International Film Festival Summit (December 4–6, 2011), held in Austin, Texas, is the largest international organization representing the film festival industry. The IFFS mission is to promote and strengthen the global film festival industry through education, networking, dissemination of information, and the cultivation of high standards. This year's featured topics include Anatomy of a Festival: South by Southwest, Programming: The Fine Art of Film Selection, Marketing Strategies: Integrating Social Media and Technology, The Festival Mission, Sponsorship Strategy, Box Office Technology Solutions, among others. Notable speakers include Richard Linklater (Before Sunrise, Before Sunset), as well as SFFS' very own Steve Jenkins, Sarah Cathers, and Linda Butler. DEADLINE: Register by September 25, 2011 to receive discounted rate. WEBSITE: filmfestivalsummit.com/iffshome.html.
SF360.org represents a nearly six-year experiment in philanthropically funded film journalism, covering films and filmmaking in the Bay Area and beyond. Published by the San Francisco Film Society, the website debuted February 27, 2006 and was created in a unique collaboration between SFFS and Indiewire, with Susan Gerhard as editor. While SF360.org is no longer publishing feature stories, the SF360 Archive remains the most comprehensive collection of articles about the Bay Area film community, with more than 1,000 feature stories and reviews as well as Indie Toolkit's informative columns about the basics of creating a film and delivering it to audiences. Articles by some of the Bay Area’s most notable voices will remain at your fingertips for the foreseeable future.
SF360.org represents a nearly six-year experiment in philanthropically funded film journalism, covering films and filmmaking in the Bay Area and beyond. Published by the San Francisco Film Society, the website debuted February 27, 2006 and was created in a unique collaboration between SFFS and Indiewire, with Susan Gerhard as editor. While SF360.org is no longer publishing feature stories, the SF360 Archive remains the most comprehensive collection of articles about the Bay Area film community, with more than 1,000 feature stories and reviews as well as Indie Toolkit's informative columns about the basics of creating a film and delivering it to audiences. Articles by some of the Bay Area’s most notable voices will remain at your fingertips for the foreseeable future.
The California Story Fund, presented by California Council for the Humanities (CCH), supports public humanities programs that bring light to compelling stories from California's diverse communities and provide opportunities for collective reflection and public discussion. ELIGIBILITY: Applicants must have California tax-exempt organizational status or partner with a California tax-exempt organization that will serve as a fiscal sponsor, not have an open grant with CCH, and be in good standing with CCH. Projects should be based on stories gathered from community members, include a public discussion component and at least one humanities expert. Film/video projects should not exceed a total budget of $50,000. AWARDS: Applicants may request up to $10,000, which must be matched by at least an equivalent contribution of non-federal funds or in-kind services. DEADLINE: November 15, 2011. WEBSITE: calhum.org/guidelines/guidelines_csf.htm.
San Francisco Arts Commission (SFAC) Cultural Equity Grants provide "financial support for the enrichment of San Francisco's multicultural landscape." ELIGIBILITY: Organization Project Grants provide up to $15,000 to support the presentation of high quality works of art and arts activities, including film and video screenings and arts festivals. All art forms will be considered. To be eligible, organizations must have 501(c)(3) status or use a fiscal sponsor. Grant Period: June 15, 2012 - December 31, 2013. AWARDS: Grants awards are up to 15,000 to support the enhancement of arts facilities in the city. DEADLINE: November 10, 2011. WEBSITE: sfartscommission.org/ceg/grants/index.html#opg.
Essential SF shines a light on the Bay Area’s legendary, idiosyncratic and multifaceted contributions to the filmmaking world at SF Film Society | New People Cinema, 7:00 pm. An outgrowth of SF360.org’s Essential SF column, the event this year also pays tribute to the half-decade-plus SF360.org project.
Essential SF shines a light on the Bay Area’s legendary, idiosyncratic and multifaceted contributions to the filmmaking world at SF Film Society | New People Cinema, 7:00 pm. An outgrowth of SF360.org’s Essential SF column, the event this year also pays tribute to the half-decade-plus SF360.org project.
Essential SF shines a light on the Bay Area’s legendary, idiosyncratic and multifaceted contributions to the filmmaking world at SF Film Society | New People Cinema, 7:00 pm. An outgrowth of SF360.org’s Essential SF column, the event this year also pays tribute to the half-decade-plus SF360.org project.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
"Bodega, a New York-based content creation/production company, has extended its reach Westward with the opening of a San Francisco shop headed by executive producer/partner Clint Goldman." More at shootonline.com.
Susan Gerhard talks copy, critics and the 'there' we have here.
Susan Gerhard talks copy, critics and the 'there' we have here.
Susan Gerhard talks copy, critics and the 'there' we have here.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Durfee Foundation Artists' Resource for Completion Grants give individual artists money to complete work for a specific, imminent opportunity that may significantly benefit their career. AWARDS: up to $3,500. ELIGIBILITY Artists must be Los Angeles County residents, 21 years or older and have secured an invitation from an established organization to present the work. Full-time students are ineligible. Current DEADLINE: Quarterly, current November 1, 2011. WEBSITE: durfee.org/programs/arc/index.html.
"After whetting local appetites through a successful soft launch last year, 91 films are now listed in the 2011 Napa Valley Film Festival program guide. Those films—many of them short—will be played on 12 screens throughout the Napa Valley, including screenings in Calistoga, Yountville, St. Helena and the city of Napa." More at napavalleyregister.com.
"John Lasseter, the chief creative officer of Walt Disney and Pixar Animation Studios, will receive the 2,453rd star on the Hollywood Walk of Fame today," reports Daily News Wire Services. More at dailynews.com.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
The National Film Preservation Foundation delivers another gem with the fascinating three-disc box set 'The West 1898-1938.'
The National Film Preservation Foundation delivers another gem with the fascinating three-disc box set 'The West 1898-1938.'
The National Film Preservation Foundation delivers another gem with the fascinating three-disc box set 'The West 1898-1938.'
Press release: The San Francisco Neighborhood Theater Foundation announced today that it is partnering with Gary Meyer to keep the City’s historic Balboa Theatre (1926) open and to develop a sustainable long-term plan for the theater. The Theater Foundation also announced it has reached an agreement to lease the theater through 2024—securing the future of one of San Francisco’s oldest operating cinemas. More at sfntf.org.
For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.
For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.
For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.
For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.
Love permeates SFFS's francophone film series.
Love permeates SFFS's francophone film series.
Love permeates SFFS's francophone film series.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.
Press release: The San Francisco Jewish Film Festival announced its new Executive Director: Lexi Leban, who begins working with the festival November 7, 2011. A longtime member of the Bay Area film community, Lexi has worked in all aspects of film, from production to distribution. She’s also worked with numerous film festivals, including the Mill Valley Film Festival, the San Francisco International Film Festival, and the Global Social Change Film Festival in Bali. Lexi is currently Academic Director of the Digital Filmmaking & Video Production Program at the Art Institute of California, where she built the department from its inception. Her most recent feature documentary, Girl Trouble, which follows young girls in San Francisco’s juvenile justice system, aired on PBS’s acclaimed series Independent Lens in January of 2006, and won Best Bay Area Documentary at the San Francisco International Film Festival. More at sfjff.org.
"After their weekend-long Film Independent Forum," reports Sophia Savage, "FIND announced eleven filmmakers and nine projects for their 11th annual Producers Lab, and named Brent Hoff and Malcom Pullinger the winners of the 5th annual $25,000 Sloan Producers Grant." More at indiewire.com/thompsononhollywood.
Accompanied by a program of solar system shorts, Travis Wilkerson’s 2003 look at ruthless union-busting and the rise and fall of Butte, Montana, offers eerie resonance.
Accompanied by a program of solar system shorts, Travis Wilkerson’s 2003 look at ruthless union-busting and the rise and fall of Butte, Montana, offers eerie resonance.
Accompanied by a program of solar system shorts, Travis Wilkerson’s 2003 look at ruthless union-busting and the rise and fall of Butte, Montana, offers eerie resonance.
The San Francisco Film Society joins the New York International Children’s Film Festival to present a three-day kid-ready fest of animated and non-animated shorts and features from around the world. The brief fest kicks off with a child-friendly opening night party on Friday, and for offers another chance to enjoy Alex Law's sweet Hong Kong Film Days entry, 'Echoes of the Rainbow.' More info sffs.org.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
"Filmmakers and coders hunkered down for two days of creative collaboration here during a first-of-its-kind hackathon that explored the future of web video — specifically Popcorn.js, Mozilla’s HTML5 media toolkit designed to amp up interactivity" reports Angela Watercutter. More at wired.com.
"The launch of SF360.org, an online publication devoted to covering the entire Bay Area film community, was one of San Francisco Film Society Executive Director Graham Leggat's first initiatives when he took over the organization," writes Pam Grady. "...in November, a victim of financial realities and organizational changes in the wake of Leggat's recent death, SF360.org will cease publication." More at SFGate.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
Cinequest Screenwriting Competition, held in conjunction with the Cinequest Film Festival (February 28-March 11, 2012), is accepting submissions. ELIGIBILITY: The competition is open to screenplays of all genres and lengths up to 140 pages that have not been optioned, purchased, produced, or put into production. Scripts should be in English, properly formatted, and submitted in PDF format. Scripts written as adaptations of other works must have secured rights before being submitted. Entry fee $45-65. AWARDS: Finalists receive non-cash prizes, including exposure to literary agents, film studios, and producers. Top prize is $5,000. DEADLINE: September 26, 2011 (early); October 17, 2011 (late). WEBSITE: cinequest.org/sp_agent.php.
Furthering CAAM's work to nurture Asian American media professionals and advance the field of Asian American media, the second annual CAAM Fellowship Program will connect young, talented individuals with leading professionals in the field. ELIGIBILITY: Participating fellows will have access to the leading Asian American talent in film, television and digital media. Each fellowship will be individually tailored to best fit the needs of the fellows and advisers. Fellowships will range from fully integrated collaborations to regular feedback on current projects to an ongoing dialogue about professional development. AWARDS: The CAAM Fellowship Program Retreat will allow the mentor-mentee pairs to spend two full days together in a quiet and peaceful environment where they can focus on the mentees' career, whether it is a script being developed or an acting career that needs some guidance. DEADLINE: October 17, 2011. WEBSITE: caamedia.org/filmmaker-resources/fellowship/caam-fellowship-program-2011/.
"Star Wars creator George Lucas is betting millions of his own dollars that moviegoers will be drawn to an action movie about African-American fighter pilots in World War II," reports Christopher John Farley. "Mr. Lucas has self-financed a new film entitled Red Tails inspired by the true story of the first organized group of African-American fighter pilots in the U.S. armed forces." More at wsj.com.
SF Indiefest offshoot DocFest kicks off its 10th edition this Friday with a screening of 'Dirty Pictures,' a film about underground ecstasy legend Dr. Alexander Shulgin. Featuring the wildest and wooliest independent docs emerging this year, the fest also boast a number of well-loved parties and one ’80s New Wave sing-along. More info at sfindie.virb.com.
SF Indiefest offshoot DocFest kicks off its 10th edition this Friday with a screening of 'Dirty Pictures,' a film about underground ecstasy legend Dr. Alexander Shulgin. Featuring the wildest and wooliest independent docs emerging this year, the fest also boast a number of well-loved parties and one ’80s New Wave sing-along. More info at sfindie.virb.com.
Nonfiction films offer view to revolutions. DocFest has a well-earned reputation for knocking the stuffiness out of a pretty sober word. The 10-year-old festival founded by IndieFest’s Jeff Ross has taken pride in equating “documentary” with the unconventional and idiosyncratic—fare that celebrates the offbeat, the weird, the wondrous. I’m thinking of wiener-dog races, yes, but that’s just the tip of the beast. This year’s festival (October 14–27), which opens at the Roxie with a profile of the creator of MDMA (Etienne Sauret’s Dirty Pictures) and ends with a look at a comic-book super-author (With Great Power: The Stan Lee Story), provides another...
Nonfiction films offer view to revolutions. DocFest has a well-earned reputation for knocking the stuffiness out of a pretty sober word. The 10-year-old festival founded by IndieFest’s Jeff Ross has taken pride in equating “documentary” with the unconventional and idiosyncratic—fare that celebrates the offbeat, the weird, the wondrous. I’m thinking of wiener-dog races, yes, but that’s just the tip of the beast. This year’s festival (October 14–27), which opens at the Roxie with a profile of the creator of MDMA (Etienne Sauret’s Dirty Pictures) and ends with a look at a comic-book super-author (With Great Power: The Stan Lee Story), provides another...
Expectations defied in Taiwan Film Days. It could be argued that Taiwanese cinema, best known through the work of three auteurs, Edward Yang, Hou Hsiao-hsien and Tsai Ming-liang, is not tied to audience-generating genres. It’s certainly been able to travel more diverse cinematic avenues than some of its neighbors. San Francisco Film Society's Taiwan Film Days running from October 14–16, however, offers evidence for any number of arguments you’d like to make about Asian cinema and Taiwan in particular. On the docket this year are ...
A film on Cherokee chief Wilma Mankiller bucks biopic formula and concentrates on a pivotal moment in the leader's life.
A film on Cherokee chief Wilma Mankiller bucks biopic formula and concentrates on a pivotal moment in the leader's life.
A film on Cherokee chief Wilma Mankiller bucks biopic formula and concentrates on a pivotal moment in the leader's life.
San Rafael’s Indigo Films makes fascinating crime fare for cable on a DIY-sized budget.
San Rafael’s Indigo Films makes fascinating crime fare for cable on a DIY-sized budget.
