd century in Star Trek: Enterprise, also provides a view of the San Francisco that will never get old.)
Run, walk, bike, or bus to Sausalito for a festival filled with environmental (and other) surprises. The Sausalito Film Festival at Cavallo Point offers an impressive natural/urban backdrop to complement the worlds on view inside its theaters. Situated in the less-crowded film festival calendar space of August, it offers residents of the Bay Area ample room for their eyes to roam, with gorgeous vistas to greet those coming and going from its two restored theaters, the Mission Blue and Callippe. (Cavallo Point, a backdrop for the 22nd century in Star Trek: Enterprise, also provides a view of the San Francisco that will never get old.)
Chronicle of a Death Foretold screens at the Pacific Film Archive as part of the Modernist Masters series on August 12. Gabriel García Marquez' novella, which unfolds around uncertain crimes of passion, is faithfully adapted by Francesco Rosi, who focuses on his own recurring theme, motives behind violence.
H.P. Mendoza (Colma: The Musical) has redirected his interests from the Peninsula to San Francisco with his latest, and we couldn't be happier: The cast from Fruit Fly, about a Filipina woman who arrives in the city and moves into a Mission District Artists’ commune, will be on stage for a Q & A at the Castro Theatre on Wednesday, August 11, at 8:30 p.m.
The director of Life During Wartime speaks about fear, loathing, and emotional truth.
The director of Life During Wartime speaks about fear, loathing, and emotional truth.
Think summer's almost over? In the Bay Area, think again: Outdoor screenings are just getting started.
Think summer's almost over? In the Bay Area, think again: Outdoor screenings are just getting started.
Think summer's almost over? In the Bay Area, think again: Outdoor screenings are just getting started.
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
Director Ben Steinbauer and Bay Area-based producer Malcolm Pullinger talk about anger, RVs, and "going viral" with their new film.
Director Ben Steinbauer and Bay Area-based producer Malcolm Pullinger talk about anger, RVs, and "going viral" with their new film.
Director Ben Steinbauer and Bay Area-based producer Malcolm Pullinger talk about anger, RVs, and "going viral" with their new film.
The Pacific Film Archive's Criminal Minds series offers a liberating mix of asocial outlaws and sordid stories based on the ripped-from-the-headlines exploits of real-life gangsters and killers.
The Pacific Film Archive's Criminal Minds series offers a liberating mix of asocial outlaws and sordid stories based on the ripped-from-the-headlines exploits of real-life gangsters and killers.
Three Bay Area documentaries correct the historical record.
Three Bay Area documentaries correct the historical record.
Bob Ray brings his Down & Dirty Austin Film Tour to the Bay Area. And you can't stop him.
Bob Ray brings his Down & Dirty Austin Film Tour to the Bay Area. And you can't stop him.
"The nominees for the 31st Annual News and Documentary Emmy Awards were announced today and ITVS programs received an impressive six nominations," reports Beyond the Box.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
The San Francisco Jewish Film Festival finds fans beyond its identity-based target audience with a wide array of international films and topics.
The San Francisco Jewish Film Festival finds fans beyond its identity-based target audience with a wide array of international films and topics.
Tom Shepard and Andy Abrahams Wilson are redefining activist filmmaking with educational films, such as their documentary on the National AIDS Memorial Grove in Golden Gate Park.
Tom Shepard and Andy Abrahams Wilson are redefining activist filmmaking with educational films, such as their documentary on the National AIDS Memorial Grove in Golden Gate Park.
Tom Shepard and Andy Abrahams Wilson are redefining activist filmmaking with educational films, such as their documentary on the National AIDS Memorial Grove in Golden Gate Park.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
Deborah Koons Garcia's latest film explores the mystery and complexities of one of the earth's most valuable resources.
Deborah Koons Garcia's latest film explores the mystery and complexities of one of the earth's most valuable resources.
No matter what kind of film you’re making, eventually all filmmakers encounter the common legal problem of filming in a crowd.
No matter what kind of film you’re making, eventually all filmmakers encounter the common legal problem of filming in a crowd.
Charlotte Buchen’s Bay Area Street Portraits take us on a ride with the everyday bicycling citizen of Berkeley and Oakland.
Charlotte Buchen’s Bay Area Street Portraits take us on a ride with the everyday bicycling citizen of Berkeley and Oakland.
Resnais remains elusive and detached, his films beautiful abstracts of intellectual rather than emotional impact.
Resnais remains elusive and detached, his films beautiful abstracts of intellectual rather than emotional impact.
Tamara Perkins' The Trust is intended to provide a rare lens into the lives of incarcerated men and their families.
Tamara Perkins' The Trust is intended to provide a rare lens into the lives of incarcerated men and their families.
Choosing and implementing the right motif can help convey a narrative documentary's theme.
Now…what exactly is a motif? And why would you want to edit one into a documentary film?
During one of my recent group coaching calls, we addressed these questions. . . .
Maren Ade’s second feature is striking for what it doesn't do as it follows ordinary lives through a failing relationship.
Maren Ade’s second feature is striking for what it doesn't do as it follows ordinary lives through a failing relationship.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
East Bay filmmaker Kristy Guevara-Flanagan muscles her way through her new documentary feature, The History of the Universe as Told by Wonder Woman.
East Bay filmmaker Kristy Guevara-Flanagan muscles her way through her new documentary feature, The History of the Universe as Told by Wonder Woman.
Hirokazu Kore-eda's Air Doll is a conceptual gamble pulled off with a master’s grace and subtlety.
Hirokazu Kore-eda's Air Doll is a conceptual gamble pulled off with a master’s grace and subtlety.
Critical consensus on Frameline34 marks it a good year. The audience wanted something different, and the festival has largely obliged.
Frameline34 brought together a wide array of programs following the retrospective impulse.
Scott Boswell’s marvelous debut feature, The Stranger In Us, plays out on Polk Street and in the Tenderloin, far from the oft-photographed glamour spots of San Francisco.
Frameline34 takes a fresh look at Andy Warhol's world while offering a view to the world of international LGBT cinema 2010.
The makers of Joan Rivers: A Piece of Work speak about their latest, as well as the state of documentary filmmaking.
Making a film called Stagecoach in the Sky as part of the 48 Hour Film Project requires planning, as well as a flying boat.
Screens are getting smaller. From the cineplex to TV to the computer or iPhone screen, surfaces have shrunk but creativity and resourcefulness have expanded.
With a new book, gallery exhibition, appearances on local radio and stages, John Waters is quickly becoming a Bay Area fixture, a welcome addition to the film and cultural landscape.
Charles Koppelman's documentary in progress, Zero Day, exposes each of three threats to the Internet: cybercrime, cyberespionage and cyberwarfare.
Ondine finds Neil Jordan back on personal terra firma with a story (his own, in conception and screenplay) that sits exactly on the thin line separating reality and fantasy.
What s the difference between streaming and download rights? Here s a glossary of terms filmmakers should know before signing a contract or hiring a web developer.
San Francisco-based video production company recognized for work for Adobe Systems and Izze Sparkling Juice.
San Francisco filmmaker Jon Bowden brings a second comic feature, The Full Picture, to screens.
By any measure, the long-awaited release of Have You Heard from Johannesburg? shapes up to be one of the major documentary events of 2010.
For many, the mother of all brain-scrambling cinematic boondoggles is Troll 2; a documentary takes stock of the phenomenal success of this epic failure.
Maria Breaux, deep in the heart of production on Mother Country talks about politics, process and her existential road movie.
Moving past genre distinctions may help some filmmakers find the best dramatic arc and the most powerful truths.
It s not a laugh-out-loud film, but Looking for Eric can be considered a comedy…in comparison to just about any other Ken Loach movie you could name.
A literary adaptation filled with first-class actors in sumptuous settings, City doesn't fall too far from the familiar Merchant-Ivory tree.
Frameliine 34 presents a Beat movement mini-theme and 10 gay-themed films from South America.
Bay Area filmmakers report back from film festivals far (Cannes) and wide (Marfa).
Former San Franciscan Jack Stevenson returns from Denmark to promote the U.S. publication of Scandinavian Blue: The Erotic Cinema of Sweden and Denmark in the 1960s and 1970s.
William Shatner has survived as a unique sort of elder showbiz statesman, one who is willing to be the butt of jokes because he is in on them.
From chilling to dangerous to horrendous, local reactions to Judge Lewis A. Kaplan s ruling in favor of Chevron in New York on May 6 ran an unsurprisingly narrow gamut.
A letter from Iranian filmmaker Abbas Kiarostami speaks out against Ministry of Guidance and Islamic Cutlure and in solidarity with detained director Jafar Panahi.
Laura Poitras speaks during SFIFF53 about the process of creating The Oath from the stories of Osama Bin Laden's former bodyguard and driver.
A Federal Judge has ordered documentary producer and director Joe Berlinger to turn over to Chevron 600 hours of footage used to create Crude: The Real Price of Oil.
Gary Hustwit s Helvetica turned a font into a fascination, and Justine Nagan's Typeface takes the topic of type one step further by moving into the past.
Today s fun fact: San Francisco has more nail salons per capita than any city in the country.
I sat down for a chat with Festival Director and cofounder Carlton Evans, Art Director Rebecca Bortman, and Jessica Meek, project coordinator for a fest sponsor.
If you re making a short narrative, foundations give you no respect. Financiers turn a cold shoulder. Government grantors snort. And festivals slot your film Sunday at midnight.
Bruce Conner, the sculptor, painter, photographer and filmmaker who loomed large in the Bay Area's shifting avant-garde currents for 50 years, resurfaces with Three Screen Ray.
Documentary film footage is caught in the middle of a court battle between Chevron and Ecuadorian plaintiffs over pollution of the Amazon rain forest.
Almost $300,000 was given out Wednesday night for awards and grants honoring documentary winners.
We caught up with several Bay Area makers, fresh off their high-energy screenings at SFIFF53 and primed to keep the momentum rolling.
Cash prizes totaling nearly $300,000 for filmmakers highlighted the San Francisco International Film Festival s Golden Gate Awards Wednesday night.
Films about our species enduring capacity to be inhumane toward its own are perennials at festivals, and will be so as long as wars are waged.
Judging from Saturday night s festivities, half the capacity Castro Theatre audience had worked on or otherwise invested in Joshua Grannell a.k.a. Peaches Christ s debut feature.
The documentary Simonal: No One Knows How Tough it Was explores the polemic surrounding a man considered by many to be the greatest singer in Brazilian history.
Poet, essayist, environmentalist, Buddhist, public intellectual and teacher Gary Snyder speaks on life and the making of 'The Practice of the Wild.'
Poet, essayist, environmentalist, Buddhist, public intellectual and teacher Gary Snyder speaks on life and the making of 'The Practice of the Wild.'
Along with selfless sacrifices and random luck, low-budget independent films often depend on the timely intervention of an angel.
San Francisco itself took a lead role at Film Society Awards Night, the dinner and awards program benefiting the Film Society s year-round Youth Education initiative.
Through most of its history, the Festival has featured revivals of restored classics and little-known gems. This year s selections run an unusually wide gamut.
Leland Orser saw his first movie at the Alexandria, and Joshua Grannell initially established himself as a S.F. character via his alter ego Peaches Christ.
Live & Onstage thought globally and drafted locally with Sam Green and musician Dave Cerf s live Utopia in Four Movements, which never takes the exact same form.
If there's a sure-fire crowd-pleaser in this year's San Francisco International Film Festival, it s Roberto Hernandez and Geoffrey Smith's Presumed Guilty.
You are awesome. Spectacular, incredible, interesting, accomplished and generally just way awesome. Everyone wants to hear every possible thing there is to know about you.
To be from the Bay Area and called The Butcher Brothers might mean you get mixed up with purveyors of grass fed meats.
Writer Jim Harrison offers thoughts about his relationship to Gary Snyder and his contributions to 'The Practice of the Wild.'
Writer Jim Harrison offers thoughts about his relationship to Gary Snyder and his contributions to 'The Practice of the Wild.'
How many foreign stars do U.S. moviegoers know? Not many, alas. My favorite living French actor, André Dussollier, appears prominently in two high-profile festival films.
The Statton era has begun. Kate and Chris Statton have officially assumed the positions of co-executive directors of the venerable Mission District cinema.
Bay Area-made and Mission-inspired, Peter Bratt's La Mission joins Jennifer Kroot's wild and woolly It Came from Kuchar in Bay Area theaters this week.
If you imagine the S.F. International Film Festival as an circus tent, with Opening and Closing nights the main supports, the other tent poles are interactive live experiences.
From Michael Powell to Carlos Saura to Sally Potter, a stratum of directors has progressively reimagined the relationship between dance and film.
First-time filmmaker Christina Yao is soft-spoken and exceedingly polite, but it s apparent that very little intimidates her.
Inuit peoples—the indigenous cultures rooted in Arctic regions from Alaska to Greenland—have an honored place in film history, dating to Flaherty's Nanook of the North.
When television first became a dire threat, Hollywood fought the small screen by making the big one really big with vast spectacles worth leaving home for.
Beware of Save the Day My Way Syndrome. Now, learn from your mistakes.
With opening night approaching, Rachel Rosen talked about her L.A. Rolodex, the function of festivals in a broadband world and her favorites in the festival.
With opening night approaching, Rachel Rosen talked about her L.A. Rolodex, the function of festivals in a broadband world and her favorites in the festival.
Pedestrians have always propelled cinema narratives, but the bicycle has rarely had a starring role.
One of the oldest points of contention in documentary is whether the camera s presence alters the subject s behavior.
San Francisco has a variety of excellent soundstages, but one is trying to save the earth.
YBCA s month-long, six-part Human Rights and Film series closes with two documentaries on the Arab-Israeli conflict made 35 years apart.
There's so much about this product called milk that we think we know everything about, declares Jed Riffe with his usual blend of enthusiasm and amazement.
When a child assumes center stage on film, the potential for both thematic richness and unexpected plot directions increases exponentially.
Think of U.S. public television and science fiction or any type of fiction doesn't spring to mind. ITVS aims to change that perception with a series of mini-features.
A theme that emerged in this year s SFIAFF was the importance of archives in the film world.
One of the heroes of South Korean cinema's recent renaissance wisely sticks to home terrain with his follow-up to The Host.
The culture war is over, and the reactionaries have won. In this climate, Jerome Hiler and Owsley Brown III s Music Makes a City is a revelation,
Muayad Alayan, a 24-year-old filmmaker from the only remaining Arab neighborhood in West Jerusalem, was not even aware there was such a thing as Palestinian cinema until, as a teenager, he came to the Bay Area to visit his brother and sister.
Deann Borshay Liem's 1999 doc First Person Plural recounted her experience as an orphaned Korean adoptee raised in an East Bay suburb.
The Center for Asian American Media, formerly known as NAATA and founded to nurture Asian American filmmakers as well as counter ethnic stereotypes, has accomplished that and more.
S. Leo Chiang knew what it was like to be an outsider in the U.S., so the rebellion of Vietnamese residents in New Orleans was an ideal subject.
There will probably never be a theatrical release for James Benning's landscape movies. Amazingly, Ilisa Barbash and Lucien Castaing-Taylor have scored distribution and made a splash.
Cementing its status as the preeminent animation company of the 00s, Pixar won the Oscar for Best Animated Feature for the third time in seven years.
William Hurt didn't fulfill the promise of major stardom in the 80s, but it's become clearer that he probably didn't want that.
If Kimberly Reed took a not particularly unique path into filmmaking, she certainly took an interesting road out of it.
When Laos revised its visa structure to allow visitors to stay for more than one week, Westerners with digital cameras surged over the border.
I've asked people for all kinds of money for all kinds of reasons. Whether I'm asking for $1,000 or $100,000, I've found some key concepts rule.
From his modest start as a staff writer at 20th Century Fox, Sid Ganis has built an uncommonly long and successful career in Hollywood.
The moving arrow anoints a new hot spot of contemporary cinema every few years, and then moves on. Yet Germany never makes the cool list.
Injured in a crash on the Golden Gate Bridge, Dr. Grace Dammann spent 45 days in a coma and 13 months in the hospital.
People are fascinated by the lives of others. But can someone make a doc, biopic, historical or narrative film about a famous person without their permission?
Wasn't it just yesterday that Cinequest was the scrappy upstart amongst Bay Area festivals? Apparently not: San Jose's annual cinematic blowout is entering its third decade.
With its comfortable suburban setting, flashback structure and mystery-suspense framework, My Son, My Son is, by Herzogian standards, almost mainstream-conventional. I said almost.
YBCA has sustained a major place in S.F.'s cultural landscape without receiving the due it would have had its mission been narrower and more easily defined.
Transformation, of any kind, an ephemeral, elusive thing to capture on film. One advisor told Nancy Kelly she'd never do it. Difficult, sure, but impossible?
Last month's nominations announcement was anticipated with unusual interest, largely because the Academy reverted to ten Best Picture nominees, a practice abandoned in 1943.
The Oscar nomination for The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers is a validation of the doc's right-now relevance.
Steve Buscemi is one of those actors people are instantly happy to see on screen, even if their recall stretches no farther than, Hey, it's that guy!
The spring edition of the Cinematheque calendar is making the rounds, and my copy is dog-eared with wishful thinking. Grab your datebook for a rundown.