San Rafael’s Indigo Films makes fascinating crime fare for cable on a DIY-sized budget.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
The TFI Documentary Fund provides grants and guidance to exceptional filmmakers developing engaging feature-length documentaries which emphasize character and that allow audiences to consider history, culture and society through the experiences of extraordinary individuals. ELIGIBILITY: Submissions must be non-fiction motion pictures with an intended length of at least 70 minutes and should creatively document unique character(s); submissions can be in the advanced stages of development, production or post-production and must not have aired on any form. Foreign language documentaries are eligible, but must be subtitled and suitable for an American audience. Applicants must be over 18-years old. $25 entry fee. AWARDS: Grants of at least $10,000 will be awarded in 2012. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/tfi_documentary/.
"Netflix Inc. is abandoning its widely panned decision to separate its DVD-by-mail and Internet streaming services," reports Peter Svensson, "because it would make them more difficult to use." More at sfgate.com.
"Fritz Manes, who had a long association with Clint Eastwood, producing, exec producing or associate producing a dozen of the films Eastwood directed between 1977 and 1986," reports Variety, "died of lung and brain cancer on Sept. 27 in Sherman Oaks, Calif." More at variety.com.
Author and journalist Susan Orlean ('The Orchid Thief') appears in person at SF Film Society Cinema | New People to celebrate the release of her new book on American cinema's greatest animal actor, Rin Tin Tin. One of the canine's classics, 'Clash of the Wolves,' will screen following an illustrated introduction by Orlean. Q&A to follow. More info and tickets at sffs.org.
Author and journalist Susan Orlean ('The Orchid Thief') appears in person at SF Film Society Cinema | New People to celebrate the release of her new book on American cinema's greatest animal actor, Rin Tin Tin. One of the canine's classics, 'Clash of the Wolves,' will screen following an illustrated introduction by Orlean. Q&A to follow. More info and tickets at sffs.org.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
The Matt Damon-narrated SFIFF hit 'American Teacher' follows the lives of a few edu-system stars, one based in San Francisco, forced by low wages and crumbling job security to reconsider their chosen profession. Filmmaker Vanessa Roth and producers Dave Eggers and Nînive Calegari will be present for Q&A following Friday's screening; special reception Tuesday, October 11. More info at roxie.com.
The Matt Damon-narrated SFIFF hit 'American Teacher' follows the lives of a few edu-system stars, one based in San Francisco, forced by low wages and crumbling job security to reconsider their chosen profession. Filmmaker Vanessa Roth and producers Dave Eggers and Nînive Calegari will be present for Q&A following Friday's screening; special reception Tuesday, October 11. More info at roxie.com.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
AP: "Steve Jobs saw the future and led the world to it. He moved technology from garages to pockets, took entertainment from discs to bytes and turned gadgets into extensions of the people who use them," writes Jordan Robertson. "Jobs, who founded and ran Apple, told us what we needed before we wanted it." More at sfgate.com.
"As chairman and chief executive officer of Pixar," reports Lisa Respers France, "Jobs led the way in marrying the endless possibilities of technology with the glitz and glamour of the entertainment industry." More at cnn.com.
In the illusory world of what we call ‘real life’, our beloved friend Graham pursued his practice of keeping his attention fixed firmly on 'the screen.'
In the illusory world of what we call ‘real life’, our beloved friend Graham pursued his practice of keeping his attention fixed firmly on 'the screen.'
In the illusory world of what we call ‘real life’, our beloved friend Graham pursued his practice of keeping his attention fixed firmly on 'the screen.'
The path to authentic storytelling lies in research.
The path to authentic storytelling lies in research.
The path to authentic storytelling lies in research.
"Disney has officially announced today that 'on the heels of the phenomenal success' of The Lion King 3D, they're now setting up 3D re-releases of four Disney/Pixar classics over the next two years, starting with Beauty and the Beast in 3D," reports Alex Billington. More at firstshowing.net.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
San Francisco Film Society and the Presidio Trust present the 10th anniversary edition of Film in the Fog, with pre-show entertainments (’50s-era newsreel, classic cartoon, music) to precede an outdoor screening of San Francisco-shot Humphrey Bogart noir treasure 'Dark Passage.' Film program begins at 7:15 p.m. at the Presidio Main Post Theater; more info at sffs.org.
San Francisco Film Society and the Presidio Trust present the 10th anniversary edition of Film in the Fog, with pre-show entertainments (’50s-era newsreel, classic cartoon, music) to precede an outdoor screening of San Francisco-shot Humphrey Bogart noir treasure 'Dark Passage.' Film program begins at 7:15 p.m. at the Presidio Main Post Theater; more info at sffs.org.
"The 15th annual Portland Lesbian and Gay Film Fest opens tonight," reports Amanda Schurr, "with a screening of David Weissman’s latest documentary, We Were Here." More at justout.com.
John Turturro shares his passion for the Neapolitan songbook.
John Turturro shares his passion for the Neapolitan songbook.
John Turturro shares his passion for the Neapolitan songbook.
YBCA screens Brillante Mendoza's 'Lola,' a drama tracking the consequences of a crime on two grandmothers, one related to the victim, another the suspect. Infrequently seen on western screens, Mendoza is regarded in his native Philippines as a cinematic master and the leading light of Kapampangan film. More info at ybca.org.
YBCA screens Brillante Mendoza's 'Lola,' a drama tracking the consequences of a crime on two grandmothers, one related to the victim, another the suspect. Infrequently seen on western screens, Mendoza is regarded in his native Philippines as a cinematic master and the leading light of Kapampangan film. More info at ybca.org.
PFA series Anatolian Outlaw: Yilmaz Güney, showcasing the work of the Turkish actor-director cum revolutionary dubbed the "Ugly King" for his unique combination of charisma and rough-hewn looks, continues with the realist western riff 'The Hungry Wolves.' Series runs through October 9. More info at bampfa.berkeley.edu.
PFA series Anatolian Outlaw: Yilmaz Güney, showcasing the work of the Turkish actor-director cum revolutionary dubbed the "Ugly King" for his unique combination of charisma and rough-hewn looks, continues with the realist western riff 'The Hungry Wolves.' Series runs through October 9. More info at bampfa.berkeley.edu.
"After an eight-year tenure as the festival’s director," reports Dan Pine, "[Peter Stein] is stepping down Oct. 3 — and once again becoming a regular film festival fan." More at jweekly.com.
Artistic integrity is always in short supply, which makes Broughton an inspiration for every successive generation of poets and filmmakers.
Artistic integrity is always in short supply, which makes Broughton an inspiration for every successive generation of poets and filmmakers.
Artistic integrity is always in short supply, which makes Broughton an inspiration for every successive generation of poets and filmmakers.
Fresh from screening his wacky 'City Under Seige' in the SFFS Hong Kong Cinema program, the Cinema gives a short run to mainstay Benny Chan's more "serious" 2011 blockbuster, 'Shaolin,' with HK superstars Andy Lau, Jackie Chan and Nicholas Tse. More info at sffs.org.
Fresh from screening his wacky 'City Under Seige' in the SFFS Hong Kong Cinema program, the Cinema gives a short run to mainstay Benny Chan's more "serious" 2011 blockbuster, 'Shaolin,' with HK superstars Andy Lau, Jackie Chan and Nicholas Tse. More info at sffs.org.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
“Presumed Guilty was nominated for three Emmys — outstanding investigative journalism (long form), best documentary and best research — and has received some 20 festival awards," reports Cathy Cockrell. More at berkeley.edu.
"The documentary, which aired last season on Independent Lens, reveals the work and wisdom of some of the most influential advertising creatives of our time." More at beyondthebox.org.
Sentimental French film is no top-shelf vehicle, but Depardieu savors it as if it were the rarest vintage Bordeaux.
Sentimental French film is no top-shelf vehicle, but Depardieu savors it as if it were the rarest vintage Bordeaux.
Sentimental French film is no top-shelf vehicle, but Depardieu savors it as if it were the rarest vintage Bordeaux.
"The multiyear deal announced Monday," reports Michael Liedtke, "will give Netflix's streaming service the exclusive rights to show the latest content from DreamWorks, the studio behind a list of popular franchises that includes Shrek, Kung Fu Panda and Madagascar." More at usatoday.com.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Peaches Christ and Dr. Carol Queen host the Sixth Annual Good Vibrations Indie Erotic Film Festival Short Film Competition this Thursday, boasting a Barbary Coast-themed party featuring food, drinks and an array of appropriately sexed-up performers and a curated screening of sexy short films from this year. Each event costs $10, more info castrotheatre.com.
Peaches Christ and Dr. Carol Queen host the Sixth Annual Good Vibrations Indie Erotic Film Festival Short Film Competition this Thursday, boasting a Barbary Coast-themed party featuring food, drinks and an array of appropriately sexed-up performers and a curated screening of sexy short films from this year. Each event costs $10, more info castrotheatre.com.
"San Francisco-based visual effects and post house SPY, a FotoKem company, recently contributed hundreds of visual effects shots, the digital intermediate and 3D conversion services for Francis Ford Coppola’s latest feature film, Twixt," reports Below the Line. More at btlnews.com.
Two Berkeley filmmakers tap vitality of 84-year-old neuroscientist Dr. Marian Diamond.
Two Berkeley filmmakers tap vitality of 84-year-old neuroscientist Dr. Marian Diamond.
Two Berkeley filmmakers tap vitality of 84-year-old neuroscientist Dr. Marian Diamond.
"Discovery Communications Inc. said it believes its new deal to distribute its shows over Netflix Inc.'s content-streaming service is an 'economic win,'" reports Maxwell Murphy, "and Discovery will learn from the pact lessons that will help shape its digital strategy." More at online.wsj.com.
"Brad Pitt, Academy Award winner Philip Seymour Hoffman and Oscar-winning screenwriter Aaron Sorkin were among those on the red carpet at the Paramount Theater in Oakland on Monday evening as Moneyball, the movie based on A's general manager Billy Beane and the 2002 Oakland team, made its national premiere," reports Susan Slusser. More at www.sfgate.com.
"The proposal for the 82,000-square-foot facility made public Wednesday evening comes 15 months after the university-owned institution restarted the effort to build itself a new home on the downtown edge of the UC Berkeley campus at Center and Oxford streets," reports John King. Read more at sfgate.com.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...
Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...
North Bay world, independent showcase ready to screen wide range of films in early October.
North Bay world, independent showcase ready to screen wide range of films in early October.
North Bay world, independent showcase ready to screen wide range of films in early October.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Week two of San Francisco Film Society | New People Cinema features Argentinian Natalia Smirnoff’s first feature, a delicate character portrait in which a middle-aged housewife, cherished by her husband and two sons but nevertheless taken for granted, discovers an aptitude for jigsaw puzzles. More at sffs.org.
Maria Onetto quietly dazzles in Argentine film about a midlife jigsaw puzzler.
Maria Onetto quietly dazzles in Argentine film about a midlife jigsaw puzzler.
Maria Onetto quietly dazzles in Argentine film about a midlife jigsaw puzzler.
San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...
San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...
As an appreciation of George Kuchar's inspired presence, we offer up the filmmaker in his own words, excerpted from 'Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000.'
As an appreciation of George Kuchar's inspired presence, we offer up the filmmaker in his own words, excerpted from 'Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000.'
As an appreciation of George Kuchar's inspired presence, we offer up the filmmaker in his own words, excerpted from 'Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000.'
Mona Achache's first feature relies heavily on an 11-year-old narrator, but it's 60- and 65-year-old actors who steal the show.
Mona Achache's first feature relies heavily on an 11-year-old narrator, but it's 60- and 65-year-old actors who steal the show.
Mona Achache's first feature relies heavily on an 11-year-old narrator, but it's 60- and 65-year-old actors who steal the show.
Priya Giri Desai documents matchmaking efforts for HIV-positives in India.
Priya Giri Desai documents matchmaking efforts for HIV-positives in India.
Priya Giri Desai documents matchmaking efforts for HIV-positives in India.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
San Francisco Film Society | New People Cinema sets sail with Jean-Luc Godard's 2010 provocation, 'Film Socialisme.' As Robert Avila writes in SF360.org later this week, the "playful, somber meditation on where history has brought us is brimming with ideas and aesthetic pleasures." Screenings begin September 2. More info on the new SFFS venue at Post Street (between Webster and Buchanan) in sffs.org.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
Britta Sjogren gets a second chance to make a film about how people rebound from trauma.
Britta Sjogren gets a second chance to make a film about how people rebound from trauma.
Britta Sjogren gets a second chance to make a film about how people rebound from trauma.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
The Roy W. Dean Film and Writing Grants fund shorts, documentaries and low budget independent features. ELIGIBILITY: New film and video projects (including works-in-progress) that are unique and benefit the society. Student filmmakers, independent producers or independent production companies are all welcome. AWARDS: Winner gets a variety of awards including scholarships and cash prizes for different production fields. DEADLINE: August 30, 2011. WEBSITE: fromtheheartproductions.com/grant-lavideo.shtml.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Graham Leggat (b. March 12, 1960), executive director of the San Francisco Film Society, died at his San Francisco home on August 25, 2011, after an 18-month battle with cancer. He was 51.
Graham Leggat (b. March 12, 1960), executive director of the San Francisco Film Society, died at his San Francisco home on August 25, 2011, after an 18-month battle with cancer. He was 51.
Graham Leggat (b. March 12, 1960), executive director of the San Francisco Film Society, died at his San Francisco home on August 25, 2011, after an 18-month battle with cancer. He was 51.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
The San Francisco’s Film Commission's executive director offers notes on new incentives for production in the city.
The San Francisco’s Film Commission's executive director offers notes on new incentives for production in the city.
The San Francisco’s Film Commission's executive director offers notes on new incentives for production in the city.
The Golden Gate Bridge remains in heavy rotation in sci-fi, action genres.