Olga Samaroff, the path-breaking 20th-century concert pianist, critic and teacher, was born Lucy Hickenlooper in San Antonio, Texas. That's right, she reinvented herself.
How long should your documentary be? If your audience begins to glaze over or feel restless, you've lost the opportunity to leave them wanting more.
The film historian looks back at Frank Stauffacher's seminal mid-century series, which hatched a Bay Area avant-garde.
Tragically underrepresented in the Bay Area's densely packed world of globally oriented film festivals is the land(s) of our erstwhile colonial rulers!
It s a strange time for independent film, with scaled-back specialty divisions and online self-distribution, but SF Indiefest remains a champion of the unsung and un-buzzable.
In the YouTube-Facebook-viral video era, it's hard to remember the time when youth-made media was rare.
Films with Bay Area connections featured prominently in the 82nd Academy Award nominations announced yesterday.
I found Sam Green deep in preparation, but he found time to walk me through the greatest dreams and worst nightmares of the 20th century.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Writer-director Andrea Arnold created a stir with her first feature Red Road, but her new film is arguably an even stronger work.
You might fare better in today's market with a character-driven story, the Doc Doctor advises.
As soon as the silent era hit sound circa 1927, musicals became a leading genre worldwide. How could their appeal possibly die out?
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
The harsh glare of the spotlight that brought Howl mixed reviews from critics on opening night of Sundance had melted into a warm glow by Saturday.
Stephen Talbot left PBS s Frontline World to create and develop original media properties, including a globe-trotting TV series about world music.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
The Butcher Brothers The Violent Kind is a nightmare-with-bikers-in-the-woods fantasy shot in Petaluma and Cotati, and it fits their collaborative moniker.
In late January, many tune their radar to the snowy, showy glare of Sundance. With Noir City here, the stay-at-homes are the luckier ones.
The late, great Jack Smith was all about the strange sway classic Hollywood movies, particularly obscure stars and low-budget yet opulent art direction, have had on us.
"I wish gay cinema would die", Joe Graham declares. It s not queer movies the San Francisco filmmaker hates, but categories and pigeonholing.
Riding the crest of the Tati tsunami hitting our shores is The Magnificent Tati by Michael House, who lived in S.F. for 12 years before moving to Paris.
Riding the crest of the Tati tsunami hitting our shores is The Magnificent Tati by Michael House, who lived in S.F. for 12 years before moving to Paris.
In Michael Haneke's masterful film, everyone lives in fear and suspicion.
You could make a case for Tati as the last great silent comedian even if he didn't begin making features until two decades into the sound era.
By any measure, the long-awaited release of Have You Heard from Johannesburg? shapes up to be one of the major documentary events of 2010.
Seems like every filmmaker I know is ready to party! Everyone s throwing fundraising events for their films. So many babes in the party-planning woods.
Jennifer Phang has experienced more than enough culture shocks in her life to empathize with the identity challenges of the characters in her debut feature.
Geralyn Pezanoski s doc about the separation and occasional reunion of pets and owners in post-Katrina New Orleans beat the shelf-life odds.
Nani Sahra Walker went to Nepal for seven months, and returned with a one-hour documentary. OK, a rough cut. No big deal? Enlightenment guaranteed, indeed.
The thing about titles is they re too short to receive copyright protection. For copyright purposes, a title is like a label of a copyrighted work.
With more than 25 documentaries to his credit, many on mathematicians and scientists, George Csicsery is arguably the most prolific filmmaker in the Bay Area.
The silver lining to a decade that saw traditional critics in conventional media dwindle? The explosion of socially networked citizen critics.
While the U.S. moved from rebuilding decimated skyscrapers to the rebuilding of an entire economy, film moved from the multiplex to the mailbox to the mobile.
For handy access to your most valuable footage, here s a method of organizing sequences.
Not surprisingly, Bay Area critics, fans, exhibitors and filmmakers did not arrive at a consensus on the best films of the decade.
It was a big year for 3D, but Bay Area critics and film-industry folk found many other dimensions in the cinema of 2009.
The release of Avatar puts a fitting capstone on a frenzied campaign by studios to reintroduce stereoscopic 3-D to audiences in 2009.
On Sept. 13, 2001, I stood in a Toronto park and spoke to Canadian television: Movies wouldn't be the same. I was wrong.
Michael Fox shows independent filmmakers who are thriving in the Bay Area.
Claire Denis proves her unpredictability and versatility as a director with the 2008 release 35 Shots of Rum.
Shannon and Ryan own the screen in the contemporary indie noir The Missing Person.
Filmmakers Justine Jacob And Alex da Silva release the documentary Ready, Set, Bag!, which follows competitive grocery baggers from across the country.
David Thomson's new book commemorates the golden anniversary of Hitchcock's "Psycho."
Dennis Harvey weighs in on the upcoming films of the holiday season.
Highlights from the 2009 San Francisco Silent Film Festival winter event.
Kristine Enea's documentary shows The EcoCenter, a San Francisco environmental educational facility that treats and recycles wastewater and generates its own solar power.
The 6th Screen: Hannah Eaves compiles some questions about "convergence", the increasingly popular practice of combining television and computer usage.
Catherine Galasso talks about her performance piece Lightning Never Strikes the Same Place Twice, which features dance, theater and projected video.
Frederick Wiseman documents the frantic routine of choreographers for the Paris Opera Ballet as Frazer Bradshaw gives a more familiar portrayal of workplace satisfaction.
The San Francisco Museum of Modern Art honors the 40th anniversary of The Cockettes with a one-night-only program.
The Edit Room: Karen Everett shares tips on how to track multiple versions of Final Cut Pro projects and sequences.
Marin County filmmaker John Antonelli talks about his documentary on influential late singer-songwriter Sam Cooke for PBS's "American Masters" series.
In town for the premiere of Wasteland Utopias, the artist, curator and administrative director of Canyon Cinema gives us the scoop on Wilhelm Reich and other shadowy figures.
Dennis Harvey weighs in on the upcoming films of the holiday season.
The scoop on the projects of the inaugural class for the SFFS/Kenneth Rainin Foundation Filmmaking Grants, which support lively, intelligent social-issue narrative films.
Ask the Documentary Doctor: The Doc examines patience in filmmaking.
Susan Gerhard caught up with the director of an Oakland-shot domestic drama whose first-time feature was chosen for Sundance.
Reminiscent of Marcel Ophuls' fearless provocations in Hotel Terminus (1988), Yoav Shamir breaks every rule of polite documentary filmmaking in Defamation.
Two films from Oakland filmmakers, Dhana & Indra and Family 2469, illuminate the changing face of the country as the 21st Century unfolds.
Writer/director Carmen Madden's writing reflects just how intimately she comes to see and know a screenplay's world and the characters that inhabit it.
Boston Phoenix film critic Gerald Peary's film tours the rise, fall and reorientation of film criticism in the United States.
Boston Phoenix film critic Gerald Peary's film tours the rise, fall and reorientation of film criticism in the United States.
This little no-budget film has picked up a slew of festival prizes for its character depth, unpredictable storytelling, humor and warmth.
The 13th New Italian Cinema festival finds the political and personal mixing more frequently than you'd find in any assortment of U.S. narrative films.
Shot in depressed burgs and 'burbs across the country, this documentary looks at the U.S. at its lowest economic ebb in generations.
Here are a few ways to both entice and reward your donors, as well as some tips for thanking them when all's said and done.
A conversation on Walt Disney's Alice Comedies with a lively raconteur and Professor of Film Studies at UC Berkeley.
The PFA is offering a rare overview of Bergman's European films in the series, A Woman's Face: Ingrid Bergman in Europe.
For three days, the SFFS offers a chance to see contemporary Taiwanese cinema beyond the work of the usual Taiwanese film masters.
Aroy's film excavates the history and contributions of Filipino farmworkers in the Golden State since the 1920s.
George Rush skips legal concerns and instead speaks to a larger issue: the lack of quality independent filmmaking today.
Bay Area locals Jonathan Parker and Catherine di Napoli discuss (Untitled), a hilarious romp through the world of conceptual art and atonal music.
The documentary chronicles several large-scale pranks devised in the hopes of fooling corporate/government event attendees and/or the media.
Francois Truffaut’s The 400 Blows is being revived as part of San Francisco Film Society’s second annual French Cinema Now festival, which runs the week of October 29 through November 4 at the city’s Clay Theatre.
It’s hard to imagine a venue where the new documentary Holding On to Jah will sound better than it did at Mezzanine last Wednesday night.
Ask the Documentary Doctor: I'm told the way to structure my doc is by adding narration. Others say voice-over will ruin the film.
After ripping it up at various genre fests, the Bay Area indie horror flick settles in for a theatrical run at the Red Vic.
From the steep slope of 22nd Street down to La Taqueria, from the Attic to Boogaloos, this droll feature showcases the Mission to glowing advantage.
From the steep slope of 22nd Street down to La Taqueria, from the Attic to Boogaloos, this droll feature showcases the Mission to glowing advantage.
Chick Strand, a crucial pioneer of West Coast experimental cinema, died July 11 at 78.
There's an advantage to being an insulated American while watching Tom Hooper's dramatization of an important part of the life of football coach Brian Clough.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
Anne McGuire finds the beauty in the strange, and the strangeness in the beautiful. That's not perversity, people; that's poetry.
At their respective festival tributes, the actors gave entertaining and revealing onstage interviews.
Where the Wild Things Are is directed by Spike Jonze from a screenplay by Jonze and Bay Area–based writer Dave Eggers, based on the classic 1963 picture book by Maurice Sendak.
Probably no one pushed the artistic carte blanche of "pink" films further—at least into the realm of serious political engagement—than the Japanese auteur.
Fans of the San Francisco festival, now in its eighth year, have developed a well-honed appreciation for the eccentric.
The writer has had ample opportunity in the last 40 years to come to terms with his stint as an ambulance driver and medic.
Beyond Words: The people who back up the main character are often key sources of revelation, unmasking aspects of personality, motivation and backstory.
Though often made for private reasons, home movies are treasure troves of culture ephemera and social history.
The program offers a surprisingly potent mainstream industry presence, with tributes to A-list types more frequently seen at the multiplex than at the art house.
First Person: How can people respond in diametric and, at times, vitriolic opposition to the same film? Mine.
A year after Jonathan Marlow took the helm as executive director, the organization is showing fresh signs of life.
With the Netherlands-based filmmaker's latest portrait in resilience, Oblivion, opening Friday, it's a good time to celebrate one of documentary's most engaging storytellers.
Tangier has created an identity as a great fount of stories and light, complete with an independent cinema that opened in 2007.
East Bay filmmaker Miles Montalbano is in preproduction on dark coming-of-age story The Recondite Heart, his followup to his lauded debut, Revolution Summer.
AnyClip and Clicker are standouts at TechCrunch's annual conference, where startups a chance to pitch to expert judges and investors.
Joe Berlinger speaks about the making of an environmental disaster in the Amazon, as seen in his new film, Crude.
A study in contrasts, Everyman and intellectual, Roy Andersson speaks about his career and new film, You, the Living.
Chris Simon and Maureen Gosling's documentary-in-progress, tentatively titled No Mouse Music! The Story of Chris Strachwitz and Arhoolie Records, pays tribute to an underappreciated artist.
Franny Armstrong talks about the moral imperative of her films, the importance of Hopenhagen, and the unexpected magnitude of her success.
The Toronto International Film Festival has always allowed a generosity of pursuits to co-exist, rewarding the adventurous and satiating the lazy, all without judgment.
To viewers of Lucrecia Martel's earlier work, The Headless Woman is the crowning achievement; the filmmaker speaks about her vision of the world.
The Roxie's Best of Columbia Noir seroes features great films capitalizing on a simple formula: a girl, a guy and a gun.
Ray Telles's ambitious two-hour film, The Storm that Swept Mexico, with a budget north of $1.2 million, reaches out to the world.
Fear-Free Fundraising: Notes on assembling the basic ingredients for a great foundation funding proposal.
High-concept cabaret-act favorite in the Bay Area who sidelines as a filmmaker, Cory McAbee (The American Astronaut) speaks about his latest, Stingray Sam.
The movies of William Klein are suffused with the same impudence, social commentary and aesthetic surprise found in his photos.
Chilean director Pablo Larraín offers insight into his sophomore feature, Tony Manero, on a man obsessed with the idea of impersonating John Travolta.
Miami-born Julia Kahn offers strange revelations about the South in the long-gestating, cliche-crunching documentary Swamp Cabbage.
The story of teenagers living like a savage, roaming pack of animals, The Beautiful Person locates a classic in a contemporary setting.
Five years ago, Common Sky director Kathy Carlson committed herself to the task of bridging the gulf between those who've fought in battle and the rest of us.
The rapid adoption of e-newsletters by documentary filmmakers is the latest example of resourcefulness and efficiency among contemporary independents.
Ellen Schneider speaks on the impact of social-issue documentaries and her San Francisco-based strategic communications company Active Voice.
A mini-retrospective of the work of Kim Longinotto plays during the Women Make Movies Film Festival at the Roxie.
The release of Woodstock provides an opportunity to look back on Ang Lee and Schamus's very impressive, diverse screen resume.
With in-process Volunteer Nation: Stories of Service, veteran producer-directors Ben Hess and Dan Janos are mobilizing the millennials.
Behind any narrative for the screen is the story that came before it—the life that shaped the central character, who arrives fully formed as your story opens
Bay Area favorite Bob Goldthwait, whose pop culture moment seemed to expire in the mid '80s, returns with comedic vengeance via World's Greatest Dad.
Flame & Citron, one of the most expensive Danish films ever made, is an historical drama that plays like an espionage thriller.
East Bay documentary producer Pete Nicks places interactive storytelling booths in hospital waiting rooms.
Avoiding Disaster: Festivals are a good way to have your film discovered by distributors, to build buzz and to build an audience—if you're well prepared.
This fanboy-anticipated New Zealand-produced film set in South Africa, with gang activity, theft, riots, and ever-mounting interspecies hostility, is a summer breakout.
Dina Ciraulo's debut feature reconsiders the curious case of nature writer Opal Whiteley, who burst to prominence—and controversy— in the 1920s.
Seiji Horibuchi, founder and chairman of VIZ Media, speaks about VIZ Cinema, a built-from-scratch venue located in the New People building in Japantown.
Vampires are still the It Ghoul of our cultural moment and South Korean film Thirst is as precisely crafted as it is gleefully over-the-top in content both carnal and carnivorous.
Oakland attorney Richard Lee speaks on the legal case surrounding the Swedish filmmakers of the hot-button documentary Bananas!.
The Edit Room: I knew the right thing to do was to turn the project over to an editor. The problem was that I didn't have the $45,000 a good editor would require.
Jager McConnell speaks about Scary Cow, a filmmakers' co-op that offers experience, people, money and equipment to aspiring filmmakers with ideas to burn.
The Desert of the Tartars is a story in which the grim certainty that "Nothing will ever happen" is a slow poison that drives men to madness, suicide or other inglorious ends.
Veteran filmmakers Pablo Trapero and Jia Zhang-ke complicate their genres with Lion's Den and 24 City.
Aaron Aites and Audrey Ewell's documnetary, Until the Light Takes Us examines the dark intersection of local Norwegian history and Death Metal.
Academy Award-winning documentary filmmakers Rob Epstein and Jeffrey Friedman combine live-action period drama and animation in retelling of Ginsburg's Howl
The Sixth Screen: Veteran journalists and filmmakers alike are polishing up their resumes, contemplating the hospitality industry, and wondering: Who stole my career?
Newly-retired Pacific Film Archive publicist Shelley Diekman discusses her cinephile tastes, her past and her future.
Director Armando Iannucci's razor-sharp satire is about how the politics of spin can determine critical decisions on both sides of the Atlantic.
The San Francisco Jewish Film Festival arrives with an expansive program spotlighting the Jewish tradition of social justice and human rights.
A revealing portrait of veteran local singer-songwriter-guitarist with a cult following investigates existential questions about fame with respect, empathy and self-reflection.
Ask the Documentary Doctor: How do I choose the right crew for my story?
A peripatetic childhood laid fertile ground for the heated imagination of Berkeley-based author Barry Gifford, who has written Wild at Heart and Lost Highway.
Lucrecia Martel's films, including La Ciénaga and The Headless Woman feature what have come to be known as her primary concerns: classism, decay and femininity.
Sjogren threads her vexations with feminist film theory into a study of sound and voice in "women's film" touchstones like Letter from an Unknown Woman.
Sjogren threads her vexations with feminist film theory into a study of sound and voice in "women's film" touchstones like Letter from an Unknown Woman.
J.P. Allen and Janis DeLucia Allen's latest imagining, Sex and Imagining, is a two-character piece thick with dialogue and psychological undercurrents.
Fear-Free Fundraising: Are Your "Friends" Worthless?
During her tenure at the venerable Castro Theatre, film programmer Anita Monga made her mark shepherding the venue to international prominence.
Tilda Swinton's edge of riskiness is on ample display in Julia, a new film by French director Erick Zonca.
Douglas Fairbanks in The Gaucho is one of the many highlights on screen during the three-day San Francisco Silent Film Festival.
David Weissman speaks on his new project, Heartbreak and Heroism, revisiting the early years of the AIDS outbreak in San Francisco.