The Golden Gate Bridge remains in heavy rotation in sci-fi, action genres.
The Golden Gate Bridge remains in heavy rotation in sci-fi, action genres.
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Pacific Film Archive screens 'The Makioka Sisters,' Kon Ichikawa's gorgeous and understated women's drama based on Tanizaki's novel of the same name. Lush color sequences of beautiful kimonos and cherry blossoms falling make this subtle masterpiece a joy to view on the large screen. New 35mm print shows Wednesday and Friday only. More info at bampfa.berkeley.edu.
Viz Cinema wraps up its Classic Summer Weekends series in style with two Japanese cinematic landmarks. Equally unforgettable and each ravishingly gorgeous, masterworks Kenji Mizoguchi's 'Ugetsu' and Masaski Kobayashi's 'Kwaidan' screen Saturday and Sunday respectively. More info at newpeopleworld.com.
Canonized director John Huston's 'The African Queen,' now mostly remembered for its tumultuous production history, was also the director's biggest grossing film, securing Humphrey Bogart his first Oscar for acting. The Alameda Theatre screens this battle-of-the-sexes classic on film Wednesday and Thursday only. More info at alamedatheatres.com.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Placing well-timed humor in a documentary film can be a great way to open minds.
Placing well-timed humor in a documentary film can be a great way to open minds.
Placing well-timed humor in a documentary film can be a great way to open minds.
The San Francisco Film Society and the Kenneth Rainin Foundation today announced the five winners and two honorable mentions of the fifth round of SFFS/KRF Filmmaking Grants. The grants are awarded twice annually to filmmakers for narrative feature films with social justice themes that will have significant economic or professional impact on the Bay Area filmmaking community. Between 2009 and 2013 the SFFS/KRF Filmmaking Grants will award nearly $2.5 million, including a total of $788,000 already awarded in the first five grant rounds.
Carlton Evans and Matthew Lessner (Ross), $50,000 for screenwriting; Aurora Guerrero (Mosquita y Mari), $88,000 for postproduction; Adam Keker (National Park), $35,000 for screenwriting; Timothy Kelly (The Cherokee Word for Water), $75,000 for production; Benh Zeitlin (Beasts of a Southern Wild), $55,000 for postproduction. Honorable Mentions went to: John Dilly (Rubbish), development and Ian Olds (The Western Habit), screenwriting. More at sffs.org.
The second year of the Film Society's movie-making summer camp puts youth on location.
The second year of the Film Society's movie-making summer camp puts youth on location.
The second year of the Film Society's movie-making summer camp puts youth on location.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
Connie Field makes a radical shift to verité filmmaking, accompanied by an equally momentous switch in fundraising strategy with her latest project.
Connie Field makes a radical shift to verité filmmaking, accompanied by an equally momentous switch in fundraising strategy with her latest project.
Connie Field makes a radical shift to verité filmmaking, accompanied by an equally momentous switch in fundraising strategy with her latest project.
The venerable Castro screen hosts a double feature of Kelly Reichardt's Malick-like 'Meek's Cutoff' and John Sayles' equally existentialist 'Limbo,' itself a good primer for less familiar viewers anticipating the release of his new film 'Amigo' in the coming months. More info castrotheatre.com.
Film buffs that missed SFJFF entry 'Between Two Worlds' at this year's festival have another opportunity to see the doc this week at the Roxie. A loose series of events beginning with the festival's own highly controversial screening of 'Rachel' in 2009, 'Between Two Worlds' is moored by a sublime ambient soundtrack by guitarist Fred Firth. For analysis, check out Ruby Rich's in-depth feature here on SF360. Filmmakers Alan Snitow and Deborah Kaufman will be present for Q&A for 7:00 pm screenings Friday, Saturday and Sunday. More info at roxie.com.
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
San Francisco International Film Festival audience-award winner and Sundance standout 'Crime After Crime' opens Friday at the Roxie. This week in SF360, Judy Stone profiles Yoav Potash, the director of the doc, which covers five years of the life and trials of Deborah Peagler, a woman serving 25-years-to-life for her involvement in the murder of her abuser. Potash will appear with guests for Q&A following some screenings. More info at roxie.com.
Filmmakers take personal approach to Jewish cultural debates.
Filmmakers take personal approach to Jewish cultural debates.
Filmmakers take personal approach to Jewish cultural debates.
John Michael McDonagh's first feature echos the blackly comedic tenor of his ('In Bruges') brother Martin's oeuvre.
John Michael McDonagh's first feature echos the blackly comedic tenor of his ('In Bruges') brother Martin's oeuvre.
John Michael McDonagh's first feature echos the blackly comedic tenor of his ('In Bruges') brother Martin's oeuvre.
Writes Leah Garchik, "Graham Leggat had said that it probably would be a small group, a gathering of a few friends he'd asked to come to Tosca on Tuesday night to see him. But Leggat, who a month ago stepped down as executive director of the San Francisco Film Society because of illness, has more than a few friends. And it seemed almost all of them wanted to see him, to thank him for what he'd accomplished in six years and, more than that, to embrace him with family-like affection." More at sfgate.com.
Berry Minott's work-in-progress travels to Guam seeking a cure, puzzling over scientific mystery.
Berry Minott's work-in-progress travels to Guam seeking a cure, puzzling over scientific mystery.
Berry Minott's work-in-progress travels to Guam seeking a cure, puzzling over scientific mystery.
Critics from the Bay Area and beyond weigh in on the weekend's openings.
Critics from the Bay Area and beyond weigh in on the weekend's openings.
Critics from the Bay Area and beyond weigh in on the weekend's openings.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
Monday through Wednesday, the embattled Balboa Theatre screens Bill Plympton's outrageous, irreverent silent work, 'Idiots and Angels,' alongside acclaimed short 'The Cow that Wanted to be a Hamburger' and other undisclosed treasures from the director's oeuvre. Plympton will be in attendance to conduct a "Master Class," including a drawing demonstration and discussion, at each screening. More info at balboamovies.com.
4 Star Theatre screens John Woo's sweeping, polarizing 'Red Cliff,' still Asia's largest production at $80 million, along with its sequel 'Red Cliff II', his most recent film. Both films play uncut, on the original celluloid. More info at lntsf.com.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The planned "reversal" gives documentary filmmakers a means to build drama from otherwise anti-climactic moments.
The planned "reversal" gives documentary filmmakers a means to build drama from otherwise anti-climactic moments.
The planned "reversal" gives documentary filmmakers a means to build drama from otherwise anti-climactic moments.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
SFFS presents the work of pioneering software artist Marius Watz, who uses digital processes and authored algorithms to “automatically” produce numerous types of media including video, still imagery and sculpture through semi-autonomous software systems, as part of its KinoTek series. Look for sci-fi writer/theorist Bruce Sterling's essay on Watz in Thursday's SF360.org. Events: An exhibition in Super Frog Gallery at New People opens July 22; Artist Talk, July 26; Master Class, July 27. More at sffs.org.
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
SF institution The Red Vic Movie House celebrates both its anniversary and its closure with screenings of house favorite 'Harold and Maude'—perhaps the quintessential quirky romantic comedy. Those who haven't seen 'Harold and Maude' since its release will delight to revisit its many Bay Area locations and Cat Stevens soundtrack. Red Vic promises a "special birthday treat" for Monday's attendees. More info redvicmoviehouse.com
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
SF Museum of Modern Art's Opera on Film series screens Jean-Jacques Beineix's under-appreciated 'Diva' on Thursday. The Caesar Award-winning romance/thriller hybrid deftly handles a complex, opera-centric plot littered with brilliant pop-art inspired chase scenes and features a number of standout performances, including those by Jeunet regular Dominique Pinon and real-life opera singer Wilhelmenia Wiggins Fernandez. More info sfmoma.org.
"Balboa Theatre operator Gary Meyer said Wednesday that this summer will be his last at the Richmond District movie house, leaving the future of the scrappy independent theater in doubt," reports Peter Hartlaub. More at sfgate.com.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Pacific Film Archive’s ‘Hands Up! Essential Skolimowski’ surveys the Polish director’s confounding oeuvre.
Pacific Film Archive’s ‘Hands Up! Essential Skolimowski’ surveys the Polish director’s confounding oeuvre.
Pacific Film Archive’s ‘Hands Up! Essential Skolimowski’ surveys the Polish director’s confounding oeuvre.
Actor’s first documentary outing pays tribute to Quest’s influence.
Actor’s first documentary outing pays tribute to Quest’s influence.
Actor’s first documentary outing pays tribute to Quest’s influence.
Roxie presents as-yet-unreleased-to-DVD 'Skatetown, U.S.A.,' Patrick Swayze's first on-screen appearance. The big-budget camp classic, presented on film in all its sparkling, neon-pink, disco-soaked glory, will be accompanied by a "roller disco" at Cellspace. More info roxie.com.
The SF institution returns to the Castro Theatre with 18 rediscovered films and live musical accompaniment. Highlights include a collection of Disney's Laugh-O-Grams, a travelogue of an expedition to the Antarctic and a film once cited as "the single greatest masterwork in the history of cinema" by stately film journal Cahiers du Cinema. More info castrotheatre.com.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
A legal expert offers advice on staying within the law while shedding extra layers.
A legal expert offers advice on staying within the law while shedding extra layers.
A legal expert offers advice on staying within the law while shedding extra layers.
Chusy Jardine has set out to tell the Andres Torres ADHD-to-World Series glory story in a feature-length documentary.
Chusy Jardine has set out to tell the Andres Torres ADHD-to-World Series glory story in a feature-length documentary.
Chusy Jardine has set out to tell the Andres Torres ADHD-to-World Series glory story in a feature-length documentary.
Playing at Roxie, new Katrina doc 'The Big Uneasy,' questions the levees' failure in New Orleans and uncovers impending dangers in the city's future. Director and comedian Harry Shearer is scheduled to appear at both evening screenings on July 10. More at roxie.com.
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Viewers that may have missed the original run of Herzog's astounding 'Cave of Forgotten Dreams' have three "last" chances to catch it in the luxurious, historic environs of the Castro Theatre. Screens in 3D. More at castrotheatre.com.
The Red Vic collective announced today that after 31 years of continuous operation as a cooperatively-run, single screen neighborhood theater, the theater will be closing its doors July 25.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
A film festival and conference offered audiences and makers opportunities to move forward.
A film festival and conference offered audiences and makers opportunities to move forward.
A film festival and conference offered audiences and makers opportunities to move forward.
Jesse Hawthorne Ficks, with his SF institution Midnites for Maniacs, presents a trio of “troubled teen” classics: ‘Tex,’ ‘River's Edge’ and the extremely rare ‘Over the Edge’ for a single admission price. Directors Tim Hunter, Jonathan Kaplan and others will be in attendance at the screening. More at roxie.com. Look for a full 'Over the Edge' feature by Dennis Harvey in Tuesday's edition of SF360.org.
Press release: The Ninth Street Independent Film Center announced today five new participants for the Center's Media Arts Incubator Program for 2011-2012. "This is a great group of participants," says Skye Christensen, Executive Director of the Ninth Street Independent Film Center. "Each brings a very dynamic project to the Program, and we're really looking forward to what they'll accomplish during their time here." Ninth Street’s Media Arts Incubator Program is designed to nurture socially relevant independent media projects at Ninth Street Independent Film Center. The Incubator Program supports independent filmmakers, start-up film festivals and small media nonprofits through access to workspace and shared resources, such as cross-promotional opportunities, co-productions, affordable meeting or exhibition space and community connections with established media arts partners (Center for Asian American Media, Frameline, San Francisco Jewish Film Festival, and others). Participants are: Rachel Caplan (CEO) and Daniela Rible (Deputy Director) of the annual SF Green Film Festival; Jennifer Tipton and Cary McQueen Morrow, the directors of Art with Impact, which is a platform for the creation of new media on critical social issues; David Evan Harris, Executive Director of the Global Lives Project, a media arts nonprofit that seeks to collaboratively build a video library of human life experience; Scarlett Shepard is Executive Director of the SF Women’s Film Festival; and J.R. Flemming, director and producer of Guarding Dogs, which is a documentary film with a crowd-sourcing model currently in production that makes the case for adopting a dog instead breeding/buying.
New series spotlights the fascination with Mexico in American noir.
New series spotlights the fascination with Mexico in American noir.
New series spotlights the fascination with Mexico in American noir.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Ficks’ ‘Watch out for Children’ triple bill features a long lost career-lanching teen-drama gem.
Ficks’ ‘Watch out for Children’ triple bill features a long lost career-lanching teen-drama gem.
Ficks’ ‘Watch out for Children’ triple bill features a long lost career-lanching teen-drama gem.
Rick Minnick, oldest son a middle-aged father of five who started a new life after suffering from amnesia, returns to California in an attempt to discover the truth behind his father's disappearance in this haunting doc. Minnick and some film subjects will be present for Q&A at both screenings. More at redvic.com.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
Prolific producer, art-house fave and proponent of "radical banality" Hong Sang-Soo juxtaposes moments from a young woman's relationships with two men, a year apart, in the formalist comedy/romance ‘Oki's Movie.’ Screens at Yerba Buena Center for the Arts. More at ybca.org.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
First-time doc-maker Dain Percifield offers notes on capturing the highs and lows of drag queen Anna Conda's 2010 run for S.F. Supervisor.
First-time doc-maker Dain Percifield offers notes on capturing the highs and lows of drag queen Anna Conda's 2010 run for S.F. Supervisor.
First-time doc-maker Dain Percifield offers notes on capturing the highs and lows of drag queen Anna Conda's 2010 run for S.F. Supervisor.
First-time doc-maker Dain Percifield offers notes on capturing the highs and lows of drag queen Anna Conda's 2010 run for S.F. Supervisor.