What's the key to writing comedy that sticks with us, despite perhaps an overblown story line or how lost and low-down the characters seem at the time?
Adam Goldstein and Eric Kutner discuss their debut, The Snake, an unapologetically impertinent, made-in-S.F, comedy that marks its creators as resourceful wiseguys.
A series at the Castro marks 1939 as the high-water mark of cinema.
An interview with Flynn Witmeyer about his debut feature Tweaker With an Axe, and the desire to make genre films—horror or sci-fi or fantasy—that incorporate gay and lesbian characters.
The Edit Room: I decided to set my New Doc Editing research team on a mission to find out what structural models are getting funded these days.
New Zealand transplant Richard Levien, a longstanding fixture of the San Francisco indie film community, breaks out of the editing room with Immersion.
Turkey may be lonely, but it is indeed beautiful in Nuri Bilge Ceylan's Three Monkeys.
A festival full of drama finds no more emotional screening than the homophobia-in-sports double bill of Training Rules and Claiming the Title: Gay Olympics on Trial.
A festival full of drama finds no more emotional screening than the homophobia-in-sports double bill of Training Rules and Claiming the Title: Gay Olympics on Trial.
When Rick Tejada-Flores decided to explore his family's checkered Bolivian past, he accepted that he had to be a character.
In this year's Frameline Fest, as so often in life, it's all about the one(s) that got away.
A case could be made that Cary Cronenwett's Maggots and Men isn't just the most unique work in Frameline33, but of any festival all year.
Katyn is a sizable period saga about a tragic, still-controversial chapter in Poland's 20th-century history, one with particular resonance for Andrzej Wadja.
A dose of self-affirmation arrives with Frameline33 (or, if you prefer, the multiple-breath-intake-requiring San Francisco International Lesbian Gay Bisexual Transgender Film Festival.)
Avoiding Disaster: Clearing music is one of those horrible, arduous, frustrating tasks that needs to be done in order to show or sell a film.
Tom Shepard revisits the overachieving, hyper-ambitious world of science-obsessed high school seniors in his new film, Whiz Kids.
One can't help but think about the concept of cinematic language, as well as spoken language, when talking with Munyurangabo filmmaker Lee Isaac Chung.
Wild man of Italian cinema, Marco Ferreri left many films in need of rediscovery (or simply discovery) since his death in 1997.
Oshima's output grazed on familiar genres, such as the youth-gone-wild and domestic drama, while freely incorporating elements from avant-garde and documentary filmmaking.
Like most social-issue documentaries, Food Stamped sprang from an activist impulse for Shira and Yoav Potash.
Make them love it. Make? Oh, words of dread! How do you MAKE somebody love your film?
Berkeley-based filmmaking team Gary Weimberg and Catherine Ryan speak about social justice as a career and their film Soldiers of Conscience.
Fados, about a Portuguese musical genre, reveals Carlos Saura as an effortless master at weaving together disparate performances.
At a film festival called Another Hole in the Head, dedicated to sci-fi, horror and fantasy, catastrophic carnage meets comedy more often than not.
The Miller brothers take their memoir-release to the local ballpark.
Ask the Documentary Doctor: Where does the filmmaker stop existing to give way to the reporter/activist/responsible citizen with camera in hand?
Leading light of avant-garde cinema Lawrence Jordan speaks on the occasion of his Gallery Extraña show and his 75th birthday.
Despite a few flaws in story and continuity, Drag Me to Hell offers the pleasures of a first-class entertainer thoroughly enjoying himself.
Berkeley hosts Karel Vachek: Poet Provocateur, the first-ever full U.S. retrospective for this unclassifiable Czech filmmaker.
The Sixth Screen: Eaves analyzes the future of video in developing countries, specifically the proliferation of mobile communication.
Iranian filmmaker Cyrus Omoomian documents post-Pinochet Chile in work-in-progress Pushing Towards Democracy.
Michael Fox interviews Igor Sinyak, founder of Subtitles & Subtleties, about his dinner and a movie discussion forum.
A Wake for Analog honors analog experimental films like Patrolling the Ether, Bassline Baseline and Zuse Strip.
Hong Sang-soo's Night and Day is a comedic unraveling of a South Korean art student's gaffes throughout Paris.
Michael Fox reviews Brant Smith's In-World War, a dark sci-fi comedy about a beta tester trapped in a futuristic war on terror.
Beyond Words: Linda Rosenberg explores the transformation of the contemporary film hero in Doubt and In Bruges.
Bruce Goldstein recalls his adventures in film land as he prepares to host the Con Film Festival at the Film Forum in New York.
Philippe Garrel sticks to his highly-personal aesthetic in Frontier of Dawn.
Arthouse theaters like The Roxie, Red Vic and The Balboa resist the economic downturn and adjust calendars to meet audience demands.
Fear-Free Fundraising: Holly Million pitches her approach to securing donors, The Six Degrees of Kevin Bacon.
Deborah Kaufman and Alan Snitow explore the customs and modernity of the next generation of Jews in their documentary Dis-Continuity.
Elliot Lavine, a Bay Area film scene fixture, returns to The Roxie to curate I Wake Up Dreaming: The Haunted World of the B Film Noir, a series of 28 lowdown and tawdry films.
Marc Capelle's ode to Westerns and Buddy films as well as noteworthy festival scores.
The Roxie present Fear and Desire and Delinquents by Stanley Kubrick and Robert Altman
SFIFF handed out approximately $100,000 and announced the winner San Francisco Film Society/Kenneth Rainin Foundation Filmmaking Grant during its Golden Gate Awards.
The Lost World, the 1925 silent fantasy
Franny Armstrong's The Age of Stupid is a documentary encased like a time capsule inside a fictive but science-based, frighteningly possible future
The Edit Room: How do you keep your audience engaged rather than putting them to sleep?
The 2009 SFIFF has been a launching pad for the numerous Bay Area filmmaker
California Company Town, blends the sights and sounds of the state's economically depressed towns, industrial wastelands and failed utopian communities.
An Evening with Francis Ford Coppola & Friends honored Coppola with the Founder Directing Award and included a moderated discussion with editing/sound design genius Walter Murch, director Carroll Ballard, scenarist-turned-director Matthew Robbins, and George Lucas.
SF360.org interviews film critics about the changing landscape of film criticism. A panel discussion and screening of For the Love of Movies: The Story of American Film Criticism will take place on Sunday, May 3, at 6 p.m.
On May Day Eve, Travis Wilkerson performed Proving Ground, probably the first multimedia Leninist rant to have ever graced the Sundance Kabuki.
The San Francisco Film Society awarded Francis Ford Coppola the Founder & Directing Award this week. Justin Juul offers us five reasons why San Francisco loves Coppola.
The San Francisco Film Society honored Francis Ford Coppola, Carroll Ballard, Robert Redford and James Toback. Coppola surprised the audience by turning over the Founder's Directing Award he received to longtime colleague Carroll Ballard.
Once Upon a Time in the West is grand, cynical, lavish and above all huge, Sergio Leone's penchant for the iconically gargantuan (perhaps at the willing expense of relatable human detail) expressed in ultimate form.
Robert Redford braves the public and accepts the San Francisco International Film Festival's Peter J. Owens Award.
Lourdes Portillo's partly autobiographical documentary Al Más Allá draws a laugh from the San Francisco International Film Festival crowd.
Ask the Documentary Doctor: Fernanda Rossi advises on the distinction between repetition and reinforcement in documentary filmmaking.
The Professionals an ambitious array of panels, case studies and discussions, makes its debut as a forum for encouraging Bay Area moviemakers to engage with guests and colleagues.
Marc Capelle meets and greets with actress Gena Rowlands, composer Bo Harwood and other film mavens and mavericks at a post-screening party for Cassavette's A Woman Under the Influence and the Mission Awards
The San Francisco-based and internationally acclaimed documentarian Lourdes Portillo speaks about her work; she wins the 52nd San Francisco International Film Festival Persistence of Vision Award.
Chris Felver traces the life of antiauthoritarian Lawrence Ferlinghetti, owner of City Lights Books, from his days as a Navy serviceman in World War II through the landmark First Amendment trial in Ferlinghetti.
Chris Felver traces the life of antiauthoritarian Lawrence Ferlinghetti, owner of City Lights Books, from his days as a Navy serviceman in World War II through the landmark First Amendment trial in Ferlinghetti.
City of Borders, the debut film by Bay Area filmmaker Yun Suh, follows several Palestinian characters seeking refuge at a gay bar. The film testifies to the intolerance that members of the LGBTQ community face in addition to all of the other walls, physical and social, separating people in the region.
Jarmel and Schneider's Speaking in Tongues follows the stories of four public school children studying Mandarin, Cantonese and Spanish along with their English.
The eight films in the San Francisco International Film Festival's Lightness of Being spotlight are Laila's Birthday, Small Crime, Mid-August Lunch, Every Little Step, (Untitled), In the Loop, Our Beloved Month of August and Still Walking.
Peter Bratt's La Mission focuses on conflict within a family and a neighborhood, exploring what happens when a single father named Che learns a secret about his son that tests his love for his family and his community's love for him.
Four independent narratives - La Mission, My Suicide, Everything Strange and New and (Untitled) - are adding to the Bay Area's repertoire, historically regarded as a breeding ground for documentary filmmakers.
Local filmmaker Jim Granato, whose movie D tour follows the band Rogue Wave and its ailing drummer Pat Spurgeon, on tour and on dialysis, is competing for the San Francisco International Film Festival's Golden Gate Award in Documentary.
Ramin Bahrani's Goodbye Solo prompted Roger Ebert to pronounce him "the new great American directorâ" a couple weeks ago. The film is definitely the writer-helmer's most accessible work to date, one that might very well provide him with an arthouse breakthrough.
Where would cinema be without good, old-fashioned youthfulness? Hence: Youth Bring the Truth, a showcase for promising pre-adult media-makers including several local teenagers from this year's San Francisco International Film Festival.
Zac Holtzman scores The Lost World with Dengue Fever, creating a sound that has been described as a psychedelic version of vintage Cambodian rock'n'roll, fueled by Cambodian singer Chhom Nimol's vocal stylings and Ethan Holtzman's organ and accordion shadings.
The 6th Screen: Hannah Eaves recommends Twitter, Meebo, Facebook, Ning and eNewsletters as film promotion tools.
Local filmmakers Allie Light and Irving Saraf's latest film Empress Hotel delves into the lives of the residents at the titular building, a Tenderloin housing facility for the recently homeless. The film makes visible an area many city dwellers may only experience in the fringe of their consciousness and provides insight into the lives of the residents within.
If it grows darker than one might expect, Observe still hesitates at becoming a true black comedy; it's more medium-gray, earning stripes for breaking from current comedy norms on a moment-to-moment basis without quite arriving at an original, fully-developed whole. But Hill has a good eye, ear (the soundtrack choices are notably sharp), sense of off-kilter pacing, and, most importantly, a firm grasp on character.
Bringing Rainer's work to a larger audience: Feelings Are Facts: The Life of Yvonne Rainer, a feature-length documentary about the choreographer and experimental filmmaker.
Fans, Friends & Followers, focuses on strategies artists can use to support their careers in the digital age.
Chop Shop, and Frozen River, present challenges in the building of character: attention to details of behavior and shifts in the character's world signal a hero's journey both profound and deeply internal.
Jennifer Maytorena Taylor's documentary, New Muslim Cool, focuses on Hamza Perez, a Catholic hip hop artist, who converted to Islam; whose life is now a crucible of disparate urban influences.
William W. (Bill) McLeod, 59, one of the Bay Area's most respected film publicists died at his home on March 29th, 2009.
National Film Preservation Foundation, Treasures IV: American Avant-Garde Film, 1947-1986, is a splendid package of 26 films, drawn from New York and San Francisco.
National Film Preservation Foundation, Treasures IV: American Avant-Garde Film, 1947-1986, is a splendid package of 26 films, drawn from New York and San Francisco.
The two weeks of programs offers 151 films from 55 countries, awards and prices, and a wide array of San Francisco talent, from legendary names to the fledgling artists.
Michael Jacobs talks about his documentary, which follows Pentecostal Pastor Richard Gazowsky engaged in the creation of an ambitious, multi-million dollar sci-fi-feature on God.
Michael Jacobs talks about his documentary, which follows Pentecostal Pastor Richard Gazowsky engaged in the creation of an ambitious, multi-million dollar sci-fi-feature on God.
Ben Rivers makes his Bay Area debut this week presenting in person two programs, both providing a slightly dislocative experience at once tranquil and sinister.
Ben Rivers makes his Bay Area debut this week presenting in person two programs, both providing a slightly dislocative experience at once tranquil and sinister.
The films of William Kentridge make up a significant and absorbing part of the San Francisco Museum of Modern Art enthralling survey of recent work by the acclaimed South African artist
A mini-tutorial on story structure: in a character-driven documentary there are a few simple questions you have to answer in order to vet your story potential.
Mark Kitchell current project is an ambitious summation of the environmental movement, from the protests of the 1960s, the '70s focus on pollution, the Greenpeace campaigns and the global climate change.
When a challenge turns into opportunity: the Bay Area professional tribute artist talks about how he managed to leverage his striking similarity to Arnold Schwarzenegger into a successful acting career.
Sam Green talks about his latest project, an experimental documentary where the stories tease out, in more of an emotional way, ideas about hope and imagination of the future
Sam Green talks about his latest project, an experimental documentary where the stories tease out, in more of an emotional way, ideas about hope and imagination of the future
Holly Million reviews some of the documentaries shown at this year's festival: It Came >From Kuchar, MIne and Motherland.
His personal curiosity on family histories and some actual events, are behind this movie about complex families Ñthose in Mexican gangs and those traveling immigrants looking for a better life in the U.S.
Troell keeps everything emotionally intimate in this lovely film full of grace moments, that chronicles the early 20th-century travails of the Larsson family.
The retrospective offers fascinating, if not always exemplary, viewing of what could be called a cinema of disaster: characters face the worst, or are living in its aftermath, and like the audience, they are provided with no easy answers.
Caroline Kraus is embarking on a project with a rough outline, a firm destination, little money and no ending, but with a unifying theme: underdogs, and our notions of success, failure and disappointment.
Sound design: in a documentary can be a great ally in bringing real life to the screen, and the dilemma is not whether to use this wonderful story device but rather how and in what context.
H.P. Mendoza talks about being a filmmaker in the Bay Area and the opening of his last musical, where he is both director and composer of the film 19 original songs.
An engaging documentary sampler of nine leading contemporary theorists, interviewed in settings that one way or another in real world terms illustrate (or contrast with) the concepts they discuss.
Barry Jenkins talks abut his background, making movies in San Francisco and the issues of black identity, assimilation and gentrification, which are at the heart of his film.
Barry Jenkins talks abut his background, making movies in San Francisco and the issues of black identity, assimilation and gentrification, which are at the heart of his film.
For many narrative filmmakers, hiring a lawyer is either an afterthought or not a financial reality, but moving forward with a film without considering legal is a huge mistake.
What you'll get at Cinequest's three downtown San Jose venues is a mix of tributes, seminars, parties and, of course, a whole lot of movies, including no fewer than 18 world premiere features.
Like the strictest kind of verite doc, Gomorrah simply presents activity, without "introducing" characters or spelling out their circumstances or motivations.
Carlos Reygadas' third film is an unmistakably serious work, emblematic of the kind of brooding, large-canvas filmmaking which has become a rarity.
About as far from the ever-increasing corporatization of popular music as you can get is the annual dose from the Noise Pop Festival.
Twenty years after its founding, Strand Releasing remains an active, irreplaceable and distinctive presence on the U.S. distribution scene.
First-Person: Larry Daressa provides helpful hints on distribution strategy.
The throughline of Micha Peled's film is a farmer in a village in Vibharba, in central India's cotton belt, over a farming season.
Beyond Words: To pull off an adaptation, you must translate the unwieldy bulk of the original story into a breathing and transformative tale on screen.
This "dramatized documentary" was a labor of love–if also a graphic portrayal of the vast LA detached from Hollywood's success-bubble glamour.
The tentatively titled Winter of Love uses Prop. 8 as a framework for a look at the increasing acceptance of gay marriage.
This "dramatized documentary" was a labor of love–if also a graphic portrayal of the vast LA detached from Hollywood's success-bubble glamour.
The tentatively titled Winter of Love uses Prop. 8 as a framework for a look at the increasing acceptance of gay marriage.
A title like this is its own disclaimer, hinting there will be nothing "normal," or very loving, about this story.
SF360.org interviews Davila on his film about a bottom-rung Tenderloin drug dealer with aspirations of becoming an artist.
Fear-Free Fundraising: Holly Million suggests ways to make approaching individual donors that much easier.
With films that focus a patient eye on common human conditions, Belgian-born auteur Chantal Akerman is a formalist with heart–and global interests.
The S.F. Silent Film Festival's Winter Event allows you to spend hours in the dark with the madcap movie entertainments of 80-plus years ago.
When we're finally all watching movies on the most expedient of platforms–our mobile phone–Ellen Lake will be at the head of the parade.
Davies' latest film recalls his earlier autobiographical narratives, but is also unlike anything he has done before, being nonfiction.