Directors Paul Mariano and Kurt Norton inspect the treasures held in the Library of Congress' revered National Film Registry and consider their lasting impact on the American experience. The locally made doc features insightful interviews with prominent celebrities and critics. Both filmmakers will be present for Q&A after screening at Smith Rafael Film Center. More at cafilm.org.
YBCA digs a delightfully disturbing live Kinski document from the archives.
YBCA digs a delightfully disturbing live Kinski document from the archives.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
Herzog "best fiend" Klaus Kinski battles hecklers and personal ghosts in this newly restored print of his 1971 one-man show, one of scant few opportunities for English audiences to bear witness to his truly unhinged, but deeply compelling public persona. Plays at YBCA; more info YBCA.org.
One film was not enough to quench Frans Weisz’s fascination with Nazi-era artist Charlotte Salomon.
One film was not enough to quench Frans Weisz’s fascination with Nazi-era artist Charlotte Salomon.
One film was not enough to quench Frans Weisz’s fascination with Nazi-era artist Charlotte Salomon.
Indie/art-film portal Fandor screens the rare and influential mock-doc 'David Holzman's Diary' at the Victoria Theatre. Filmmaker Jim McBride will be in attendance. Free, RSVP required. More at eventbrite.com.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
The Historic Bal Theatre brings us a screening of Bay Area filmmaker Vincent Cortez’s latest feature, ‘The Hush,’ a 2011 Oakland International Film Festival selection and LA Festival honorable mention. The film is a locally shot supernatural film noir piece that has a hitman looking for redemption. More at mitchellstreetpictures.com.
The Historic Bal Theatre brings us a screening of Bay Area filmmaker Vincent Cortez’s latest feature, ‘The Hush,’ a 2011 Oakland International Film Festival selection and LA Festival honorable mention. The film is a locally shot supernatural film noir piece that has a hitman looking for redemption. More at mitchellstreetpictures.com.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
Red Vic Movie House offers up Kaneto Shindo’s 1968 Japanese horror masterpiece ‘Kuroneko.’ More at redvicmoviehouse.com.
Red Vic Movie House offers up Kaneto Shindo’s 1968 Japanese horror masterpiece ‘Kuroneko.’ More at redvicmoviehouse.com.
Throughout the month of June, Pacific Film Archive features a half century of alternately feverish, dark, confessional, parodic work from filmmaker brothers George and Mike Kuchar, starting with their 1965 feature, ‘Sins of the Fleshapoids,’ at which Mike Kuchar appears in person. More at bampfa.berkeley.edu.
Arthur Penn is the focus of a monthlong series at Pacific Film Archive, beginning with 1958’s Gore Vidal-written revisionist Western, ‘The Left Handed Gun,’ which features Paul Newman. More at bampfa.berkeley.edu.
David Meiklejohn’s first feature-length documentary, ‘My Heart Is An Idiot,’ which follows Davy Rothbart as he travels and receives love-life advice from those he encounters, plays at Roxie Theater. Zooey Deschanel, Ira Glass, Newt Gingrich and Davy’s mom are among those contributing thoughts. More at roxie.com.
David Meiklejohn’s first feature-length documentary, ‘My Heart Is An Idiot,’ which follows Davy Rothbart as he travels and receives love-life advice from those he encounters, plays at Roxie Theater. Zooey Deschanel, Ira Glass, Newt Gingrich and Davy’s mom are among those contributing thoughts. More at roxie.com.
Ben Sombogaart’s ‘Bride Flight’ opens at Smith Rafael Film Center. The Dutch feature pursues drama in the stories of three women taking a plane flight to meet their awaiting fiancés. More at cafilm.org.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
The 1967 nearly dialogue-free comedy ‘Playtime,’ which is the fourth feature and the most notably boldest piece from late French filmmaker-actor Jacques Tati, plays at Castro Theatre. More at castrotheatre.com.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
A documentary digs into New York's 'No Wave' movement that briefly flourished in the late 1970s and early ’80s.
A documentary digs into New York's 'No Wave' movement that briefly flourished in the late 1970s and early ’80s.
A documentary digs into New York's 'No Wave' movement that briefly flourished in the late 1970s and early ’80s.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
The adventure of Another Hole in the Head Film Festival requires you risk seeing the occasional dud to seek out the gems.
Castro Theatre hosts a double feature of Oscar-nominated Sidney Lumet films, beginning with 1976’s ‘Network’ and following with 1957’s ’12 Angry Men.’ More castrotheatre.com.
Josh Shelov’s comedy ‘The Best & The Brightest’ plays at Roxie Theater before its wide release this summer. The film features Neil Patrick Harris and Bonnie Somerville as yuppies from New York fighting to get their daughter into an elitist private kindergarten. More at roxie.com.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
The Roxie's new leaders offer notes on their unique vision for the rep house.
The Roxie's new leaders offer notes on their unique vision for the rep house.
The Roxie's new leaders offer notes on their unique vision for the rep house.
Red Vic Movie House hosts ‘Big In Bollywood,’ a film about a struggling 27-year-old actor who lands a dream role in a overly successful Bollywood film. Directors Kenny Meehan and Bill Bowles are in attendance. More at redvicmoviehouse.com.
Red Vic Movie House hosts ‘Big In Bollywood,’ a film about a struggling 27-year-old actor who lands a dream role in a overly successful Bollywood film. Directors Kenny Meehan and Bill Bowles are in attendance. More at redvicmoviehouse.com.
Viz Cinema at New People hosts their third fundraiser event, presenting the Japanese film ‘Kamikaze Girls.’ Proceeds benefit Northern Japan Earthquake Relief Funds. More at newpeopleworld.com.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Castro Theatre pays tribute to the Dame Elizabeth Taylor with six days of benefit double features, beginning with 1958’s ‘Cat On A Hot Tin Roof,’ in which Taylor performs alongside Paul Newman, and 1959’s ‘Suddenly, Last Summer,’ also featuring Katherine Hepburn. More at castrotheatre.com.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Viz Cinema at New People hosts the DVD release of the establishment's personal favorite food film, ‘Eatrip,’ a lyrical documentary that explores the impact that sharing food has on personal relationships by specifically looking at the food culture of Japan. Those that attend the screening can purchase a poster and the DVD. More at newpeopleworld.com.
A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.
A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.
A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.
Roxie Theater brings in two weeks of rare film noir in its I Wake Up Dreaming 2011: The Legendary and the Lost program. A full 14 double features, including ‘The Web’ and ‘711 Ocean Drive,’ are presented in 35mm prints. More at roxie.com.
Roxie Theater brings in two weeks of rare film noir in its I Wake Up Dreaming 2011: The Legendary and the Lost program. A full 14 double features, including ‘The Web’ and ‘711 Ocean Drive,’ are presented in 35mm prints. More at roxie.com.
Castro Theatre hosts a double feature of films by writers-directors Joel and Ethan Coen, beginning with 1987's ‘Raising Arizona’ and followed by 1998's ‘The Big Lebowski.’ More at castrotheatre.com.
Filmmaker Lisa and Zen Priest Tai Sheridan are in person for a benefit screening of ‘My Brother Mike,’ a documentary on the impact that music and a loving support system has on a family struggling with mental illness. More at cafilm.org.
The vivid mindscapes of Allen Ginsberg's poems come to radical life in Rob Epstein and Jeffrey Friedman's James Franco-fied 'Howl' via the art of Ginsberg collaborator Eric Drooker. The Cartoon Art Museum showcases 'The Art of Howl,' with Drooker's work, storyboards, photos and multimedia. More at cartoonart.org.
John Antonelli finds good news, bad news and plenty of drama in African environmental stories.
John Antonelli finds good news, bad news and plenty of drama in African environmental stories.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The director of South Korean film 'The Journals of Musan,' a prize winner at SFIFF54, speaks about bringing cinematic light to social darkness.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The San Francisco premier of ‘The Upsetter: The Life and Music of Lee “Scratch” Perry,' Ethan Higbee and Adam Bhala’s documentary presenting the life of the Jamaican musician, plays at Red Vic Movie House. More at redvicmoviehouse.com.
Viz Cinema at New People hosts the Legacy Film Festival on Aging, offering three days of shorts and features from around the world that deal with the difficulties and appreciation of growing older. The program begins with ‘Ruth Awasa: Roots of an Artist,’ a documentary about the famous artist, with director Bob Toy and Ruth’s children in attendance for a Q&A following the screening. More at newpeopleworld.com.
‘The Double Hour (La Doppia Ora),’ an Italian thriller from first-time director Giuseppe Capotondi that The New York Times touted as “the best movie of its kind,” plays at Smith Rafael Film Center. More at cafilm.org.
Castro Theatre celebrates Friday the 13th with Midnites for Maniacs, a late night triple feature including 1979's ‘Rock ‘N Roll High School,’ 1980's ‘The Blues Brothers’ and ‘Out of the Blue.’ The collection is curated and hosted by Jesse Hawthorne Ficks. More at castrotheatre.com.
'Nostalgia for the Light' may be the most optimistic film in Guzmán's oeuvre, but he still knows how to make us cry, mourn and remember.
'Nostalgia for the Light' may be the most optimistic film in Guzmán's oeuvre, but he still knows how to make us cry, mourn and remember.
'Nostalgia for the Light' may be the most optimistic film in Guzmán's oeuvre, but he still knows how to make us cry, mourn and remember.
Director Claude Marks participates in a discussion following the screening of his film, ‘COINTELPRO 101,’ which presents the history and impact of the FBI Counter Intelligence Program. More at redvicmoviehouse.com.
'Zoo' director Robinson Devor uncovers the strange history behind the Gerald Ford assassination attempt in ’70s San Francisco.
'Zoo' director Robinson Devor uncovers the strange history behind the Gerald Ford assassination attempt in ’70s San Francisco.
'Zoo' director Robinson Devor uncovers the strange history behind the Gerald Ford assassination attempt in ’70s San Francisco.
The best advice for creating the perfect Act III? Surprise yourself.
The best advice for creating the perfect Act III? Surprise yourself.
The best advice for creating the perfect Act III? Surprise yourself.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Opening weekend of ‘These Amazing Shadows,’ a docu on American movies, features Q&As with its Bay Area filmmakers, as well as other local figures, including SF Chron critic Mick LaSalle, SF Public Defender (and filmmaker) Jeff Adachi and cinematographer Frazer Bradshaw. More at theseamazingshadows.com.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Castro Theatre hosts the final evening of SFIFF54, which features Mathieu Amalric’s ‘On Tour,’ a film that tells the story of a has-been French TV producer who stages his comeback with burlesque performers. A party follows at The Factory. More at fest11.sffs.org.
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Red Vic Movie House presents ‘William Burroughs: A Man Within,’ a documentary that offers a look into the life of one of the first writers to address queer and drag culture in the '50s. Director Yony Leyser participates in a Q&A following select showings. More at redvicmoviehouse.com.
SFFS's Schools at the Festival toasts its 20 years with clips, stories, tributes, food and drink (5:00 pm), followed by a special Teacher Appreciation Night screening of ‘American Teacher’ (6:30 pm), a documentary exploring the frustrating realities facing public school teachers, with special guests in attendance. More at fest11.sffs.org.
‘Letters from the Big Man,’ a story of a friendship built between a young woman and a sasquatch, plays at Sundance Kabuki Cinemas and New People with director Christopher Munch in town. More at fest11.sffs.org.
A 16-year-old teenager overcomes the harsh realities of life in Rio de Janeiro by using her imagination in ‘The Joy,’ which plays at Sundance Kabuki Cinemas. Director Felipe Bragança in attendance. More at fest11.sffs.org.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
The Sundance Film Festival Audience Award winner, ‘Circumstance,’ which tells the story of two Iranian women who fall in love, plays at Sundance Kabuki Cinemas on May 1 and May 3. Director Maryam Keshavarz attends each screening of her debut feature. More at fest11.sffs.org.
‘The Salesman,’ a feature that follows an aging car salesman in a struggling Quebec town, plays at Sundance Kabuki Cinemas on May 1 and Pacific Film Archive on May 3. Director Sebastian Pilote attends the screenings. More at fest11.sffs.org.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
San Francisco International Film Festival’s 2011 Centerpiece selection, ‘Terri,’ featuring John C. Reilly as a vice principle who befriends an insecure junior high student, plays at Sundance Kabuki Cinemas with director Azazel Jacobs and actor Jacob Wysocki in attendance. The evening’s after party is at Clift's Velvet Room. More at fest11.sffs.org.
San Francisco director Emily Lou attends the screening of her comedic horror film, ‘The Selling,’ which tells the story of a real estate agent who struggles to sell a haunted house. Film plays at Sundance Kabuki Cinemas. More at fest11.sffs.org.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
The metaphysical mystery ‘Asleep In The Sun,’ featuring a watchmaker and his dog-loving wife in the 1950s, plays at Sundance Kubaki Cinemas on April 28 and New People on April 30, with director Alejandro Chomski in attendance. More at fest11.sffs.org.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
‘She Monkeys,’ a coming-of-age psychological drama about the friendship and competitiveness of two teenage females fighting for a spot on the local equestrian vaulting team, plays at Sundance Kabuki Cinemas on April 25 and 26, with director Lisa Aschan in attendance. More at fest11.sffs.org.