In this fable-like movie, an indomitable young orphan finds friendship with a lonely flight attendant and a teen-age caretaker of elephants.
Ask the Documentary Doctor: If my doc doesn't follow a fiction three-act model, will it fail in the market?
With a roster that sprawls from horror to softcore to verite-style drama and documentary, the only constant is that you won't be bored.
In Strand: A Natural History of Cinema, Christian Bruno pays homage to the pivotal and shifting role of movie theaters in San Francisco's cultural life.
SF360.org joined in on a conversation about Cinematheque's past and present when Steven Jenkins lunched with Jonathan Marlow at Caffe Centro.
13 Most BeautifulÉSongs for Andy Warhol's Screen Tests offers a cherry-picking of the famous Warhol reels accompanied by live original-soundtracking.
SF360.org joined in on a conversation about Cinematheque's past and present when Steven Jenkins lunched with Jonathan Marlow at Caffe Centro.
The PFA's series of "essay films," a collection of diverse work, offers the viewer an opportunity to adapt to the peculiar tone of these films.
Grants totaling $3 million for narrative feature films made in the Bay Area will be distributed by the SFFS and the Kenneth Rainin Foundation.
While ballplayers were relaxing in the off-season, Eugene Corr plowed ahead with his baseball documentary From Ghost Town to Havana.
Oscar-nominated cinematographer César Charlone recently codirected his first theatrical feature film, a darkly comic farce about Pope John Paul II.
Susie Gerhard gives an overview of a festival moving back to the basics of art-making.
Michael Fox looks behind the scenes of a film on the maverick Seattle composer-performer-inventor Trimpin.
Susan Gerhard blogs on what is strange and new about watching movies in these particular mountains.
In this documentary, Walker tells the tale of his delayed popularity the ever-more adventurous music with which he feeds his latterday cult.
First-Person: A program officer at the San Francisco Foundation has a sobering experience making a documentary.
SF Sketchfest pays tribute to Bud Cort with a live Q&A and screening of Harold and Maude.
Susan Gerhard reports on film and physique highlights at Sundance 2009.
SF360.org spoke with Eddie Muller, who launched Noir City, an annual noir festival that has attracted an avid following in the Bay Area and beyond.
Hilary Hart blogs her 14th year at Sundance, back on the midnight shift at the Egyptian Theatre.
Avoiding Disaster: George Rush writes on the conundrum of not getting money for a project without a known cast, and not getting a cast without a bunch of money.
Wenders, one of the stellar directors of "New German Cinema," is this year's honoree at the 14th annual Berlin & Beyond festival.
A look at Otto; or, Up with Dead People, from a late arrival in the New Queer Cinema wave.
The forthcoming film Speaking in Tongues follows four diverse local public-school students enrolled in language-immersion programs.
A look at Otto; or, Up with Dead People, from a late arrival in the New Queer Cinema wave.
Levy offers thoughts on the program she's presenting at Sundance and what's being called the "New Documentary Movement."
Levy offers thoughts on the program she's presenting at Sundance and what's being called the "New Documentary Movement."
Certain questions in 2008 endlessly plagued the film world, leading to outlandish predictions, flame-war mayhem and an outbreak of opinionated public speaking.
Steven Soderbergh's fascinating portrait of legendary revolutionary Ernesto "Che" Guevara is willfully disinterested in the conventions of mainstream movies.
Waltz with Bashir is another animated feature that embraces a more grown-up story and audience than anything in the long history of "cartoons."
If you've been waiting for a punk-rock doc about sewage and wastewater treatment–admit it–it's in the pipeline and heading your way by year's end.
50 California students talk about their problems with gender in the new documentary Straightlaced–How Gender's Got Us All Tied Up.
Instead of breaking it down strictly category-by-category, Dennis Harvey meanders through some principal heat-seeking prestige films and their various chances.
Matt Sussman draws conclusions about women and Hollywood from three big women-oriented films of 2008.
Bay Area filmmakers, critics and industry pros list their favorite unreleased films of 2008.
Dennis Harvey reviews The Curious Case of Benjamin Button.
Tom E. Brown talks about producing and funding Pushing Dead, a film about an HIV-positive writer forced to give up his daily drug regimen.
Oakland's Pamela Harris and Grantmakers in Film + Electronic Media are connecting media makers with financial resources.
Sebastopol-based screenwriter Pamela Gray's approach to screenwriting is the literary equivalent of the slow food movement.
Victor Fleming: An American Movie Master and Glenn Lovell's Escape Artist: The Life and Films of John Sturges are splendid biographies by critics with local ties.
Fear-Free Fundraising: Holly Million on how donor cultivation can make you a successful film fundraiser.
Dennis Harvey reviews some of 2008's year-end sobering dramas.
Ask the Documentary Doctor: Fernanda Rossi discusses pros and cons of having to sit through a screening of one's own film.
Bay Area filmmakers represented at Sundance.
Québec's thriving regional cinema is showcased in San Francisco Film Society's latest mini-festival addition to the annual Bay Area movie calendar.
Gini Reiticker's fine documentary Pray the Devil Back to Hell, opens at SF's Red Vic Movie House and Berkeley's Shattuck Cinemas.
Frameline's new executive director discusses his non-profit background and graduate school pipe dream of being a novelist.
Frameline's new executive director discusses his non-profit background and graduate school pipe dream of being a novelist.
The Sixth Screen: Senior Director of Marketing and Product Management and iFanboy producer and co-host Ron Richards talks about Revision3, the next generation of TV.
The Pacific Film Archive shows Discovering Teuvo Tulio, a four-film retrospective of works from Finland's master of over-the-top melodrama in the 1930s and '40s.
Fear-Free Fundraising: Holly Million advises filmmakers on where to get funding when the going gets tough.
Martha Colburn's recent shorts plunge the interstices of Americana for a hidden history of fanaticism and double-faced hypocrisies.
Former San Francisco Examiner film critic Michael Sragow talks about his newly released book Victor Fleming: An American Movie Master.
Bay Area filmmaker Jennifer Kroot talks about her inspiration to make a documentary on legendary, underground filmmaking twins George and Mike Kuchar.
Michael Fox chats with Gus Van Sant and screenwriter Dustin Lance Black on the eve of Milk's much-anticipated theatrical release.
Ask the Documentary Doctor: Fernanda Rossi weighs in on how many different pitches you really need for your documentary.
Global Film Initiative's Global Lens series offers a regular spot in your home theater for edgy world-cinema narratives don't often get a place at local multiplexes.
Scott McDonald's Canyon Cinema: The Life and Times of an Independent Film Distributor, details the formation of the revered Bay Area artists' collective in the early 1960s.
The controversial Cargo 200, a take-down of the Soviet era, makes its U.S. theatrical debut at Yerba Buena Center for the Arts.
If, in the ol' days, they were called "'toons," these days, some heavy-duty words are required to express the strength and breadth of contemporary animation.
A newly restored print of Bergman's Monika, which deals with underage, guiltlessly unfaithful femininity, plays the Red Vic.
Michael Tully's 51-minute documentary Silver Jew proves semi-revealing as it records the Jews' tour dates in the Holy Land itself.
Based on John Ajvide Lindqvist's novel, Let the Right One In is a poignant, nuanced, original addition to the cinematic vampire canon.
Film historian and essayist David Thomson talks to SF360 about his new book, Have You Seen . . . ? A Personal Introduction to 1,000 Films.
The Sixth Screen: If you're interested in the future of online technology, 'jaguar' is the evergreen example used to explain what's called The Semantic Web.
Wayne Coyne's Flaming Lips movie extends a long, lately rising number of narrative features made by musicians.
Veteran Burkina Faso director S. Pierre Yameogo's new film shows an isolated society still vulnerable to superstition.
A husband and wife filmmaking pair are in the midst of a documentary on mysterious disappearances in the Galapagos.
Beyond Words: Skillful dialogue on film can achieve a structural dimension that shapes the narrative as surely as plot does.
The PFA senior curator talks about her cinematic influences, curating in Canada and the U.S., and recent additions to the world of film.
Robb Moss and Peter Galison's deliberative, atmospheric and engrossing documentary, Secrecy, puts democratic transparency to the test.
A director who lives in both Switzerland and New York leads a Swiss-German coproduction about two women from former Yugoslavian territories who meet in Zurich.
In its 12th season, the country's first and largest independent exhibitor of Arab cinema has gotten to be one of the bigger small fests in the Bay Area.
Hammer discusses his debut feature premiered at Sundance to resounding critical fanfare, winning prizes for best director and cinematography.
Hammer discusses his debut feature premiered at Sundance to resounding critical fanfare, winning prizes for best director and cinematography.
Tony Gerber and Jesse Moss's film candidly explores 'the ground truth' of Iraq without setting foot in the country.
The extreme, the strange, the silly and surreal all have big seats at the SF DocFest table.
Epstein and Friedman bring a poem to the screen, while a South Bay director goes Russian.
We sat down with Michel Shehadeh, who joined the festival earlier this year, for a wide-ranging interview on Arab film.
We sat down with Michel Shehadeh, who joined the festival earlier this year, for a wide-ranging interview on Arab film.
Andy Abrahams Wilson talks about Under Our Skin, his elegantly crafted film on the underreported epidemic of Lyme disease.
Avoiding Disaster: George Rush offers tips on bridging the worlds of creativity and business.
The Doc Doctor prescribes cures for common pitfalls of demo reels.
Marilyn Mulford collaborated with Quique Cruz on the pensive, humanistic, and inspiring Archaeology of Memory: Villa Grimaldi.
The SFFS has added a Gallic counterpart to its long-running New Italian Cinema series.
Freelance curator and film fanatic Jack Stevenson brings grainy reels documenting live, nude girls to the Yerba Buena Center for the Arts.
Those inclined toward healthy doses of sleaze, gore, and retro-shlock can rejoice that it's time for the second annual edition of Dead Channels.
Religulous is a desperately awaited and already vehemently decried film by Bill Maher and director Larry Charles.
In 'Crooked Beauty,' mental health is re-imagined and redefined.
The title story of her Hemingway/Pen Award-winning collection of short stories, A Thousand Years of Good Prayers, has been adapted by Wayne Wang.
It used to be standard for San Francisco to be portrayed in movies as a magical, mythical, and slightly mysterious catalyst for transformation.
It used to be standard for San Francisco to be portrayed in movies as a magical, mythical, and slightly mysterious catalyst for transformation.
The Sixth Screen: Here are some browser-based legal zones for free online feature film viewing pleasure. No installation required.
The seventh San Francisco International Documentary Film Festival has the potential to be every bit as raucous as the other festivals under the organization's umbrella.
When Vida Ghahremani became a movie star at 16 in the Shah's Iran, she felt as if she were in prison.
Whether you dig jazz or not, O'Day's charisma and story make this movie riveting.
Parr licenses film and video footage, and presents some of the best screenings in town through his Oddball Films series.
'It takes your guts and your entrails and your soul to make a film,' Mikels once proclaimed. 'It takes everything you possess within you!'
"Horror films can hold a lot of crazy ideas and political ideas and no one blinks," says Pig Hunt writer and producer Robert Mailer Anderson, "and that serves our purposes."
Yun Suh's film City of Borders documents group dynamics and conflict through the doors of a Jerusalem's only gay bar: a locale where anyone can, "come, be themselves, and be accepted."
Matt Wolf's biodoc is a remarkably affecting portrait that's a remembrance for those who knew the composer/vocalist/cellist and an introduction for potential fans.
What do women want to watch? With Diane English’s recent unfunny and product placement-filled re-make of The Women hitting theaters last week, Hollywood’s answer, predictably, is more of the same.
Every year, people grumble. Every year, someone points out how much worse it is than before. And every year, there are films that pull everyone out of the doldrums and guarantee it all continues. Welcome to this season’s Toronto International Film Festival.
YBCA's triennial exhibition has developed a deserved reputation for presenting an energetic survey of current Bay Area artistic practice.
This year's Mill Valley Film Festival shows healthy signs of life for the independent film business.
When Wind Man appeared on the SFFS Screen at the Sundance Kabuki Cinemas' schedule, moral crisis ensued.
A film in a darkened theater commands our undivided attention, but a video installation in a museum doesn't have the same effect.
Scott Crocker's documentary brings the truth behind the "Lord God" bird phenomenon out of the bushes.
There is little question that so-called educational films with specific social-welfare goals don’t get much respect as examples of craft or art.
I confess that for a long while I had the misperception, based on almost no exposure to his work, that French essayist Chris Marker made dense, dry films steeped in political theory and inaccessible to anyone but a narrow strata of irrelevant European intellectuals.
A Telluride veteran gives a festival overview, and explains why film lovers and filmmakers travel to a remote corner of Colorado on blind faith.
SF360.org asked this veteran indie auteur for his thoughts, which he gamely and intelligently offers here.
Economic troubles reveal the true depths of a couple's long-taken-for-granted bond in a film by Italian director Silvio Soldini.
A local filmmaker looks at Mimi Weddell, a perennial bit part-player with a jaw-dropping collection of hats and endless show biz energy.
Film Arts Foundation, a nonprofit organization formed by 15 independent filmmakers in 1976, joins forces with SFFS.
SF360.org talks to the senior director of original programming at Link TV, which provides an antidote to the standard television news mix.
First Person: Jonathan Marlow rehashes commentary on film that has caused a kerfuffle of late.
Sharma might never have made his film had he not felt guilty about causing unhappiness to his dying mother by telling her he was homosexual.
Woody Allen's latest is a superb travel guide in addition to being an amusing, intelligent if not exactly profound meditation on fate, chance, and romance.
The Legend of the Holy Net Potato, the first feature by Kerala-based filmmaker Vipin Vijay, concerns a cyborg, black magic, and a hacker.
SF360.org asked Bay Area filmmaker Elizabeth Farnsworth about her film, which follows Judge Juan Guzmán as he investigates General Pinochet's crimes.
SF360.org asked Bay Area filmmaker Elizabeth Farnsworth about her film, which follows Judge Juan Guzmán as he investigates General Pinochet's crimes.
Not many movies call for a celebration of their anniversaries, but one exception is what many have called 'the ultimate San Francisco film.'
The Pacific Film Archive screens a survey of Goodis-related works from both the big and small screen, spanning nearly five decades.
SF360.org looks at the making of a documentary about the controversial leak of the Pentagon papers.
SF360.org looks at the making of a documentary about the controversial leak of the Pentagon papers.
Empress Hotel looks at residents of a hotel turned homeless people's residence through San Francisco's Access to Housing program.
A documentary looks into a machine designed to harness the hallucinatory potential of flickering light, and sketches a portrait of its troubled creator.
A conversation with the executive director of an experimental/avant-garde film distribution company, who both runs a profitable business and creates dynamic art.
Dyspeptic rather than tragic, Jacques Nolot's Before I Forget may be the best gay feel-bad movie ever.
A film from 1961, The Exiles is a long-in-making unvarnished look at 12 hours in the lives of a group of American Indians who have come to Los Angeles.
Muayad Alayan, a 24-year-old filmmaker from the only remaining Arab neighborhood in West Jerusalem, speaks about the making of Lesh Sabreen?.
Andrea Kreuzhage speaks about her documentary, 1000 Journals, which raises a host of fascinating questions about creativity, collaboration, community, and communication.
Andrea Kreuzhage speaks about her documentary, 1000 Journals, which raises a host of fascinating questions about creativity, collaboration, community, and communication.
The Sixth Screen: The first installment of a new, monthly column by filmmaker and journalist Hannah Eaves looks at just how "fair use" is being utilized.
The 60th birthday of Israel is recognized in the festival via a slew of films examining the country from various perspectives, films that fight over how to tell the story.
The first of SF360.org's In Production columns looks at two works-in-progress: Laura Lukitsch's film about beards and Lise Swenson's Salton Sea pic.
Programmers for the San Francisco Jewish Film Festival, Peter Stein and Nancy Fishman, speak about never taking the path of least resistance.
On curating the Robert Flaherty Film Seminar, a social Petri dish that annually brings together a different programmer, a captive and engaged audience, and filmmakers.
On curating the Robert Flaherty Film Seminar, a social Petri dish that annually brings together a different programmer, a captive and engaged audience, and filmmakers.
Those attracted to the new film CSNY: Deja Vu simply expecting an opportunity to recall the old days might be in for a surprise.
A Listener's Tale is a lovely if unclassifiable mixture of ethnography and poetic reverie which screened at last winter's Rotterdam Film Festival.
French author and director Catherine Breillat speaks about the fierce passion play of her latest, The Last Mistress.
French author and director Catherine Breillat speaks about the fierce passion play of her latest, The Last Mistress.
Li Yang speaks about commercial pressures in Chinese film and the story behind Blind Mountain.
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
Viva's cautionary tale is aptly encapsuled by the poster line: 'They were housewives seeking kicks, in a world of swingers, orgies, booze, and sin.'
Bruce Conner, the great, irascible, and ever-evolving San Francisco-based artist known for his assemblages, films, drawings, and interdisciplinary works, passed away on July 7, 2008.
The Edge of Heaven weaves two stories together across geopolitical, cultural, and generational lines.
Thomas Michael remembers well the birth of Hank and Mike, the titular blue-collar Easter bunnies in director Matthiew Klinck's absurdist workplace comedy.
The Gits offers both an appreciation of a unique quartet's too-brief career and consideration of Mia Zapata's death.
Critic's notebook: Marriage changes everything at the San Francisco International LGBT Film Festival.
Having just spent three invigorating days in Niles watching crowds cheering to films from the years between 1903 and 1917, I can report that silent films are alive and well.
SF360.org sits down with director Alex Gibney, whose film, Gonzo: The Life and Work of Dr. Hunter S. Thompson played at the 51st SFIFF.
SF360.org sits down with director Alex Gibney, whose film, Gonzo: The Life and Work of Dr. Hunter S. Thompson played at the 51st SFIFF.
Eternally fascinated with extremes of location, Werner Herzog's latest documentary, Encounters at the End of the World, finds the filmmaker exploring life on the edge in Antarctica.
A documentary tribute to Derek Jarman, Isaac Julien's Derek does not seek to enlarge or complicate the filmmaker's legacy so much as succor its loss.
A documentary tribute to Derek Jarman, Isaac Julien's Derek does not seek to enlarge or complicate the filmmaker's legacy so much as succor its loss.
Critic Dennis Harvey reviews select films screened at the 32nd San Francisco International LGBT Film Festival.
Eric Rohmer's latest "moral tale," The Romance of Astrea and Cèladon, filled with evanescent beauty, plays as part of SFFS Screen.
Critic Dennis Harvey reviews select films screened at the 32nd San Francisco International LGBT Film Festival.
SF360 caught up with Ruby Yang during a recent Bay Area visit to discuss her "latest and most lyrical film yet," A Double Life.
SF360 caught up with Ruby Yang during a recent Bay Area visit to discuss her "latest and most lyrical film yet," A Double Life.
Dennis Harvey reviews Sergei Bodrov's Mongol, a distinctive look at the early life of the conqueror.
A look at the films in the 32nd San Francisco International LGBT FIlm Festival indicates the rise of Argentina's new wave.
A look at the films in the 32nd San Francisco International LGBT FIlm Festival indicates the rise of Argentina's new wave.
Woman on the Beach is a wonderful introduction to South Korean director Hong Sang Soo's films, in large part due to its subtle comedy.
Dennis Harvey covers the first week of low-budget geeks, weirdos and gore on display at the Another Hole in the Head Festival.
Strand Releasing President Marcus Hu speaks with Frameline Artistic Director Lumpkin about Frameline, queer cinema and the future of this niche festival.]
Strand Releasing President Marcus Hu speaks with Frameline Artistic Director Lumpkin about Frameline, queer cinema and the future of this niche festival.]
Michael Lumpkin's mini-retrospective of features that highlight some personal favorites that made waves at the Frameline Festival (and sometimes in the larger cinematic world).
The SF Film Society is optimistic that its year-round screen at the Sundance Kabuki will contribute to the spectrum of films in Bay Area theaters.
Exhibitions in San Jose feature art drawn from and inspired by online social networking sites, Youtube, video games and blogs.
In 'Surfwise', documentarian Doug Pray examines the eccentric Paskowitz clan, whose patriarch and nine children have been legends in the surfing world for decades.
Filmmaker Yung Chang talks about 'Up the Yangtze,' his superb documentary that examines the surreal changes in China around the controversial Three Gorges Dam.
The Hole Head Festival takes audiences back to terrifying locales and dangerous situations that should be pleasantly familiar to horror aficionados.
In 2008 the San Francisco Black Film Festival marks its 10th anniversary with the most expansive program yet, flagging the theme "10 Years, 10 Days, 100 Films."
'Love Songs', a truly gay musical utterly devoid of camp, causes critic Dennis Harvey to reassess France's take on the genre.
Katznelson, a co-founder of the Dawn festival at the Contemporary Jewish Museum, sat down to talk about Judaism, culture, film and the festival.
Looking for something meaningful to do Sunday at 2 a.m.? Try the all-night Dawn festival.
Composer Erling Wold's solo chamber opera enjoys a thrillingly intimate world premiere this week under the banner of the San Francisco International Arts Festival.
For all his lasting wholesome appeal, Stewart was an oddity: Gangly, stammering, Pennsylvania-drawling and not particularly attractive by 1930s studio standards.
The historic Castro Theatre, its marquee recently revamped for the Milk biopic shoot, hosted Frameline's announcement of its 2008 festival.
The historic Castro Theatre, its marquee recently revamped for the Milk biopic shoot, hosted Frameline's announcement of its 2008 festival.
When The English Surgeon had its U.S. premiere at the SFIFF this month, Geoffrey Smith and Henry Marsh received a standing ovation.
When The English Surgeon had its U.S. premiere at the SFIFF this month, Geoffrey Smith and Henry Marsh received a standing ovation.
Part Luis Bunuel parable, Artforum spread, Jonestown ballet and Warhol camp, Harmony Korine's latest is a prime, insomniac two hours of midnight-movie drifting.
Rivera's debut centers on a young man grappling with a technological future in which neural implants, telerobotics and ubiquitous computing serve a global economy.
Unlike most experimental filmmakers, Sonbert's collected works have had the benefit of full retrospectives at major museums (SFMOMA, NYMOMA, Guggenheim) and a strong preservation effort.
Rivera's debut centers on a young man grappling with a technological future in which neural implants, telerobotics and ubiquitous computing serve a global economy.
Gregg Araki's "irresponsible" movie was the first to respond to the AIDS crisis with ACT UP-style radical rage rather than lamentation or case-pleading.
Gregg Araki's "irresponsible" movie was the first to respond to the AIDS crisis with ACT UP-style radical rage rather than lamentation or case-pleading.
Joan Didion famously said, "We tell ourselves stories in order to live." We've internalized the American narrative of Abu Ghraib and accepted its implications.
"There are no movies without music," Kevin Kelly asserted last Saturday in his State of Cinema address.
Food scents and film sensibilities mingled in a pungent party atmosphere at the California Culinary Academy.
The final installment in the San Francisco composer and musician's blog from the 2008 SFIFF.
Back to music.
I have some friends that were in a Sub Pop band that pre-dated Nirvana. They were known as the Dwarves. Their music is and was a snotty suburban unholy mixture of the Sonics, the Orlons, the Stooges and a vat of amphetamines. Their record covers usually featured midgets and half-naked woman covered in either blood or some sort of Nestle syrup of some sort. Here is one of their lines.
[Editor’s note: For the San Francisco Internationals 51st edition, SF360.org has asked Bay Area musician/composer/cineaste Marc Capelle to blog his thoughts on movies, music, and the films showing in the Festival. This is the third of three installments.]
The Jules Feiffer quote at the bottom of festival superfan Sue Jean Halvorsen's email reads, "Movies are better than real life."
Warren Beatty on the sexual and political message of Shampoo and a new film in the works about romantic revolutionary journalist John Reed.
Warren Beatty on the sexual and political message of Shampoo and a new film in the works about romantic revolutionary journalist John Reed.
You know a festival is working its way into your brain when, in a landscape of intersecting ideas, you begin to witness the collisions.
Errol Morris has a giant brain. Anybody who wants to argue against that thesis does not have a giant brain. So let's move on.
Joan Didion famously said, "We tell ourselves stories in order to live." We have internalized the narrative of Abu Ghraib and accepted its implications.
Glass: A Portrait of Philip in Twelve Parts is a very close-quartered and loving documentary, a year in the life of the composer.
SF Film Society’s Founder’s Directing Award winner Mike Leigh's work has created a distinctive insider’s portrait of working-to-middle class English life.
The longtime Bay Area resident, who recently relocated to Brooklyn, screens Woodward's Gardens in the shorts program "In A Lonely Place: New Experimental Cinema."
The longtime Bay Area resident, who recently relocated to Brooklyn, screens Woodward's Gardens in the shorts program "In A Lonely Place: New Experimental Cinema."
Medicine for Melancholy is a graceful and poignant film about fleeting urban connections, black identity and invisibility, cultural adventures and this gentrified city's lost soul.
A self-described "cultural archeologist," the noir expert's debut short, The Grand Inquisitor, pays homage to the Dashiell Hammett-style detective story.
The star of My Name Is Earl is (alongside Grindhouse superstarlet Rose McGowan) the recipient of this year's SFIFF Midnight Award.
Motherhood has supposedly had a slowing-down effect on Asia Argento, though at present evidence points rather wildly to the contrary. Not only does she star in this week’s San Francisco International Film Festival official opener, Catherine Breillat’s costume intrigue The Last Mistress, she also figures heavily in two other SFIFF features. Both are programmed in the culty "Late Show" section: Go Go Tales, Abel Ferrara’s most acclaimed film in years, and The Mother of Tears, a latest horror opus directed by her own fan-idolized gorehound dad Dario Argento. A couple weeks ago yet another vehicle opened commercially, Olivier Assayas’ Boarding Gate, which is entirely dominated by her feverish and highly physical performance.
Conventional logic might suggest all this visibility means it’s "breakthrough" time for Asia Argento, that moment when an actor goes from being a familiar face to a marquee name that can singlehandedly draw folks into the multiplex, or at least the arthouse. (In Europe she’s already quite well-known.) But as her project choices among other things bear out, Argento probably isn’t very interested in becoming a "star" in the conventional sense. In fact, she seems the girl most likely to run from any such fate.
Think of it as The Sound of Music meets Quest for Fire, or Jesus Christ Superstar rocks Land of the Lost.
Think of it as The Sound of Music meets Quest for Fire, or Jesus Christ Superstar rocks Land of the Lost.
Founded in 1968, San Francisco-based Newsreel is the oldest nonprofit, social-issue documentary film center in the U.S.
The Mission filmmaker has slaved in the underground for some three decades, a guide and shaman for other artists working on the fringes.
Touching Home by Bay Area-raised identical twins Logan and Noah Miller is a largely autobiographical coming-of-age film that radiates sincerity.
If making a movie about one’s family could be equated with a fire-walk in August, then making a documentary about one’s partner’s family might be akin to a midsummer sauna. Yet veteran L.A. filmmaker Renee Tajima-Pe–a (Who Killed Vincent Chin?) signed on to a road trip with her husband from L.A. to Washington state to Texas in search of "la verdad" about the father that abandoned Armando’s mother Rosa and his six brothers several decades ago. An intimate and elegantly crafted work of cinema verita, Calavera Highway encompasses universal familial tensions, Mexican-American identity, the responsibilities of fathers (and sons) and the psychic malleability of map-drawn borders.
Tajima-Pe–a, who’s an associate professor at UC Santa Cruz, will receive the Golden Gate Award for long-form television documentary at the S.F. International Film Festival, where Calavera Highway screens three times in early May. Via email, she talked about searching for "Calaveras" hidden in closets and elsewhere.
East Bay filmmaker Johnny Symons' documentary "Ask Not" moves beyond stereotypes to examine what experience is really like for gays and lesbians in the military.
Cachao: Uno Mas documents acclaimed bassist and cuban music innovator Israel "Cachao" Lopez's work and San Francisco concert at Bimbo's
Bodies of work have emerged from the intersections of performance, film and electronic art. Cinematograph 7ÑLive Cinema: A Contemporary Reader, edited by Thomas Beard's provides thoughtful writing on the subject.
First-time writer/director Jeff Nichols discusses the inspiration behind Shotgun Stories, the initial hurdles in making the film, and the noble nature of his characters.
A series of films at SFMOMA present an outsiders take on the outmoded American staple, the Western.
Tanner Shea and Zach Slow have launched the 2 Husbands contest and website, where they ask women to post videos in consideration of becoming their wives.
Tanner Shea and Zach Slow have launched the 2 Husbands contest and website, where they ask women to post videos in consideration of becoming their wives.
Filipino Director Brillante Mendoza discusses his aesthetic: a basic approach that resists facade and pretense and desires to depict to things as they really are.
Filipino Director Brillante Mendoza discusses his aesthetic: a basic approach that resists facade and pretense and desires to depict to things as they really are.
Longtime San Francisco Chronicle film critic Judy Stone offers her top ten picks from the 2008 San Francisco International Asian American Film Festival.
The 26th annual SFIAAFF plays in San Francisco, Berkeley and San Jose, and kicks off with Wayne Wang's A Thousand Years of Good Prayers.
Here Donnie Yen wears two hatsÑas an actor in his signature role of a dedicated cop , and as an action choreographer who stages electric fight sequences using Mixed Martial Arts (MMA).
A "discovery" festival from Day OneÑmeaning they premiere a lot of films, including many other fests might pass overÑSan Jose's Cinequest actually adopted "Discover" as motto for its 16th year.
"A Genuine Tribute to Peter Bogdanovich" is a major coup for Jesse Hawthorne Ficks, after all these years later, he's ready for a retrospective of his own.
San Francisco Irish Film Festival begins this Wednesday at the Roxie with a slate of narratives and documentaries imbued with Ireland's particularly unique sense of time and place
Girls Rock watches a few select 8-18 -year-olds overcome the obstacles to claim their rightful place on Earth and wail away.
In Honeydripper it will no doubt be pleasure to see Danny Glover play a familiar character: The good man trying to gain a leg-up when fortune has rained on his hopes.
In addition to practically every extant band you’d want to see, an art exhibit, and comedy shows, there are movies at Noise Pop.
The list of talking dog movies is long and storied, but one stands head and forelocks above the others: A Boy and His Dog.
The list of talking dog movies is long and storied, but one stands head and forelocks above the others: A Boy and His Dog.
An idea so vivid yet simple you've got to wonder why more movies haven't used it: Something happens that turns the populace into irrational maniacs.
“Passion & Power, the Technology of Orgasm” gives Rachel Maines’ entertaining academic book on the subject a new life onscreen.
“Passion & Power, the Technology of Orgasm” gives Rachel Maines’ entertaining academic book on the subject a new life onscreen.
Every morning I wake up with Bollywood movie tunes going through my head. Every. Single. Morning.
Despite the blanket of financial and technical doom constantly smothering Independent Filmdom, Indiefest serves as a satisfying reminder that great indie film isn't going anywhere.
Underneath The Band's Visit's poignant humor, the film subtly reflects the director's attempt to comprehend Israel's pull between the Middle East and the West.
The unassuming young director and producer spent five years on their optimistic yet unsentimental doc spotlighting four teenagers from the S.F.-based Youth Speaks project.
Way back in 1998, Jeff Ross founded the San Francisco Independent Film Festival to showcase iconoclastic, grassroots moviemakers locked out of the standard channels of distribution. As the 10th SF Indiefest kicks off tonight, Ross and his rotating cast of programmers remain as idealistic as ever, but the indie landscape has largely changed for the worse.
The first-time filmmaker managed to build, for under half a million dollars, a relatable story and characters with substance rarely seen in mainstream film.
Praise any god you like for Alex Gibney, who has quietly risen from stellar PBS series to a run of exceptional theatrical-release docs.
The Romanian film takes place over 24 hours in a provincial town in 1987 before Ceaucescu was deposed.
A five-week series features an assortment of some of the less commercially-minded, artistically imaginative, philosophically thoughtful treatments the era has gotten.
Susan Gerhard reflects on Sundance's program with particular attention to sense of place.
Michael Fox reviews the release of a Sergei Paradjanov DVD boxed set and the arrival of a Jean-Luc Godard box spotlighting his underrated mid-'80s work.
Alan K. Rode, a cofounder of the Film Noir Foundation, sang the praises of San Francisco movie audiences on the horn from L.A., then got down to brass tacks.
Alan K. Rode, a cofounder of the Film Noir Foundation, sang the praises of San Francisco movie audiences on the horn from L.A., then got down to brass tacks.
Noir City 6 offers a spread of special guests, rare titles, and newly struck prints across ten nights of double-features.
A reprinting of an interview with Amanda Micheli because her film, now playing Sundance, has just made the final cut for an Academy Award.
Galison, whose film is competing at Sundance '08, answers questions about the world of hidden national security policy.
Anton Corbijn's Control is a dramatization of the book written by the frontman's widow, chronicling their romance and marriage, his eventual infidelity, and his mental health issues.
As filmmakers, fans, and skiers get zipped up to head off to Parka City for the annual Sundance Festival this week, SF360.org checked in with Gail Silva.
The live-action film division of Viz Media has just marked its second year of bringing a broader range of Japanese film to the growing audience for Japanese pop culture.
Susan Gerhard enjoys an hour or so inside the wilds of Gondry's brain at the Apple Store, SF.
As this retrospective makes clear, de Antonio's documentaries are a different species entirely from the kind of celebrity-driven, headline chasing theatricals now in favor.
Ivan Jaigirdar's joint offers a screen filled with Bollywood eye candy, plates filled with South Asian food, and drinks to warm both.
Judd Apatow has come to so dominate American comedy that I often find myself thinking, "If only this movie had been written by Apatow..."
The Sundance feature follows a 70-year-old novelist trying to complete the book he's been working on for the last 10 years.
The Sundance feature follows a 70-year-old novelist trying to complete the book he's been working on for the last 10 years.
Yu's latest doc centers on four rather damaged individuals, applying the dramatic structure of Greek playwright Euripedes to contemporary life.
In honor of Gus Van Sant's new film, 'Paranoid Park,' five skate films that matter to the skate junkie, and three honorable mentions.