Bay Area director Yoav Potash attends screenings of his documentary ‘Crime After Crime,’ which showcases the story of a female prisoner and the two pro bono lawyers who fight for her release over five and a half years. The film plays at Pacific Film Archive on April 27 and Sundance Kubaki Cinemas on May 2. More at fest11.sffs.org.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
Bay Area directors are high profile in the 54th San Francisco International Film Festival; catch them in person this week. Katie Galloway and Kelly Duane de la Vega appear Tuesday with Bradley Crowder, a principal of ‘Better This World,’ a documentary that traces the paths of activists deemed the "Texas Two." The film plays at Pacific Film Archive on April 26 and Sundance Kubaki Cinemas on April 29. More at fest11.sffs.org.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Press release: New People Entertainment, a film division of New People, Inc. that focuses on the licensing and distribution of Japanese films and media, has announced the beta launch of its own exclusive web channel where audiences will be able to stream a variety of the company’s films and content. More at newpeoplechannel.com.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Renowned producer Christine Vachon addresses cinema in the year 2011, gleaning wisdom from her extensive career producing films, from 1995's ‘Kids’ to 1999's ‘Boys Don’t Cry’ to the recent HBO mini-series 'Mildred Pierce.' More at fest.sffs.org.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
‘Miss Representation,’ former San Francisco Mayoral First Lady Jennifer Siebel Newsom's documentary examining the impact of media on the self-image of female teenagers, screens Friday, with the filmmaker herself in town. More at fest11.sffs.org.
Press release: The San Francisco Film Society announced today that Terence Stamp will be the recipient of the Peter J. Owens Award at the 54th San Francisco International Film Festival (April 21–May 5). The Owens Award, named for the longtime San Francisco benefactor of arts and charitable organizations and Film Society board member, honors an actor whose work exemplifies brilliance, independence and integrity. The award will be presented to Stamp at Film Society Awards Night, Thursday, April 28 at Bimbo’s 365 Club. More at fest11.sffs.org.
As the San Francisco International Film Festival opens, key films consider the value of place.
As the San Francisco International Film Festival opens, key films consider the value of place.
As the San Francisco International Film Festival opens, key films consider the value of place.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
In celebration of the upcoming Turner Classic Movies Film Festival in Hollywood, Castro Theatre participates in the one-night nationwide Road to Hollywood Tour with a free screening of ‘Elmer Gantry.’ Turner Classic Movies host Ben Mankiewicz and Academy Award winner Shirley Jones are present. Tickets are acquired through tcm.com/roadtohollywood. More at castrotheatre.com.
Roxie Theater hosts Playback: ATA Film & Video Festival 2006-2010, a one-day event that showcases a selection of short films from the experimental media arts gallery. More at roxie.com.
Reports Peter Knegt: "Academy Award-nominated documentary filmmaker Tim Hetherington has been killed in Libya, it is being reported by Vanity Fair (where Hetherington worked as a contributing photographer)." More at indieWIRE.com.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
SFFS Education and Lourdes Portillo, director/producer of ‘The Mothers of Plaza de Mayo’ and ‘The Devil Never Sleeps,’ present a Master Class titled ‘The Unorthodox Documentary,’ in which Portillo shares her techniques and reviews students proposals. More at sffs.org.
Pacific Film Archive's Patricio Guzmán series continues with ‘The Pinochet Case’ and ‘Chile, Obstinate Memory.’ Later this month, Guzman's latest, a poignant and provocative reflection called 'Nostalgia for the Light,' closes the collection and screens as part of the San Francisco International Film Festival, April 26 and 28. More at bampfa.berkeley.edu and fest11.sffs.org.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Director Aaron Schock speaks at Landmark’s Lumiere Theatre San Francisco and Landmark’s Shattuck Cinemas in Berkeley following select opening weekend showings of his new film, ‘Circo,’ which tells the story of a family’s financial and emotional battles as they struggle to successfully run a circus in Mexico. More at landmarktheatres.com.
Castro Theatre hosts a double feature of cop films set in San Francisco, beginning with Peter Yates’ 1968 ‘Bullitt,’ which features Steve McQueen, and Richard Rush’s 1974 ‘Freebie and the Bean,’ featuring James Caan and Alan Arkin. More at castrotheatre.com.
Keanu Reeves, James Caan and Vera Farmiga star in Malcolm Venvile’s ‘Henry’s Crime,’ which opens at Landmark’s Embarcadero Center Cinema in San Francisco, Landmark’s Shattuck Cinemas in Berkeley and other Bay Area theaters. The film was an official selection of the Toronto International Film Festival. More at landmarktheatres.com.
Roxie Theater presents ‘Some Days are Better Than Others,’ a debut feature-length film by Matt McCormick that explores the mutual struggles of hope shared amongst a group of eclectic characters. The film features Carrie Brownstein (Sleater-Kinney) as well as James Mercer (The Shins). More at roxie.com.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Filmmaker Mimi Chakarova is at Sutardja Hall Auditorium, UC Berkeley, to present her documentary, ‘The Price of Sex,’ which is an award-winning investigation into sex trafficking throughout Europe and the Middle East. More at priceofsex.org.
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Press release: Current TV is launching a new pro-social program, called 'The Current Cause,' which invites both amateur and professional filmmakers to create promotional spots focusing on pro-social themes and organizations. The program focuses on a different theme every quarter, beginning with a sustainability-themed "Earth Fights Back" initiative to commemorate Earth Day 2011. More at current.com/cause.
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
Award-winning Bay Area director Les Blank introduces his 1969 short film, ‘The Blues Accordin’ to Lightnin’ Hopkins,’ and his 1979 project, ‘Always for Pleasure,’ which play at Red Vic Movie House. Viewers receive rice and beans made with Les’ special recipe. More at redvicmoviehouse.com.
Yerba Buena Center for the Arts hosts and dGenerate Films and Fandor present ‘Fearless: Independent Chinese Documentaries,’ which features six independent Chinese political docs; continuing this week with 'Tape' (April 7), 'Ghost Town' (April 10) and '1428' (pictured, April 14). More at ybca.org.
Mission Cultural Center presents Catherine Murphy’s ‘Maestra,’ a 30-minute documentary that follows female literacy workers in Cuba. Murphy and former literacy campaign teacher Norma Guillard participate in a Q&A with film critic B. Ruby Rich following the film. More at missionculturalcenter.org.
Press release: The San Francisco Film Society announced today that Oliver Stone will be the recipient of the Founder’s Directing Award at the 54th San Francisco International Film Festival (April 21–May 5). The FDA will be presented to Stone at Film Society Awards Night, Thursday, April 28 at Bimbo’s 365 Club. The Film Society’s Youth Education program will be the beneficiary of the fundraiser honoring Stone. The soon-to-be-announced recipient of the Peter J. Owens Award for excellence in acting and Frank Pierson, recipient of the Kanbar Award for excellence in screenwriting will also be honored. More at sffs.org.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
The 7th Annual San Francisco Women’s Film Festival opens with ‘Grace, Milly, Lucy… Child Soldiers’ and runs five days, with shows and events at the Roxie Theater, Ninth Street Independent Film Center and Mission Workshop. More at roxie.com and womensfilminstitute.com.
Hester Schell’s ‘Casting Revealed’ helps filmmakers hire quality actors.
Hester Schell’s ‘Casting Revealed’ helps filmmakers hire quality actors.
Hester Schell’s ‘Casting Revealed’ helps filmmakers hire quality actors.
Tiffany Shlain keynotes a discussion of education and opportunity, while panelists Mark Decena, Rob Epstein, Barry Jenkins, Lexi Leban and Jenni Olson share their experiences and stories of how they’ve sustained their careers over time. It begins at 7:30 pm at the Lab. More at sffs.org.
A collection of Dave Kehr's analytical, entertaining pieces from 30-plus years ago offers critical enlightenment for a short-form era.
A collection of Dave Kehr's analytical, entertaining pieces from 30-plus years ago offers critical enlightenment for a short-form era.
A collection of Dave Kehr's analytical, entertaining pieces from 30-plus years ago offers critical enlightenment for a short-form era.
‘Salvador Allende,’ the first feature in the month-long series ‘Afterimage: The Films of Patricio Guzman,’ which showcases a variety of Guzman’s work, plays at Pacific Film Archive. More at bampfa.berkeley.edu.
IndieWIRE reports: "With the sheer number of arts-related events in San Francisco, one might mistake the city as one of America’s largest metropolises, but in fact it’s California’s fourth largest city. San Francisco has however had a long tradition of embracing arts on the cusp, reflecting its vibrant and diverse citizens." More at indieWIRE.com.
Ozon's Deneuve vehicle, filled with comedy and politics, travels well.
Ozon's Deneuve vehicle, filled with comedy and politics, travels well.
Ozon's Deneuve vehicle, filled with comedy and politics, travels well.
Liz Canner’s astounding and yet amusing documentary ‘Orgasm, Inc.,’ which examines the attempt of pharmaceutical companies to take advantage of women’s desire to orgasm to sell perhaps ineffective and possibly dangerous medications, plays at Roxie Theater. Opening reception with Canner takes place at Good Vibrations on April 2 and a panelist discussion featuring Dr. Carol Queen follows an April 4 showing. More at roxie.com.
SFMOMA's Eadweard Muybridge exhibit is essential viewing for Bay Area film lovers. More than 150 years after Eadweard Muybridge set up shop on Montgomery Street, San Francisco Museum Modern Art is featuring a splendid retrospective of the photographer’s work just a few blocks away. A tireless self-promoter with chutzpah enough to adapt “Helios” as a nom de plume early in his career (this after already having left “Muggeridge” behind in England), Muybridge would surely have been pleased by this showcase. From A Trip Down Market Street
SFMOMA's Eadweard Muybridge exhibit is essential viewing for Bay Area film lovers. More than 150 years after Eadweard Muybridge set up shop on Montgomery Street, San Francisco Museum Modern Art is featuring a splendid retrospective of the photographer’s work just a few blocks away. A tireless self-promoter with chutzpah enough to adapt “Helios” as a nom de plume early in his career (this after already having left “Muggeridge” behind in England), Muybridge would surely have been pleased by this showcase. From A Trip Down Market Street
Behind the Scenes: Art director Patricia Woodbridge introduces ‘I Am Legend’ at Pacific Film Archive with a formal discussion of her work on that film and others on March 31. SFFS hosts Woodbridge at Ninth Street Independent Film Center for a Master Class on April 2, and then she returns to PFA to informally present ‘Shutter Island,’ on April 3. More at bampfa.berkeley.edu and sffs.org.
Filmmakers Ray Telles and Kenn Rabin are in person at the Smith Rafael Film Center to present their documentary, ‘The Storm That Swept Mexico,’ which illustrates the story of the Mexican Revolution of 1910 and explores the subsequent changes in relationship dynamics between Mexico, the United States and Europe. More at cafilm.org.
A nonfiction tagging doc takes a novel approach, looking at those who erase graffiti as opposed to those who make it.
A nonfiction tagging doc takes a novel approach, looking at those who erase graffiti as opposed to those who make it.
A nonfiction tagging doc takes a novel approach, looking at those who erase graffiti as opposed to those who make it.
Director Cassie Jaye and producer Nena Jaye are in person for a discussion following their documentary, ‘Daddy I Do,’ which explores the need to provide youth and young adults with sexual education. More at cafilm.org.
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
New People at Viz Cinema hosts three showings of ‘Hula Girls,’ a 2006 film based in the recently devastated Fukushima, Japan. Showings are free, but donations of $10, which will go directly to Japanese earthquake relief funds, are requested. More at newpeopleworld.com.
Lisandro Alonso’s 2001 ‘La Libertad’ is the first film in Pacific Film Archive’s First Person Rural: The New Nonfiction series, which presents works that utilize documentary filmmaking techniques in fictional storytelling. More at bampfa.berkeley.edu.
The Sing Along ‘The Wizard of Oz,’ featuring an interactive experience with song and goody bags, plays for seven days at the Castro Theatre. Laurie Bushman, Joe Wicht and David Hawkins host. More at castrotheatre.com.
Director Taggart Siegel participates in a Q&A at Roxie Theater following the evening showings on March 25, 27 and 28 of his recent documentary, ‘Queen of the Sun: What are the Bees Telling Us?,’ which examines the recent global disappearance of bees. More at roxie.com.
Rosenblatt’s meditative essay on the difficult subject of suicide finds its way to HBO. Narrative films may occasionally conjure the shock of a suicide—last year’s The Father of My Children is a fine example—but it’s the nature of character dramas to keep pace with the living rather than meditate in the shadow of loss. In his most recent lyrical essay-film, The Darkness of Day, local filmmaker Jay Rosenblatt creates such a meditative space, intertwining different stories and perspectives of suicide: near and far, first-person and third, male and female, young and old, anonymous and notable. Rosenblatt cues the multiple narratives to a poetic stream of found...
Rosenblatt’s meditative essay on the difficult subject of suicide finds its way to HBO. Narrative films may occasionally conjure the shock of a suicide—last year’s The Father of My Children is a fine example—but it’s the nature of character dramas to keep pace with the living rather than meditate in the shadow of loss. In his most recent lyrical essay-film, The Darkness of Day, local filmmaker Jay Rosenblatt creates such a meditative space, intertwining different stories and perspectives of suicide: near and far, first-person and third, male and female, young and old, anonymous and notable. Rosenblatt cues the multiple narratives to a poetic stream of found...
Created in 2007 by Eric Slatkin and Carlton Evans to celebrate possibilities of media we might consider "throwaway" (devices like cell phones and pocket cameras), the Disposable Film Festival has grown into a popular one-day event and year-round traveling showcase. This year, it debuts at the Castro Theatre. More at castrotheatre.com.
Screenwriter Oscar Torres appears in person at Mission Cultural Center to talk following his award winning film ‘Voces Inocentes,’ based on Torres’ real-life tale of growing up and avoiding mandatory army recruitment in San Salvador. More at missionculturalcenter.org.
Ron Merk sends a San Francisco-set series into the ring.
Ron Merk sends a San Francisco-set series into the ring.
Ron Merk sends a San Francisco-set series into the ring.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
New technology and futuristic themes featured prominently at South by Southwest this year.