Somewhere between iPhone and YouTube there’s a wee festival known as miniPAH. A more slender version of PAH-FEST, the touring weeklong digital film festival founded a year and a half ago by filmmaker Christopher Coppola, “miniPAH: San Francisco” happens this weekend at Coppola’s alma mater, San Francisco Art Institute, ahead of a full-fledged Bay Area PAH sometime next year.
"I suddenly found myself surrounded by a group of 15 little [Cambodian] girls aggressively soliciting me for prostitution," Guy Jacobson told a MVFF audience.
"I suddenly found myself surrounded by a group of 15 little [Cambodian] girls aggressively soliciting me for prostitution," Guy Jacobson told a MVFF audience.
How does Jean-Jacques Beineix's breakthrough hold up a quarter-century later, duly remastered and freshly subtitle-translated?
Midnites for Maniacs unearths populist yet esoteric genre and exploitation flicks that have mostly disappeared into the netherworld of discarded VHS rental tapes.
Midnites for Maniacs unearths populist yet esoteric genre and exploitation flicks that have mostly disappeared into the netherworld of discarded VHS rental tapes.
The entire Bay Area is invited to watch a film simultaneously in the comfort of home, and the selection is a delicate and heartfelt depiction of the director's autistic sister.
A perfect example of the emerging genre of improv-based, digitally shot, minimally budgeted seriocomedies about twentysomethings stumbling through, you know, relationship stuff.
SF360.org sits down with a criminally little-known director of stage and screen who is arguably the most imaginative, talented multi-hyphenate of his generation.
SF360.org sits down with a criminally little-known director of stage and screen who is arguably the most imaginative, talented multi-hyphenate of his generation.
Todd Haynes' I'm Not There both replicates and examines the hazy landscape of fact, fiction, art and myth comprising Dylanology.
The documentary What Would Jesus Buy? makes bad news go down easy, thanks largely to its "star," Reverend Billy of the Church of Stop Shopping.
The documentary What Would Jesus Buy? makes bad news go down easy, thanks largely to its "star," Reverend Billy of the Church of Stop Shopping.
Sometimes even presumably good intentions can warp into artistic misdeeds most foul.
The S.F. International Animation Festival experienced a major bounce, with a number of sold-out shows in its venue at the Embarcadero Center Cinema.
Herzog's remarks challenged the audience to reconsider its views on non-fiction film at AFI Fest.
SFFS programmer Sean Uyehara gives some perspective on the shifting dimensions of animated filmmaking.
SFFS programmer Sean Uyehara gives some perspective on the shifting dimensions of animated filmmaking.
The filmmaker talks about her recent projects, including Salud!, which looks at Cuba's world-class health system.
The filmmaker talks about her recent projects, including Salud!, which looks at Cuba's world-class health system.
The List: While Rob Stewart's film is winning awards around the world, he offered his thoughts on the five films that have done the most damage to sharks' reputation.
This festival is home to an array of talent that promotes Indians in roles other than that of Indians, in movies other than westerns.
Make: magazine gives tons of fascinating advice on how to do everything from turn two lengths of sewer pipe into a lens focuser to the proper way to mount a heat shield.
Woolf shares insights drawn from his disparate experiences as a filmmaker in Peru, a fisherman in Alaska, and a restauranteur in New York.
Woolf shares insights drawn from his disparate experiences as a filmmaker in Peru, a fisherman in Alaska, and a restauranteur in New York.
MobMov combines the four-wheeled charm of an old-time drive-in with the technologist's urge to pimp his or her ride into a rolling film-projection booth.
Kopp's organization is helping filmmakers collaborate by accessing virtual communities, facilitating live gatherings, expanding into book publishing, and more.
Kopp's organization is helping filmmakers collaborate by accessing virtual communities, facilitating live gatherings, expanding into book publishing, and more.
We spoke with the filmmaker about his own intersections with his award-winning film on a young man with Mowat-Wilson syndrome.
We spoke with the filmmaker about his own intersections with his award-winning film on a young man with Mowat-Wilson syndrome.
Mill Valley retains its genuinely alterna-vibe and local (rather than professional outta-towner) audience after 30 years.
Joseph Cornell: Navigating the Imagination comes to San Francisco for the first major west-coast exhibition of the artist's work in 40 years.
Jamie Meltzer talks about his new film on Nigeria, where the digital revolution enables entrepreneurs to churn out movies quickly and inexpensively.
Jamie Meltzer talks about his new film on Nigeria, where the digital revolution enables entrepreneurs to churn out movies quickly and inexpensively.
SF360.org caught up with the filmmaker, who has been extraordinarily prolific since abandoning celluloid for the lighter, cheaper, more flexible digital realm.
SF360.org caught up with the filmmaker, who has been extraordinarily prolific since abandoning celluloid for the lighter, cheaper, more flexible digital realm.
SF360.org spoke with Robert Ogden Barnum on guiding four future pop stars onto the big screen in Antonia and his new distribution company.
SF360.org spoke with Robert Ogden Barnum on guiding four future pop stars onto the big screen in Antonia and his new distribution company.
As the Madcat Women's International Film Festival heads into its final stretch this coming week in San Francisco, SF360.org felt it was important to catch up with its chief curator, Ariella Ben-Dov.
Does Tomo Uchida, whose retrospective is currently at the PFA, merit the same sort of reverent revival treatment that has been given many times over to other Japanese filmmakers of his generation?
Here are a few quick takes on programs that look particularly worthwhile at Madcat.
Michael Fox interviews director and Mission District icon George Kuchar
Lucy Gray reports from the 35th Telluride Film Festival.
SF360.org spoke with director Finn Taylor about ÔThe Darwin Awards' and all the films he's directed in a Bay Area that's offered him years of inspiration.
Matt Sussman looks at the final products of the talented young directors in TILT's Summer Film Camp showcase (screening as part of of Straight Outta Film Arts program at YBCA).
Miles Matthew Montalbano's evocative and empathetic portrait of Bush-era dissatisfaction among the post-collegiate set.
An intimate four-day buffet of tributes, premieres, restorations, and revivals laid out in the Colorado mountains, Telluride is an oasis for film lovers.
SF360.org caught up with the Oakland director, who was one of seven finalists on the Fox reality show On the Lot.
SF360.org caught up with the Oakland director, who was one of seven finalists on the Fox reality show On the Lot.
Delpy, who studied film at NYU in the early '90s, spoke fluent, rapid-fire English during a late-July visit to San Francisco.
Delpy, who studied film at NYU in the early '90s, spoke fluent, rapid-fire English during a late-July visit to San Francisco.
A conversation with Joshua Grannel, a.k.a. Peaches Christ, founder and host of camp/cult-fest extravaganza Midnight Mass.
SF360.org reviews a masterpiece of train-wreck voyeurism and "Sunset" stripped.
The List: While one might take comfort that the following list lies isolated in the filmic realm, do play it safe: don't piss off the ladies in your life.
One film takes us from the American South to the Korean North, another to Frank Oz's last gasp.
The co-programmers discuss their newest endeavor, though those already from the Bay Area will be familiar with their work at S.F. Cinematheque.
The co-programmers discuss their newest endeavor, though those already from the Bay Area will be familiar with their work at S.F. Cinematheque.
In this film, those creatures of the polar region, who've long been ready for their closeup, carry the global warming message on their so very cute backs.
A conversation with the Oscar-nominated Jeffrey Blitz (Spellbound) on his new feature, which screened at the S.F. International Film Festival.
A conversation with the Oscar-nominated Jeffrey Blitz (Spellbound) on his new feature, which screened at the S.F. International Film Festival.
SF360.org reviews Shane Meadows' finest directorial effort yet and an offbeat coming-of-age comic-drama.
Fletcher explains what will hopefully be an annual event that encompasses all kinds of worldwide cult-skewing fun.
Fletcher explains what will hopefully be an annual event that encompasses all kinds of worldwide cult-skewing fun.
Tirard takes an ingenious tack in conjuring the creative evolution of France's master of satiric comedy.
SF360.org speaks with Edward Millington Stout, III, who is undoubtedly the world's foremost theatrical organ restorationist.
A non-rich family is torn apart by money matters, and young actors lie atop, next to, and around each other with youthful, sexual abandon.
SF360.org talks to Marc Huestis, who exhibits a playful flair to his showmanship, putting the "imp" back in impresario.
SF360.org talks to Marc Huestis, who exhibits a playful flair to his showmanship, putting the "imp" back in impresario.
Elegant screen sartorial highs and garishly campy lows alike will be well-represented in an eight-day series on fashion at the Castro.
Few people not employed as directors, producers, cinematographers, costume or production designers have had as much impact on the "look" of movies.
While reality television may have reduced Warhol's 15 minutes to a 15 second sound byte, Kemet is setting his sights well beyond his time.
The '05 feature imagines a 21-year-old Indian American returning to India to visit her family and discover where she was born.
The '05 feature imagines a 21-year-old Indian American returning to India to visit her family and discover where she was born.
The List: San Francisco Jewish Film Festival is showing five great films that showcase the moxie and smart fighting style of Jewish boxers, both old and new.
Sunshine tells the story of the eight astronauts aboard the ominously named "Icarus II," a vessel bound to kick-start the sun, Earth's last hope for survival.
Manufactured Landscapes, the film, extends photographer Edward Burtynsky's vision into a new medium, the documentary, and engages a dialog about global capitalism's impact on Earth.
Manufactured Landscapes, the film, extends photographer Edward Burtynsky's vision into a new medium, the documentary, and engages a dialog about global capitalism's impact on Earth.
George Ratliff talks about his first feature narrative Joshua, described by Sundance as a "horror story disguised as a sophisticated family drama."
George Ratliff talks about his first feature narrative Joshua, described by Sundance as a "horror story disguised as a sophisticated family drama."
Reviews: Dr. Bronner's Magic Soapbox and Ten Canoes
Stacey Wisnia has been a vibrant fixture in the San Francisco film scene for years and has became the Executive Director of the San Francisco Silent Film Festival,
Stacey Wisnia has been a vibrant fixture in the San Francisco film scene for years and has became the Executive Director of the San Francisco Silent Film Festival,
Parker Posey: one more-than-worthies in an often less-than-worthy medium. It's particularly exciting when they get a rare expansive part in a good movie.
"People in this town are coming to realize that Los Angeles needs a world-class film festival," proclaimed Rich Raddon, who's led LAFF since 1999.
Jasmine Dellal's affinity for Roma (or Gypsy) and new film, Gypsy Caravan is a spectacular portrait of five top-drawer Roma acts.
List: While the following list may hold few such surprises, these adaptations are some of the most intensely unsettling (and most cinematically rich) re-stagings of Shakespeare's dark plays.
The story of literary sensation and media darling J.T. Leroy, a persona created by Laura Albert, took another dramatic turn Friday in New York.
Review: startling portraits Claude Cahun, her half-sister and lover Marcel Moore took of themselves and each other dressed in a variety of personas, costumes and genders in Lover Other.
Sperling's Itty Bitty Titty Committee closes the SF International LGBT Film Festival, at which Sperling—17 films strong—receives the Frameline Award.
Sperling's Itty Bitty Titty Committee closes the SF International LGBT Film Festival, at which Sperling—17 films strong—receives the Frameline Award.
List: American Cannibal documents two down on their luck television writers, Gil Ripley and Dave Roberts, as they sell their souls to the reality television circuit.
Roadside Pictures signed Colma: The Musical for national release. A sort of anti-"High School Musical," "Colma" follows three friends in their new post-high school freedom.
Roadside Pictures signed Colma: The Musical for national release. A sort of anti-"High School Musical," "Colma" follows three friends in their new post-high school freedom.
The prolific British director, known for a large and eclectic body of work, has done something very unusual in the past half decade.
The prolific British director, known for a large and eclectic body of work, has done something very unusual in the past half decade.
For some movies, Sprite and popcorn aren't enough. You need gin and vodka and a room of unruly bodies shouting when they're not supposed to,
Now past its third-decade anniversary, SFILGBTFF — the producing organization keeps trying to change its public-recognition name to something more manageable, which this annum would be Frameline31 — now has filmmakers and distributors banging on its door.
Strangely enough, perhaps the most compelling reason to attend the Jackson Hole fest is precisely the reason not to see a film: Jackson Hole itself.
Brand is no short supply of Guy Maddin's usual firecrackers: apostrophe, hyperbole, and of course, catastrophe.
Frameline directors Michael Lumpkin and Jennifer Morris speak about the programming, controversy and the landscape of LGBT films.
Frameline directors Michael Lumpkin and Jennifer Morris speak about the programming, controversy and the landscape of LGBT films.
Strand Releasing can always be relied upon for some of the best art films and queer indies, and it has a strong festival presence,
Strand Releasing can always be relied upon for some of the best art films and queer indies, and it has a strong festival presence,
"SF Indiefest: Gets Animated," piggybacking on the 4th Annual Another Hole in the Head Film Festival, co-presents an animation program with the popular archivist.
Despite the best efforts of method actors, methodical directors, and talented costume designers, biopics can usually be relied upon to disappoint.
Industy vets will identify Klores with his PR firm, but he's also produced and directed TV docs and Ring of Fire: The Emile Griffith Story.
Walking in to interview John Carney and actors/musicians Glen Hansard and Marketa Irglova, the frenetic edge to their on-the-road exhaustion is apparent.
SFMOMA offers plenty of chances to appreciate Astaire's feather-light charm this month in Also Dances: The Films of Fred Astaire.
San Franciscans have a poignant symbiotic relationship with William Kaufman's freshman feature, The Prodigy, which returns to the city this week.
A masterful stroke by writer-director Abderrahmane Sissako; Luc Besson returns to American theaters after a nearly decade-long absence.
A week before the 27th festival, SF360.org spoke with the executive director on what Superfest gets about disability that the rest of the filmmaking world doesn't.
A week before the 27th festival, SF360.org spoke with the executive director on what Superfest gets about disability that the rest of the filmmaking world doesn't.
Five recommendations chosen from among the gore, ghouls, ghosts, gags, and animation at Indiefest's Holehead festival.
The four-day festival offered over 100 films, with an emphasis on documentaries, and attracted some 60 filmmakers, including Albert Maysles.
The San Francisco International LGBT Film Festival lineup includes several world premieres and international features from Korea, Argentina, and Cuba.
The San Francisco International LGBT Film Festival lineup includes several world premieres and international features from Korea, Argentina, and Cuba.
No sooner does the Festival de Cannes open than attendees start buzzing about the potential award-winners.
Jeff Iorillo on the fourth festival trailer that he's written and directed for the S.F. International LGBT Film Festival.
Changes in Hal Hartley's geography and work styles have put distance between his early films and also given the director a chance to experiment with form.
Changes in Hal Hartley's geography and work styles have put distance between his early films and also given the director a chance to experiment with form.
Mexican director Francisco Vargas Quevedo’s "The Violin" (El violin) won the San Francisco International Film Festival’s Skyy Prize, while Israeli duo Shahar Cohen and Halil Efrat’s "Souvenirs" took best documentary feature (West Coast premiere), capping the Golden Gate Awards ceremony Wednesday evening for the festival’s landmark 50th edition.
While the SF International Film Festival has always had celebrity guests, the 50th edition featured a particular concentration of unique one-offs.
The 50th annual SF International Film Festival is as good a time to put forth an argument. Here’s one: The most compelling movie stars of the current era are athletes, and the most dynamic 21st-century cinema is sports cinema.
The Unbelievable Truth helped jumpstart the independent film movement in the U.S. in 1989, followed by eight more Hartley features in the next decade.
The Unbelievable Truth helped jumpstart the independent film movement in the U.S. in 1989, followed by eight more Hartley features in the next decade.
If the Bay Area oozed self-regard last night, it couldn't exactly be blamed.
A shot in Wonders Are Many makes visual reference to Guernica as shorthand for art's charge to speak for the voiceless.
Daniel Wu and fictitious boy band Alive from his directorial debut The Heavenly Kings on Cantpop, the Bay Area, and Hong Kong film.
Daniel Wu and fictitious boy band Alive from his directorial debut The Heavenly Kings on Cantpop, the Bay Area, and Hong Kong film.
How did Kink.com make it to the Mission? How did Straight Outta Hunters Point get out of Hunters Point? How'd the Roxie get saved?
The List: An Amerindie helmer well before the term was invented, Nilsson names 10 films which deeply affected him.
The artist's filmsÑsensual, intricate, tactileÑare a magical combination of optical artistry, snippets of forgotten films, and bits of lace, tape, and glitter.
The artist's filmsÑsensual, intricate, tactileÑare a magical combination of optical artistry, snippets of forgotten films, and bits of lace, tape, and glitter.
Is there anyone who doesn't know that the San Francisco International Film Festival is turning 50 this month?
Wonders Are Many: The Making of Doctor Atomic blends World War II history with composer John Adams and director Peter Sellars’ staging of a new opera on the subject.
Thinking about the upcoming SFIFF, music may not be the first thing that pops into your head. It may not even be the second.
Taste a bit of the vintage grindhouse experience at the last of Dead Channels' Month of Sleazy Sundays triple bill of under-the-radar movies.
The editor and actor, known for his frequent work with Todd Haynes, died in New York. His friends share their thoughts.
The editor and actor, known for his frequent work with Todd Haynes, died in New York. His friends share their thoughts.
in Claude Chabrol's latest film, Isabelle Huppert plays a judge plunging headlong into a dangerous investigation of french corruption and gender dynamics.
Verhoeven's career can be divided between the character-driven movies he made in Holland and the slick genre films he directed in Hollywood after 1985.
Verhoeven's career can be divided between the character-driven movies he made in Holland and the slick genre films he directed in Hollywood after 1985.
At many larger fests, daily life is less a stroll in the park than a pentathalon. The SVFF is all about the good life.
“I Don’t Want to Sleep Alone” puts its melodrama and comedy within a Malaysian mattress. 1962’s “Mafioso” may be the mob-chronicle genre’s ground zero.
The festival kicks off with Emanuele Crialese's Golden Door and closes with Olivier Dahan's Edith Piaf biopic, La vie en rose.
It's taken over two years for Police Beat to go from one of the most praised films at Sundance to a theatre near you.
An interview with documentary and narrative filmmaker Philip Haas upon the release of his latest film, The Situation.
An interview with documentary and narrative filmmaker Philip Haas upon the release of his latest film, The Situation.
Director Grace Lee talks about the personal horror movie genre in American Zombie and the ethical dilemmas documentary filmmakers face.
SF360.org checked in with actors and filmmakers roaming this year's festival to give props to their favorite Asian American artist, past or present.
Spencer Nakasako gets the credit for starting the still-cresting wave of first-person camcorder documentaries back in 1995, but he claims it was largely an accident.
Spencer Nakasako gets the credit for starting the still-cresting wave of first-person camcorder documentaries back in 1995, but he claims it was largely an accident.
When all was said and done in Los Angeles tonight, The Departed was the big winner at the 79th Academy Awards.
It's a big week for Peter Morgan, partly because the SFFS announced he'll receive the Kanbar Award for excellence in screenwriting at the 50th SFIFF.
Daniel Burman's smartest play was casting Daniel Hendler as his onscreen alter ego. Michael Apted's worthy Grace, reminds that period pieces make effective message movies.
Filmmaker Rory Kennedy talks about her process and approach with making her new chilling documentary Ghosts of Abu Ghraib.
Boasting dozens upon dozens of homegrown events anchored by the country's most visible festivals, San Francisco has evolved into the quintessential festival town.
The Pacific Film Archive's standing as a cinema-centric educational institution brings the avant-garde into conversation with a broad program of film history.
The Pacific Film Archive's standing as a cinema-centric educational institution brings the avant-garde into conversation with a broad program of film history.
James Longley's Fragments stands out amongst the crowded field of Iraqumentaries, while Others pulls back the Iron Curtain to powerful effect.
Von Donnersmarck talks about his Lola-winning and Oscar-nominated debut during a visit to San Francisco.
We asked the collectively owned and operated theater to come up with a list of their five favorite screenings over the years.
The alarm has been sounding for some time now that "indie" doesn't mean what it used to. Jeff Ross simply ignores the cranky clamor.
Tears of the Black Tiger is Thai eye candy, an exercise pastiche where color just about leaps off the screen, and a star-crossed love story.
The new western isn't really about violence, it's about Myth, in a symbolic, sort of Old Testament-meets-Sergio Leone way.
The latest launch under the SF Film Society's SF360 banner premieres this week on ComcastSF, Channel 11.
The List: A collection of individuals who caught my eye in an intense week of YouTube scouring. Most have gotten upwards of one million views.
Highlights of the upcoming festival were presented by the San Francisco Film Society Executive Director.
Inteview with the artist and filmmaker on her work and her latest movie, presented at Sundance.
SF IndieFest's founder/director Jeff Ross announced the ninth edition of the Bay Area's indie showcase festival
The Pacific Film Archive retrospective on Ernst Lubitsch encompasses 21 features, including many seldom-seen silent movies.
A delightfully funny movie on boy-men redeeming themselves from New Zealand, and Mark Becker's absorbing documentary on a musician in the Mission.
Hailed as one of the best films of 2005 without distribution, Becker's doc hits theaters nearly two years after it debuted at Sundance.
Miljenko Skoknic's list of favorites in Chilean Cinema.
A documentary provides an in-depth description of Robert Wilson's life and art. Melville's spy story on a Resistance cell in Nazi-occupied French challenges our idea of heroism.
Teenager Lucie's (Islid Le Besco) encounter with her idol, the pop diva Lauren Waks (Emmanuelle Seigner), turns into a twisted and creepy psychological relationship.
SF360.org ended the year the way we started it--asking enormous favors from some of our favorite filmmakers: Caveh Zahedi, Sam Green, and Danny Plotnick.
SF360.org ended the year the way we started it--asking enormous favors from some of our favorite filmmakers: Caveh Zahedi, Sam Green, and Danny Plotnick.
The product of a true cinematic innovator and gloriously individual poet, Broughton's film work remains much too idiosyncratic to be deconstructed,
The product of a true cinematic innovator and gloriously individual poet, Broughton's film work remains much too idiosyncratic to be deconstructed,
Spies are frequent movie characters, in part because we know so little about them. Nonetheless, The Good Shepherd is an unusual Hollywood project.
San Francisco artist James T. Hong is currently working on a documentary, tentatively titled New History Zero, which explores his interest in revisionist World War II history.
"Candy," an Australian film an accent-less Aussie Heath Ledger, follows the downward spiral of a Heroine addict - by now a time-tested narrative conceit.
It would not seem to bode well for the stewardship of studio classics that Preston Sturges's indomitable comedies have been so slow to DVD.
The group chose ;Little Children as its Best Picture of 2006 and Guillermo del Toro's Pan's Labyrinth the Best Foreign Language Film.
Last week, theater operators Frank and Lida Lee won the battle to save the 4 Star, and announced they'd purchased the building.
This series of cinematic responses to war, curated by Lebanese video artist Akram Zaatari, opens up possibilities for re-imagining the dehumanized landscape of violence.
This series of cinematic responses to war, curated by Lebanese video artist Akram Zaatari, opens up possibilities for re-imagining the dehumanized landscape of violence.
Song and Solitude, is a twilight sojourn to a secret world much like our own, rendered with profound patience and a hint of wistfulness.
Song and Solitude, is a twilight sojourn to a secret world much like our own, rendered with profound patience and a hint of wistfulness.
Ramin Bahrani's debut feature follows a solitary, quiet immigrant struggling to make a go of it in New York City.
Ramin Bahrani's debut feature follows a solitary, quiet immigrant struggling to make a go of it in New York City.
The director, producer and sometime actor enjoyed a painless ride from well-off circumstances to well-connected beginnings to one of Hollywood's biggest names for decades.
MTV's boat has long since sailed, but music videos are as ubiquitous on YouTube and Myspace as YBCA brings music videos to its downstairs gallery.
Collector and archivist Rick Prelinger puts on a show at the Other Cinema to celebrate his new book, A Field Guide to Sponsored Films.
The filmmaker talks about tagging along with three renegade activists on their self-funded humanitarian excursions to war zones and disaster sites.
One month ago today, the maverick filmmaker was at the Hamptons International Film Festival reflecting upon his career at a tribute in his honor.
Half of Illbilly Productions and 1/45th of Killing My Lobster, Bancroft has made claymation shorts and perhaps the quintessential rap video, Maximum Wage.
Half of Illbilly Productions and 1/45th of Killing My Lobster, Bancroft has made claymation shorts and perhaps the quintessential rap video, Maximum Wage.
The Redwood City-based startup InDplay is like an online dating service for the film industry.
The Redwood City-based startup InDplay is like an online dating service for the film industry.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
The weekly series is a platform for independent filmmakers in California, showcasing short and full-length documentaries about the state.
It doesn't seem like a stretch to group Janus with those American institutions which have represented a vision of what art is and can be.
Three days, nine films, eight shorts, and endless bliss courtesy of last weekend's fourth annual 3rd I South Asian Film Festival.
The relationship between intellectualism and passion, a distinctly Italian concern, propels the 2006 edition of New Italian Cinema.
The resounding refrain at Digimart 2006 was that the traditional model of independent film and video distribution was dying.
Many stars are forgotten for a while, then “rediscovered” and newly appreciated by a later generation. But the case of Louise Brooks is somewhat unique — she was, really, only a “star” in retrospect. Her Hollywood profile was headed that-a-way when she foolishly (according to the industry) abandoned it to make a couple European movies. When she returned, her moment had passed.
A paltry if promising career and early dead-end-at the time, it constituted barely a blip on the radar. Yet those European films grew in stature over ensuing years, and with that the gradual realization that Brooks had been one of the great screen presences, however briefly. Her striking look — porcelain skin, alert features, sleek jet-black flapper bob — and naturalistic acting haven’t dated at all.
As a result, it seems there’s more interest in her with each passing year. The latest evidence is critic and historian Peter Cowie’s new book “Louise Brooks: Lulu Forever,“ published in time to commemorate the centenary of her birth. He’ll be signing copies and presenting a special commemorative film program at the Balboa this Sunday. The evening promises a rarely screened feature, a short and trailers showcasing Brooks, as well as “special guests, door prizes and more.” (Cowie will also appear the prior night at the Smith Rafael Film Center to screen a new 35mm print of her best-known vehicle “Pandora’s Box.”)
Why the fuss? Why, indeed, is there such a thing as The Louise Brooks Society (which is co-presenting this event with The Booksmith)? The explanation is all on-screen, in any role where she wasn’t entirely wasted.
Kansas-born Brooks started out as a dancer, first in touring troupes and then in Broadway revues. This led to Hollywood in 1925, where bit parts led steadily to larger ones, finally female leads in two good 1928 Paramount releases: Howard Hawks’ rollicking “A Girl in Every Port” and William Wellman’s more delicate “Beggars of Life.”
She hadn’t set the world on fire yet, but was certainly expected to graduate from starlet to star. Paramount was not pleased, however, when she chose — just as “talking pictures” were becoming the rage — to end her contract and accept a silent-film offer in Germany. This was G.W. Pabst’s “Pandora’s Box,” drawn from Franz Wedekind’s play “Lulu,” and with beguiling lack of affectation she played that titular seducer/destroyer of both men and women, herself finally destroyed by Jack the Ripper. Perhaps even better (if less shocking) than that famous classic was a second Pabst movie, “Diary of a Lost Girl,” in which her victimized innocent is indelibly touching. She also starred as an exploited beauty-contest winner in a French film, 1930’s “Prix de Beaute.” These are all wonderful movies in which she was superb. But for a long time they were little seen outside their home countries — particularly in the U.S., where silent cinema was already stone-cold-dead.
Returning to Hollywood, Brooks was now — at age 24 — a has-been. She unwisely turned a couple good offers and accepted a handful of humiliatingly poor ones, including bit parts. Those few who remembered her considered her “difficult” and past expiration date. Her last movie role was a nondescript heroine in a nondescript 1938 “Z” western, “Overland Stage Raiders” — one of a zillion such that John Wayne starred in before becoming an “A”-list star.
Found living in seclusion in the mid-‘50s, Brooks was surprised and delighted that latterday film buffs not only remembered but worshipped her. She returned the favor by writing very intelligently about her own movies and the art form in general (mostly famously in the essay collection “Lulu in Hollywood,” which is still in print). She admitted sabotaging her own career as readily as she enjoyed her new iconic status in retirement, dying at a no doubt satisfied age 80 in 1985 — secure in the knowledge that her legend would continue to grow.
[“Pandora’s Box” plays Sat., Nov. 11, at 7 pm, Smith Rafael Film Center, 1118 4th St., San Rafael. $6.25-9.50. (415) 454-1222. “Celebrating Louise Brooks: An Evening of Rare Films,” issues Sun., Nov. 12, at 7:30 pm, Balboa Theatre, 2630 Balboa, SF. $6-8.50. (415) 221-8184.]
Through a close examination of his own family, filmmaker Doug Block explores universal questions about our own mothers and fathers in 51 Birch Street.
Through a close examination of his own family, filmmaker Doug Block explores universal questions about our own mothers and fathers in 51 Birch Street.
A visit to the 50th anniversary portion of San Francisco Film Society’s web site nets not just the real Truman Capote candidly essaying on life and the movies in a 1974 visit to the SF International Film Festival.
The veteran documentary maker describes the making of Jonestown: The Life and Death of Peoples Temple.
With the midterm elections less than two weeks away, a crop of documentaries are collectively trying to get a message across that has largely been passed over by the mainstream media.
Eric Steel's disturbing, controversial documentary, The Bridge, focuses on people who end their lives at the famous landmark at the edge of the continent.
Eric Steel's disturbing, controversial documentary, The Bridge, focuses on people who end their lives at the famous landmark at the edge of the continent.
Segueing from network television news to documentary features, Amy Berg makes her debut with a shocking, powerful film about pedophile priest Oliver Grady.
Segueing from network television news to documentary features, Amy Berg makes her debut with a shocking, powerful film about pedophile priest Oliver Grady.
The List: Ten to catch at the 9th annual United Nations Association Film Festival October 25 through 29 at Stanford University in Palo Alto.
For close to a decade now, Miranda July has been exploring and often crossing the traditional boundaries between life and the movies.
For close to a decade now, Miranda July has been exploring and often crossing the traditional boundaries between life and the movies.
After weeks of Western Europe, what better way for the young cineaste to crash the City of Light than a trip to the silver screen?
When Brent Hoff was checking into a hotel for a film festival, the concierge thrust a business card into his hand, “Remember me next time you’re casting a film." So he asked the biggest directors he knows to cast the concierge in a series of short films.
When Brent Hoff was checking into a hotel for a film festival, the concierge thrust a business card into his hand, “Remember me next time you’re casting a film." So he asked the biggest directors he knows to cast the concierge in a series of short films.
Joseph McBride's What Ever Happened to Orson Welles?: A Portrait of An Independent Career catalogs the director's amazingly prolific final 15 years.
Mark Andrews and Andrew Jimenez co-wrote and co-directed the unexpected, surprisingly funny short about two musicians vying for a young girl's lone coin.
Mark Andrews and Andrew Jimenez co-wrote and co-directed the unexpected, surprisingly funny short about two musicians vying for a young girl's lone coin.
San Francisco Film Society programming associate Sean Uyehara has pulled off a feat with the opening program for the first San Francisco International Animation Showcase.
San Francisco Film Society programming associate Sean Uyehara has pulled off a feat with the opening program for the first San Francisco International Animation Showcase.
Crossdressers, canines, and Cruellas de Vil occupied the Castro theater last weekend as part of the first Canine Film Festival.
When onlookers or bystanders disparagingly refer to experimental film as torturous or a bore, it’s a safe bet that they’ve never seen anything by Bruce Baillie.
When onlookers or bystanders disparagingly refer to experimental film as torturous or a bore, it’s a safe bet that they’ve never seen anything by Bruce Baillie.
The List: 25 Bay Area landmarks, including the Roxie and the Fox Oakland, are vying for $1 million in preservation grants from American Express.
By the youth-rhetoric standards of another era, this is the last year we can trust the Mill Valley Film Festival. Next year, it turns 30.
Though it won the Silver Bear at the Berlin Film Festival in 1975, Overlord is one of those movies that mostly slipped through the cracks.
Killer Films' Christine Vachon's new memoir, A Killer Life (written with Austin Bunn), bolsters the producer as the driving force of independent film.
Killer Films' Christine Vachon's new memoir, A Killer Life (written with Austin Bunn), bolsters the producer as the driving force of independent film.
John Cameron Mitchell's latest film: A bright, sexually explicit ensemble piece featuring American friends and acquaintances who might have made good primetime TV.
John Cameron Mitchell's latest film: A bright, sexually explicit ensemble piece featuring American friends and acquaintances who might have made good primetime TV.
People-powered transportation propels the movies in the 2006 Bicycle Film Fest.
The expat archivist and writer makes his near-annual pilgrimage to San Francisco with a flurry of shows teeming with goodies from his personal collection.
Why do updates of Jerry Lewis flicks get more slack from critics than Zailian's "All the King's Men" and Demme's "The Manchurian Candidate?"
The real voter fraud is orchestrated under the radar, says the director of American Blackout.
A panel discussion yields insights into the presentÑand futureÑof indie distribution.
The annual series of films from countries with less developed or out-of-favor national cinemas has several winners.
Craig Baldwin and Noel Lawrence bring their brand of smart, quirky, avant-garde and political programming into the home.
Filmmaker Georgia Lee discusses her narrative feature with family member Frances Chang.
The Maquilapolis filmmakers talk about empowering their subjectsÑwomen factory workers in Tijuana.
The List: American Blackout director Ian Inaba names the top four Web sites.
The provocative documentary filmmaker is recalled with a retrospective at Yerba Buena Center For the Arts.
Tributes to Helen Mirren and Tim Robbins highlight the 29th annual edition .
Filmmaker Kirby Dick talks about censorship, and discrimination against independent films.
The founder of the Madcat International Film Festival talks about the 2006 lineup.
Distributors of independent films reveal their strategies and assessment of the market heading into the all-important fall season.
Executive director Bashir Anastas discusses this year's lineup.
A longtime seasonal staffer recounts her experience and highlights at the '06 fest.
The renowned local critic and historian talks about his book about the iconic Hollywood beauty.
The List:10 local filmmakers describe what they love about shooting on the streets of San Francisco.
This 2006 series of recent releases and restorations that played theaters for only a day or, at most, a week is exceptionally varied.