New technology and futuristic themes featured prominently at South by Southwest this year.
New technology and futuristic themes featured prominently at South by Southwest this year.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
Xavier Dolan’s ‘Heartbeats,’ the 2010 Winner of Un Certain Regard Youth Prize at Cannes International Film Festival, opens at Landmark Theatres in San Francisco and Landmark’s Shattuck Cinemas. The film follows two best friends and their attempt to attain the affection of a charming man they’ve just met. More at landmarktheatres.com.
Abbas Kiarostami’s ‘Certified Copy,’ featuring Juliette Binoche, opens at Landmark's Clay and Shattuck as well as the Smith Rafael Film Center. The films tells the story of a man and woman who begin pretending they’re romantically involved and subsequently experience the dynamics of being in a couple. More at landmarktheatres.com and cafilm.org.
Ry Russo-Young’s 2009 Gotham Independent Film Award winner and Sundance Film Festival Selection, ‘You Won’t Miss Me,’ plays for one week at Roxie Theater. The film features Stella Schnabel, who plays a 23 year-old just released from a psychiatric hospital. More at roxie.com.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
Long story short: A filmmaker finds the right length for his South American health doc.
Long story short: A filmmaker finds the right length for his South American health doc.
Long story short: A filmmaker finds the right length for his South American health doc.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
“At times William S. Burroughs seemed less the author of fiction than a creation of it,” writes Dennis Harvey in SF360; director Yony Leyser offers what Harvey calls a "fascinating, impressionistic" treatment of the subject in ‘William S. Burroughs: A Man Within.’ Leyser and other special guests offer a Q&A following the showing of their film, Tuesday, March 15. More at roxie.com.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
Oscar-winning visual effects supervisor Craig Barron and Oscar-winning sound designer Ben Burtt reveal the special effects used in 1939s ‘Tarzan Finds a Son!’ and present live audio demonstrations. The event takes place at Smith Rafael Film Center and is presented by Science and Technology Council of the Academy of Motion Picture Arts and Sciences. More at cafilm.org.
A new Burroughs documentary revisits a familiar story, but delivers fresh insight.
A new Burroughs documentary revisits a familiar story, but delivers fresh insight.
A new Burroughs documentary revisits a familiar story, but delivers fresh insight.
San Francisco International Asian American Film Festival begins March 10 and runs for 11 days, celebrating Opening Night at the Castro Theatre with Andy De Emmony’s 2009 ‘West Is West,’ the sequel to the successful 1999 ‘East Is East.’ About 120 films will play at a variety of venues around San Francisco, Berkeley and San Jose. More at festival.asianamericanmedia.org.
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
Pacific Film Archive hosts ‘Film and Video Makers at Cal,’ which offers an array of short narratives, documentaries and music videos by UC Berkeley student filmmakers. More at bampfa.berkeley.edu.
Hollywood Reporter: ""What the film industry desperately needs is a merger of social networks and content," says Ted Hope, the celebrated producer of American Splendor and dozens of indie hits at Sundance and elsewhere. That's why he just joined former Facebook chief privacy officer Chris Kelly on the board of Fandor, the indie film streaming site built by Dan Aronson and Jonathan Marlow, a veteran of Amazon and GreenCine. After several months in beta (trial-run mode), Fandor made its full-fledged debut Wednesday," writes Tim Appelo. More at hollywoodreporter.com.
Jason Wolos builds a drama about family and food with a few key ingredients.
Jason Wolos builds a drama about family and food with a few key ingredients.
Jason Wolos builds a drama about family and food with a few key ingredients.
Pacific Film Archive offers the latest in their Alternative Visions series with Images of Nature, or The Nature of the Image: Canadian Artists at Work, which explores the techniques and strategies utilized by four decades of Canadian short films as they showcase images of nature and Canadian landscapes. More at bampfa.berkeley.edu.
Breaking down the common licensing terms.
Breaking down the common licensing terms.
Breaking down the common licensing terms.
Apichatpong Weerasethakul’s much anticipated ‘Uncle Boonmee Who Can Recall His Past Lives,' a dramatic feature that tells the story of a dying man who visits the incarnations of his past lives in his final days, remains at the Sundance Kabuki Cinemas for a few days. More at sffs.org.
Apichatpong Weerasethakul’s much anticipated ‘Uncle Boonmee Who Can Recall His Past Lives,' a dramatic feature that tells the story of a dying man who visits the incarnations of his past lives in his final days, remains at the Sundance Kabuki Cinemas for a few days. More at sffs.org.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
The Balboa Theatre celebrates its 81st year with a rare early film of Rudolph Valentino, ‘Moran of the Lady Letty,’ lensed here in San Francisco and Tiburon. The evening includes short-subject films, live accompaniment and performance, your own take on Jazz Age attire, and, of course, birthday cake. More at balboamovies.com.
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Mariana Chenillo’s comedy ‘Nora’s Will' (Cinco Dias Sin Nora), winner of seven Mexican Ariel Awards, including best picture, actor, supporting actress and screenplay opens at the Smith Rafael as well as Landmark's Bridge and Shattuck. More at cafilm.org and landmarktheatres.com.
Mariana Chenillo’s comedy ‘Nora’s Will' (Cinco Dias Sin Nora), winner of seven Mexican Ariel Awards, including best picture, actor, supporting actress and screenplay opens at the Smith Rafael as well as Landmark's Bridge and Shattuck. More at cafilm.org and landmarktheatres.com.
San Francisco Museum of Modern Art and Castro Theatre present ‘Exposed on Film,’ a three-day series featuring films that explore the themes presented in the concurrent San Francisco Museum of Modern Art’s exhibit, Exposed: Voyeurism, Surveillance and the Camera Since 1870, including Warhol's 'The Nude Restaurant,' Antonioni's 'Blow Up' and David Lynch's 'Lost Highway.' More at castrotheatre.com and sfmoma.org.
Director Tom Shadyac, known for comedies ‘Ace Ventura,’ ‘Liar, Liar’ and ‘Bruce Almighty,’ will be at Smith Rafael Film Center to present his new documentary, ‘I Am,’ which investigates the extreme change he experienced after an accident caused him to get rid of all his possessions and rethink his outlook on life. More at cafilm.org.
Press release: The 54th San Francisco International Film Festival (April 21 - May 5) today announced its documentaries in competition for the Golden Gate Awards and films in competition for the New Directors Prize. The International will award close to $100,000 in total prizes this year. Sixty thousand dollars will be awarded to winners in three categories: investigative documentary feature ($25,000), documentary feature ($20,000) and Bay Area documentary feature ($15,000). The New Directors Prize of $15,000 is given to a narrative first feature that exhibits a unique artistic sensibility and deserves to be seen by as wide an audience as possible. Seventeen countries contributed to the production of the 11 films in this year's competition. Click through for titles or visit sffs.org.
An environmental film festival with exceptional flair enters the San Francisco scene.
An environmental film festival with exceptional flair enters the San Francisco scene.
An environmental film festival with exceptional flair enters the San Francisco scene.
Smith Rafael Film Center hosts filmmaker Justin Hunt and composer James Hetfield (Metallica) as they present and discuss their documentary ‘Absent,’ which looks at the absence of father figures. More at cafilm.org.
San Francisco's first ever Green Film Festival takes off with a collection that includes Werner Herzog's 'Happy,' Patrick Rouxel's 'Green' and Fredrik Gertten’s 'Bananas!*' More at sfgreenfilmfest.org.
Los Angeles Times: "The documentary “Presumed Guilty” (“Presunto Culpable”) has received accolades far and wide, from human rights groups, audiences and Mexican legislators. It is a damning look at the Mexican judicial system that hastens to put a man in prison on the flimsiest of evidence," writes Tracey Wilkinson. More at latimes.com.
After her own Assange story broke big, a Bay Area filmmaker followed another lead...to Iceland.
After her own Assange story broke big, a Bay Area filmmaker followed another lead...to Iceland.
After her own Assange story broke big, a Bay Area filmmaker followed another lead...to Iceland.
Ido Haar continues his two-week residency with the San Francisco Film Society; he appears in person for a Q&A following the screening of ‘Melting Siberia,’ which will play at New People. A reception with Haar will follow at Viz Cinema Café. More at sffs.org.
Build an action picture with a poor script? At your own risk.
Build an action picture with a poor script? At your own risk.
Build an action picture with a poor script? At your own risk.
Reuters: "'Toy Story 3' won the Oscar for animated feature on Sunday, becoming the fourth Pixar release to win the category in as many years." More at reuters.com.
LA Times Blogs: "Inside Job” won the Oscar for documentary feature at the 83rd Academy Awards on Sunday night. “Inside Job” is an exploration of the causes and corollaries of the 2008 financial crisis. The award goes to Charles Ferguson and Audrey Marrs." More at latimesblogs.latimes.com. And from SF360.org: Bay Area-based Ferguson's speech began with a statement of fact, "After financial fraud not a single financial executive has gone to jail," before thanking his colleagues.
SFFS Artist in Residence speaks on cities, Siberia, family and life in the Middle East.
SFFS Artist in Residence speaks on cities, Siberia, family and life in the Middle East.
SFFS Artist in Residence speaks on cities, Siberia, family and life in the Middle East.
Film on Film Foundation and Red Vic Movie House offer a triple feature of claymation and puppetry projects, including ‘Gumby, The Movie,’ ‘The Adventures of Mark Twain,’ and ‘Meet the Feebles.’ More at redvicmoviehouse.com.
SFFS Screen presents Alexei Popogrebsky’s, ‘How I Ended This Summer,’ a psychological drama about two men's relationship over a summer of working at a meteorological station in the Arctic Circle. The film plays at Sundance Kabuki Cinemas. More at sffs.org.
Director Robinson Devor and actor Patrick Warburton are in person at Roxie Theater to show their 1999 noir film, ‘The Woman Chaser,’ which tells the story of a used care salesman who strives to write and direct his own film in an attempt to find fame and fortune. More at roxie.com.
Castro Theatre hosts seven days of ‘We Were Here,’ David Weissman's documentary examining the initial arrival of AIDS in San Francisco and its subsequent influence the community. Opening night features a VIP reception prior to and a Q&A with director David Weissman following the screening. More at castrotheatre.com.
As part of Laurel Nakadate: Fever Dreams, photographer and filmmaker Nakadate appears in person at the Roxie Theater for a Q&A following a double-feature of her transfixing, transforming feature-length films, including 2010's 'The Wolf Knife' and 2009's 'Stay the Same Never Change.' More, including info on Nakadate work on display in the Mission, at sffs.org.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Reports SFGate: “The HBO production ‘Hemingway & Gellhorn,’ starring Nicole Kidman and Clive Owen and being filmed almost entirely in San Francisco, needs some local extras. But the open call only welcomes 18- to 40-year-old, Spanish-looking, English-speaking men with fair to medium complexions, dark hair, eyes and lean physiques.” Open calls take place through Sunday, February 27 12:30 to 4:00 pm at Beau Bonneau Casting. More at sfgate.com and beaubonneaucasting.com.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
A festival whose curation was called "stupefyingly good" by Dennis Harvey in SF360.org last week, the Noise Pop Film Series complements the live music it's meant to accompany as the likes of Feist, Devendra Banhart and Tom Ze cross the screen. More at 2011.noisepop.com/film.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Steven Soderbergh's Spalding Gray tribute gives us the true beating heart of the artist instead of talking-head punditry.
Steven Soderbergh's Spalding Gray tribute gives us the true beating heart of the artist instead of talking-head punditry.
Steven Soderbergh's Spalding Gray tribute gives us the true beating heart of the artist instead of talking-head punditry.
Andrew O'Hehir called Gregg Araki's latest "trashy," "sweet," and "downright disturbing" in Salon. It opens this weekend at the Bridge with Araki in person at evening shows Friday and Saturday. More at landmarktheatres.com.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Carrie Lozano and Charlotte Lagarde find a life-and-death story in the making of 'My Coma Dreams.'
Carrie Lozano and Charlotte Lagarde find a life-and-death story in the making of 'My Coma Dreams.'
Carrie Lozano and Charlotte Lagarde find a life-and-death story in the making of 'My Coma Dreams.'
A filmmaker delves deep into the process of embodying 'madness' in movie form.
A filmmaker delves deep into the process of embodying 'madness' in movie form.
A filmmaker delves deep into the process of embodying 'madness' in movie form.
Variety: "Marking another acquisition partnership coming out of the Sundance Film Festival, Roadside Attractions will team with Participant Media," handling U.S. theatrical distribution rights of writer and director Maryam Keshavarz's Iranian drama 'Circumstance.' More at variety.com.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Short and feature films completed over the previous year by the Scary Cow’s co-op members play at Castro Theater. Attendees vote on which filmmakers should receive funding for future projects. More at scarycow.com.
The San Francisco Silent Film Festival's Winter Event, a one-day affair to showcase silent films, returns to the Castro. Features include Charlie Chaplin shorts, Marcel L’Herbier’s 1928 ‘L’Argent’ and King Vidor’s 1926 ‘La Boheme,' each accompanied with live music. More at silentfilm.org and castrotheatre.com.
Neither tragedy nor grand romance, 'Come Undone' captures an evocative everyday mess.
Neither tragedy nor grand romance, 'Come Undone' captures an evocative everyday mess.
SFFS Screen offers ‘Come Undone,’ Silvio Soldini’s recent dramatic film featuring Alba Rohrwacher of ‘I Am Love.’ The film examines the reasons behind and subsequent emotional effects of a couple's extramarital affair. The film plays at Sundance Kabuki Cinemas. More at sffs.org.