Austin's Alamo Drafthouse Cinema touring program brings classics to the locations they made famous, with a mobile outdoor projection unit and inflatable screen.
Al Gore's fledgling S.F.--based cable and satellite channel, Current TV, generates cutting-edge content democratically, with a third of the programming created by viewers.
Director Laura Poitras’ traveled to Iraq for her latest film, “My Country, My Country.”
Director Laura Poitras’ traveled to Iraq for her latest film, “My Country, My Country.”
SF360 checks in with a few Bay Area festival insiders to see what they're excited about at upcoming festivals.
The author's cult gets another buck-up from the release of Norwegian director Bent Hamer;s first English-language feature, Factotum.
The Academy of Motion Picture Arts and Sciences' Academy Foundation bestowed a surprise grant of $150,000 over three years.
Through Asphodel Records and RML, Humon pursues his fascination with sound's spatial properties.
Ryan Fleck talks about his new film Half Nelson, his filmmaking career, and his creative inspirations and tastes.
Ryan Fleck talks about his new film Half Nelson, his filmmaking career, and his creative inspirations and tastes.
There's one resource on the Net where some of the best travel videos have congregated, the Emervyille company aptly named TurnHere.
Jeff Kreines and Joel DeMott's legendary and obscure 1982 documentary set in Muncie, Indiana, highlights the PFA series "Screenagers: Documents from the Teenage Years."
The Association for Computing Machinery Ôs 2006 conference and exhibition offered animation, new media art exhibits and the latest techniques in interactivity.
Richard Glatzer and Wash Westmoreland's exploration of a teen's rite of passage is the warmhearted opposite of MTV's glorification of wasteful and selfish spending.
The director of The Business of Strangers talks about his second feature, starring Robin Williams.
The director of The Business of Strangers talks about his second feature, starring Robin Williams.
The List: Ten faves from Eva Sollberger's YouTube series, The Deadbeat Club, which revisits the decade she spent working in the Bay Area film community.
SF Shorts and the SF Underground Short Film Festival provide a big-screen showcase for oft-overlooked short subjects.
The co-director talks about his provocative fictional documentary about conjoined twins groomed for rock Ôn' roll stardom.
The co-director talks about his provocative fictional documentary about conjoined twins groomed for rock Ôn' roll stardom.
The List: ZeroOne San Jose Global Festival of Art on the Edge presents an array of = augmented realities, artificial intelligences, and interactive pieces.
An appreciation of the great actress of cult and mainstream films, before her appearance at a Midnight Mass screening of Death Race 2000.
Ozon's Time to Leave demonstrates how central he's become to European cinema, and reminds us that he's among gay world cinema's most accomplished writer/directors.
Ozon's Time to Leave demonstrates how central he's become to European cinema, and reminds us that he's among gay world cinema's most accomplished writer/directors.
The veteran Israeli filmmaker, in town for the Jewish Film Festival, talks about radical art and Free Zone.
Chris Metzler and Jeff Springer talk about their acclaimed debut Plagues and Pleasures on the Salton Sea, their influences, and making films in San Francisco.
The Istituto Italiano di Cultura screens Visconti's signature features, from his 1942 debut Ossessione through 1976's The Innocent, which he died before completing.
Belic helped a group of youths learn about documentary filmmaking in a program designed to offer media skills to under-served Bay Area high schoolers.
A conversation with Pamela Yates, director of State of Fear, on Peru's 20-year war on terror, which bears an unsettling resemblance to U.S. current events.
A conversation with Pamela Yates, director of State of Fear, on Peru's 20-year war on terror, which bears an unsettling resemblance to U.S. current events.
Arriaga, who authored Amores Perros, 21 Grams, and The Three Burials of Melquiades Estrada, discusses working in collaboration and across mediums.
Arriaga, who authored Amores Perros, 21 Grams, and The Three Burials of Melquiades Estrada, discusses working in collaboration and across mediums.
A California Film Institute-procured class of 13somethings needed no help deciding their top ten list of surprise movie endings.
The sudden climate change in the Middle East has had a tone-altering effect on the San Francisco Jewish Film Festival, where the war will be Topic A.
Leena Prasad talks about making a sci-fi comedy featuring a pillow and a character named Mark Pantagenet, Foreign Ambassador in just 48 hours.
Leena Prasad talks about making a sci-fi comedy featuring a pillow and a character named Mark Pantagenet, Foreign Ambassador in just 48 hours.
California Film Institute's Executive Director, Mark Fishkin, comments on the Sundance Institute's "Art House Project."
Benjamin Weil took time out from preparations for the upcoming Barney show to answer questions about the artist's "Drawing Restraint" series.
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
Danielle Beverly, director of Learning to Swallow, offers some backstory on her filmmaking relationship with artist Patsy Desmond.
SF360 talked to the director of Who Killed the Electric Car?, which opened last week, after his recent stop through the City.
SF360 spoke to the director of Rise Above: The Tribe 8 Documentary, showing at the Red Vic Movie House and an imminent DVD release.
SF360 spoke to the director of Rise Above: The Tribe 8 Documentary, showing at the Red Vic Movie House and an imminent DVD release.
We checked in with Gary Meyer to find out what films have rocked the 1926 foundations of the Balboa in the past six years.
The beloved cult classic will screen in conjunction with a live cast reunion at Peaches Christ's Midnight Mass series.
SF360 spoke with Clark about Impaled, in which his exploration of adolescent mores reaches in discomfiting, yet fascinating new directions.
Bay Area soccer fans offer their takes on the best football films.
Jean-Pierre Melville's remarkable 1969 nail biter is on a different plane than contemporary spy thrillers.
In The War Tapes, Deborah Scranton exposes war as an industry - for those who fight it and for those who don't.
Conference discusses the difficulties for lesbian features to get made and do well at the box office.
Conference discusses the difficulties for lesbian features to get made and do well at the box office.
Mat Whitecross talks about his documentary The Road to Guantanamo, which takes a look at the inhumanity of U.S. "detainment" camps in Cuba.
16 filmmakers from the Bay Area find at least 15 minutes of fame in the San Francisco International LGBT Film Festival this year.
16 filmmakers from the Bay Area find at least 15 minutes of fame in the San Francisco International LGBT Film Festival this year.
S.F. International LGBT Film Festival celebrates its 30th anniversary as a forum for the LGBT community to celebrate its own hard-won survival and progress.
S.F. International LGBT Film Festival celebrates its 30th anniversary as a forum for the LGBT community to celebrate its own hard-won survival and progress.
Wong weighs in on the hardest song to bring to life in Colma: The Musical, a story about a city in which the dead outnumber the living.
Julián Hernández and João Pedro Rodrigues show their second features at the S.F. International LGBT Film Festival.
Matthew Barney: Drawing Restraint opens at the San Francisco Museum of Modern Art. Barney talks to SF360 about his film and gallery project.
Matthew Barney: Drawing Restraint opens at the San Francisco Museum of Modern Art. Barney talks to SF360 about his film and gallery project.
Benjamin Morgan talks about his San Francisco-made drama, Quality of Life, and his favorite graffiti sites on the web.
Benjamin Morgan talks about his San Francisco-made drama, Quality of Life, and his favorite graffiti sites on the web.
Highlights from San Francisco International LGBT Film Festival's 30th annual edition.
Highlights from San Francisco International LGBT Film Festival's 30th annual edition.
Sheerly Avni talks about his book, Cinema by the Bay, a rich, visual history of San Francisco Bay Area filmmaking.
Sheerly Avni talks about his book, Cinema by the Bay, a rich, visual history of San Francisco Bay Area filmmaking.
Marc Huestis talks about his latest film,
Marc Huestis talks about his latest film,
Highlights of San Francisco Black Film Festival's eighth annual edition.
Highlights from the 4th year ofAnother Hole in the Head, the S.F. Indiefest-produced celebration of horror, sci-fi, fantasy and just plain sick cinema.
San Francisco Cinematheque guest curator Jenni Olson reflects on her show, Kees Kino: The Film Work of Weldon Kees.
Carrie Lozano talks about her inspiration to make Reporter Zero, a documentary on Chronicle reporter Randy Shilts, who documented the early years of the AIDS epidemic.
Film programmer Jesse Hawthrone Ficks talks about the enduring appeal of midnight movies.
Film programmer Jesse Hawthrone Ficks talks about the enduring appeal of midnight movies.
Al Gore's documentary keeps the viewer thoroughly engaged while offering what may be the most comprehensive explanation of global warming for the layperson that exists.
Songbirds is a "documentary musical" Ñ something that sounds like a pure contradiction-in-terms until you actually see it.
Dominic Angerame describes the techniques he used while making Consume, and their surprising results.
Dominic Angerame describes the techniques he used while making Consume, and their surprising results.
A conversation with John Peterson on his unusual farming practices, and the documentary that captures them.
A conversation with John Peterson on his unusual farming practices, and the documentary that captures them.
Newly appointed S.F. Cinematheque executive director Caroline Savage discusses the state of experimental film.
Newly appointed S.F. Cinematheque executive director Caroline Savage discusses the state of experimental film.
An alphabetical accounting of ten titles well worth watching that somehow slipped through the cracks.
The 2006 San Francisco International Arts Festival focuses on Latino culture across North and South America.
The 2006 San Francisco International Arts Festival focuses on Latino culture across North and South America.
The 2006 program for the San Francisco International LGBT Film Festival features an eclectic mix of genres and narrative types.
The 2006 program for the San Francisco International LGBT Film Festival features an eclectic mix of genres and narrative types.
Four stories from familiar performers who once found themselves in the "formerly employed by" category, taken from Fired!, which plays Docfest 2006.
Perfumed Nightmare, a Filipino art film in which process is ultimately indivisible from form, is largely forgotten today but created a minor sensation upon its release.
Perfumed Nightmare, a Filipino art film in which process is ultimately indivisible from form, is largely forgotten today but created a minor sensation upon its release.
Rodney Ascher and Syd Garon are only two people whose works curator Danny Plotnick would show sight unseen.
Docfest founder Jeff Ross explains the S.F. Indie empire's definition of reality filmmaking.
Insights into the initial process of bringing the screenplay adaptation of a short story to the screen.
Insights into the initial process of bringing the screenplay adaptation of a short story to the screen.
The 2006 recipient of the Film Society Directing Award was full of raised-finger pronouncements, self-effacing demurrals, and unsolicited rebuttals at a Q&A preceding his film.
The 2006 recipient of the Film Society Directing Award was full of raised-finger pronouncements, self-effacing demurrals, and unsolicited rebuttals at a Q&A preceding his film.
San Francisco filmmaker Terry Zwigoff, a former curmudgeon softened by success, discusses Art School Confidential.
A complete list of the winners of the Golden Gate Awards show, which was all about celebrating the city, with filmmakers of all genres saying a kind word or two about it.
An address delivered by Tilda Swinton to an audience at the Kabuki Theatre on April 29, 2006, during the San Francisco International Film Festival.
An intimate group caught Addictive TV's VJ-style show of ÔEye of the Pilot' at the Kabuki, and stayed late for an enthusiastic Q&A.
An intimate group caught Addictive TV's VJ-style show of ÔEye of the Pilot' at the Kabuki, and stayed late for an enthusiastic Q&A.
The second week of the 49th SFIFF was packed with tributes and special events, luring diverse crowds with honorees like Werner Herzog and Ed Harris.
A conversation with director Michael Glawogger on his film, Workingman's Death, which screens at the 2006 SFIFF.
Is it possible that Big Tilda in the real is bigger than Lucy Gray's larger-than-life projections of her onto City Hall?
Memorize these words that supposedly can bring you under government scrutiny when said over the phone, or written in a text message or email.
Memorize these words that supposedly can bring you under government scrutiny when said over the phone, or written in a text message or email.
The Kabuki turned into a mosh pit at the Sunday screening of All About Love as Andy Lau's fans rushed the stage to greet him.
The Kabuki turned into a mosh pit at the Sunday screening of All About Love as Andy Lau's fans rushed the stage to greet him.
"I got a call out of the blue," Graham Leggat says, explaining how he left the Film Society of Lincoln Center for the left coast.
"I got a call out of the blue," Graham Leggat says, explaining how he left the Film Society of Lincoln Center for the left coast.
Palestinian filmmaker Rashid Masharawi's Waiting intricately and ingeniously intertwines irony, humor, and pathos.
The producer talks about the barriers filmmakers have faced in bringing Philip K. Dick's novel to the screen.
David Munro and Xandra Castleton speak about making their indie Full Grown Men and taking it to the Tribeca Film Festival.
This English comedy, the second feature made by the guys behind that genius horror spoof, 'Shaun of the Dead,' satirizes fake cinematic testosterone.
I first saw the remarkable A Trip Down Market Street, 1905 at the Exploratorium seven years ago, feeling chills as I gazed into the past.
Until the 1960s, Hollywood cast S.F. as a city where everyone was too busy brawling, floozing,and plotting intrigue to exclaim,"Look at that view!"
For people who know their rock trivia, or saw Gimme Shelter, Altamont represents one of the most infamous moments in Bay Area cultural history.
With American Movie Critics: An Anthology From the Silents Until Now, N.Y. essayist Phillip Lopate compiles nearly a century of groundbreaking and entertaining criticism.
George Bush Senior's thousand points of light may never have materialized, but Adam Werbach believes that millions of pixels can truly accomplish something.
Director Caveh Zahedi and his partner, Amanda Field, speak about turning their personal lives over to the public with I Am a Sex Addict.
Filmmaker Carlos Reygadas discusses his life and work upon the release of his second film, Battle in Heaven.
Filmmaker Carlos Reygadas discusses his life and work upon the release of his second film, Battle in Heaven.
The documentary Persian Garden chronicles the grandest art exhibition in Iran since the 1979 Revolution.
The List: How JT LeRoy went from fiction to fact in the media.
Chuck Stephens shares his thoughts, existential and otherwise, on the Bangkok set of Citizen Dog.
Vietnamese American filmmaker Ham Tran rights an historical wrong in his debut feature film on the Vietnam War.
A conversation with the filmmakers and one star of "Sentenced Home," about three Cambodian Americans in the process of being exiled.
The List: Taro Goto posits who will go on to superstardom from the 2006 San Francisco International Asian American Film Festival.
Transnational tales stand out at the 2006 San Francisco International Asian American Film Festival.
Six degrees of James Shigeta: an actor ahead of his time sustains a presence in American and Asian American cinema.
Asian America everywhere: A talk with San Francisco International Asian American Film Festival directors Chi-hui Yang and Taro Goto.
The newest film festival on the dock, Tiburon International, turns a tourist town around.
A tribute to the life and work of the late documentary maker Garrett Scott.
A conversation with David Kipen about his book, The Schreiber Theory, which reclaims the contribution of screenwriters to motion pictures.
A quick guide to measuring a city's taste in films by its critics' organizations.
HRW's series of films chosen for aesthetic value and human rights content continues to grow as it stays true to its roots.
With a Leacock-Pennebaker tribute, SF State's Documentary Film Institute proves there's no reason to "revive" cinema verite; it never died.
Paolo Sorrentino takes on the notorious Italian Prime Minister, Giulio Andreotti, in Il Divo.
Michael Fox goes behind the scenes on Peaches Christs' slice-'em-up.
Academy of Motion Picture Arts and Sciences (AMPAS) Foundation Film Scholars Program is stimulating and supporting new and significant works of film scholarship. ELIGIBILITY: Applicants must be established scholars, writers, historians or researchers possessing either a significant record of achievement, or exceptional promise and demonstrated accomplishments in their field. Applicants must have written and published at least one book or a comparable collection of articles or monographs. AWARDS: Two grants of $25,000 will be made to qualified and worthy applicants, as reviewed and selected by the Academy's Grants Committee and staff. The Academy will distribute the grant money in two parts: at the commencement and upon completion of the proposed project. The Academy will also cover travel, lodging and per diem expenses, if necessary, for the recipients to attend the Film Scholars awards luncheon and to make their lecture presentation. DEADLINE: Application materials must be received by October 3, 2011. WEBSITE: oscars.org/education-outreach/grants/filmscholars/apply.html.
The Oppenheimer Cine Rental New Filmmaker Equipment Grant Program supports new filmmakers in producing their first serious film project. The grant awards the use of Grant Program Arriflex 16SR2 camera package to senior and graduate thesis students and to independent filmmakers for a scheduled period of time. ELIGIBILITY: Students, media arts center members and unaffiliated independents are encouraged to apply. Proposed projects may be of any noncommercial nature: dramatic, narrative, documentary, experimental, etc. (Commercial projects, music videos and PSAs will not be considered.) DEADLINE: Ongoing. WEBSITE: oppenheimercinerental.com/grant.html.
Netflix has struck a deal with a joint venture formed by powerhouse studios Paramount Pictures, Lionsgate Entertainment Corp., and Metro-Goldwyn-Mayer Inc.
SFFS Press Release: "The San Francisco Film Society and the Kenneth Rainin Foundation announced the ten finalists for the fourth round of SFFS/KRF Filmmaking Grants of up to a total of $225,000, to be given to one or more feature films that through plot, character, theme or setting significantly explore human and civil rights, discrimination, gender and sexual identity and other urgent social justice issues of our time." More at sffs.org