Press Release: Bay Area-based ro*co films announced that they will be distributing Jennifer Siebel Newsom’s documentary film, 'Miss Representation' in the North American educational market. ro*co will distribute the film to academic institutions, universities, and libraries for both classroom use and educational screenings. More at rocofilms.com.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
Viz Cinema at New People hosts the U.S. premiere of the Japanese animated film ‘The Garden of Sinners,’ based on Kinoko Nasu’s successful cult novel. Producers are in attendance for a discussion panel following. More at newpeopleworld.com.
Viz Cinema at New People hosts the U.S. premiere of the Japanese animated film ‘The Garden of Sinners,’ based on Kinoko Nasu’s successful cult novel. Producers are in attendance for a discussion panel following. More at newpeopleworld.com.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
The Castro Theatre hosts as SF Sketchfest and Midnight Mass present Idol Worship: An Evening with Cloris Leachman, which will offers a screening of Mel Brooks’ ‘High Anxiety’ and drag queen music performances including exchanges with Cloris Leachman. More at castrotheatre.com.
Elia Suleiman’s 'The Time That Remains' recalls his parents’ Nazareth.
Elia Suleiman’s 'The Time That Remains' recalls his parents’ Nazareth.
Elia Suleiman’s 'The Time That Remains' recalls his parents’ Nazareth.
SFFS Screen returns to the Sundance Kabuki with a new one from Elia Suleiman, a story about the the lives and hardships of Palestinians who were branded "Israeli Arabs." It's a film that the Toronto International Film Festival calls a "fusion of the political and personal, the historical and hysterical." More at sffs.org.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
The eight-day Mostly British Film Festival opens with Andy DeEmmony’s ‘West is West,’ the sequel to 1999s ‘East is East.’ Films from the United Kingdom, Australia, South Africa and Ireland play for eight days at the Vogue Theatre and the Smith Rafael Film Center. More at mostlybritish.org.
Filmmaker Nicole Karsin shares the latest cut of her documentary ‘We Women Warriors,’ which showcases three Colombian women’s nonviolent efforts to protect their liberties while caught in the crosshairs of a rebellious war. The film plays at The Women’s Building. More at wewomenwarriors.com.
Roxie Theater hosts the 13th SF Indiefest, which presents 15 raucous days of both feature and short independent films. Opening Night features Gregg Araki’s ‘Kaboom,’ with an afterparty at CELLspace and live music. More at sfindie.com.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
3rd i launches its ‘Cruel Cinema: New Directions in Tamil Film’ weekend series at the Pacific Film Archive Theater. Four current new wave films from Tamil play, beginning with India’s highly successful crime thriller ‘Pudhuppettai.’ More at bampfa.berkeley.edu.
An expert offers advice on solving the issues rough-cut screenings raise.
An expert offers advice on solving the issues rough-cut screenings raise.
An expert offers advice on solving the issues rough-cut screenings raise.
‘Lemmy,’ Greg Olliver and Wes Orshoski’s 2010 documentary exploring the over 40-year music career of lead singer of Motörhead, Lemmy Kilmister, plays at Roxie Theater. More at roxie.com.
The Castro Theatre hosts a tribute to ‘Airplane!’ in conjunction with the SF Sketchfest. Following the film is a Q&A with leading actor Robert Hays, screenwriter Jim Abrahams and directors David and Jerry Zucker. More at sfsketchfest.com.
The Roxie Theater and San Francisco Film Society present ‘Herzog In Focus,’ a class taught by Bill Nichols, which analyzes the work of German filmmaker Werner Herzog. More at roxie.com and sffs.org.
Reports indieWIRE: "Oprah Winfrey Network has added another member to its Documentary Film Club with Yoav Potash’s “Crime After Crime,” which premiered at the Sundance Film Festival in the U.S. Documentary Competition." More at indiewire.com.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
The Roxie showcases filmmaker and educator George Kuchar with ‘By, For and About George Kuchar,’ including a Frankenstein series recently completed with his San Francisco Art Institute students, a selection of his shorts and Jennifer Kroot’s 2009 documentary, ‘It Came From Kuchar.’ More at roxie.com.
Pacific Film Archive Theater hosts the African Film Festival 2011, presenting popular documentary and narrative films from eight African countries. The festival begins with Remi Vaughan-Richards’ 2010 ‘One Small Step.’
Filmmakers Amy and Tom Valens appear in person at Smith Rafael Film Center for the world premiere of their documentary ‘August to June,’ which follows Amy in her final year as an instructor at a public elementary school in the city of Lagunitas. More at cafilm.org.
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Sean Uyehara: "If you wanted, you could say that Calvin Lee Reeder channels the love child of Dario Argento and Maya Deren..."
Sean Uyehara: "If you wanted, you could say that Calvin Lee Reeder channels the love child of Dario Argento and Maya Deren..."
Sean Uyehara: "If you wanted, you could say that Calvin Lee Reeder channels the love child of Dario Argento and Maya Deren..."
The final week of Noir City plays at Castro Theatre. Two Film Noir features play nightly through January 30, ending with 1952’s ‘Angel Face’ and 1948’s ‘The Hunted.’ More at castrotheatre.com.
The Red Lantern Meetup group brings Asian film fans together.
The Red Lantern Meetup group brings Asian film fans together.
The Red Lantern Meetup group brings Asian film fans together.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Eddie Muller and Anita Monga bring 10 days of finely curated noir to the Castro Theatre, where it's promised "you'll find all kinds of crazy" in 24 films. We never doubted. The festival opens with 1947's ‘High Wall’ and 1940's ‘Stranger on the Third Floor.' More at castrotheatre.com and noircity.com.
Roxie Theater presents ‘Two In The Wave,’ a documentary showcasing the friendship and eventual fall out of French New Wave filmmakers Francois Truffaut and Jean-Luc Godard. Actual short works from Truffaut and Godard play after the film. More at roxie.com.
A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.
A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.
A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.
Yerba Buena Center for the Arts offers the latest by Pedro Costa, what they call a "ravishing, entrancing study of light, shadow and voice" from the Portuguese filmmaker. More at ybca.org.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Pacific Film Archive Theater and UC Berkeley’s Department of Film and Media present Jean Cocteau’s 1946 ‘Beauty and the Beast.’ A lecture by Professor Russell Merritt follows. More at bampfa.berkeley.edu.
SF Chronicle: "It was creative projects like 'The Revolutionary Optimists'," writes Benny Evangelista, "that helped the nonprofit San Francisco organization, which advocates social change through the integration fo storytelling with the latest media technologies, win a $1 million grant from the John D. and Catherine T. MacArthur Foundation." More at sfgate.com.
Press release: "...The new initiative, called JustFilms, will invest $10 million a year over the next five years to support and expand the community of filmmakers and mediamakers around the world focused on creating documentaries with passion and purpose, but who often lack funding to realize their visions or reach audiences." More at fordfoundation.org.
Geoff Alexander opens a window into the 20th century with a book about films for/from the classroom.
Geoff Alexander opens a window into the 20th century with a book about films for/from the classroom.
Geoff Alexander opens a window into the 20th century with a book about films for/from the classroom.
An advance screening of Peter Weir’s new film, ‘The Way Back’, which features Jim Sturgess, Ed Harris and Colin Farrell, plays at the Smith Rafael Film Center, with Weir presenting and discussing the film. More at cafilm.org.
An advance screening of Peter Weir’s new film, ‘The Way Back’, which features Jim Sturgess, Ed Harris and Colin Farrell, plays at the Smith Rafael Film Center, with Weir presenting and discussing the film. More at cafilm.org.
Roxie Theater presents ‘Genghis Blues,’ Roko Belic’s 1999 Oscar nominated Best Documentary feature about the unlikely throat-singing champion Paul Pena. Current throat-singing artist Kongar-Ol Ondar attends and performs following the feature. More at roxie.com.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Pacific Film Archive Theater offers the World Cinema Foundation: Safeguarding Cinematic Treasures series, highlighting WCF's preservation efforts. It opens with Edward Yang's 1991 ‘A Brighter Summer Day’. More at bampfa.berkeley.edu.
Sofia Coppola's 'Somewhere' nails the spiritual erosion of constant, effortless indulgence.
Sofia Coppola's 'Somewhere' nails the spiritual erosion of constant, effortless indulgence.
Sofia Coppola's 'Somewhere' nails the spiritual erosion of constant, effortless indulgence.
Castro Theatre hosts the German Gems Film Festival, a three day event showcasing recent German features, shorts and documentaries. It begins on Friday with ‘Mahler On The Couch,' a feature directed by father and son team Percy and Felix Adlon, with an Opening Night after party following. More at castrotheatre.com.
Lionel Rogosin's 1956 Oscar-nominated film, 'On the Bowery,' blends documentary and fiction in its look at three days of New York’s skid row; it's followed by an archival 'making-of' look at the project by Rogosin's son, Michael. More at roxie.com.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
The Smith Rafael Film Center offers 'For Your Consideration,' a sampling of this year’s 65 submitted and accepted Oscar Foreign Language Films. The event begins with Italy's ‘The First Beautiful Thing.' More at cafilm.org.
Rachel Nanstad finds a unique American story in the Reed Sisters' musical act.
Rachel Nanstad finds a unique American story in the Reed Sisters' musical act.
Rachel Nanstad finds a unique American story in the Reed Sisters' musical act.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
An Asian cinema talk-radio show broadcasts from San Mateo to the world.
An Asian cinema talk-radio show broadcasts from San Mateo to the world.
An Asian cinema talk-radio show broadcasts from San Mateo to the world.
The Castro Theatre hosts six days of double features from the unsurpassed master of suspense, Alfred Hitchcock. The series starts with two of the finest films from Hitchcock’s late British period, ‘The Lady Vanishes’ and ‘The 39 Steps.’ More at castrotheatre.com.
The Film on Film Foundation and Oddball Film and Video offer a little financial advice to start the new year with their program of 16mm ’70s-era shorts, ‘In It For the Money: Short Films You Can Take to the Bank.’ The program plays at 8:00 p.m., Oddball Films, 275 Capp St. More at filmonfilm.org and oddballfilm.com.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
A deceased bride comes to life before the lens of a young photographer in this mysterious film from Portugal’s most prolific film director, Manoel de Oliveira. ‘The Strange Case of Angelica’ plays at the Roxie Theater. More at roxie.com.
The life story of Pakistani politician Benazir Bhutto, the first ever female leader in a Muslim nation, is examined in ‘Bhutto,’ which plays at the Smith Rafael, Clay and Shattuck, with in person filmmaker appearances at select screenings over the weekend. More at caflim.org and landmarktheatres.com.
Sword, sandals and a sinister real-life epilogue: 'Deathstalker' earns top billing in a Midnite for Maniacs evening at the Castro. As one of 1982's bigger box-office hits, Conan the Barbarian accomplished two things. First, it finally made a movie star out of thick-bodied, thicker-accented Arnold Schwarzenegger after several failed attempts. Second, it spawned a legion of cheaper imitations cashing in on the early 1980s' seemingly bottomless need for films to fill cable airtime and video rental shelves. (Remember, until that time there the only commercial outlets for movies were theatrical release and network TV—so these were entirely...
Sword, sandals and a sinister real-life epilogue: 'Deathstalker' earns top billing in a Midnite for Maniacs evening at the Castro. As one of 1982's bigger box-office hits, Conan the Barbarian accomplished two things. First, it finally made a movie star out of thick-bodied, thicker-accented Arnold Schwarzenegger after several failed attempts. Second, it spawned a legion of cheaper imitations cashing in on the early 1980s' seemingly bottomless need for films to fill cable airtime and video rental shelves. (Remember, until that time there the only commercial outlets for movies were theatrical release and network TV—so these were entirely...
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
The Rec Vic hosts a second run of Alex Gibney’s ‘Client 9: The Rise and Fall of Eliot Spitzer,’ which chronicles the accomplishments and scandals surrounding the once popular New York politician. More at redvicmoviehouse.com.
Rough-cut screenings can help you identify problems areas of your film—if you know how to listen.
Rough-cut screenings can help you identify problems areas of your film—if you know how to listen.
Rough-cut screenings can help you identify problems areas of your film—if you know how to listen.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
David Lindsay-Abaire adapts his Pulitzer Prize-winning play for the big screen in director John Cameron Mitchell’s ‘Rabbit Hole,’ the story of a husband and wife struggling to gain control over their lives after a devastating accident. More at landmarktheatres.com.
While 'The Fighter' and 'Black Swan' duke it out at the multiplex, the Roxie offers its own take on male and female athletes via Frederick Wiseman's 'Boxing Gym.' Unexpected views of the American institution emerge in Wiseman's look at Lord's Gym in Austin, Texas. A master of his craft, Wiseman brings out the sport's hypnotic beauty without the aid of narration or interviews. More at roxie.com.
George Hickenlooper’s final film, ‘Casino Jack,’ features Kevin Spacey in the true story of Jack Abramoff, a Washington D.C. lobbyist whose unabashed greed and reckless behavior throws him and his colleagues into a world of thugs and criminals who solve problems the old-fashioned way. More at landmarktheatres.com.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
Tim Burton and Henry Selick’s stop-motion Christmas classic centers on Jack, the Pumpkin King, a bored Halloween trickster who discovers the innocent town of Christmas and becomes one bad Santa. Plays at the Red Vic. More at redvicmoviehouse.com.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Why one local cineaste has made a resolution to support his local theater, the Bridge.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Director Andrew Jarecki revisits disquieting themes from his celebrated documentary ‘Capturing the Friedmans’ in his debut narrative feature, ‘All Good Things,’ which boasts riveting performances from actors Ryan Gosling and Kirsten Dunst. More at landmarktheatres.com.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
One man’s bridge is another man’s catwalk in this inspirational documentary about Chicago’s most eccentric fashion model, Vincent P. Falk, whose spectators aren’t industry icons but passing by boats. Director Jennifer Burns and star Vincent P. Falk in person at the Red Vic. More at redvicmoviehouse.com.
An early example of Jim Jarmusch’s thorough craftsmanship and characteristic sense of humor, ‘Stranger than Paradise’ stars John Lurie as a young New Yorker obligated to look after his visiting Hungarian cousin for ten days. This seminal ‘80s independent production plays at the Roxie Theater. More at roxie.com.
Waters’ live Christmas show at the Roxie raised money for San Francisco’s oldest continuously operating theater as it moves full-steam into its second century.
Waters’ live Christmas show at the Roxie raised money for San Francisco’s oldest continuously operating theater as it moves full-steam into its second century.
Waters’ live Christmas show at the Roxie raised money for San Francisco’s oldest continuously operating theater as it moves full-steam into its second century.
SF Chronicle: "To attract more motion pictures and commercials to shoot in the city, the Film Commission today launched the Scene in San Francisco Vendor Discount Program offering participating productions discounts at businesses from restaurants and hotels to fitness clubs and entertainment venues." More at SFGate.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Society presents the world premiere of John Darnielle’s score to Mauritz Stiller’s silent masterpiece ‘Sir Arne’s Treasure.’ The celebrated singer-songwriter plays live at the Castro Theatre to accompany the film. More at sffs.org.
San Francisco Film Society presents the world premiere of John Darnielle’s score to Mauritz Stiller’s silent masterpiece ‘Sir Arne’s Treasure.’ The celebrated singer-songwriter plays live at the Castro Theatre to accompany the film. More at sffs.org.
Bay Area filmmaker Tom Wyrsch examines the history of San Francisco’s one-time seaside amusement park, Playland, whose origins dated back nearly a century before being torn down in 1972. Wyrsch appears in person at the Smith Rafael Film Center. More at cafilm.org.
YBCA’s ‘Go To Hell For The Holidays: Horror in December’ series continues with Kiwa Moethaisong’s ‘Meat Grinder,’ the story of a disturbed chef who increases her noodle soup sales by adding a simple and grotesque ingredient. More at ybca.org.
The Mountain Goats offer an original score for Mauritz Stiller's rambunctious adventure-turned tragedy/morality tale of 1919.
The Mountain Goats offer an original score for Mauritz Stiller's rambunctious adventure-turned tragedy/morality tale of 1919.
The Mountain Goats offer an original score for Mauritz Stiller's rambunctious adventure-turned tragedy/morality tale of 1919.
Ever wonder how a literary heavyweight might critique your angst-ridden teenage poetry? In ‘Bad Writing’ filmmaker Vernon Lott hands his dusty pages over to some seasoned pros in search of honest feedback and an answer to the film’s predominant question: What’s the difference between good writing and bad? Plays at the Roxie Theater. More at roxie.com.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
Laura Lukitsch's new project asks whether we can replace car culture with biking, public transportation and high-speed rail.
Laura Lukitsch's new project asks whether we can replace car culture with biking, public transportation and high-speed rail.
Laura Lukitsch's new project asks whether we can replace car culture with biking, public transportation and high-speed rail.
This popular Oakland Museum of California exhibition is an all encompassing look at the world’s leading animation studio and includes artwork from 'Ratatouille', 'Wall E', 'Up' and 'Toy Story 3.' More at museumca.org
Federico Fellini made a name for himself with 1954’s ‘La Strada,’ which centers on the adventures of a young girl sold into the circus, and he capitalized, emboldened and underlined that name with 1969’s ‘Satyricon,’ his audacious take on Petronius Arbiter’s fragmented first-century Roman satire. More at castrotheatre.com.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
The Red Vic hosts the U.S. theatrical premiere of Michelle Esrick’s ‘Saint Misbehavin’—The Wavy Gravy Movie,’ which chronicles the rousing life and times of Wavy Gravy, the world’s most endearing hippie-clown-peace activist. More at redvicmoviehouse.com.
Veiko Õunpuu's dream-like study of a middle-aged man’s morality struggle has drawn comparisons to the work of cinema’s most notorious surrealists. ‘The Temptation of St. Tony’ is Estonia’s submission for Best Foreign Language Film at the 83rd Academy Awards. Plays at the Roxie. More at roxie.com.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Of the countless musical compositions inspired by ‘The Passion of Joan of Arc,’ Richard Einhorn’s ‘Voices of Light’ is the only one featured as an audio option on the film’s Criterion Collection release. Einhorn’s oratorio accompanies Carl Theodor Dreyer’s masterpiece live at Oakland’s Paramount Theatre. More at silentfilm.org.
Simon Rumley’s low budget Texas-set horror film tells the story of a disconnected, promiscuous young woman who finds friendship in a mysterious Iraq veteran. ‘Red White & Blue’ kicks off YBCA’s Go To Hell For The Holidays: Horror in December series. More at ybca.org.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
The former Saturday Night Live player was an essential element to some of the most memorable moments in the show’s recent history. In 2009 the actress displayed her versatility in the Sam Mendes-directed ‘Away We Go,’ costarring with John Krasinski. Maya Rudolph discusses her career as a comedienne with Bay Area broadcasting veteran Paul Lancour at Herbst Theater. More at cityarts.net.
When structuring a screenplay, sometimes you need to leave the "advice" behind.
When structuring a screenplay, sometimes you need to leave the "advice" behind.
When structuring a screenplay, sometimes you need to leave the "advice" behind.
A local drug war, an unjust court case and an ignorant police state are the antagonists to three resilient native Colombians in Nicole Karsin’s documentary-in-progress, ‘We Women Warriors.’ More at thelab.org.
Horror legend George Romero offers fundraising advice to first-timers: "Just make the movie. Don’t worry about the money."
Horror legend George Romero offers fundraising advice to first-timers: "Just make the movie. Don’t worry about the money."
Horror legend George Romero offers fundraising advice to first-timers: "Just make the movie. Don’t worry about the money."
The mutli-talented Nora Ephron is credited to some of the most beloved romantic comedies of all time and recently won praise for last year’s ‘Julie and Julia.’ The journalist/screenwriter/director/author discusses life and her latest book, ‘I Remember Nothing: and Other Reflections’ with Bay Area broadcasting veteran Paul Lancour. More at cityarts.net.
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
The story of 17th-century ninja who makes the dangerous decision to run from his own clan, ‘Kamui Gaiden’ is one of Japan’s most expensive movies in history and brings Sampei Shirato’s celebrated '70s comic to the big screen as part of The Red Lantern: Bay Area Asian Cinephiles film series. More at newpeopleworld.com.
This Roxie Theater double feature rejoices in ‘80s punk cinema with ‘Surf II,’ a sequel to a film that was never made, and the outrageous story of a young geek who seeks to destroy surfers by turning them into zombies, plus the classic ‘Times Square,’ which tells of The Sleaze Sisters, two insane asylum runaways who become heroes of New York’s disenchanted youth and features music by Talking Heads and Roxy Music. Presented by editors of the book ‘Destroy All Movies!!!: The Complete Guide to Punks on Film’ and Alamo Drafthouse programmers Zack Carlson and Bryan Connolly. More at roxie.com.
'Client 9' makes the case that Wall Street, not women, brought Eliot Spitzer down. This month commenced with the most stellar edition yet of what's become America's favorite political pasttime, a game we call Out with the (Sorta) Old, In with the (Kinda) New. Payback was especially directed at the current administration's failure to get the economy back to booming. Yet as one of the year's biggest documentaries, Charles Ferguson's Inside Job, noted, conservative politicos and their allies were very much in on the policies that got our collective piggy bank broken and looted in the first place. Though it can certainly stand on its own merits, Client 9 (which opens at local theaters this...
'Client 9' makes the case that Wall Street, not women, brought Eliot Spitzer down. This month commenced with the most stellar edition yet of what's become America's favorite political pasttime, a game we call Out with the (Sorta) Old, In with the (Kinda) New. Payback was especially directed at the current administration's failure to get the economy back to booming. Yet as one of the year's biggest documentaries, Charles Ferguson's Inside Job, noted, conservative politicos and their allies were very much in on the policies that got our collective piggy bank broken and looted in the first place. Though it can certainly stand on its own merits, Client 9 (which opens at local theaters this...
A longtime friendship grows into a film.
A longtime friendship grows into a film.
A longtime friendship grows into a film.
San Francisco Film Society celebrates Italy’s freshest film offerings in the New Italian Cinema series at Landmark’s Embarcadero Center Cinema. Films new and old from director Ferzan Ozpetek begin the weeklong festival, which focuses on a diverse group of work from some of Italy’s most gifted filmmakers, many appearing in person. Opening Night is Ozpetek’s most recent, ‘Loose Cannons,’ which precedes a party at Cigar Bar & Grill, 850 Montgomery Street. More at sffs.org.
"Following its world premiere at this year’s Toronto International Film Festival (TIFF) in September, Lynn Hershman Leeson’s '!Women Art Revolution' has been acquired by Zeitgeist Films for North American distribution," reports Nigel M. Smith. More at indiewire.com.
Laws and treaties protect artists' rights overseas and make the permissions-gathering process all the more important for filmmakers.
Laws and treaties protect artists' rights overseas and make the permissions-gathering process all the more important for filmmakers.
Laws and treaties protect artists' rights overseas and make the permissions-gathering process all the more important for filmmakers.
Writer-director Todd Solondz revisits familiar themes and characters in his latest offering, a sequel to 1998’s critically acclaimed ‘Happiness.’ In ‘Life During Wartime’ Solondz proves he is one dark comedy’s most serious players as he further dissects the struggles of the Jordan family. Plays at the Red Vic on $7 night. More at redvicmoviehouse.com.
The Pacific Film Archive’s series on film giant Carl Theodor Dreyer continues well into the month December and showcases the Danish director’s greatest achievements. Dreyer’s influence on cinema is colossal and ageless as proven in Lars Von Trier’s ‘Medea,’ which he directed for television decades after Dreyer penned the original screenplay. Dreyer’s ‘Michael’ precedes ‘Medea.’ ‘The Master of the House,’ and ‘Leaves from Satan’s Book’ also screen this weekend. More at bampfa.berkeley.edu.
San Francisco Film Society’s New Italian Cinema series wraps up this week at Landmark’s Embarcadero Center Cinema. Upcoming films include Giuseppe Capatondi’s thriller ‘The Double Hour’ and Luis Prieto’s heartfelt drama, ‘I Am Glad You Are Here’ (pictured). The Closing Night film is Paolo Virzì’s ‘The First Beautiful Thing’ with a reception at Fior d’Italia, 2237 Mason Street. More at sffs.org.
From 'Tongues Untied' to 'Black Is.....Black Ain't,' Marlon Riggs' art was a series of radical acts that were both overdue and ahead of their time. Two decades ago, in post-Reagan America, the arts were under fire—one lit by a very particular religious right match. Feeling the heat was the National Endowment for the Arts, a then 25-year-old institution already pretty pitifully funded by comparison with most other developed nations’ governmental arts support. But the small portion of NEA grants that helped avant-garde or otherwise edgy art—as opposed to, say, the local Gilbert & Sullivan society or annual craft fair—provided plenty of opportunities...
From 'Tongues Untied' to 'Black Is.....Black Ain't,' Marlon Riggs' art was a series of radical acts that were both overdue and ahead of their time. Two decades ago, in post-Reagan America, the arts were under fire—one lit by a very particular religious right match. Feeling the heat was the National Endowment for the Arts, a then 25-year-old institution already pretty pitifully funded by comparison with most other developed nations’ governmental arts support. But the small portion of NEA grants that helped avant-garde or otherwise edgy art—as opposed to, say, the local Gilbert & Sullivan society or annual craft fair—provided plenty of opportunities...
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
SFIAF's Online Screening Room gives the festival's animation another dimension.
SFIAF's Online Screening Room gives the festival's animation another dimension.
SFIAF's Online Screening Room gives the festival's animation another dimension.
San Francisco International Animation Festival: Semiconductor's Ruth Jarman and Joseph Gerhardt talk about their work in music, movies and animation. What do you call a duo that considers itself a trio? Or videomakers who call themselves sculptors? Semiconductor has been making video and installation work for over ten years. They consist of Joseph Gerhardt, Ruth Jarman and a computer. They create animations and present live music and visual shows. Everything they do is slightly inside out. The computer is more or less an antagonist in their midst. They haven’t quite broken up the band yet, because the....
San Francisco International Animation Festival: Semiconductor's Ruth Jarman and Joseph Gerhardt talk about their work in music, movies and animation. What do you call a duo that considers itself a trio? Or videomakers who call themselves sculptors? Semiconductor has been making video and installation work for over ten years. They consist of Joseph Gerhardt, Ruth Jarman and a computer. They create animations and present live music and visual shows. Everything they do is slightly inside out. The computer is more or less an antagonist in their midst. They haven’t quite broken up the band yet, because the....
Animated stories from around the world gather at Landmark’s Embarcadero Center Cinema for the fifth SFIAF. Six wide-ranging shorts programs as well as features like Brent Green’s ‘Gravity Was Everywhere Back Then’ and Sunao Katabuchi’s ‘Mai Mai Miracle’ take the screen. Four diverse animators interpret folk rock band The Decemberists’ 2009 concept album in ‘Here Come the Waves: The Hazards of Love Visualized,’ which opens the festival. Opening Night party follows the screening at La Mar Cebichería Peruana at Pier One and One-Half on the Embarcadero. More at sffs.org.
Akira Kurosawa was well into his 70s when he began shooting ‘Ran,’ the war epic that took over a year to film and was then Japan’s most expensive movie in history. The Castro Theater celebrates the 25th anniversary of Kurosawa’s 'King Lear' adaptation, which the iconic director considered his best film. More at castrotheatre.com.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.